Drama Archives - Page 37 of 119 - FILM FREAK CENTRAL

The Postman Always Rings Twice (1946) + The Rains of Ranchipur (1955) [The Limited Edition Series] – Blu-ray Discs

February 1, 20131940s, 1950s, 2013, Authors: Jefferson Robbins, Blu-ray Disc, Crime, Drama, Romance, Thriller

THE
POSTMAN ALWAYS RINGS TWICE
***/****
Image B+
Sound A
Extras A
starring Lana Turner, John
Garfield, Cecil Kellaway, Hume Cronyn
screenplay by Harry Ruskin
and Niven Busch, based on the novel by James M. Cain
directed by Tay Garnett

THE
RAINS OF RANCHIPUR
**½/****
Image A
Sound A
Extras B
starring Lana Turner,
Richard Burton, Fred MacMurray, Michael Rennie
screenplay by Merle Miller,
based on the novel by Louis Bromfield
directed by Jean Negulesco

click
any image to enlarge

by
Jefferson Robbins There's a series
of doublings in The
Postman Always Rings Twice, Lana Turner's best-known
vehicle, that
illuminate its obscure title. Disillusioned young wife Cora Smith
(Turner) and
drift-through handyman Frank Chambers (John Garfield) try twice to make
way for
their illicit love by eliminating her diner-impresario husband, Nick
(Cecil
Kellaway). There are two court cases steered by suspicious chief
prosecutor
Sackett (Leon Ames) and defended by wonderfully shifty lawyer Arthur
"I'm
Handling It" Keats (Hume Cronyn). There are two moonlight swims, each a
turning
point in the criminal couple's courtship. Twice the action bends when
ailing
female relatives, never seen, summon a main character to their
sickbeds. There
are even two roadside-diner femmes fatale: Cora,
and her
double Madge (Audrey Totter), who diverts Frank while he's on the outs
with the
woman he killed to obtain. Finally, the murder itself creates a literal
echo.
These aren't anvils falling from the heavens, but instead
the patterns
life presents only in retrospect: This moment, that
day, that was
when God was trying to get my attention. Like Frank, we're too
preoccupied to
ever hear the first ring.

The Client (1994) – Blu-ray Disc

January 29, 20131990s, 2013, Authors: Walter Chaw, Blu-ray Disc, Drama, Thriller

*/**** Image A Sound B Extras D
starring Susan Sarandon, Tommy Lee Jones, Mary-Louise Parker, Brad Renfro
screenplay by Akiva Goldsman, based on the novel by John Grisham
directed by Joel Schumacher

click any image to enlarge

by Walter Chaw Joel Schumacher's The Client starts out like a sequel to Schumacher's own The Lost Boys, as two little boys (one
of them Brad Renfro) try out cigarettes and John Grisham's awful dialogue
(augmented by awful screenwriter Akiva Goldsman) in a
verdant backwoods Eden before witnessing the suicide of mob lawyer Jerome
Clifford (Walter Olkewicz). "Romey" is despondent, see, because he
knows where mobster Muldano (Anthony LaPaglia) has buried a body. Because
little Mark (Renfro) spent quality time with the goombah before his voyage to
the great Italian restaurant in the sky, Mark is now Little Italy's
most-wanted. Cut to Muldano polishing off a Shirley Temple–judging by
the way Schumacher makes love to the maraschino cherry between LaPaglia's teeth–at
a sleazy New Orleans nightclub to complete the impression that all
schlockmeister Schumacher ever wanted to make was variations on
arrested-vampire movies. At least it sports Will Patton in a supporting role
back when he was a well-kept secret. And JT Walsh, and William H. Macy, and
Mary-Louise Parker. Plus, Anthony Edwards, Bradley Whitford, Ossie Davis, Dan
Castellaneta, William Sanderson…

Tha Makioka Sisters (1983)

