Disney Archives - Page 4 of 8 - FILM FREAK CENTRAL

Bambi (1942) [Diamond Edition] – Blu-ray + DVD

March 9, 20111940s, 2011, Animation, Authors: Bryant Frazer, Blu-ray Disc, Disney, DVD, Family

***/**** Image A- Sound B+ Extras A-
story direction Perce Pearce and story adaptation Larry Morey, from the story by Felix Salten
supervising director David D. Hand

by Bryant Frazer Bambi is just 70 minutes long, but it’s one of the more versatile features in the Disney canon. It’s a cute circle-of-life story, sure, populated by talking rabbits, nominally sweet-smelling skunks, and wise old owls (not to mention the adorable chipmunks that the owl, for some reason, hasn’t preyed upon). But look what else is going on in this slice-of-wildlife film: an attempt at an animated nature documentary; a tract in opposition to sport hunting; and the impetus for generations of children to weep in terror at the prospect of losing their mothers.

Tron: Legacy/Tron: The Original Classic [2-Movie Collection] – Blu-ray 3D + Blu-ray Disc + DVD + Digital Copy

February 18, 20111980s, 2000s, 2011, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Disney, Sci-Fi

TRON (1982)
*½/**** Image A+ Sound A+ Extras A
starring Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan
screenplay by Steven Lisberger and Bonnie MacBird
directed by Steven Lisberger

by Walter Chaw When Tron came out in theatres in 1982, it was touted as a revolution in digital imaging technology (which it certainly was), but the film lost any momentum it might have garnered due to the kind of lock-step exposition that characterized the Disney formula of the Seventies and Eighties. (Think The Cat from Outer Space, or the Love Bug phenomenon.) To this day, Disney animation relies upon anthropomorphic animal sidekicks (there is a floating .gif ball named “BIT” in Tron) and the addled old geezer who’s a genius and also the father of the beautiful young love interest–hoary old chestnuts that provide as good an explanation as any for the extent to which Disney has fallen behind animé and even its Pixar affiliates in the realm of animated entertainment. Tron stinks of that kind of laziness and worse (for instance, it rips off images whole-cloth from Star Wars), leading to the surprising realization that while it touts its technological influence, Tron is actually more instructive a model for the special effects extravaganzas that continue to litter the multiplex: all bells and whistles with nary a hint of plot or character development.

Alice in Wonderland [The Masterpiece Edition] (1951) + The Lion King 1½ (2004) – DVDs|Alice in Wonderland – Blu-ray + DVD

February 1, 20111950s, 2000s, Adventure, Animation, Australia, Authors: Bill Chambers, Blu-ray Disc, Comedy, Disney, DVD, Esoterica, Family, Fantasy, Musical

ALICE IN WONDERLAND
**/****
DVD – Image A Sound B+ Extras A
BD – Image A- Sound A- Extras A+
story by Winston Hibler, Ted Sears, Bill Peet, Erdman Penner, Joe Rinaldi, Milt Banta, Bill Cottrell, Dick Kelsey, Joe Grant, Dick Huemer, Del Connell, Tom Oreb, John Walbridge, based on Lewis Carroll's The Adventures of Alice in Wonderland and Alice Through the Looking Glass
directed by Clyde Geronimi & Wilfred Jackson & Hamilton Luske

THE LION KING 1½
The Lion King 3: Hakuna Matata
*/**** Image A Sound A Extras C+
screenplay by Tom Rogers, Roger Allers and Irene Mecchi and Bill Steinkeller and Evan Spiliotopoulos
directed by Bradley Raymond

by Bill Chambers It's not like Alice in Wonderland is necessary and The Lion King 1½ isn't–they're both unnecessary. The two latest animated Disney films to hit DVD, they have little in common formally save that they're jointly inessential; and yet, because of their proximate release windows, parents are likely to pick them up as a pair, and kids are likely to associate them as such. Bright, sophisticated children may arrive at the hypothesis that this is the day that animation died.

Fantasia (1941)/Fantasia 2000 (2000) [4-Disc Special Edition] – Blu-ray + DVD

December 28, 20101940s, 2000s, 2010, Authors: Bryant Frazer, Blu-ray Disc, Disney, DVD

FANTASIA
***/**** Image A Sound A- Extras B+
story direction by Joe Grant and Dick Huemer
directed by James Algar, Samuel Armstrong, Ford Beebe, Norm Ferguson, Jim Handley, Thornton Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, and Paul Satterfield

FANTASIA 2000
*½/**** Image A Sound A Extras B+
directed by Pixote Hunt, Hendel Butoy, Eric Goldberg, James Algar, Francis Glebas, Gaetan Brizzi, Paul Brizzi, and Don Hahn

by Bryant Frazer More than twenty years ago, I sat in Stan Brakhage’s office at the University of Colorado, handling original frames of 65mm IMAX film stock that the avant-garde filmmaker had hand-painted with swirling layers of colour. He explained that IMAX had commissioned him to create an abstract film specifically for presentation on the huge screens of their theatres. It was a great idea, and I wondered when the film had screened. Never, Brakhage told me. The IMAX people eventually lost interest in the idea, and “Night Music” was shown instead in 16mm prints, drastically reduced from the large-gauge film stock. Although IMAX were bold enough to approach Brakhage in the first place, the company got cold feet when it came time to actually exhibit non-narrative cinema–even for only 30 seconds!–for a paying audience.

