The Pacific (2010) – Blu-ray Disc

January 20, 2011Posted in2000s, 2010, 2011, Action, Adventure, Australia, Authors: Jefferson Robbins, Blu-ray Disc, Drama, Television, War

Image A Sound A+ Extras A-

by Jefferson Robbins The Greatest-Generation worship that Steven Spielberg and Tom Hanks share is appreciable and understandable, but by the close of their latest collaborative HBO miniseries, "The Pacific", you sort of hope they've got it out of their systems. That's not to say the story encapsulated here didn't warrant telling–the flash conceptualization today is of World War II as a European war, where "rules of combat" may still obtain. The fiercely bloody Pacific campaign–very much a gazing-into-the-abyss kind of conflict, making monsters of men–has become a near-afterthought. So a big-budget TV treatment, in line with the star producers' 2001 "Band of Brothers", seems natural.1 But by remaining "true" to the experiences of the U.S. Marines who fought their way from Guadalcanal to the doorstep of Japan, the story comes across as a thing of half-reconciled parts, periscopic views of the larger picture. I mean, more than a miniseries usually does–like it's two miniseries grafted onto one another.

The Color Purple (1985) [Two-Disc Special Edition] – DVD | Blu-ray Disc (DigiBook) + Eve’s Bayou (1997) [Lions Gate Signature Series] – DVD

January 16, 2011Posted in1980s, 1990s, 2011, Authors: Bill Chambers, Blu-ray Disc, Coming of Age, Drama, DVD, Mystery, Spielberg

THE COLOR PURPLE
***/****
DVD – Image A- Sound A- Extras A-
BLU-RAY – Image A Sound A Extras A-
starring Whoopi Goldberg, Danny Glover, Adolph Caesar, Margaret Avery
screenplay by Menno Meyjes, based on the novel by Alice Walker
directed by Steven Spielberg

EVE'S BAYOU
**½/**** Image B Sound B Extras B+
starring Samuel L. Jackson, Lynn Whitfield, Debbi Morgan, Vondie Curtis-Hall
written and directed by Kasi Lemmons

by Bill Chambers In the prologue to Steven Spielberg's The Color Purple, black sisters Celie (Desreta Jackson) and Nettie (Akosua Busia) play patty-cake in a field of blue-pink flowers. Celie, the ugly duckling, is pregnant with her second illegitimate child, and when she has the baby, her father (Leonard Jackson) cruelly whisks it away to a new home, as he did her firstborn. Later, her father disposes of Celie, too, betrothing her to Albert, a.k.a. "Mister" (Danny Glover), a vicious stranger on horseback seeking Nettie's hand in marriage. Concerned with more than just lonely Celie (Whoopi Goldberg as an adult) summoning the confidence to defy Albert (less through her own sexual awakening, as in The Color Purple's source material, than through a cultivated sisterhood with the women in her orbit), the picture examines a generation of emancipated African-American men who, poisoned by the slave mentality, treat their women like Cinderella in a misguided salvo to independence. Shit rolls downhill, in other words.

Eat Pray Love (2010) – Blu-ray Disc

January 4, 2011Posted in2000s, 2010, 2011, Authors: Walter Chaw, Biopic, Blu-ray Disc, Drama, Road Movie, Romance, ZERO STARS

ZERO STARS/**** Image B Sound B+ Extras D
starring Julia Roberts, James Franco, Richard Jenkins, Javier Bardem
screenplay by Ryan Murphy & Jennifer Salt, based on the book by Elizabeth Gilbert
directed by Ryan Murphy

by Walter Chaw It's a little tempting to not take the piss out of this latest instalment of How Julia Got Her Tube Packed, but the sins of Ryan Murphy's unwatchable Eat Pray Love are such that it's nigh impossible for any sentient human to resist. More interesting might be to chart the route America's sweetheart has taken to becoming one of the most irritating and hateful personas in the modern pantheon–how the once top-earning female star is lately this pinched, drawn, graceless thing trying her best and in vain to recapture the sociopathic sprightliness of her early successes. It could simply be the natural process of aging that makes it harder for her wronged-woman act to cull any sympathy: a 43-year-old woman making pouty lips and acting out is a much different animal than her 23-year-old self doing same. If she were to poison her husband or steal her best friend's bridegroom now, it would play very differently. And play differently it does as she dumps her non-descript/non-character hubby (Billy Crudup, typecast), buys an Italian phrasebook ("Every word in Italian is like a truffle!" the moron says), and travels to Bali in search of wisdom at the feet of adorably helpful minorities who only exist in movies like this to help coddled, rich, white people be content with their unimaginable privilege. If On the Waterfront was Kazan's apologia for singing like a canary, then Julia's late career seems an apologia for buying someone else's husband and getting away with it, for the most part, in the court of public opinion.

