Cobb (1994) – DVD

September 28, 2003Posted in1990s, Authors: Walter Chaw, Biopic, Drama, DVD, Sports

***½/**** Image A Sound B+ Extras B
starring Tommy Lee Jones, Robert Wuhl, Lolita Davidovich
written and directed by Ron Shelton

by Walter Chaw Completely uncompromising in a way that films, especially sports films, just aren’t, Ron Shelton’s Cobb is one of the most effective hagiographies in film history not for the way that it elevates its subject to sainthood, but for the way that it allows its subject to be one of history’s most notorious, relentless miscreants. A malcontent in every measurable way, Ty Cobb–habitual spousal abuser, virulent racist, sadist (Cobb sent twelve men to the hospital one season), alcoholic, braggart, trigger-happy pistol-brandisher, alleged murderer, and so on–also happens to be the best baseball player in the history of the game. (In a modern era where Barry Bonds is making a claim for the best the game’s produced while also being, hands down, its biggest jerk and public-relations nightmare, Cobb’s transgressions put all of Bonds’s childishness in perspective.) Accordingly, the picture is a beautifully lensed nightmare, Fear and Loathing in Las Vegas shot as a road-trip horror film instead of an acid-enhanced carnival ride, where the villain is the devil in Cobb’s back pocket.

Daisy Miller (1974) – DVD

September 28, 2003Posted in1970s, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD, Romance

***/**** Image B+ Sound A- Extras B+
starring Cybill Shepherd, Barry Brown, Mildred Natwick, Eileen Brennan
screenplay by Frederic Raphael, based on the novella by Henry James
directed by Peter Bogdanovich

by Travis Mackenzie Hoover Daisy Miller is that rare literary adaptation that improves when considered next to its source. Not content to deliver the consumption porn that would later define Merchant-Ivory and their fellow travellers, director Peter Bogdanovich instead serves up a bittersweet evocation of an oblivious life lost and an all-too-conscious one wasted in check, employing the tools of cinema–not just art direction–to make his aesthetic/emotional case. Here, one feels the pressures of late-19th century mores as they close in on the title character and the civilized restraint that keeps its protagonist from acting on impulse; the costumes and furnishings, though lavish enough, are not the main event. And while the self-contained nature of the piece (endemic to the Henry James source) keeps the film from touching greatness, it's still very sensitive work in a genre that is normally beneath contempt.

28 Days Later (2002) [Widescreen Special Edition] – DVD

September 24, 2003Posted in2000s, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Drama, DVD, Horror, Sci-Fi, Thriller, UK, Zombie

28 Days Later…
**½/**** Image B Sound A- Extras A
starring Cillian Murphy, Naomie Harris, Brendan Gleeson, Christopher Eccleston
screenplay by Alex Garland
directed by Danny Boyle

by Travis Mackenzie Hoover 28 Days Later… is a film that shoots for resonance but is too shortsighted to hit the target. Its tale of an England beset by rage-crazed zombies is clearly a metaphor for something–but what? Timing rules out certain international disasters (9/11 happened as the film was shooting), and a certain opacity of intent clouds the entire film, making you reach out for something that you're never sure is really there. There are compensatory pleasures (a general creepiness, one smashing performance), but the film lacks something beyond its grasp, leaving you with an adequate, reasonably entertaining picture, and nothing more.

Enigma (2001) [Special Edition] – DVD

September 23, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Espionage, Germany, Mystery, Netherlands, Romance, Thriller, UK, War

**½/**** Image A- Sound A- Extras A-
starring Dougray Scott, Kate Winslet, Jeremy Northam, Saffron Burrows
screenplay by Tom Stoppard, based on the novel by Robert Harris
directed by Michael Apted

by Walter Chaw The easy thing to say is that the Mick Jagger-produced Enigma is enigmatic–it's more difficult to pinpoint the exact reasons why. Stars Dougray Scott, Kate Winslet, and Jeremy Northam are fine, Tom Stoppard's screenplay would on the surface surely seem fine, and Michael Apted's polished, if unremarkable, direction is the very definition of just fine. So the onus must fall on the material adapted, Robert Harris's follow-up to his much-lauded Fatherland, which promised a Ken Follett romantic espionage page-burner while delivering a staid and occasionally incomprehensible period bodice-ripper crushed under the dual gorgons of the sophomore jinx and the Tom Clancy "guess I'm not very good at dialogue" bogey. Enigma's problems begin and end with its inability to overcome the essential faults of its inherited plot, its most interesting aspect–WWII cryptologists at London's Bletchley Park–subsumed by a run-of-the-mill mystery and a never-in-doubt love story. It appears the curse of many historical fictions that attempt to familiarize the "long ago" with a "universal" romantic story arc dooms Enigma's period and historical detail to function as mere decorative flourish.