Tinker Bell and the Great Fairy Rescue (2010) – Blu-ray + DVD

October 27, 20102000s, 2010, Adventure, Animation, Authors: Jefferson Robbins, Blu-ray Disc, Disney, DVD, Family, Fantasy

**/**** ImageA- Sound B- Extras C
screenplay by Joe Ansolabehere, Paul Germain, Bob Hilgenberg, Rob Muir
directed by Bradley Raymond

by Jefferson Robbins There's this thing in children's fiction I call the Curious George Effect. A character transgresses, and in the context of that character's world it's a big hairy deal, potentially life-threatening. But the repercussions are so nifty-neato that the initial sin is shrugged off, perhaps never mentioned again, perhaps not explicitly identified as an error in the first place. The consequences for the guilty character are as follows: anxiety, cool adventure, reset to status quo.

Tinker Bell and the Great Fairy Rescue (2010) – Blu-ray + DVD

October 26, 20102000s, 2010, Adventure, Animation, Authors: Jefferson Robbins, Blu-ray Disc, Disney, DVD, Family, Fantasy

**/**** Image A- Sound B- Extras C
screenplay by Joe Ansolabehere, Paul Germain, Bob Hilgenberg, Rob Muir
directed by Bradley Raymond

by Jefferson Robbins There's this thing in children's fiction I call the Curious George effect. A character transgresses, and in the context of that character's world it's a big hairy deal, potentially life-threatening. But the repercussions are so nifty-neato that the initial sin is shrugged off, perhaps never mentioned again, perhaps not explicitly identified as an error in the first place. The consequences for the guilty character are as follows: anxiety, cool adventure, reset to status quo.

Sex and the City 2 (2010) + Prince of Persia: The Sands of Time (2010) – Blu-ray + DVD + Digital Copy

October 3, 20102000s, 2010, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, Disney, Drama, DVD, Fantasy, Romance, Theatrical, ZERO STARS

SEX AND THE CITY 2
ZERO STARS/****
starring Sarah Jessica Parker, Cynthia Nixon, Kristin Davis, Kim Cattrall
written and directed by Michael Patrick King

PRINCE OF PERSIA: THE SANDS OF TIME
ZERO STARS/**** Image A Sound A Extras C
starring Jake Gyllenhaal, Ben Kingsley, Gemma Arterton, Alfred Molina
screenplay by Doug Miro & Carlo Bernard
directed by Mike Newell

by Walter Chaw One may be a misguided liberal screed and the other a misguided conservative screed, but Sex and the City 2 and Prince of Persia: The Sands of Time (hereafter Prince of Persia) are very much alike in that they're what a Tea Party meeting would look like with a budget. They're politically-confused hodgepodges of bad ideas and misplaced, incoherent outrage–most of it gleaned from the one or two times some idiot accidentally read the A-section of a newspaper, the rest gathered from Dummies primers on how to be cursorily informed in the Information Age. They're similarly infused with healthy doses of arrogance and cultural empiricism that speak directly to the reasons the United States is the target of fundamentalist whackos convinced we're all just like the randy quartet of aging bitches on a hedonism bender in the Middle East in Sex and the City 2. Hateful, vile, both films are also indicated by a distinct lack of artistry, representing a world post-Michael Bay in which a goodly portion of movies are dependent on not only other cultural touchstones (a TV series, a videogame) for the entirety of their alleged appeal, but on some of the most vapid cultural touchstones in the brief history of our popular culture, period.