Somewhere (2010)

December 22, 2010Posted in****/****, 2000s, 2010, Authors: Walter Chaw, Comedy, Directors: Sofia Coppola, Drama, Italy, Japan, Theatrical, UK

****/****
starring Stephen Dorff, Elle Fanning, Chris Pontius, Michelle Monaghan
written and directed by Sofia Coppola

by Walter Chaw Sofia Coppola’s Somewhere is another of her little tales of listlessness and the lost, of the beauty in the longueurs of existential crises. The summation of her riffs on loneliness and temporariness and the brief interludes of light that merely serve as punctuations for the dark, it’s her best film. Funny how one of the great, near-universally-accepted cinema fiascos could net a filmmaker damaged enough to make delicate, ambiguous pictures about the fear of growing up. It’s there at those crossroads that Coppola’s work locates itself with characters in situations larger than them, buffeted into ideological corners and forced to answer Prufrock-ian questions, cloistered in hotels and Versailles that substitute for chambers of the sea, indeed, among some talk of you and me. Somewhere feels deeply, intensely personal, though the only secrets it divulges are the obvious ones (the life of reluctant celebrity played out in anonymous rooms before invisible audiences), so that its intimacy is a product of a conversation between its impossible signs and the nostalgia for an experience of loss that we provide it. It’s gorgeous, and gorgeously broken–a movie about lifelines by a person who’s drowned.

The Town (2010) – Blu-ray + DVD + Digital Copy

December 20, 2010Posted in2000s, 2010, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Crime, Drama, DVD, Romance, Thriller

***½/**** Image A- Sound A Extras B
starring Ben Affleck, Jon Hamm, Rebecca Hall, Chris Cooper
screenplay by Peter Craig and Ben Affleck & Aaron Stockard, based on the novel Prince of Thieves by Chuck Hogan
directed by Ben Affleck

by Walter Chaw If I'm still not entirely sold on Ben Affleck as an actor of depth, I'm completely sold on him as a director of depth. A director good enough, as it happens, to identify and avoid the actor's own weaknesses and augment his strengths, and to guide Affleck the actor to his best performance in a picture, The Town, that would be something like a revelation were Affleck's directorial debut, Gone Baby Gone, not so exceptional. Absolutely filthy with its story of place, count The Town as a tough-love love letter to Boston suburb Charlestown, a place established in the film as a breeding ground for bank robbers. Affleck plays Doug MacCray, the head of one such crew that also includes childhood buddy Jimmy (Jeremy Renner, excellent again) in an echo of the macho/familial dynamic established in the Aussie bank robber drama Animal Kingdom. More about the ties that bind men to a place and an idea of manhood than about the crimes themselves, The Town compensates for what it lacks in originality with its patience and its bracing trust in its screenplay and cast. Monologues that could be didactic are laced with what feels like genuine yearning; a moment in which Doug tells new girlfriend Claire (Rebecca Hall) about his childhood could have (should have) been embarrassing, but comes off under Affleck's surprising wisdom as heartfelt, even resonant.

The Fighter (2010)

December 17, 2010Posted in2000s, 2010, Action, Authors: Walter Chaw, Biopic, Drama, Sports, Theatrical

*/****
starring Mark Wahlberg, Amy Adams, Christian Bale, Melissa Leo
screenplay by Scott Silver and Paul Tamasy & Eric Johnson
directed by David O. Russell

Fighterby Walter Chaw In this episode of Mark Wahlberg Talks to Animals, former Funky-Bunch yogi and butt-model Wahlberg gets in the ring, but his real challenge comes in the upstaging Method skull-sharpening of Christian Bale and all the white-trash broads of Style Channel's Bostonburba-licious. Oscar-baiting is the least of the picture's myriad crimes, though–tune in to director David O. Russell's absolutely gassed The Fighter for a training montage, an inexplicable '80s soundtrack (pop quiz: Last time Whitesnake used in a film without irony? It's a trick question), and a Rocky trajectory to the Big Fight, this time with Hollywood ending intact. Through it all, centring it like a brick on a shit-blanket, is Wahlberg, his dim-bulb "Say hi to your mother for me, all right?" persona the immovable object stalemating the plot's unstoppable force. The only thing really surprising about The Fighter is that Ron Howard didn't direct it.