January 25, 20131980s, 2013, Authors: Angelo Muredda, Drama, Japan, Theatrical

***/****
starring Keiko Kishi, Yoshiko Sakuma, Sayuri Yoshinaga, Yuko Kotegawa
screenplay by Kon Ichikawa, based on the novel by Junichiro Tanizaki
directed by Kon Ichikawa

by Angelo Muredda “So many things have happened in this house,” middle child Sachiko (Yoshiko Sakuma) tells her older sister Tsuruko (Keiko Kishi) near the end of The Makioka Sisters, an expansive period piece in miniature that could be churlishly described as a film about the sorts of mundane things that happen in houses. In settling down to adapt Junichiro Tanizaki’s 500-page tome about prewar Japan in a state of profound social and economic transition, glimpsed only through the intersecting marital and financial crises of the titular siblings, writer-director Kon Ichikawa inherited a difficult task, best appreciated by pausing to consider that there’s no English equivalent of George Eliot’s Middlemarch (though Sam Mendes keeps trying). If historical epics are hard to translate to a medium that doesn’t allow for marginal notes and flow charts to keep track of the minor players, the cloistered setting of domestic ones is doubly tricky. Consider that Joe Wright’s recent and thoroughly rotten stab at Anna Karenina adapts the first part of the novel as a self-reflexive essay about how difficult it is to dramatize tragedies that take place in drawing rooms, and the rest as an utterly banal dramatization of a tragedy set in drawing rooms. Ichikawa’s solution, after his own flirtation with hyper-theatricality in the first reel (which unveils the ensemble in a series of spatially disconcerting close-ups, then medium shots establishing the siblings’ relatives ages), is largely to mine the charismatic reserves of his all-star cast.

Krivina (2013)

January 24, 20132013, Authors: Angelo Muredda, Canada, Drama, Mystery, Theatrical

***/****
starring Goran Slavković, Jasmin Geljo
written and directed by Igor Drljaca

by Angelo Muredda 2012 was an unusually rich year for Canadian cinema, from the strangely fruitful pairing of David Cronenberg and Don DeLillo in Cosmopolis–though it comes from DeLillo, is there a more Cronenbergian line about deformity than the doctor’s insistence that Robert Pattinson let his mole “express itself”?–to the near perfect genre vehicle of Michael Dowse’s Goon. Both films are legibly Canadian in terms of content, despite Cosmopolis‘s faux-Manhattan setting, but one of the most heartening developments in last year’s crop was a turn to formalism that might confound expectations about what our movies are supposed to look and sound like. Weird Sex and Snowshoes, both Katherine Monk’s book and Jill Sharpe’s documentary adaptation of it, sketched a history of Canadian cinema through its dourness of tone and harsh thematic machinations–necrophilia, the malevolent north, and so on–so successfully as to canonize that image. Yet films like Panos Cosmatos’s Beyond the Black Rainbow and now Igor Drljaca’s Krivina (which debuted at last year’s TIFF) are a nice reminder that there’s also a sharp formalist strain, à la Michael Snow, for which such thematic surveys can’t quite account.

Gangster Squad (2013)

January 10, 20132013, Action, Authors: Angelo Muredda, Crime, Drama, Gangster, Theatrical

*/****
starring Josh Brolin, Ryan Gosling, Nick Nolte, Sean Penn
screenplay by Will Beall
directed by Ruben Fleischer

by Angelo Muredda In his recent chat with David Poland, Ruben Fleischer bristled at the suggestion that Gangster Squad shares any DNA with Warren Beatty’s Dick Tracy. That’s the sort of aesthetic family resemblance a lightweight like Fleischer ought to milk for all it’s worth, but hear him out: Sean Penn’s enterprising mob boss Mickey Cohen, he insists, isn’t a cartoon bruiser in the tradition of Al Pacino’s Big Boy Caprice, but a real guy whose face only looks a little off because it’s been molded by other men’s fists. He isn’t a comic-strip grotesque, then, but a seasoned boxer-turned-kingpin reanimated by a grand old actor and his team of historically-faithful makeup artists. What more could one ask of a Warner Bros. crime movie than such attention to detail? A lot, apparently–especially if the finished product looks more like Elmer Fudd than any retired amateur boxer. Verisimilitude is a nice goal, but it doesn’t suit Gangster Squad, at once a lumbering history lesson and a squib of a gangster picture–a zit on the ass of Mulholland Falls, Lee Tamahori’s somehow more accomplished stab at L.A. noir.