Alice in Wonderland (2010) – Blu-ray + DVD

June 14, 20102000s, 2010, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, Directors: Tim Burton, Disney, DVD, Family, Fantasy

**/**** Image A Sound A Extras B-
starring Johnny Depp, Anne Hathaway, Helena Bonham Carter, Mia Wasikowska
screenplay by Linda Woolverton
directed by Tim Burton

by Walter Chaw A diary of missed opportunities but not the disaster it could have been, Tim Burton's Alice in Wonderland reminds a great deal of Walter Murch's Return to Oz in that both are closer in spirit to the respective dark of their inspirations while still falling tantalizingly shy of the beguiling murk of their headwaters. (In terms of adaptations, No Country for Old Men holds the gold standard for cinema that understands its source well enough to use it in its own sentence.) It'll be compared of course to the Disney animated classic that mistook Lewis Carroll's misanthropy-soaked surrealism for whimsy–a comparison Burton tries to sidestep by incorporating more elements (the Bandersnatch, the Jabberwocky, the Jub-Jub Bird, snickersnack) from the largely-ignored second book, Alice Through the Looking Glass, but one that'll hound a film featuring plucked-out eyeballs and a castle moat traversed by skipping across severed heads.

Hannah Montana: The Movie (2009) – Blu-ray + DVD + Digital Copy

January 14, 20102000s, Authors: Bill Chambers, Blu-ray Disc, Comedy, Coming of Age, Disney, Drama, DVD, Family, Music, Romance, Teen

**/**** Image A- Sound A Extras B-
starring Miley Cyrus, Emily Osment, Jason Earles, Billy Ray Cyrus
screenplay by Dan Berendsen
directed by Peter Chelsom

by Bill Chambers Peter Chelsom may have sold his soul when he joined the ranks of Lasse Hallstrom and John Madden to become a house director for Miramax, but going to work at Disney–on a feature-film vehicle for one of the company’s biggest brands, no less–is a mercenary move, pure and simple. So it’s surprising, considering he probably could’ve treated the job as a paid vacation without incurring the wrath of “Hannah Montana” fans (who’ve been weaned on a particularly low-rent sitcom), to say nothing of the suits in charge (Disney favours foremen to filmmakers, after all), that Chelsom seems legitimately inspired by the material more often than not. The ‘Hannah Montana’ concept itself needs only gentle pushes to yield something resembling a story, but Chelsom doesn’t exactly coast on it; anyone who’s involuntarily endured the collected works of Kenny Ortega or Andy Fickman will notice a more idiosyncratic hand at the helm almost immediately. While I can’t say I’ve ever thought much of Chelsom’s films (they’re a bit twinkly for my tastes), he appears to have found his niche. As a work of Hollywood imperialism goes, it’s certainly preferable to his remake of Shall We Dance?.

The Princess and the Frog (2009)

December 11, 20092000s, Adventure, Animation, Authors: Ian Pugh, Comedy, Disney, Family, Fantasy, Musical, Romance, Theatrical

*½/****
screenplay by Ron Clements & John Musker & Rob Edwards
directed by Ron Clements & John Musker

by Ian Pugh Disney has resurrected its traditional (i.e., 2-D) animation department only to plunder plots and themes from its own vault, but because we're all familiar with what Disney represents in this day and age, we're meant to accept it with a wink and a nod. This is the same old Cinderella trope located firmly within the "Family Guy" generation, the film's hip acknowledgment of genre conventions (the absurdity of talking animals, the modern irrelevance of royalty) nevertheless failing to capitalize on that newfound consciousness in any meaningful way. So while it offers the reasonable assertion that the importance of love and family shouldn't be lost in the pursuit of a dream, it still ends with a message of no-happiness-without-marriage straight outta the 16^th century. And whatever PR folderol you've read about The Princess and the Frog representing the company's "first black princess," be aware that Bold Leaps Forward are hardly the priority here, the common but wholly-valid criticism being that the characters spend more screentime as frogs than as people.

Sunshine Cleaning (2009); The Last House on the Left (2009); Race to Witch Mountain (2009)|Race to Witch Mountain – Blu-ray + DVD + Digital Copy

August 2, 20092000s, Adventure, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, Comedy, Crime, Disney, Drama, DVD, Family, Horror, Sci-Fi, Theatrical, Thriller, UK, Wes Craven

SUNSHINE CLEANING
**½/****
starring Amy Adams, Emily Blunt, Alan Arkin, Jason Spevack
screenplay by Megan Holley
directed by Christine Jeffs

THE LAST HOUSE ON THE LEFT
**½/****
starring Garret Dillahunt, Sara Paxton, Monica Potter, Tony Goldwyn
screenplay by Adam Alleca and Carl Ellsworth, based on the motion picture written and directed by Wes Craven
directed by Dennis Iliadis