TCM Greatest Classic Films Collection: Hammer Horror – DVD

December 14, 2010Posted in1950s, 1960s, 2010, Authors: Jefferson Robbins, Drama, DVD, Horror, Romance, Sci-Fi, Thriller, UK, Vampire

HORROR OF DRACULA (1958)
***/**** Image B- Sound B-
starring Peter Cushing, Michael Gough, Melissa Stribling, Christopher Lee
screenplay by Jimmy Sangster
directed by Terence Fisher

DRACULA HAS RISEN FROM THE GRAVE (1968)
***/**** Image B+ Sound B
starring Christopher Lee, Rupert Davies, Veronica Carlson, Barry Andrews
screenplay by John Elder
directed by Freddie Francis

THE CURSE OF FRANKENSTEIN (1957)
***½/**** Image C- Sound B
starring Peter Cushing, Hazel Court, Robert Urquhart, Christopher Lee
screenplay by Jimmy Sangster
directed by Terence Fisher

FRANKENSTEIN MUST BE DESTROYED (1969)
***/**** Image B Sound C+
starring Peter Cushing, Veronica Carlson, Freddie Jones, Simon Ward
screenplay by Bert Batt
directed by Terence Fisher

Frankensteindestroyedcapby Jefferson Robbins As one of the twin stars of the original Hammer Films horror canon, the precise and skilful Peter Cushing had the task of portraying both villain (Dr. Frankenstein) and vanquisher (Dr. Van Helsing). His co-star Christopher Lee, on the other hand, seldom got to be the good guy: when he wasn’t baring plastic fangs or crusted over with dried-prune makeup, he usually embodied a more human evil. Lee’s unmasked performances were assertions of will–his Dracula, for instance, overwhelms with force of presence and a hungry smoulder in his eyes. Cushing could not disguise his native gentility and bladed intelligence, but he could turn those qualities towards sinister or humanitarian ends as needed.

One Flew Over the Cuckoo’s Nest (1975) [Two-Disc Special Edition] – DVD + One Flew Over the Cuckoo’s Nest (’08 release + ’10 reissue) – Blu-ray Discs

December 7, 2010Posted in****/****, 1970s, 2010, Authors: Bill Chambers, Best Picture (Academy Awards), Blu-ray Disc, Drama, DVD, FFC Must-Own, Jack Nicholson

****/****
DVD – Image A Sound B+ Extras B+
'08 BD – Image A- Sound A- Extras B+
'10 BD – Image A- Sound A- Extras A+
starring Jack Nicholson, Louise Fletcher, William Redfield, Will Sampson
screenplay by Lawrence Hauben and Bo Goldman, based on the novel by Ken Kesey
directed by Milos Forman

Oneflewoverthecuckoosnestdvdcap

by Bill Chambers Philosophically sound, motivational, inspirational, Czech director Milos Forman's One Flew Over the Cuckoo's Nest is one of a small number of Best Picture winners to actually deserve the statuette. Arriving at the crest of a European-influenced period of filmmaking, before "brats" Spielberg and Lucas hijacked Hollywood once and for good, One Flew Over the Cuckoo's Nest is not popularly considered a seminal movie of its cinematically lauded decade, though it did change the tenor of Jack Nicholson's career (he'd always played loose cannons, but of a squarer breed) and became the first film since 1934's It Happened One Night to sweep the five major Oscar categories: Picture, Actor, Actress, Director, and Screenplay.

