A Man for All Seasons (1966) [Special Edition] – DVD

February 27, 2007Posted in1960s, Authors: Travis Mackenzie Hoover, Best Picture (Academy Awards), Biopic, Drama, DVD, UK

**½/**** Image A- Sound B+ Extras B-
starring Wendy Hiller, Leo McKern, Robert Shaw, Paul Scofield
screenplay by Robert Bolt, based on his play
directed by Fred Zinnemann

by Travis Mackenzie Hoover Assessing A Man for All Seasons is no easy task. In its favour is the fact that it’s quite sensitively directed: Fred Zinnemann lays on a level of melancholy largely unheard-of in the costume-movie sweepstakes, making the film plenty more affecting than the twilight-of-Old-Hollywood clunker it could very well have become. Alas, Robert Bolt’s screenplay (and presumably his stage play) is resolutely impervious to directorial manipulation–and also completely full of crap. Bolt’s hilariously over-the-top deification of Thomas More (Paul Scofield) and More’s opposition to the divorce of Henry VIII (Robert Shaw) is so emptied of contemporary meaning that you can project anything you like onto it. Such care has been taken to shift the discussion away from political matters and towards “personal ethics” that an atheist like me can groove to More’s rigid refusal to indulge Henry’s transgression over God’s law.

Crank (2007) [Widescreen] – DVD

February 27, 2007Posted in2000s, Action, Authors: Walter Chaw, Crime, DVD, Esoterica

**½/**** Image A Sound A Extras B
starring Jason Statham, Amy Smart, Jose Pablo Cantillo, Dwight Yoakam
written and directed by Neveldine/Taylor

by Walter Chaw Consider the moment where French-fu schlockmeister Jason Statham marches through downtown traffic clad in a hospital smock, black socks, and boots while sporting a giant erection and ask yourself what more you could want from a dumb action movie called Crank. Seriously. A crotch-first fusion of Rudolph Maté's D.O.A. and "Grand Theft Auto", it defines that genre of video game-inspired non-sequitur mayhem indicated by epileptic edits, CGI-aided wire-fu, and John Woo gunplay by offering a high concept (hero is dying of a rare Chinese toxin that can be held in abeyance only with a steady infusion of adrenaline) as its narrative/excuse to exist.

Requiem (2006) – DVD

February 26, 2007Posted in2000s, Authors: Travis Mackenzie Hoover, Drama, DVD, Germany, Horror

***½/**** Image B Sound A- (IFC) B+ (Mongrel)
starring Sandra Hüller, Burghart Klaussner, Imdgen Kogge, Anna Blomeier
screenplay by Bernd Lange
directed by Hans-Christian Schmid

Requiemcapby Travis Mackenzie Hoover Like most pop epics, The Exorcism of Emily Rose was all about being sure. One had to throw down for the concept of the physical manifestation of Satan–any human considerations were swept aside in the affirmation of God's merciless will. And if certain college girls were crushed to pulp (a sentiment which extends to the general expendability of humankind), so be it. Thank goodness, then, that there's a movie like Requiem, based on the same case that inspired The Exorcism of Emily Rose but comparatively merciful in its mission. It wants to salvage the blighted life of an epileptic tossed around from doctor to doctor–one who, once presented with the beginnings of psychosis, had only religion and a mistrust of medicinal practice to fall back on. She's a victim of other people's indecision rather than of the Devil himself.

The Illustrated Man (1969) – DVD

February 22, 2007Posted in1960s, Authors: Travis Mackenzie Hoover, Drama, DVD, Fantasy, Horror, Sci-Fi

Ray Bradbury's The Illustrated Man
*/**** Image A Sound A Extras B-
starring Rod Steiger, Claire Bloom, Robert Drivas, Don Dubbins
screenplay by Howard B. Kreitsek, based on the book by Ray Bradbury
directed by Jack Smight

