Documentary Archives - Page 17 of 18

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – May 5

May 5, 20022000s, Authors: Travis Mackenzie Hoover, Canada, Documentary, Film Festivals, Hot Docs

by Travis Mackenzie Hoover

BOLLYWOOD BOUND
***/****
directed by Nisha Pahuja

Bollywood Bound is a perfectly decent film about aspiring actors working in Bombay that would be even better without the cutesy editorializing of director Nisha Pahuja. There's a wealth of interesting information in this examination of Canadian expatriates trying to make it in Hindi filmmaking; Pointing out that Bollywood provides a place for East Indian descendants that Hollywood won't provide, it shows the various cultural distortions that several actors faced regarding India, Indian culture, and themselves. Previously known to their white schoolmates as "the Indian kids," they suddenly find themselves equally marginalized as "the Canadian actors," and discover that the pure "Indianness" they fought to protect in Canada is largely non-existent.

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – The Innovators: Frederick Wiseman

May 5, 20022000s, Authors: Travis Mackenzie Hoover, Blog, Canada, Documentary, Film Festivals, Hot Docs

by Travis Mackenzie Hoover

The Revival, Toronto|After being lulled into a stupor by the sins and shortcomings of this week's panellists, today's Frederick Wiseman talk was like being slapped back into full consciousness. There was no "drama" and "truth" spouted by this man, there were no sweeping generalizations about the places and people he films. There was simply a desire to explore the things that interest him and widen the scope of institutional life. And with a refreshing blunt humour and low tolerance for bull, Wiseman cut through the pretensions and got to the point of how and why he works as he does.

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – Filmmaker Discussion: History and Innovation

May 5, 20022000s, Authors: Travis Mackenzie Hoover, Blog, Canada, Documentary, Film Festivals, Hot Docs

by Travis Mackenzie Hoover

The Revival, Toronto|The more I listen to documentarians, the less I trust the documentary. The line that separates fact from fiction and reportage from drama is so fine that it frequently disappears altogether; even the best-intentioned filmmaker is under pressure to give shape to something that is essentially formless, and in so doing leaves out much essential information. The directors on today's panel, which deals with the vagaries of representing the past for the present, did their best to downplay the dangers of such a situation, but their words kept raising more questions than they answered, and I walked out of Revival even more leery of the form than I was going in.

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – May 4

May 4, 20021960s, 2000s, Authors: Travis Mackenzie Hoover, Canada, Documentary, Film Festivals, Germany, Hot Docs

by Travis Mackenzie Hoover

ABSOLUT WARHOLA (2001)
*½/****
directed by Stanislaw Mucha

There is, believe it or not, an Andy Warhol museum in the remote Slovenian town of Medzilaborce; sadly, director Stanislaw Mucha can't scare up much of a reason to know about it. Essentially a stomp-the-hicks number, his film takes great pains to mock the residents of Warhol's ancestral home, who, though not quite sure why these paintings are supposed to be important, are nevertheless pleased to have such a famous relative and native son. But as Absolut Warhola heavy-handedly contrasts the guileless and homey Warholas–who prattle on about everything from the television and the relative merits of Lenin and Stalin–with the ultra-urbane art objects enshrined in the leaky museum, the film backfires on itself: it makes Warhol seem less interesting by showing how little he matters to people who live outside an urban cultural elite.

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – May 2

May 2, 20022000s, Authors: Travis Mackenzie Hoover, Documentary, Film Festivals, Germany, Hot Docs

by Travis Mackenzie Hoover

BLACK BOX GERMANY (2001)
Black Box BRD
***/****
directed by Andres Veiel

Dealing with the ultra-left terrorism that swept West Germany in the '70s and early '80s, Black Box Germany both examines and obscures the implications of its main subjects: Deutsche Bank executive Alfred Herrhausen, who was killed by a car bomb, and RAF member Wolfgang "Gaks" Gams, who died in mysterious circumstances while being pursued by police. The main event is the who-ya-gonna-believe question, pitting capitalist thug vs. terrorist hooligan; unfortunately, this blots out every political persuasion in-between (and beyond), with a maddening vagueness that keeps you from taking a position. One can't imagine either party being too thrilled with the film: the banker would be annoyed by the implied challenge to his authority and the radical would find its "ambiguity" and precious aestheticism irredeemably bourgeois.