Lost in Translation (2003) – Blu-ray Disc + Anything Else (2003) – DVD

December 6, 2010Posted in2000s, 2010, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, Directors: Sofia Coppola, Drama, DVD, France, Japan, Romance, Scarlett Johansson, UK, ZERO STARS

LOST IN TRANSLATION
***½/**** Image B- Sound A- Extras B
starring Bill Murray, Scarlett Johansson, Giovanni Ribisi, Anna Faris
written and directed by Sofia Coppola

ANYTHING ELSE
ZERO STARS/**** Image A- Sound B+
starring Woody Allen, Jason Biggs, Christina Ricci, Danny DeVito
written and directed by Woody Allen

Lostintranslationby Walter Chaw It feels a lot like life is an endless succession of heartsickness and anticipation of heartsickness. After a while, taking a line from Tender Mercies, it's hard to trust happiness anymore when happiness feels so ephemeral compared to the weight of grief. Sofia Coppola's Lost in Translation is about the wear of time and the unbearable burden of experience–it's about how even what's new and fresh is darkened by the ghosts of regret and time. When Bill Murray's fading star Bob Harris arrives in Tokyo to lend his image to a top-shelf whiskey, he is suffused with so much of the sadness of living that the surprise of life has become something to be viewed with suspicion. Newness fades and that familiar malaise, weary and grey, inevitably takes its place, sometimes even before the exhilaration of newness can reinvigorate. Bob meets Charlotte (Scarlett Johansson) in the hotel bar; she's in town with her photographer husband (Giovanni Ribisi), and together Bob and Charlotte paint the town blue.

Black Swan (2010)

December 3, 2010Posted in****/****, 2000s, 2010, Authors: Walter Chaw, Directors: Darren Aronofsky, Drama, Theatrical, Thriller

****/****
starring Natalie Portman, Vincent Cassel, Mila Kunis, Barbara Hershey
screenplay by Andres Heinz and Mark Heyman and John McLaughlin
directed by Darren Aronofsky

by Walter Chaw She’s incapable of reaching climax throughout the first hour of Black Swan, but then the floodgates open in the most Keatsian work in Darren Aronofsky’s growing portfolio of Romanticist explorations. Call it a ballet of the consummation sublime, the idea that once achieved, the immediate disappointment and disgust for the act overwhelms the sexual release of the moment before–and watch Black Swan in a lovelorn double-feature with Jane Campion’s Bright Star for the full impact of Aronofsky’s achievement here. As a thriller, Black Swan doesn’t do much more than graft a few phantom frames onto the periphery of Jean Benoit-Levy’s Ballerina, Altman’s The Company, or Powell/Pressburger’s The Red Shoes–but note how the picture owes its creepy intensity to the sort of social satire-through-body horror popularized by David Cronenberg. (Though it’s Cronenberg as fever dream rather than as insectile chill.) Note, too, how Natalie Portman finally finds herself the actor she was always considered to be in a role that breaks her legs and feet, forces her to masturbate and self-mutilate, and in the end transforms her into the very effigy of the absolute, voracious, consumptive nature of creation. In its nasty sexual biology, it’s the evocation of the secret ending to Charlotte’s Web–the off-stage fucking, and cannibalism, and matricide, and all that hunger prettified into a phrase artfully turned.

Fight Club (1999) [10th Anniversary Edition] – Blu-ray Disc

November 29, 2010Posted in1990s, 2010, Authors: Walter Chaw, Blu-ray Disc, Comedy, Directors: David Fincher, Drama, Esoterica

***/**** Image A Sound A+ Extras A
starring Brad Pitt, Edward Norton, Helena Bonham Carter, Meat Loaf Aday
screenplay by Jim Uhls, based on the novel by Chuck Palahniuk
directed by David Fincher

by Walter Chaw SPOILER WARNING IN EFFECT. My on-again/off-again love affair with David Fincher began with a PREMIERE article I read about how much of an asshole he was on the set of Alien3, dumping a few-hundred baby crickets on a pretty surprised, pretty pissed, pretty skivvies-clad Sigourney Weaver. But I didn't really prick up my ears until his urban/ecclesiastical serial killer masterpiece Se7en revealed to me a key to unlocking the Coens' Barton Fink–being, as they were, thematic doppelgängers. Soaked in wet and Hemingway, Fincher declares the world a scam and appoints himself the snake-oil barker shilling from the proscenium on the wagon; Barton Fink, also stained sepia brown, also ostensibly engaged in the pursuit of a serial killer and the excoriation of deadly sins, is the spirit to Se7en's flesh. Even as he flounders at the heartbeat, Fincher finds the headlong of his carnal lather again in his adaptation of Chuck Palahniuk's Fight Club, establishing his mission statement as subterranean explorations of masculine aggression and explaining to me my tendency to confuse Fincher's films with those of Michael Mann. Focusing on the testosterone in Fincher's pictures offers partial explanation of the movies in his oeuvre that don't work (and, within those failures, the parts that do). Too, it's explanation of why it is that Fight Club's ending is so jarringly unsatisfying–"You met me at kind of a strange time in my life" the nancy punchline to two-plus hours of quintessential asshole cinema.