The Fighting Temptations (2003)

September 19, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Music, Romance, Theatrical

*/****
starring Cuba Gooding Jr., Beyoncé Knowles, Chloe Bailey, Demetress Long
screenplay by Elizabeth Hunter and Saladin K. Patterson
directed by Jonathan Lynn

Fightingtemptationsby Walter Chaw It's fair to wonder at some point what it is, exactly, about Cuba Gooding Jr. that appeals the most. Is it the broad mugging? The amazingly insulting material? Or is it the kind of manic energy that proves so enervating to most people too old to be entertained by insulting, mugging clowns? And while The Fighting Temptations isn't quite as bad as Snow Dogs, Boat Trip, or Men of Honor, it's somehow less of a movie than either–a collection of flimsy narrative excuses for musical numbers that manages to suggest that poor southern African-Americans are slavishly devoted to the word of New York advertising executives while confirming that there are some characters so revolting as to indeed be above redemption. In its zeal to graft a few uplift dramas to its gospel-highlights showcase, The Fighting Temptations finds in its protagonist an appalling yaw of moral cess and, worse, a lack entire of much of anything resembling a recognizable humanity. Gooding Jr. is typecast in the part, in other words, and things don't appear to be looking up with the dreaded upcoming disability opera Radio.

Cleopatra (1963) [Five Star Collection]; Lawrence of Arabia (1962) [Exclusive Limited Edition|Superbit]; The Mummy (1999) [Ultimate Edition] – DVDs

September 17, 2003Posted in****/****, 1960s, 1990s, Action, Adventure, Authors: Bill Chambers, Best Picture (Academy Awards), Drama, DVD, FFC Must-Own, Romance, UK

CLEOPATRA
**/**** Image A Sound A Extras A+
starring Elizabeth Taylor, Richard Burton, Rex Harrison, Pamela Brown
screenplay by Joseph L. Mankiewicz, Ranald MacDougall and Sidney Buchman
directed by Joseph L. Mankiewicz

MustownLAWRENCE OF ARABIA
****/****
ELE DVD – Image A Sound A Extras B
Superbit DVD – Image A Sound A
starring Peter O'Toole, Alec Guinness, Anthony Quinn, Omar Sharif
screenplay by Robert Bolt and Michael Wilson
directed by David Lean

THE MUMMY
**/**** Image A Sound A (DD)/A+ (DTS) Extras A-
starring Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo
screenplay by Stephen Sommers
directed by Stephen Sommers

by Bill Chambers Cleopatra, meet T.E. Lawrence. Now allow me to introduce the two of you to…Rick O'Connell?

Dreamcatcher (2003) [Widescreen Edition] – DVD

September 16, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Canada, Drama, DVD, Horror, Sci-Fi, Stephen King, Thriller

*/**** Image A- Sound A Extras B-
starring Morgan Freeman, Thomas Jane, Jason Lee, Damian Lewis
screenplay by William Goldman and Lawrence Kasdan, based on the novel by Stephen King
directed by Lawrence Kasdan

by Walter Chaw As stupid as stupid can be, Lawrence Kasdan’s splashy comeback on the backs of two writers who haven’t really been any good for about 40 years between them (Stephen King and William Goldman) is riddled with knee-slapping plot inconsistencies and the sort of dunderheaded conveniences that reek equally of desperation and a lack of respect for the audience. Based on the first King novel written after the author was smeared across a Maine highway by a man who would later kill himself in a trailer, the book is a fine short story trapped in the body of a 600-page book. Hopelessly protracted, after the first 200 pages, the novel becomes a pathetic exercise in chronic self-reference: the malady of a successful author who’s begun to lose the line between reality and his cult of personality. King has become a writer interested in writing love letters to his fanbase and smug gruel for everyone else.