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – Filmmaker Discussion: Epic Adventures and Heroic Quests

May 2, 20022000s, Authors: Travis Mackenzie Hoover, Blog, Canada, Documentary, Film Festivals, Hot Docs

The Revival, Toronto| Today's "Filmmaker's Discussion" was marked by its divergence from yesterday's ethical certitude. Where the earlier panel dealt with the responsibility of the filmmaker towards its subjects, the four panellists on hand today spoke of the Faustian bargain between making a stirring film and keeping conscientious. Despite the talk's grandiose title "Epic Adventures and Heroic Quests"–alluding to the probing nature and uncertain outcomes of the panellists' films–the matter at hand was the fine detailing that keeps a documentary interesting, which is not necessarily the same thing as keeping it truthful.

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – Filmmaker Discussion: Working with Community

April 30, 20022000s, Authors: Travis Mackenzie Hoover, Blog, Canada, Documentary, Film Festivals, Hot Docs

The Revival, Toronto|The thorny matter of working with alien communities was the issue at hand at today's Hot Docs filmmaker's panel. Directors Lucy Walker (Devil's Playground), Sandi Simcha Dubowski (Trembling Before G-d), Sherine Salama (A Wedding in Ramallah), and Susanna Helke (The Idle Ones) hashed out their views on the burning question: Does one protect the privacy of the subject or expose them in the name of the truth? The unanimous answer? The subject must not be exploited, even if that leads to some logistical nightmares.

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – April 30

April 30, 20021990s, 2000s, Authors: Travis Mackenzie Hoover, Canada, Documentary, Film Festivals, Germany, Hot Docs

by Travis Mackenzie Hoover

THE LAST JUST MAN
***½/****
directed by Steven Silver

The Last Just Man is a conventional but engrossing account of the appalling UN SNAFU in Rwanda, told from the point of view of the scapegoat who tried to stop it. Canadian Lt. Gen. Roméo Dallaire had little field experience when he headed into Rwanda–he likened it to sending a fireman in prevention to a four-alarm blaze–and discovered, when the country was on the verge of erupting, that his superiors would refuse to get involved. Smarting from the debacle in Somalia, they were skittish about sending troops in, but as the ruling Hutus take out their historical animus against the Tutsis (manufactured decades before by brutal Belgian colonists), their self-protection left Dallaire and the Tutsis at the centre of the apocalypse.

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – April 29

April 29, 20022000s, Authors: Travis Mackenzie Hoover, Documentary, Film Festivals, Hot Docs

by Travis Mackenzie Hoover THE SETTLERS (2001)**½/****directed by Ruth Walk The strange case of a tiny Jewish settlement in Palestinian Hebron is given a superficial gloss in this video, which simply slaps its head and says, "Can you believe these people?" Admittedly, there is some fleeting interest in the stubbornness of the female interviewees, who remark about how beautiful the landscape is "despite all the Arabs," and a demonstration in a public square--featuring an eyebrow-raising pro-Israeli pop song--is perversely fascinating for the awesome density of its participants. But The Settlers is mostly a series of ironic gotchas in which the oblivious…

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – April 28

April 28, 20022000s, Australia, Authors: Travis Mackenzie Hoover, Documentary, Film Festivals, Hot Docs

by Travis Mackenzie Hoover

QUESTIONING FAITH
Questioning Faith: Confessions of a Seminarian
**½/****
directed by Macky Alston

On learning of his friend Alan Smith's death of AIDS-related complications, gay seminary student Macky Alston doubts the goodness and existence of God. In order to sort out his beliefs, he talks to a variety of friends and associates about their religious beliefs. I'd like to say that his search comes up with something to ponder, but this atheist was left largely unmoved by his unfocussed explorations, which have resulted in a documentary that should be longer and infinitely more articulate than it is. In all fairness, the gravity of the discussion keeps Questioning Faith moving as it goes from passionate affirmation to passionate denial: here the faith of Alan's mother and uncle, there the atheism of his partner's mother; here the belief of a hospital's Muslim chaplain in the face of a miscarriage, there the fervent Buddhism of a neighbour whose father has died.

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – April 26

April 26, 20022000s, Authors: Travis Mackenzie Hoover, Documentary, Film Festivals, Hot Docs

by Travis Mackenzie Hoover

BLUE VINYL
***/****
directed by Judith Helfland, Daniel B. Gold

Blue Vinyl is a good, Michael Moore-esque muckraker with a homespun tone. Co-director Judith Helfland, on a mission to discover the origins of her parents' new blue vinyl siding, uncovers some surprising information: not only is the material extremely dangerous when burned, as an MGM hotel fire made embarrassingly clear, but its industry conspires to conceal the dangers involved in its production, which has inflicted liver and larynx cancer on workers and may have adverse effects on the environment surrounding its factories. Careful to personalize the issues, she humorously attempts to shame her parents into discarding the vinyl and not so humorously refers it back to the medical disaster that gave her cervical cancer.