Illustratedmancapby Travis Mackenzie Hoover Ray Bradbury's The Illustrated Man (hereafter The Illustrated Man) lays its cards out on the table right from the start. There's not much going on, just a couple of drifters named Carl (Rod Steiger) and Willie (Robert Drivas) taking a dip in the river, unaware of each other's presence. It should have been fairly simple to communicate this, but director Jack Smight is no simpleton: he throws the cuts at you, struggling to achieve with sweeping helicopter shots and other ephemera an effect he ultimately can't articulate. This pretty much sums up the movie, a series of attempts to look like somebody's working when nobody has any idea why they bothered. Coupled with Steiger's obnoxious persona and Drivas' blankness, The Illustrated Man is largely a hole in the screen that turns Ray Bradbury's gripping anthology of the same name into something sluggish and unpleasant to behold.

Down in the Valley (2006) [Widescreen] – DVD

February 21, 2007Posted in2000s, Authors: Walter Chaw, Drama, DVD, Romance, Thriller

*/**** Image B- Sound B+ Extras C-
starring Edward Norton, Evan Rachel Wood, David Morse, Rory Culkin
written and directed by David Jacobson

Downinthevalleycap

by Walter Chaw Almost worth it for a scene on the set of a western where our deranged fabulist hero Harlan (Edward Norton) finally finds a home, David Jacobson's Down in the Valley is otherwise so much pretentious hoohah waving its indie banner like a parasol. Rather than serve to illustrate a point about form and function à la Gus Van Sant's shot-for-shot remake of Psycho, what Jacobson's film does is strain its affection for (affectation of?) Taxi Driver, to the point of re-enacting the sacred "You talkin' to me?" sequence–to the point of actually perverting Scorsese's satire into your typical avenging-father/straying-daughter intrigue. It's possible of course to boil Travis Bickle's odyssey down to that, but to call Down in the Valley "reductive" is too kind: this is Taxi Driver recast as a protect-your-children-from-bad-dates picture, one that turns its back on the dreamlife of a crocodile in favour of the restoration of familial strata. It fails the courage test–going so far as to subtly pose an anti-Second Amendment suggestion–after failing, more damnably, to rationalize its pilfering of perhaps the definitive yawp in modern American cinema. Shake Down in the Valley hard enough and out falls another produced-by vanity piece for Norton to exercise his blank (as in Miyazaki-forest-sprite blank), squinty-eyed Method for the approval of his rapidly-shrinking circle of admirers. As far as the Norton mystique goes, Ryan Gosling is cheaper and prettier.

My Name is Earl: Season One (2005-2006) – DVD

February 20, 2007Posted in2000s, Authors: Ian Pugh, Comedy, DVD, Television

Image A Sound A- Extras B
"Pilot," "Quit Smoking," "Randy's Touchdown," "Faked My Own Death," "Teacher Earl," "Broke Joy's Fancy Figurine," "Stole Beer from a Golfer," "Joy's Wedding," "Cost Dad an Election," "White Lie Christmas," "Barn Burner," "O Karma, Where Art Thou?," "Stole P's HD Cart," "Monkeys in Space," "Something to Live For," "The Professor," "Didn't Pay Taxes," "Dad's Car," "Y2K," "Boogeyman," "Bounty Hunter," "Stole a Badge," "BB," "Number One"

by Ian Pugh I don't know a whole lot about the Buddhist concept of karma, but Earl Hickey knows even less, and I think that's the point. As "My Name is Earl" begins, the titular petty criminal and leech on society (Jason Lee) scratches a winning lotto ticket, whereupon he's immediately struck by a car. While a doped-up Earl convalesces, his cheating wife Joy (Jaime Pressly) seizes the opportunity to divorce him. Flipping through the TV channels from his hospital bed, Earl lands on Carson Daly, who attributes his own success to the most popular understanding of karma: "Do good things and good things happen to you. Do bad things and they come back to haunt you." In the show's first bit of hilarious commentary–one that guides the question of "doing the right thing" (which, in turn, dictates the series as a whole)–celebrity culture gives birth to self-serving pop religion. If Joe Sixpack is taking philosophical lessons from that guy whose primary function was to count down from the number ten…Lord, where did we go wrong?