The Apartment (1960) – Blu-ray Disc

January 2, 2013****/****, 1960s, 2013, Authors: Walter Chaw, Best Picture (Academy Awards), Blu-ray Disc, Comedy, Directors: Billy Wilder, Drama, FFC Must-Own, Romance

****/**** Image A Sound A- Extras B
starring Jack Lemmon, Shirley MacLaine, Fred MacMurray, Ray Walston
screenplay by Billy Wilder and I.A.L. Diamond
directed by Billy Wilder

by Walter Chaw The older I get, the better I understand Billy Wilder. And the better I understand Billy Wilder, his weariness and acerbic sense of humour, the more I feel comfortable saying, with that complicated mix of affection and fair warning that I think indicates his work as well, that his movies are assholes and mean it. Billy Wilder, the ten-cents-a-dance Austrian gigolo, the roommate of Peter Lorre who learned English by listening to Dodgers games on the radio, the admirer of Ernst Lubistch. The guy who demanded he be allowed to direct his own screenplays and so made a legendary hyphenate debut with Double Indemnity. The writing partner of both Charles Brackett and I.A.L. Diamond, the man who made whores of Audrey Hepburn and Marilyn Monroe and Shirley MacLaine, because nothing could ever be as simple, as innocent, as it appeared at first glance. The guy who lost family in Nazi concentration camps, who came up with the best closing line in movie history, which was “nobody’s perfect.” Maybe the last line of The Apartment–“Shut up and deal”–is a close second. Narrative context tells us the line refers to a card game; the Wilder context suggests a certain way of looking at the world: coping, acceptance, fatalism. Would you believe The Apartment is actually one of Wilder’s optimistic films? Optimistic because the way it views the world is through a scrim of absolute cynicism–and despite it, despite all the towers falling down, there’s the possibility of love, sweet and simple, between Ms. Kubelik and Mr. Baxter.

Promised Land (2012)

December 28, 20122012, Authors: Walter Chaw, Directors: Gus Van Sant, Drama, Theatrical

½*/****
starring Matt Damon, John Kraskinski, Frances McDormand, Rosemarie DeWitt
screenplay by John Krasinski & Matt Damon, based on a story by Dave Eggers
directed by Gus Van Sant

by Walter Chaw The first warning sign is that Gus Van Sant’s Promised Land is named after a Natalie Merchant song, though that’s really all the warning you need. Give this to Steven Soderbergh, another director who, like Van Sant, has alternated small, personal projects with the occasional crowd-pleaser: At least when Soderbergh does it, it’s not simpering crap like Finding Forrester or Milk. (The best Van Sant film of the year, in fact, is Julia Loktev’s astounding The Loneliest Planet.) Here, alas, Van Sant is reunited with Good Will Hunting buddy Matt Damon, directing a screenplay Damon co-wrote with co-star John Krasinski from a story by (gulp) Dave Eggers. Featuring enough self-satisfaction to power Ed Begley, Jr.’s enviro-car for a century, Promised Land is the kind of movie that suggests everything Conservatives believe about Lefties being tree-hugging, privileged morons is pretty dead on the mark. What I’m saying is that it’s stupid; Ayn Rand ain’t got nothin’ on Damon and Krasinski.

This is 40 (2012)

December 20, 20122012, Authors: Walter Chaw, Comedy, Drama, Romance, Theatrical

***/****
starring Paul Rudd, Leslie Mann, John Lithgow, Albert Brooks
written and directed by Judd Apatow

by Walter Chaw It’s scattershot, and sloppy, but any movie about fortysomethings dealing with familial, financial, sexual, and physical issues that ends with Ryan Adams performing “Lucky One” in a little club is a movie I will like. And I do: Judd Apatow’s This is 40 isn’t good, exactly, but it listens and it has a sense of humour, as well as a certain optimism about it. I bristle at Apatow’s desire in his other films to impose a traditionally moral conclusion on all the atrocity that’s preceded it, but in a “spin-off” of Knocked Up, about people exactly my age in roughly my situation discovering they’re the grown-ups for some reason and through no fault of their own, that desire for a hopeful conclusion is extremely compelling. This Is 40 is one of those works that gets you at the right time, I think. I’ve often wondered if the reason I’ve never liked Tolkien is that I didn’t read him when I was 12. I wish I had. For what it’s worth, I’m glad I saw This is 40 in these last six months before my own fortieth birthday. It’s my Twilight. I know it’s terrible–flabby, obviously tinkered with ’til the last minute (the commercials for the film are about 90% cut footage), and packed with digressions that distract rather than edify (a bit with Charlyne Yi is a particular lowlight), but it speaks to me, and when Apatow’s right, I realize, he’s spot on.