Scratch (2002)

April 18, 20022000s, Authors: Walter Chaw, Documentary, Music, Theatrical

**/****
directed by Doug Pray

by Walter Chaw Doug Pray’s non-fiction Scratch, about the men behind the dual turntables digging new grooves into much-abused vinyl, presents a fitfully fascinating glimpse into the DJ music scene. The problem with the film is that it’s more of a performance piece than a documentary, spending too much time extolling the questionable and specific virtues of the music while giving little insight into what it is that makes said music attractive to a growing audience. The picture’s strength lies in the curious revelation that in resurrecting old and forgotten “breaks” (beats embedded in vintage tunes), these generally uneducated “turntable-ists” are engaged in the same process as T.S. Eliot was: the reclamation of art as it is filtered through the prism of artists who see themselves as the repository of the whole of a particular Western media.

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – The Opening Press Conference

April 12, 20022000s, Authors: Travis Mackenzie Hoover, Blog, Canada, Documentary, Film Festivals, Hot Docs

The Revival, Toronto, April 8|The swellegant club/restaurant Revival, with its yellow-brick interiors and Japanese-paper chandeliers, was the appropriately modern setting for the unveiling of the 2002 Hot Docs festival line-up. As the press gallery filtered in (after a stop at the food table), the programmers gravitated towards the mic and announced program highlights culled from the 104 documentaries on offer in their expanded ten-day event, which runs from April 26^th to May 5^th.

Ultimate Fights from the Movies (2002) – DVD

March 27, 20022000s, Action, Authors: Walter Chaw, Documentary, DVD, Martial Arts

*/**** Image A – D Sound A – D Extras A

by Walter Chaw For the purist, an idea like Ultimate Fights from the Movies (from the creators of the horror compilation Boogeymen) is simply abominable: a collection of short fight clips (none running longer than five minutes, regardless of the length of the scene quoted) culled from action films and introduced by cheesy bout cards that do nothing to establish the motives behind the conflict. This is particularly confusing for those who haven't seen the films in question, as–often–these climactic fight sequences involve key plot points that play into their resolutions. Essentially, the DVD is a thinly disguised promotional ploy that targets the demographic that doesn't care to wade through such niceties as plot and character. It targets, in other words, the lowest common denominator–a condemnation supported by its decision to present all of the fights in a cropped, full-screen aspect ratio, handily robbing some of the more beautiful and intricate sequences (cribbed from Crouching Tiger, Hidden Dragon, Fist of Legend, The Legend of Drunken Master) of a good deal of their visual information.

Muhammad Ali: Through the Eyes of the World (2001) – DVD

February 11, 20022000s, Authors: Walter Chaw, Documentary, DVD, Sports

**½/**** Image A Sound A- Extras B-
directed by Phil Grabsky

by Bill Chambers One can't accuse the documentary Muhammad Ali: Through the Eyes of the World of false advertising: it filters Ali's life story through the perspective of people who don't necessarily know him but were around to feel the ripple effect he had on pop and politics in the hippie era. There is Billy Crystal, who says he couldn't sleep for days after Ali lost his title to Joe Frazier; there is Maya Angelou, she of the voice that's like a lozenge for our spiritual ills, saying she might have co-opted Ali's "Float like a butterfly/Sting like a bee" verse were it not spoken during the peak of his fame.

Tackle Happy (2000) – DVD

January 10, 20022000s, Australia, Authors: Bill Chambers, Documentary, DVD, Esoterica

Tackle Happy (The Origins of “Puppetry of the Penis”)
**½/**** Image B Sound B- Extras C-
directed by Mick Molloy

by Bill Chambers A name actor once dropped trou’ in front of me, under non-sexual circumstances I dare not elaborate. I buried my face in my hands and this only inspired him to taunt me further with his manhood. “What’s the matter? It’s just a dick,” he said. The more I think about it (not that I’ve been dwelling on it), the more sage his plea of innocence becomes. Penises are obnoxious, and sometimes none too innocuous, but all in all, they’re not the least bit sacred. Compare the Western cultural reputations of the vagina and the penis: on stage, the former gets a pretentious monologue performed by everyone from Glenn Close to Alanis Morissette; the latter gets a puppet show.