Man of the Year (2006) [Widescreen] – DVD

February 19, 2007Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, Romance, Thriller

½/**** Image A Sound A Extras C-
starring Robin Williams, Christopher Walken, Laura Linney, Jeff Goldblum
written and directed by Barry Levinson

Manoftheyearcap

by Walter Chaw Notorious dullard Barry Levinson's second try at Wag the Dog, the Robin Williams vehicle Man of the Year is a limp wrist waved weakly at no more pathetic a target than new voting technology. The story, such as it is, involves a late-night political comedian/talk show pundit (in the Jon Stewart mold, I guess, if Jon Stewart were stupid, unfunny, and irritating) named Tom Dobbs (Williams) who carries his antiquated shtick all the way to Pennsylvania Avenue on the back of a faulty computerized voting system. Frail egghead techie Eleanor (Laura Linney, too good for this shit) discovers her company's HAL-like flaw (hardly godlike in her erudition, she puzzles out that the digital voting booths choose winners alphabetically), and then promptly goes on the lam after an inexplicable and out-of-tune assault hays her wires and inspires her to seek out the freshly-minted POTUS-elect to inform him of the error. Meanwhile, Dobbs keeps acting like that asshole Robin Williams, desperately in need of a strong hand at his reins lest he run roughshod over his co-stars, the script, sense, respectability, plausibility, and so on down the line.

The Last Kiss (2006) [Widescreen] + Trust the Man (2006) – DVDs

February 14, 2007Posted in2000s, Authors: Walter Chaw, Canada, Comedy, Drama, DVD, Romance, ZERO STARS

THE LAST KISS
ZERO STARS/**** Image B+ Sound B Extras D
starring Zach Braff, Jacinda Barrett, Casey Affleck, Tom Wilkinson
screenplay by Paul Haggis, based on the screenplay for L'Ultimo Bacio by Gabriele Muccino
directed by Tony Goldwyn

TRUST THE MAN
½/**** Image A- Sound C Extras D
starring Billy Crudup, David Duchovny, Maggie Gyllenhaal, Julianne Moore
written and directed by Bart Freundlich

by Walter Chaw Zach Braff's auto-elevation into the rarefied air of Ed Burnsian self-satisfaction has required a fraction of the smarmcoms, if a meaningful assist from an obscenely-popular TV show that's running on fumes at this point. Garden State is dreadful, of course, swarming with awkward, overwritten, creepy alt-folk montages and pocket epiphanies (just like "Scrubs", albeit with half the rage and exploitation of frailty), but team up former "The Facts of Life" scribe (and Oscar-winning screenwriter) Paul Haggis with instant-brand Braff–he's like sea monkeys: just add grease–for The Last Kiss and discover in the alchemy a more pungent, twice-as-stale vintage of a type of picture that used to be done with grace and wit by people like Whit Stillman and Hal Hartley, cheapened by noxious voice-overs and skeezy dialogues obsessed with the female orgasm without having the honesty to actually show one. What we get instead is the idea that this shit sells to a privileged "indie"-craving hipster demographic oblivious to the fact that "indie" films are as homogenous a ghetto as any other now. (Independent of what? Alternative to what?) There's nothing genuine about these "relationshit" flicks (thanks to blogger John Landis for the term); they're a sloppily-baited hook dangling in a waitlisted stucco bistro.

The Devil’s Rain (1975) – DVD

February 13, 2007Posted in1970s, Authors: Alex Jackson, DVD, Horror, Zombie

***/**** Image A Sound A- Extras B-
starring Ernest Borgnine, Eddie Albert, Tom Skerritt, William Shatner
screenplay by James Ashton, Gabe Essoe, Gerald Hopman
directed by Robert Fuest

by Alex Jackson SPOILER WARNING IN EFFECT. The Devil's Rain is like a bad song you can't get out of your head. It isn't a successful film, or even a particularly good one, but it's made with sincerity, verve, and an understanding of the horror genre's potential for kinetic filmmaking and potent allegory. Moreover, it isn't a cheat–this isn't just another cheap cash-in on the "Satan" craze of the 1970s. The last thing director Robert Fuest and screenwriters James Ashton, Gabe Essoe, and Gerald Hopman are looking to do is take your money and run. And though this is largely a trend of the mid-to-late-'80s onward, they aren't looking to vindicate their reputations by condescending to the material, either. I actually feel a little protective of The Devil's Rain; its failure is one more of incompetence than of cynicism, and that's really rather reinvigorating in an age where self-consciousness reigns supreme in horror films both good (The Texas Chainsaw Massacre: The Beginning) and bad (See No Evil).