Les visiteurs du soir (1942) [The Criterion Collection] – Blu-ray Disc

December 17, 20121940s, 2012, Authors: Jefferson Robbins, Blu-ray Disc, Drama, Fantasy, France, Romance, The Criterion Collection

a.k.a. The Devil’s Envoys
***½/**** Image A Sound A Extras A-
starring Alain Cuny, Arletty, Marie Déa, Jules Berry
screenplay by Jacques Prévert and Pierre Laroche
directed by Marcel Carné

by Jefferson Robbins Fairytale is the oldest way we know to exorcise trauma or repurpose it to didactic ends. The moving image, probably the newest. So Marcel Carné’s Les visiteurs du soir (literally, The Night Visitors, though its international title is The Devil’s Envoys), created in France during a period of repression equalled only by the Terror, pulls both tricks. It’s a film, therefore it’s not reality, but it’s also shaped as a magical courtly romance and set in a distant past where romances were both entertainment and cultural transgression. Gilles (Alain Cuny) and Dominique (Arletty) are figures out of a medieval fresco or some monk’s illuminated pages, from Gilles’s suggestively forked mullet to Dominique’s graceful, benedictory poses. The two are minstrels on horseback in 1485–when troubadours carried news, gossip, and forbidden literature from one feudal estate to the next, singing songs of organic, passionate love for nobles trapped in arranged marriages. A long way from Vichy France, under the Nazi occupation, yet either world offered death as punishment for dissent, and both found succour in art that trespassed boundaries.

Trouble with the Curve (2012) [Combo Pack] – Blu-ray + DVD + Ultraviolet

December 16, 20122012, Authors: Angelo Muredda, Authors: Bill Chambers, Blu-ray Disc, Clint Eastwood, Drama, DVD, Sports

*½/**** Image A Sound A Extras D
starring Clint Eastwood, Amy Adams, Justin Timberlake, John Goodman
screenplay by Randy Brown
directed by Robert Lorenz

by Angelo Muredda Trouble with the Curve is an unfortunate title for a film beset with problems on every side. Helmed by longtime Clint Eastwood producer/assistant director/close friend Robert Lorenz, making his equally unfortunate feature debut, it isn’t directed so much as stiffly pushed in the direction of new events once every ten minutes or so. A father-daughter family drama, a sports movie, and a portrait of a career woman swimming with the sharks, first-timer Randy Brown’s screenplay is a mess beyond even an experienced director’s fixing.

Umberto D. (1952) [The Criterion Collection] – Blu-ray Disc

December 10, 20121950s, 2012, Authors: Walter Chaw, Blu-ray Disc, Drama, Italy, The Criterion Collection

***/**** Image A- Sound B Extras B
starring Carlo Battisti, Maria Pia Casilio, Lina Gennari, Ileana Simova
screenplay by Cesare Zavattini
directed by Vittorio De Sica

by Walter Chaw Though he's best known for The Bicycle
Thief, Vittorio De Sica's Umberto D. is, to my mind, the superior film, and ultimately one of the few pictures I've ever revisited from
the era of Italian Neo-Realism–a movement I've never particularly understood nor,
indeed, liked. It's possible that there's not much to understand, that as a
reaction to the execution of Mussolini and during that brief "Italian
Spring," Italian cinema, freed by necessity from the studio and looking to
present a more authentic representation of the country's broken cities (film critics
were to blame for the movement, of course, as they would later be for the
French Nouvelle Vague), found non-professional actors to play out social melodramas. I wonder if I've always bristled at the notion that the
Giuseppe De Santises and Luchino Viscontis produced during this time were
anything like "realism" as I understood it; when I was first introduced to American films noir, I had no idea they were
as stylized as they were because of an attempt at "realism," too.
Whatever the case, I see Umberto D. as something like an early
Fellini, like La Strada or even 8½: There's something that feels very much like a humanistic solipsism at its
middle. Which is so much more interesting than the cries for social equality that
inevitably turn to plaintive keening in my ear. Sometimes liberals damage their
own cause–long-held close-ups of crying children have a way of doing that.

