THE POSEIDON ADVENTURE
**/**** Image A Sound B+ Extrss B+
starring Gene Hackman, Ernest Borgnine, Red Buttons, Carol Lynley
screenplay by Stirling Silliphant and Wendell Mayes, based on the novel by Paul Gallico
directed by Ronald Neame
THE TOWERING INFERNO
**½/**** Image A Sound A Extrss A
starring Steve McQueen, Paul Newman, William Holden, Faye Dunaway
screenplay by Stirling Silliphant, based on the novels The Tower by Richard Martin Stern and The Glass Inferno by Thomas N. Scortia and Frank M. Robinson
directed by John Guillermin
EARTHQUAKE
**½/**** Image B Sound A-
starring Charlton Heston, Ava Gardner, George Kennedy, Lorne Greene
screenplay by George Fox and Mario Puzo
directed by Mark Robson
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by Alex Jackson SPOILER WARNING IN EFFECT. It’s the politically sensitive early-’70s. Action movies are now Balkanized along ideological lines. Bona fide westerns have become completely hippified (Little Big Man, McCabe and Mrs. Miller), while the values of the traditional western have been transplanted whole into a new genre of gritty law-and-order cop movies (Death Wish, Dirty Harry). The question facing Hollywood is: how do you make an action movie with across-the-board appeal? Irwin Allen hit on a temporary solution with his series of disaster flicks. In 1977, George Lucas stumbled upon a permanent one. I’m not sure it really sank in until I watched Allen’s The Poseidon Adventure and The Towering Inferno back-to-back just how deeply Lucas’ little space opera changed the face of popular entertainment. The broadly allegorical Star Wars films were not only a collective experience, they were a powerful collective experience, too. They placed serious religious issues in a palatable context and provoked a deeply spiritual response from the masses.