TIFF ’03: The Brown Bunny

September 13, 2003Posted in2000s, Authors: Bill Chambers, Drama, Esoterica, Film Festivals, Japan, TIFF
***/****starring Vincent Gallo, Chloe Sevigny, Cheryl Tiegswritten and directed by Vincent Gallo Editor's Note: Roger Ebert responded to this capsule in his print review when The Brown Bunny was finally released to theatres. It sicced his readers on me, which I deserved; I particularly regret my cheap shot at his weight. Fortunately, I met up with him at a TIFF screening of Saw a few weeks later and it was water under the bridge. (He even told a joke: when I asked if he was "seeing Saw," he said, "I thought I'd teeter-totter instead.") I often wonder if I actually…

TIFF ’03: Vodka Lemon

September 12, 2003Posted in2000s, Armenia, Authors: Bill Chambers, Comedy, Drama, Esoterica, Film Festivals, France, Italy, Switzerland, TIFF
***/****starring Lala Sarkissian, Romen Avinian, Ivan Franek, Armen Marouthianscreenplay by Hiner Saleem, Lei Dinety, Pauline Gouzennedirected by Hiner Saleem by Bill Chambers Discombobulating and deadly dull for its initial half-hour, Hiner Saleem's Vodka Lemon coalesces before it's too late into something by no means ineffectual. The first in an accumulation of vignettes finds an old man being schlepped in his bed through the Armenian tundra to a funeral site, where he promptly removes his dentures to pipe a dirge for the other mourners. The picture continues to lightly tread such surreal ground until the whimsical closing shot, in which music…

TIFF ’03: Gozu

September 10, 2003Posted in2000s, Authors: Bill Chambers, Crime, Drama, Esoterica, Film Festivals, Horror, Japan, Mystery, Thriller, TIFF
Yakuza Horror Theater: Gozu***½/****starring Hideki Sone, Sho Aikawa, Kimika Yoshino, Keiko Tomitascreenplay by Sakichi Sotodirected by Takashi Miike by Bill Chambers I've sat here staring at a flashing cursor, wondering what to write about Takashi Miike's Gozu--a picture whose spirit harks back to the David Lynch of Eraserhead--that could persuade you to see it: Though Gozu begs a viewing, any description likely to pique one's interest would force you to pre-emptively pass moral judgment on a film that a) explicitly requests to be taken as a joke, and b) is too fecund to truly offend. Gozu begins with the over-the-top…

TIFF ’03: Falling Angels

September 9, 2003Posted in2000s, Authors: Bill Chambers, Canada, Comedy, Coming of Age, Drama, Film Festivals, TIFF
*½/****starring Miranda Richardson, Callum Keith Rennie, Katharine Isabelle, Kristin Adamsscreenplay by Esta Spalding, based on the novel by Barbara Gowdydirected by Scott Smith by Bill Chambers Falling Angels has accumulated a lot of buzz over the past couple of days at the TIFF, but I don't mind telling you to ignore it. Basically a Sunday-funnies version of The Virgin Suicides, the film stars an already-typecast Katharine Isabelle as the most embittered of three daughters who live under the gun of a live-wire buffoon (Callum Keith Rennie) while tending to their catatonic mother (Miranda Richardson, doing a mean Joan Allen impersonation).…

TIFF ’03: The Cooler

September 8, 2003Posted in2000s, Authors: Bill Chambers, Drama, Film Festivals, Romance, TIFF
*½/****starring William H. Macy, Alec Baldwin, Maria Bello, Shawn Hatosyscreenplay by Frank Hannah & Wayne Kramerdirected by Wayne Kramer by Bill Chambers A lame exercise in Mamet posturing, The Cooler has been subject to inexplicable pre-release hype for both its tame (by post-Irréversible standards) sex scenes and, allegedly, for being good. William H. Macy plays another variation on his stock nebbish, this one employed by the Shangri-La Casino to "cool" gamblers on a hot streak with his contagious bad luck--a premise that contains the potential to expose the heart of the most superstitious city in America. But writers Frank Hannah…