The Kids Are All Right (2010) – Blu-ray Disc

November 23, 2010Posted in2000s, 2010, Authors: Bill Chambers, Blu-ray Disc, Comedy, Coming of Age, Drama, France, Romance

**/**** Image A Sound A Extras B
starring Annette Bening, Julianne Moore, Mia Wasikowska, Josh Hutcherson
screenplay by Lisa Cholodenko & Stuart Blumberg
directed by Lisa Cholodenko

by Bill Chambers Joni (Mia Wasikowska) and her younger brother Laser (Josh Hutcherson) are the offspring of lesbian couple Nic (Annette Bening) and Jules (Julianne Moore) and an anonymous sperm donor named Paul (Mark Ruffalo). Nic and Jules shared the burden of pregnancy, and though The Kids Are All Right never comes right out and says who gave birth to whom, the dispositional echoes, subtle shows of favouritism, and even just the kids’ names suggest that gynecologist Nic had the overachieving Joni and hippie-dippy Jules bore impressionable, impetuous Laser. But the movie’s more intriguing when the dots are harder to connect. Nic, for instance, gets off on watching a tape of two guys fornicating as Jules pleasures her. And Laser has to guilt goodie-goodie Joni into contacting their biological father, yet it’s Joni who takes an immediate shine to the man, while Laser sniffs, “I think he’s a little into himself”–directly mirroring Nic’s subsequent assessment of Paul as “self-satisfied.” A critical callback, it shows that Nic and Jules aren’t two single mothers sharing a roof à la “Kate & Allie”, but parents whose dynamic jointly influences their children. It’s also more convincing evidence of their togetherness than their bedtime nicknames for each other (“chicken” and “pony”), which the actresses can barely utter without giving away the blooper reel.

Bored to Death: The Complete First Season (2010) – Blu-ray Disc

November 22, 2010Posted in2000s, 2010, Authors: Jefferson Robbins, Blu-ray Disc, Comedy, Crime, Drama, Mystery, Television, Thriller

Image B Sound B Extras C+
"Stockholm Syndrome," "The Alanon Case," "The Case of the Missing Screenplay," "The Case of the Stolen Skateboard," The Case of the Lonely White Dove," "The Case of the Beautiful Blackmailer," "The Case of the Stolen Sperm," "Take a Dive"

by Jefferson Robbins With its accomplished but psychologically malformed boy-men, the first season of novelist-screenwriter Jonathan Ames's "Bored To Death" feels like a Judd Apatow joint transplanted to Tom Wolfe's outer boroughs. Its characters all want to be Masters of their particular Universes, but they're either hamstrung by their own neuroses or carting them along like luggage in spite of success. We know we're watching an HBO comedy, though it's often hard to discern where the comedy is supposed to be located. In Woody Allen nebbishism? In misdirection and error? In slapstick? In satirizing the hip, self-satisfied artistes of millennial New York's most fashionable burg? Barring a few episodes that succeed on the other points, the latter feels most likely.

Red Riding (2009) [Special Edition] – Blu-ray Disc

November 15, 2010Posted in2000s, 2010, Authors: Bryant Frazer, Blu-ray Disc, Crime, Drama, Mystery, Thriller, UK

RED RIDING
**½/**** Image B+ Sound B Extras C

THE YEAR OF OUR LORD 1974
**½/****
starring Andrew Garfield, Sean Bean, Warren Clarke, Rebecca Hall
screenplay by Tony Grisoni, based on the novel Red Riding: Nineteen Seventy-Four David Peace
directed by Julian Jarrold

THE YEAR OF OUR LORD 1980
***/****
starring Paddy Considine, Jim Carter, Warren Clarke, Sean Harris
screenplay by Tony Grisoni, based on the novel Red Riding: Nineteen Eighty David Peace
directed by James Marsh