Ginger & Fred (1986) – DVD

February 12, 2007Posted in1980s, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD, France, Italy, West Germany

Ginger and Fred
Ginger e Fred
***/**** Image A Sound A
starring Marcello Mastroianni, Giulietta Masina, Franco Fabrizi, Friedrich von Ledebur
screenplay by Federico Fellini, Tonino Guerra and Tullio Pinelli
directed by Federico Fellini

by Travis Mackenzie Hoover The idea of Fellini criticizing television for its vulgarity–as he does in Ginger and Fred–is indeed a bit rich: Federico Fellini complaining of vulgarity is rather like Roberto Rossellini complaining of neo-realism. But beneath the surface of this admittedly shallow lament lies the movie's real theme, which is the displacement of artists once their chosen form is rendered obsolete. It's not too hard to see Fellini himself, high-modernist art director that he was, in his music-hall dancer protagonists, who by 1985 have been completely snowed under by seismic shifts in technology and, by extension, entertainment. Slight as the film may be, you can't help feeling a twinge of regret for not only its leads, but also the increasingly-forgotten filmmaker who pulls their strings.

The Up Series [Five Disk Collector’s Edition] – DVD

February 11, 2007Posted in****/****, 1960s, 1970s, 1980s, 1990s, 2000s, Authors: Ian Pugh, Documentary, DVD, FFC Must-Own, UK

Mustownby Ian Pugh "Give me the child until he is seven, and I will give you the man."

So goes the Jesuit maxim, and, as it happens, so begins almost every review you'll find of Michael Apted's "Up" documentary series. Of course, you can't really fault someone for falling back on that warhorse (or this would be a very ironic paragraph indeed), because it's the concept that brought the original television production Seven Up! to life, intended as it was as "a glimpse into Britain's future." That is to say, into the lives of fourteen seven-year-olds, chosen from all walks of life (though mostly from polar opposites of the class divide) and asked about the world, their ambitions, and just generally how they're doing; they've been revisited for the same purpose every seven years hence.

Jesus Camp (2006) – DVD

February 9, 2007Posted in2000s, Authors: Travis Mackenzie Hoover, Documentary, DVD

**½/**** Image A- Sound B+ Extras B
directed by Heidi Ewing & Rachel Grady

by Travis Mackenzie Hoover It's hard to not be moved by the horrors of Jesus Camp. A record of one Pastor Becky Fischer's far-right Christian summer camp, it's loaded with stuff any compassionate person would decry–usually the cruelty and intimidation of adults, who are often seen scaring children shitless. But even as we may despise these guileless sadists as they reveal themselves to the camera, at some point it all begins to ring hollow. The film has nothing beyond the image of children being bullied while their parents natter on about hateful fundamentalism; perhaps most regrettably, there's no discussion as to why, in the 21st century, 80 million Americans willingly believe in such corrosive nonsense.

Cry-Baby (1990) [Director’s Cut] – DVD

February 7, 2007Posted in1990s, Authors: Walter Chaw, Comedy, DVD, Musical

***½/**** Image A- Sound C+ Extras A+
starring Johnny Depp, Amy Locane, Susan Tyrrell, Iggy Pop
written and directed by John Waters

by Walter Chaw Cry-Baby, John Waters's brilliant, ebullient satire of 1950s teensploitation, finds Johnny Depp and Amy Locane immaculately cast opposite one another as the ne plus ultra "He" and "She" of the Golden Age's doomed-youth pictures. One part Elvis musical calamity, one part queer camp exhibition, it's a cult classic for a reason: The second part of Waters's Hairspray nostalgia trip, Cry-Baby is a jubilant send-up of the lie of atomic-age perfection fixed broadly to the lie of modern sophistication that Waters would confront for the rest of his "legit" career. It's exactly what I imagine a David Lynch rockabilly rebel flick would be like–and indeed, when you get down to it, I don't know whether Lynch and Waters are really all that different.