The Life and Times of Hank Greenberg (2000) – DVD

November 17, 20012000s, Authors: Walter Chaw, Documentary, DVD, Sports

**½/**** Image B Sound B- Extras A-
directed by Aviva Kempner

by Walter Chaw Thirteen years in the making, Aviva Kempner’s The Life and Times of Hank Greenberg is an exhaustive and affectionate, if tunnel-visioned, documentary about “the Jewish Jackie Robinson”: Detroit Tigers slugger Hank Greenberg, who broke cultural barriers during the anti-Semitic Father Coughlin/Henry Ford years, just prior to the onset of WWII. Towering over his teammates at 6’4″ and 210lbs, Greenberg became a stereotype-busting role model for an entire generation of Jewish youngsters and, unlike many of his modern athletic counterparts, Greenberg didn’t take his responsibility for granted.

Recording ‘The Producers’: A Musical Romp with Mel Brooks (2001) – DVD

October 27, 20012000s, Authors: Walter Chaw, Documentary, DVD, Music

***/**** Image B Sound A Extras B-
directed by Susan Froemke

by Walter Chaw Sort of a cross between a documentary and a musical concert DVD but without much in the way of either in-depth information or audience response, Recording ‘The Producers’: A Musical Romp with Mel Brooks is a look at the recording sessions leading to the creation of the cast album for the smash Broadway show The Producers, which was, of course, based on Mel Brooks’s classic film. Well composited by director Susan Froemke, the straight-to-DVD production veers from Brooks reacting to in-studio performances by Nathan Lane, Matthew Broderick, and company to a few rough patches that are overcome through coaching and a surprising degree of professionalism. Although I’m somewhat handicapped by not having seen the actual play, I was dutifully impressed by the prodigious talents of the stars (who knew that Ferris Bueller could croon?) and mostly charmed by the still-engaging personality of Brooks as the proud papa of the most-lauded play in Tony Award history (winning twelve).

Startup.com (2001) + Down from the Mountain (2001) – DVDs

October 25, 20012000s, Authors: Bill Chambers, Coen Brothers, Concert Doc, Documentary, DVD

STARTUP.COM
***/**** Image B Sound B+ Extras B-
directed by Jehane Noujaim and Chris Hegedus

DOWN FROM THE MOUNTAIN
***/**** Image A Sound A
directed by Nick Doob, Chris Hegedus and DA Pennebaker

by Bill Chambers With the advent (moreover, the industry-wide acceptance) of digital video, married partners in documentary-making Chris Hegedus and DA Pennebaker are more prolific than ever before. Artisan just released their two latest projects, Down from the Mountain and Startup.com, on DVD, and though the former is a concert film and the latter takes an inside look at the Internet boom, they sit together comfortably in the directors’ joint oeuvre. Consider that, between filming such music legends as Jerry Lee Lewis and Jerry Garcia, the pair has all but specialized in youthfully arrogant subjects–star Clinton campaigner George Stephanopoulos in The War Room, for example. There’s even been some crossover: Without Hegedus, Pennebaker captured both Bob Dylan (Don’t Look Back) and David Bowie (Ziggy Stardust and the Spiders from Mars) on the cusp of fame, the former abandoning artificiality, the latter embracing it to essentially the same end.

DIFF ’01: LaLee’s Kin: The Legacy of Cotton

October 20, 20012000s, Authors: Walter Chaw, DIFF/SDFF, Documentary, Film Festivals

***½/****
directed by Albert Maysles

by Walter Chaw Following four generations of women from LaLee Wallace's destitute family in the heart of the Mississippi delta's cotton country, legendary documentarian Albert Maysles's LaLee's Kin: The Legacy of Cotton is full of the quiet tragedy of being human. Poetic and demanding, it very subtly changes you as you watch it, shaming us for our petty concerns in the face of what LaLee bears on a daily basis. Entire African-American generations are ruined in the cotton country of the fertile Mississippi delta crescent–a cycle of illiteracy and poverty unexpectedly precipitated by the transition of the cotton industry from hand to machine. The documentary follows one of LaLee's grandchildren ("Granny") and one of her great-grandchildren ("Main") as they struggle to conjure up the pennies needed to purchase the paper and pencils that will gain them entrance into school. It simultaneously details the trials of that school as it tries to raise its Iowa Aptitude Exam Scores to a minimum standard, thus preventing the government from perhaps imposing a system that is unsympathetic to the plight of the locals.