THE YEAR OF OUR LORD 1983
**/****
starring Mark Addy, David Morrissey, Jim Carter, Warren Clarke
screenplay by Tony Grisoni, based on the novel Red Riding: Nineteen Eighty-Three David Peace
directed by Anand Tucker

by Bryant Frazer Red Riding, adapted by screenwriter Tony Grisoni into three movies from four novels by David Peace, is an awfully downbeat thing that's difficult to classify. It's not really a mystery, because the central crimes are barely the point (at least in the first two films), and the question isn't whodunit, but who among all those involved is not yet corrupt. It's not a police procedural, because the only effective police work we see is of the thuggish, back-room variety. In its specificity of time and place–nine years in Yorkshire, a county in northern England–it recalls James Ellroy's novels about Los Angeles cops in the 1940s and '50s. But Ellroy's stories were bracing because their point of view came from inside a department dominated by bigotry and machismo and tormented by its own failings. Each of the Red Riding stories comes at the situation mostly from an outsider's perspective, elevating a principled crusader to the high ground, then having the corrupt institution take potshots at him, decimating his footing.

The Treasure of the Sierra Madre (1948) [Two-Disc Special Edition] – DVD|Blu-ray Disc

November 15, 2010Posted in****/****, 1940s, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Drama, DVD, FFC Must-Own, Mexico, Thriller, Western

****/****
DVD – Image A Sound B+ Extras A+
BD – Image A- Sound A- Extras A
starring Humphrey Bogart, Walter Huston, Tim Holt, Bruce Bennett
screenplay by John Huston, based on the novel by B. Traven
directed by John Huston

Mustownby Walter Chaw John Ford isn’t America’s Akira Kurosawa, John Huston is, and The Treasure of the Sierra Madre, an intimate epic that unfolds against the backdrop of the Mexican Revolution, is Huston’s Throne of Blood. Huston also draws comparisons to Ernest Hemingway, not just for being a man’s man in life, but for his precision and economy in art. There isn’t any flab on The Treasure of the Sierra Madre–it’s as sleek as a dancer in its waltz between complex character drama on the one side and broad social commentary on the other. There haven’t been many better American films (it’s Huston’s best film next to Fat City and maybe The Misfits, and it boasts of Humphrey Bogart’s best performance without question), and when it’s spoken of, it’s spoken of in terms of one of those films that decided careers in the cinema for generations of filmmakers.

The Player (1992) – Blu-ray Disc

November 8, 2010Posted in1990s, 2010, Authors: Alex Jackson, Authors: Bill Chambers, Blu-ray Disc, Comedy, Crime, Directors: Robert Altman, Drama, Mystery, Romance, Thriller

***/**** Image B+ Sound B+ Extras B
starring Tim Robbins, Greta Scacchi, Fred Ward, Whoopi Goldberg
screenplay by Michael Tolkin, based on his novel
directed by Robert Altman

by Alex Jackson SPOILER WARNING IN EFFECT. In the opening scene of Robert Altman's The Player–an uninterrupted tracking shot lasting 7 minutes and 45 seconds–chief of studio security Walter Stuckel (Fred Ward) discusses long tracking shots with mailboy Jimmy (Paul Hewitt). Stuckel talks at length about Rope and Touch of Evil and says directors back then knew how to shoot a film. Jimmy mentions Bernardo Bertolucci's then-recent The Sheltering Sky and Julien Temple's Absolute Beginners as having terrific long shots, but Stuckel shrugs and mumbles that he hasn't seen them. It appears that Altman and screenwriter Michael Tolkin (adapting his novel of the same name) are illustrating a point about the insularity of the studio system and how the studios have no reference point outside their own past. Today, a complaint like that seems positively churlish. I honestly would not expect any of the newer executives to know or appreciate Rope or Touch of Evil, much less any current chiefs of security! In my view, anybody familiar with American cinema to that extent is already distinguished from your typical capitalist.

Breaking Bad: The Complete First Season (2008) – Blu-ray Disc

November 3, 2010Posted in2000s, 2010, Authors: Bryant Frazer, Blu-ray Disc, Crime, Drama, Television, Thriller

Image B Sound B Extras B
"Pilot," "Cat's in the Bag…," "…And the Bag's in the River," "Cancer Man," "Gray Matter," "Crazy Handful of Nothin'," "A No-Rough-Stuff-Type Deal"

Breakingbads1cap

by Bryant Frazer Describing the ideal temperature for pan-roasting, Tom Colicchio advises budding chefs that the oil in the pan should sizzle, not sputter. That's an apt description of what Bryan Cranston does, with amazing physical control, through the entirety of the first season of "Breaking Bad". He resists going over the top, but still turns in a performance that could cook a steak.