Here Comes Mr. Jordan (1941) – DVD

February 6, 2007Posted in1940s, Authors: Travis Mackenzie Hoover, Comedy, DVD, Fantasy, Romance

**/**** Image A- Sound B+
starring Robert Montgomery, Claude Rains, Evelyn Keyes, Rita Johnson
screenplay by Sidney Buchman and Seton I. Miller, from the play "Heaven Can Wait" by Harry Segall
directed by Alexander Hall

by Travis Mackenzie Hoover Here Comes Mr. Jordan shakes your faith in the idea of Hollywood as Dream Factory. It's a film about a prizefighter (Robert Montgomery, playing Joe Pendleton) meeting an untimely end in a plane crash and having his consciousness transferred into the body of a murdered millionaire. (When his plane takes a nosedive via the magic of a camera off its axis, so, too, do the clouds in the sky.) There's a patrician, Mr. Roarke-ish afterlife overseer–the titular Mr. Jordan (Claude Rains)–and much switcheroo'ing involving bodies and identities and romance; it would take quite an effort for this to be less than light on its feet. But despite it all, the film hits the ground with a thud and sits there without a truly fanciful thought in its head. Not only is the script so impressed with itself that you can hear the writers crack up at every single feeble joke, but director Alexander Hall has also decided to shoot everything in cold, wide master shots that see everything and suggest nothing. It must be the least wondrous fantasy in Tinseltown history.

The Addams Family: Volume One (1964-1965) + Bones: Season One (2005-2006) – DVDs

January 31, 2007Posted in1960s, 2000s, Authors: Ian Pugh, Comedy, Crime, Drama, DVD, Family, Horror, Mystery, Romance, Television

THE ADDAMS FAMILY: VOLUME ONE
Image B Sound B- Extras B+
"The Addams Family Goes to School," "Morticia and the Psychiatrist," "Fester's Punctured Romance," "Gomez, the Politician," "The Addams Family Tree," "Morticia Joins the Ladies League," "Halloween with the Addams Family," "Green-Eyed Gomez," "New Neighbors Meet the Addams Family," "The Addams Family Meets the V.I.P.s," "Morticia, the Matchmaker," "Lurch Learns to Dance," "Art and the Addams Family," "The Addams Family Meets a Beatnik," "The Addams Family Meets the Undercover Man," "Mother Lurch Visits the Addams Family," "Uncle Fester's Illness," "The Addams Family Splurges," "Cousin Itt Visits the Addams Family," "The Addams Family in Court," "Amnesia in the Addams Family"

BONES: SEASON ONE
Image A Sound A+ Extras C-
"Pilot," "The Man in the S.U.V.," "A Boy in a Tree," "The Man in the Bear," "A Boy in a Bush," "The Man in the Wall," "The Man on Death Row," "The Girl in the Fridge," "The Man in the Fallout Shelter," "The Woman in the Airport," "The Woman in the Car," "The Superhero in the Alley," "The Woman in the Garden," "The Man on the Fairway," "Two Bodies in the Lab," "The Woman in the Tunnel," "The Skull in the Desert," "The Man with the Bone," "The Man in the Morgue," "The Graft in the Girl," "The Soldier in the Grave," "The Woman in Limbo"

by Ian Pugh Charles Addams's darkest cartoons for THE NEW YORKER were routinely hilarious, not just for their brazen denial of the nuclear family unit, but also because, unlike so many of the publication's other strips, they take their one-panel restrictions to heart without coming off as smarmy. Moreover, Addams's scenarios were simple without being stupid, e.g., family of ghouls about to dump boiling oil on Christmas carollers. The problem in turning these characters into a half-hour sitcom, namely "The Addams Family", should be self-evident: it bloats the brisk silliness into a particularly tiresome game of "Opposite Day"–thirty minutes of a family that cheerfully approves of the macabre and homicidal while despising normalcy and respectability.