The Dark Knight Rises (2012) – Blu-ray + DVD Combo Pack

December 3, 20122012, Action, Adventure, Authors: Walter Chaw, Crime, Directors: Christopher Nolan, Disaster Movie, Drama, Superhero, Thriller, UK

***½/**** Image A- Sound A+ Extras A-
starring Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway
screenplay by Jonathan Nolan and Christopher Nolan
directed by Christopher Nolan

click any image to enlarge

by Walter Chaw For all its overreaching (and what's perilously close to a training montage), Christopher Nolan's The Dark Knight Rises is fascinating, engaging, and aggressively present. It's a wonderfully-performed melodrama about the sad, intractable state of our sorry state, painted in broad strokes in a muted palette. It's what many would think impossible despite the evidence of its predecessor: a comic book for grown-ups. And it accomplishes what it sets out to do without much in the way of action sequences or hero moments–the irony being, of course, that The Dark Knight Rises is fated to become the best-reviewed and most-lucrative release of 2012 for having the very same qualities for which the deeply-underappreciated Superman Returns was lambasted. I would argue that a wide swath of the people who will adore it will have difficulty articulating exactly why.

Rosetta (1999) [The Criterion Collection] – Blu-ray Disc

November 28, 2012****/****, 1990s, 2012, Authors: Bryant Frazer, Belgium, Blu-ray Disc, Coming of Age, Directors: Jean-Pierre and Luc Dardenne, Drama, FFC Must-Own, Palme d'Or Winner, The Criterion Collection

****/**** Image A- Sound A- Extras B
starring Émilie Dequenne, Fabrizio Rongione, Olivier Gourmet, Anne Yernaux
written and directed by Luc & Jean-Pierre Dardenne

by Bryant Frazer If there were any doubt that the Dardennes discovered what would be their lasting aesthetic with La promesse, it was dispelled in the opening moments of Rosetta. The earlier film spent a lot of time following characters around, hovering behind them as they made their way through their world. As Rosetta begins, we’re again in close to a character, but this time we have a velocity: The girl, Rosetta (Emilie Dequenne), is storming from room to room in some kind of industrial facility, and the Dardennes’ camera is following her at speed. This isn’t a virtuoso tracking shot out of Scorsese or P.T. Anderson, though; Rosetta isn’t accommodating the camera. When she exits a room, she slams the door behind her and the camera is caught up short, forcing an edit. When she erupts onto a factory floor, she ducks underneath the machinery, making her own passageways where the camera cannot go, and again forcing a cut. We are not welcome to follow.

Greatest Hits (2012)

November 22, 20122012, Authors: Angelo Muredda, Canada, Drama, Esoterica, Mexico, Theatrical

Los mejores temas
***½/****
starring Gabino Rodríguez, Teresa Sánchez, José Rodriguez López, Luis Rodriguez
written and directed by Nicolás Pereda

by Angelo Muredda Odd as it might seem for a 30-year-old director to get a retrospective, you can see the logic
behind TIFF Bell Lightbox's series on Nicolás Pereda, whose six features
demonstrate a remarkably consistent vision stemming from Pereda's interest in gently
setting an audience's narrative expectations on their side. Pereda, who's been
relatively unheralded in his adoptive home of Toronto (despite his sturdy
international reputation and his 2011 feting at New York's Anthology Film
Archives, to name just one laurel), brings the sophistication and focus of an
old hand to each of his formally rigorous but unassuming projects. Although
it's his most recent work, there's perhaps no better starting point for the
uninitiated than the aptly titled Greatest Hits, which sees Pereda
gathering his cast of players for a twist on the family reunion.