TIFF ’03: Bon Voyage

September 7, 2003Posted in2000s, Authors: Bill Chambers, Comedy, Drama, Film Festivals, France, Mystery, Romance, Thriller, TIFF, War
*½/****starring Isabelle Adjani, Gérard Depardieu, Virginie Ledoyen, Yvan Attalwritten and directed by Jean-Paul Rappeneau by Bill Chambers "And I'll huff, and I'll puff, and I'll boorrre the hell out of you." Jean-Paul Rappeneau's Bon Voyage labours harder than any film in recent memory to entertain, but the result is so draining I don't remember grooving with it once. In the opening scene, the latest vehicle for champagne starlet Viviane Denverts (Isabelle Adjani, who at 48 should be too old to play an ingénue, but looks at least half her age--it's quite miraculous, really) leaves rapt the attendees of a French…

The Experiment (2001) – DVD

September 6, 2003Posted in2000s, Authors: Walter Chaw, Drama, DVD, Germany, Thriller

Das Experiment
**/**** Image B+ Sound B+
starring Moritz Bleibtreu, Christian Berkel, Oliver Stokowski, Wotan Wilke
screenplay by Don Bohlinger, Christoph Darnstädt, Mario Giordano, based on the novel by Black Box by Giordano
directed by Oliver Hirschbiegel

by Walter Chaw Midnight Express with pretensions, Oliver Hirschbiegel's The Experiment is based loosely on Zimbardo, Haney, Banks, and Jaffe's "Stanford Prison Experiment," conducted in 1971 to test the reactions of twenty-four ordinary college students–some cast as prison guards, others incarcerated in a mock prison–paid fifteen dollars a day for their participation in the study. Having to end the experiment after only six days because of pathological prisoner reactions and sadistic guard reactions, the "Stanford Prison Experiment" remains one of the more ethically shaky mindfucks in Stanford's proud tradition of such things (my favourite of them being the one where experimenters tested men's "performance anxiety" while urinating in public restrooms)–a topic dramatic enough to merit a cinematic treatment, without question, but a treatment served poorly by the formula embellishments favoured by The Experiment.

TIFF ’03: Elephant

September 6, 2003Posted in2000s, Authors: Bill Chambers, Crime, Directors: Gus Van Sant, Drama, Film Festivals, Palme d'Or Winner, Teen, Thriller, TIFF
***½/****starring Alex Frost, Eric Deulen, John Robinson, Elias McConnellwritten and directed by Gus Van Sant by Bill Chambers Though it ultimately garnered Gus Van Sant the Best Director prize (in addition to the Palme d'or), Elephant's lukewarm reception among ink-slingers at last May's Cannes Film Festival confirms the dulled senses of the critical establishment--that a contemporary masterwork can practically blind with its colour scheme and still go unrecognized as such by cinema's ambassadors is more terrifying than anything in Van Sant's searing interpretation of the Columbine atrocity. The first film intended for theatrical exhibition to be screened in Academy ratio…

TIFF ’03: Monsieur Ibrahim et les fleurs du Coran

September 6, 2003Posted in2000s, Authors: Bill Chambers, Comedy, Coming of Age, Drama, Film Festivals, France, TIFF
**½/****starring Omar Sharif, Pierre Boulanger, Gilbert Melki, Isabelle Renauldscreenplay by François Dupeyron, based on the novel by Eric-Emmanuel Schmittdirected by François Dupeyron by Bill Chambers Set, for the most part, against the backdrop of a Paris ghetto circa the early 1960s, Monsieur Ibrahim et les fleurs du Coran ("Coran" being the French spelling of the Qur'an) is an agreeable coming-of-age fable in the Tony Gatlif vein. Moses "Momo" Schmitt (Pierre Boulanger), an artless Jewish youth accustomed to holding down the fort while his father sweats away in an office for a piddling wage, regularly purloins items from the grocery run…

TIFF ’03: The Barbarian Invasions

September 4, 2003Posted in2000s, Authors: Bill Chambers, Canada, Comedy, Crime, Drama, Film Festivals, France, Mystery, Romance, TIFF
Les Invasions barbares**½/****starring Rémy Girard, Stéphane Rousseau, Marie-Josée Croze, Marina Handswritten and directed by Denys Arcand by Bill Chambers Denys Arcand's The Decline of the American Empire belongs to the homecoming genre of films like Lawrence Kasdan's The Big Chill and John Sayles's Return of the Secaucus Seven, but its quasi-sequel, twice honoured at this year's Cannes Film Festival (for Marie-Josée Croze's performance and Arcand's screenplay), is a Muppet movie with socialists. When embittered poli-sci professor Rémy (Rémy Girard) is diagnosed with untreatable cancer, his estranged, millionaire son Sébastien (David Duchovny look-alike Stéphane Rousseau) seeks out Rémy's Marxist friends of…