Elizabeth Taylor-Richard Burton: The Film Collection – DVD

January 30, 2007Posted in****/****, 1960s, Authors: Walter Chaw, Bermuda, Drama, DVD, FFC Must-Own, France, Romance, UK

THE V.I.P.S (1963)
½*/**** Image C+ Sound B
starring Elizabeth Taylor, Richard Burton, Elsa Martinelli, Margaret Rutheford
screenplay by Terence Rattigan
directed by Anthony Asquith

THE SANDPIPER (1965)
½*/**** Image B Sound B- Extras C-
starring Elizabeth Taylor, Richard Burton, Eva Marie Saint, Morgan Mason
screenplay by Dalton Trumbo and Michael Wilson
directed by Vincente Minnelli

MustownWHO'S AFRAID OF VIRGINIA WOOLF? (1966)
****/**** Image A+ Sound A- Extras B
starring Elizabeth Taylor, Richard Burton, George Segal, Sandy Dennis
screenplay by Ernest Lehman, based on the play by Edward Albee
directed by Mike Nichols

THE COMEDIANS (1967)
*½/**** Image B Sound B- Extras C-
starring Richard Burton, Elizabeth Taylor, Alec Guinness, Peter Ustinov
screenplay by Graham Greene, based on his novel
directed by Peter Glenville

by Walter Chaw Also called International Hotel, The V.I.P.s–the first chronologically-released vehicle for Richard Burton and Elizabeth Taylor following the initiation of their legendary infidelities on the set of Cleopatra–is unwatchable dreck of the Old Hollywood variety. When people say "They don't make 'em like they used to," it's a good corrective to start listing off dusty artifacts like this one. As it was something of a financial windfall at the time (though not enough of one to offset the impending disaster of Cleopatra), one assumes that audiences flocked to theatres to sniff the musky odour of Burton/Taylor's forbidden l'amour that had dominated the world's lascivious imagination as production on an epic failure (or failed epic) dragged on for months and years. For me, the curiosity about The V.I.P.s, currently available in Warner's freshly-minted box set of Burton/Taylor pictures made during the height of their notoriety, has a lot more to do with Richard Burton, who was, to my mind, his generation's Russell Crowe. Like Crowe, Burton is thick with virility and gravitas and the ability, by himself, to carry a picture on his broad shoulders; I wonder if his seduction by a relic of Old Hollywood glamour hasn't tainted his legacy irrevocably. My voyeuristic impulse ultimately isn't so different from that of contemporary viewers, in fact, though I do offer the slight caveat that I'm in it to see how touching a match to Burton's already-boundless explosiveness would infect, for good or for ill, what are essentially vanity pieces for a couple drunk on the cult of themselves.

Looker (1981) – DVD

January 29, 2007Posted in1980s, Action, Authors: Bill Chambers, Drama, DVD, Sci-Fi, Thriller

**½/**** Image B Sound C+ Extras B-
starring Albert Finney, James Coburn, Susan Dey, Leigh Taylor-Young
written and directed by Michael Crichton

Lookercap

by Bill Chambers Michael Crichton's Looker is a kinky paranoia thriller in which an unlikely sleuth teams up with the nearest bimbo to solve a murder mystery. It is, in other words, vintage De Palma, and if he'd actually helmed it, legions of cinephiles would've flameproofed it by now. At the risk of further estranging myself from De Palma geeks, I must admit I rather enjoyed watching a Body Double without Armond White guilt-tripping my subconscious–which is not to say that Looker circumvents an auteurist reading altogether, but the idiosyncrasies that betray it as 'Crichtonian' (like a novelistic conceit that starts off each new act with a placard indicating the day of the week*) are less than venerable and thus hardly lend themselves to an apologia.