The Muppet Christmas Carol (1992) [20th Anniversary – It’s Not Easy Being Scrooge Special Edition] – Blu-ray + Digital Copy

November 19, 20121990s, 2012, Authors: Bill Chambers, Blu-ray Disc, Christmas, Comedy, Drama, Family, Fantasy, Muppets, Musical, UK

**/**** Image B+ Sound B+ Extras C
starring Kermit the Frog, Miss Piggy, The Great Gonzo, Michael Caine
screenplay by Jerry Juhl, based on the novel by Charles Dickens
directed by Brian Henson

by Bill Chambers It's all but inevitable that the Muppets would take on Charles Dickens's venerable plug-and-play app A Christmas Carol at some point. More surprisingly, Michael Caine had not only not played Ebenezer Scrooge prior to The Muppet Christmas Carol (the role is like Hamlet for English actors who've plateaued), he had never before shared a stage with the Muppets, either. This despite his being, in the '70s and '80s, the exact calibre of star the Muppets pursued for cameos, and ubiquitous besides. He is, to my taste, not a harsh-enough Scrooge–there's an irrepressible compassion there when Bob Cratchit (Kermit the Frog) asks him for Christmas Day off. And The Muppet Christmas Carol frankly surrenders too much of the spotlight to this human character: If this were my first Muppet movie, I'd've felt especially double-crossed during his song number with the also-flesh-and-blood Meredith Braun, which was restored for the VHS and TV versions of the film kids have grown up with but is absent again on the new Blu-ray. (Former FFC contributor Ian Pugh tells me he "always, always, ALWAYS" used to fast-forward this part as a child.) It's almost cheating, to finally do the Muppet version of this tale and put an interloper in the lead, when the whole point of adapting it to a pre-existing framework is to match up the archetypes and balance that against audience expectations. It is, effectively, like getting to use characters as actors by casting them as different characters. This is also why Bill Murray works so well in Scrooged, because Scrooge pings off Murray's crabby, misanthropic '80s persona.

In the Mood for Love (2000) [The Criterion Collection] – Blu-ray Disc

November 13, 2012****/****, 2000s, 2012, Authors: Walter Chaw, Blu-ray Disc, Drama, FFC Must-Own, Hong Kong, Romance, The Criterion Collection

****/**** Image A+ Sound A Extras A
starring Tony Leung Chiu-wai, Maggie Cheung Man-yuk
written and directed by Wong Kar-wai

click any image to enlarge

by Walter Chaw The middle film in a loose trilogy by
Chinese filmmaker Wong Kar-wai (the others are Days of Being Wild and 2046), In the Mood for Love is a love-drunk ode to the confusion,
the intoxication, the magic, and the tragedy of being in love. It speaks in
terms proximate and eternal, presenting lovers cast in various roles across
years and alien geographies, placing some objects in the position of totem and
memento and others in historical dustbins to be abandoned, forgotten. It links
the act of watching a film to the act of seduction (Days of Being Wild
might be even better at this), and there's a
strong sense in In the Mood for Love that Wong is playing the artifactor of both sign and
signifier: He's doing the T.S. Eliot two-step of authoring Prufrock while simultaneously providing the distance to criticize it.

Take This Waltz (2012) – Blu-ray Disc

November 12, 20122012, Authors: Angelo Muredda, Authors: Bill Chambers, Blu-ray Disc, Canada, Comedy, Coming of Age, Drama, Romance

Takethiswaltz1

***/**** Image A- Sound A Extras B
starring Michelle Williams, Seth Rogen, Luke Kirby, Sarah Silverman
written and directed by Sarah Polley

by Angelo Muredda As both literary adaptations and first features go, Sarah Polley’s Away from Her was an astonishing exercise in restraint. Working from Alice Munro’s short story “The Bear Came Over the Mountain,” about a seventysomething married couple whose longstanding private games turn into something else when Fiona (Julie Christie) is diagnosed with dementia, Polley forewent the ostentatious route of many first-time directors by telling the story straight. It’s become customary, in speaking of that film, to chalk up this directness to the source material–Munro is, after all, known for her frankness, and apart from the expansion of Olympia Dukakis’s character and a Hockey Night in Canada gag, Polley ported her narrative beats over more or less wholesale. But Munro has a certain nastiness, not least in her omniscient narrators’ cutting observations, that’s largely absent from Polley’s adaptation, which has particular sympathy for Gordon Pinsent’s reformed husband, who’s more of a forgetful cad in the short story. It’s a standard line to say that Munro reserves judgment, particularly towards her adulterers, but what of the ghoulishness of her characterization, in Lives of Girls and Women, of small-town scolds who say things like, “The law-yer, didn’t he think he was somebody?” Polley doesn’t get sufficient credit for translating what she can of that prickliness–which also runs through “Bear”–and molding the rest into something unabashedly romantic.