THX 1138: The George Lucas Director’s Cut (1971/2004) – Blu-ray Disc

October 20, 2010Posted in1970s, 2000s, 2010, Action, Authors: Walter Chaw, Blu-ray Disc, Drama, Esoterica, Sci-Fi, Thriller

***/**** Image A Sound A+ Extras B
starring Robert Duvall, Donald Pleasence, Don Pedro Colley, Maggie McOmie
screenplay by George Lucas and Walter Murch
directed by George Lucas

Thx1138dvdcapby Walter Chaw THX 1138 is the only film George Lucas ever wrote and directed that will and should be remembered as a mostly artistic triumph rather than a largely financial one (recalling that the best of his Star Wars films, The Empire Strikes Back, was neither written nor directed by Lucas). The fact that he's now tampered with it in much the same manner as he's tampered with his original Star Wars trilogy seems, then, an almost bigger crime against posterity, even if it makes a kind of ironic sense within the thematic framework of the film. THX 1138's preoccupations with dehumanization, an abhorrence of imperfection and humanity in favour of machine-tooled precision, and the corruption of human perception and emotions with mass-produced opiates find sympathy with this new stage of its own existence as a film that hasn't been just restored, but enhanced, too, by CGI that serves the same basic function for the audience as the drugged milk does for the protagonists of A Clockwork Orange. When Lucas made THX 1138, he was the prole toiling (stealing from Aldous Huxley and N.I. Kostomorov is toil, yes?) in obscurity; when he retooled the thing and went to Telluride with a streaming digital feed of it thirty-three years later, he completed his transformation into the faceless machine-priest of the film, sanctifying his zombified acolytes as good pods and ladling upon them the questionable bounty of blessings by the state.

Tombstone (1993) – Blu-ray Disc

October 14, 2010Posted in1990s, 2010, Action, Authors: Jefferson Robbins, Biopic, Blu-ray Disc, Drama, Western

**/**** Image D+ Sound B- Extras B
starring Kurt Russell, Val Kilmer, Michael Biehn, Charlton Heston
screenplay by Kevin Jarre
directed by George P. Cosmatos

by Jefferson Robbins Achingly traditionalist, with an overstuffed cast, George P. Cosmatos's Tombstone is badly-served by its Old Hollywood instincts. Riding forth during one of those cyclical revivals the western seems to endure every decade, it had the bad fortune to eat the dust of Unforgiven. Clint Eastwood's dolorous drama, concerned to its core with the cost of bloodshed, was a case of an icon reminding us of what Anthony Mann did so well. In Tombstone, Cosmatos (he of Rambo: First Blood Part II fame, remember*) was handed essentially the same opportunity, but he decided he'd rather be Henry Hathaway.

Greenberg (2010) – Blu-ray Disc

October 5, 2010Posted in****/****, 2000s, 2010, Authors: Walter Chaw, Blu-ray Disc, Comedy, Drama, FFC Must-Own, Romance

****/**** Image A Sound A Extras D
starring Ben Stiller, Greta Gerwig, Rhys Ifans, Jennifer Jason Leigh
written and directed by Noah Baumbach 

Mustownby Walter Chaw The ideal follow-up to his Dorothy Parker-cum-Rohmer shrine Margot at the Wedding, Noah Baumbach's Greenberg is a deepening of the filmmaker's examinations of the peculiar voids over which we stretch the niceties of interaction betwixt the miserable intellectual elite. It's the Algonquin Roundtable reconstituted as wits without an audience: all outrage without an outlet, there's even this sense of panic attached to Greenberg's little whorls of nervous intellectualism, as if Jonathan Edwards's penitents were literati at risk of being cast into the hell of everyone else. Just as ignorance is bliss, the opposite is most assuredly also true, and it's the product of that deep, consuming contemplation of the navel that is the foundation for Baumbach's films, from his post-grad Kicking and Screaming through to his portraits of agonizing relational disintegrations The Squid and the Whale and Margot at the Wedding. The anxiety that drives his work is the fear that the armour equipped to defend against the perception of ordinariness doesn't fit well, and that the discovery of the idiot driving the sage is not merely likely but inevitable. His are films, then, of a certain deep discomfort with the projection of the self–and Greenberg, ironically, is an examination of all of Baumbach's issues carried off with what seems like absolute confidence. If Baumbach suffers from the same self-doubt as his characters, he's no longer showing it in his films.