Fiddler on the Roof (1971) [2-Disc Collector’s Edition] – DVD

January 29, 2007Posted in1970s, Authors: Travis Mackenzie Hoover, Drama, DVD, Family, Musical, Romance

***/**** Image A Sound A Extras B
starring Topol, Norma Crane, Leonard Frey, Molly Picon
screenplay by Joseph Stein, based on his play
directed by Norman Jewison

Fiddlerontheroofcapby Travis Mackenzie Hoover Fiddler on the Roof is sort of the transition point between the late-'60s Twilight of Old Hollywood and the American Renaissance of the '70s. In one sense, it's the very last of the king-sized Broadway adaptations the industry kept churning out to no avail before the advent of Easy Rider, and there's no denying that the film is over-scaled and over-orchestrated in that manner. Yet there's a genuine sensibility going on here beyond masonry and screeching violins: incredibly, director Norman Jewison has managed to infuse the expensive proceedings with a certain emotional honesty–enough to keep you rapt in fascination without sending your blood-sugar level through the roof, if not enough to make Fiddler on the Roof the masterpiece its status as a home-video perennial would suggest.

Running with Scissors (2006) – DVD

January 22, 2007Posted in2000s, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD

**/**** Image A Sound A Extras B
starring Annette Bening, Joseph Cross, Brian Cox, Evan Rachel Wood
screenplay by Ryan Murphy, based on the novel by Augusten Burroughs
directed by Ryan Murphy

Runningwithscissorscapby Travis Mackenzie Hoover It would be hard to not be a little moved by the traumatic goings-on of Running with Scissors. The film is based on Augusten Burroughs's best-selling memoir, and the author has plenty to forget: not merely the failure of his real family, consisting of a distant alcoholic father and a self-righteous failed-poet mother, but also the nightmare of moving out of that home and into that of Mommy's quack psychiatrist. Yet as the horrors pile up, one wonders what's being learned in the midst of all this unburdening. I haven't read Burroughs's book, but Ryan Murphy's screen translation fails completely to draw conclusions from the facts–we're simply dropped in the midst of some seriously unhappy people and left to fend for ourselves. Perhaps the memoirist felt the same way, but without any generalizations drawn it seems rather like that money-grubbing head-shrinker, making hay with other people's depression.

The Promise (2005) – DVD (U.S. version)

January 19, 2007Posted in2000s, Action, Authors: Walter Chaw, China, Drama, DVD, Fantasy, Martial Arts, South Korea

*/**** Image A Sound A- Extras C
starring Hiroyuki Sanada, Jang Dong Gun, Cecilia Cheung, Nicholas Tse
screenplay by Chen Kaige and Zhang Tan
directed by Chen Kaige

Promisecapby Walter Chaw Any fad reaches its nadir in due time and the Western wuxia infatuation, which started somewhere around Crouching Tiger, Hidden Dragon and more or less peaked with Zhang Yimou's exceptional Hero, has found its basement in the truncated version of Chen Kaige's already-pretty-embarrassing The Promise. Somewhere, King Hu is spinning in his grave. An abomination just about any way you slice it, this ultra-expensive, CGI'd-to-exhaustion wire-fu epic–especially as sanitized for North America's consumption–suggests the world's saddest public display of penis envy. Chen, hailing from the same Fifth Generation school as Zhang, produces a show-offy, self-indulgent bit of flamboyant one-upsmanship destined to become a queer camp classic. When the Crimson General (Hiroyuki Sanada) trades in his fabulous duds for a lavender muumuu in which to trade barbs with archenemy Wuhuan (Nicholas Tse, suspended somewhere between pretty girl and Japanese anime hero), a bad guy garbed in white feathers who wields a gold staff topped with a bronze hand, index finger extended in proctological menace, the homoeroticism of the piece–already distracting in the subtext–suddenly becomes the main event. It's probably this unfathomable cut of the film's Rosetta Stone, in fact, pared down to some half-assed companion piece to Chen's own Farewell My Concubine. Without much strain you can see The Promise being transformed, in all its kitsch excess, into a Broadway pop-opera: Memoirs of a Geisha: The Musical.