Lincoln (2012)

November 8, 20122012, Authors: Walter Chaw, Biopic, Drama, Spielberg, Theatrical

**/****
starring Daniel Day-Lewis, Sally Field, David Strathairn, Tommy Lee Jones
screenplay by Tony Kushner
directed by Steven Spielberg

by Walter Chaw Bearing no relationship to the Gore Vidal biography with which it shares its name, Steven Spielberg’s predictably uneven Lincoln features moments of real grandeur narrated to death by John Williams’s inspiring™ and rousing™ score. No speech from Honest Abe (Daniel Day-Lewis) goes without ample and gaudy decoration, making me wonder which one Spielberg doesn’t trust to deliver the goods: Day-Lewis, or Lincoln. More to the point, what Spielberg probably doesn’t trust is the viewer’s intelligence and humanity, meaning the real question is whether he thinks the kind of people who would go to a movie about Abraham Lincoln are morons. Either way, it’s not the sort of behaviour that should be rewarded or go unremarked upon. Consider that the absolute best, most powerful moment of the film arrives within the first five minutes as Lincoln sits in a bivouac, taking questions from foot soldiers–and consider that this instance of naturalism is neatly destroyed by Spielberg’s instinct towards swatting flies with Buicks. What could have been an affecting, quiet bit with our most revered national figure ends with a clumsily proselytized mission statement as a black soldier recites the end of the Gettysburg Address–a not-subtle reminder that the mandate of Lincoln’s second term carried with it the responsibility to push the 13^th amendment ending slavery through a divided Congress.

Your Sister’s Sister (2012) – Blu-ray Disc

November 5, 20122012, Authors: Angelo Muredda, Authors: Bill Chambers, Blu-ray Disc, Comedy, Drama, Romance

**½/**** Image A- Sound A- Extras B-
starring Emily Blunt, Rosemarie DeWitt, Mark Duplass, Mike Birbiglia
written and directed by Lynn Shelton

by Angelo Muredda Lynn Shelton tends to swim in the deep end of the mumblecore pool. More improvisatory than the scripted films of the Duplass brothers (despite their overlap in casting), her work, in an odd sort of way, is probably closer in spirit to Joe Swanberg's. Swanberg's shabbier DIY aesthetic masks the heady nature of his projects, which explore the same three or four ideas about modern relationships in forms as disparate as the anthology film (Autoerotic) and the meta-slasher (Silver Bullets). In Humpday, Shelton nicely marries her own high concept–to make a movie about hetero male insecurity writ large–with a pair of naturalistic performances that elude Swanberg's scratchier efforts. Her M.O. appears to be to let her actors fumble through a convoluted situation that, on the strength of their characterizations, never feels as unnatural as it probably should.

La promesse (1996) [The Criterion Collection] – Blu-ray Disc

November 4, 2012****/****, 1990s, 2012, Authors: Bryant Frazer, Belgium, Blu-ray Disc, Coming of Age, Directors: Jean-Pierre and Luc Dardenne, Drama, FFC Must-Own, The Criterion Collection

****/**** Image A- Sound A- Extras B
starring Jérémie Renier, Olivier Gourmet, Assita Ouedraogo, Rasmane Ouedraogo
written and directed by Luc Dardenne & Jean-Pierre Dardenne

click any image to enlarge

by Bryant Frazer Since the mid-1990s,
Jean-Pierre and Luc Dardenne have been the standard-bearers for French-language
Belgian cinema. Born in Engis and raised in nearby Seraing (both located in the
industrial Belgian province of Liège), the Dardennes started making
documentaries in the 1970s, followed by a pair of narrative films they
immediately disavowed. 1996's La promesse was a completely fresh start.
The Dardennes' non-fiction work demonstrated a social consciousness that
remained in effect once they found their narrative voice, and it's amazing how
fully realized this effort is, exhibiting many of the formal strategies and
much of the narrative sensibility that would serve them well over the next
decade and a half.