Never on Sunday (1960) + The Man from Elysian Fields (2002) – DVDs

August 28, 2003Posted in1960s, 2000s, Authors: Walter Chaw, Comedy, Drama, DVD, Greece, Romance

Pote tin Kyriaki
***/**** Image A Sound B
starring Melina Mercouri, George Foundas, Titos Vandis
written and directed by Jules Dassin

THE MAN FROM ELYSIAN FIELDS
**½/**** Image B+ Sound B+ Extras C-
starring Andy Garcia, Mick Jagger, Julianna Margulies, Olivia Williams
screenplay by Phillip Jayson Lasker
directed by George Hickenlooper

by Walter Chaw They could be sisters in philosophy. The school of happy-go-lucky hookers perfected by Billy Wilder and his Irma La Douce (1963) also graduated Melina Mercouri’s Ilya three years previous in expatriated filmmaker Jules Dassin’s ebullient Never on Sunday (1960). Dassin and Wilder are involved in a perverse sort of mythmaking–fed by the artifice of classic theatre for Dassin, and for Wilder, more, the hysterical artifice of musical theatre, reclaiming the state of whore to the state of Madonna in what feels like a mania for order in a world without it. The whore as pacific nurturer, Rose of Sharon recast as Xaviera Hollander, represents a cynic’s compromise: the font of life and hearth nursed in the oft-fondled breast of a wanton woman. Mary Magdalene, unrepentant–ascendant.

Bend It Like Beckham (2002) [Widescreen Edition] – DVD

August 26, 2003Posted in2000s, Authors: Bill Chambers, Comedy, Drama, DVD, Germany, Romance, Sports, UK

**½/**** Image A- Sound A Extras A-
starring Parminder Nagra, Keira Knightley, Jonathan Rhys-Meyers, Anupam Kher
screenplay by Gurinder Chadha, Guljit Bindra, Paul Mayeda Berges
directed by Gurinder Chadha

by Bill Chambers This year's British-import-pre-sold-as-a-hit Bend It Like Beckham coasts on its similitude to John Badham's magnificent Saturday Night Fever, but when all a picture is doing is reminding you of a better one without embarrassing itself, it can hardly be called a triumph. I'm surprised that more critics haven't picked up on the film's debt to Saturday Night Fever, actually, which extends to the set design and placement of key props. It's this kind of popular coding that has, I suspect, buoyed Bend It Like Beckham aloft the market doldrums of other mainstream-pitched East-meets-West comedies (East Is East, Bollywood/Hollywood): the subliminal affiliation of one ethnicity (orthodox Sikh) with another (Italian-Americans) that was long ago embraced by the masses.

Four Faces West (1948) + Blood on the Sun (1945) – DVDs

August 26, 2003Posted in1940s, Authors: Travis Mackenzie Hoover, Drama, DVD, Romance, Thriller, War, Western

FOUR FACES WEST
*/**** Image B Sound B+
starring Joel McCrea, Frances Dee, Charles Bickford, Joseph Calleia
screenplay by C. Graham Baker, Teddi Sherman; adaptation: William Brent and Milarde Brent, based on the novel by Eugene Manlove Rhodes
directed by Alfred E. Green

BLOOD ON THE SUN
**½/**** Image F Sound B+
starring James Cagney, Sylvia Sidney, Porter Hall, John Emery
screenplay by Lester Cole, with additional scenes by Nathaniel Curtis
directed by Frank Lloyd

by Travis Mackenzie Hoover Auteurism giveth, auteurism taketh away. It’s generally assumed that if we gravitate to the director with the greatest skill and the most obvious “personal” style, we will be doing ourselves a big cultural favour and putting ourselves on the side of the angels. And indeed, we generally strive for the power and aesthetic purity of those “originals,” as they give us the most pleasure. But if we declare–regardless of whether that personality has anything to say or says anything halfway coherent–that the only criterion of value in a film is a director’s personality, we will be shutting ourselves off from the other thing that artists do, which is interpreting the world for us. And sometimes lesser filmmakers take on subjects that great artists ignore–creating, if not brilliant analyses, something to stand for or against.