RACE TO WITCH MOUNTAIN
*½/**** Image A- Sound B+ Extras C
starring Dwayne Johnson, AnnaSophia Robb, Carla Gugino, Ciarán Hinds
screenplay by Matt Lopez and Mark Bomback, based on the book Escape to Witch Mountain by Alexander Key
directed by Andy Fickman

by Ian Pugh SPOILER WARNING IN EFFECT. Norah (Emily Blunt) is a sort of overripe Juno MacGuff: older but no wiser, quick-witted but shiftless. As she sticks her hand underneath a railroad track, pulling it out just before a train passes, the question is clear: why is she here, doing something so unbelievably stupid, when she should be out trying to get a life? Turns out this game of chicken reminds her of the day she and her sister Rose (Amy Adams) discovered that their mother committed suicide. Christine Jeffs's Sunshine Cleaning feels like a response to a recent spate of smarmy little indie films in the sense that it bothers to explore the self-aware idiosyncrasies typically taken for granted, and it comes to the startling conclusion that perhaps these "personality quirks" aren't the building blocks of individualism, but rather signposts for unresolved trauma and budding mental illness. (Given how contradictory this film is to the Little Miss Sunshine mentality (and Alan Arkin's presence makes the comparison inevitable), can we assume that its title is a double entendre?) You may laugh when Rose's son Oscar (Jason Spevack) is kicked out of school for licking his teacher's leg, or when her father Joe (Arkin) hustles unsuspecting business owners with one get-rich-quick scheme after another, yet the lingering question is whether or not they'd engage in "funny" behaviour if not for their inherited anguish. "It's tough raising a kid by yourself, huh?" Joe tells Rose after she asks him to babysit at an inconvenient time. "Try two." The attempt to mine humour from these tragic aftermaths doesn't make Sunshine Cleaning a morbid film, exactly–but it definitely makes for a haunted one.

G-Force (2009)

July 23, 2009Action, Adventure, Authors: Ian Pugh, Comedy, Disney, Family, Nicolas Cage, Sci-Fi, Theatrical

**/****
starring Bill Nighy, Will Arnett, Zach Galifianakis, Kelli Garner
screenplay by The Wibberleys and Ted Elliott & Terry Rossio and Tim Firth
directed by Hoyt Yeatman

by Ian Pugh It's no small wonder, I suppose, that Disney's 3-D contraption G-Force isn't nearly as bad as it could–and by all rights should–be. Certainly, there are people at the Mouse House still convinced that an overload of genre clichés (here the conventions of the spy movie) are made instantly clever when applied to talking, farting animals (here guinea pigs), and that the company's morality factory hasn't already exhausted the virtues of makeshift families and believing in yourself. But encoded in the formula this time around is an odd, unspoken thesis about facing the hitherto-ignored consequences of cruelty towards those who can't defend themselves. Most intriguing to that end, the big-name actors roped into lending their voices to this mess are appropriately cast, their live-action personae transferred to a sticky CGI concoction of animal nature and human spite. Steve Buscemi cuts loose as an insane, sadistic hamster (his paranoid tendencies–he jealously guards his territory while mumbling to himself–born of "the psych ward at UCLA"), for instance, while Nicolas Cage, as an orphaned, star-nosed mole named "Speckles," improbably gives his best performance in years. Utilizing his weirdo inflections from Peggy Sue Got Married, Cage manages to channel his familiar space-case into an unlikely outlet and pump it with quiet desperation–dare I say pathos–without even the smallest hint of the self-parody that's plagued him of late. More than what the film deserves? Most definitely, although the high points of G-Force suggest that, at some stage of production, in some alternate universe, it may have actually deserved it.

Chick Flick Politick – DVDs + Blu-ray Disc

July 12, 20092000s, Adventure, Animation, Authors: Walter Chaw, Blu-ray Disc, Comedy, Disney, Drama, DVD, Family, Fantasy, Musical, Romance, ZERO STARS

BRIDE WARS (2009)
ZERO STARS/**** Image N/A Sound C Extras F
starring Kate Hudson, Anne Hathaway, Kristen Johnston, Candice Bergen
screenplay by Greg DePaul and Casey Wilson & June Diane Raphael
directed by Gary Winick

CATCH AND RELEASE (2007)
ZERO STARS/**** Image B Sound B Extras C
starring Jennifer Garner, Timothy Olyphant, Kevin Smith, Juliette Lewis
written and directed by Susannah Grant

WHAT HAPPENS IN VEGAS (2008)
[JACKPOT EDITION]
***/**** Image N/A Sound B Extras B+
starring Cameron Diaz, Ashton Kutcher, Rob Corddry, Dennis Miller
screenplay by Dana Fox
directed by Tom Vaughan

27 DRESSES (2008)
[WIDESCREEN EDITION]
**/**** Image N/A Sound B Extras B+
starring Katherine Heigl, James Marsden, Malin Akerman, Edward Burns
screenplay by Aline Brosh McKenna
directed by Anne Fletcher

ENCHANTED (2007)
**/**** Image A Sound A Extras D
starring Amy Adams, Patrick Dempsey, James Marsden, Susan Sarandon
screenplay by Bill Kelly
directed by Kevin Lima

by Walter Chaw I’m not kidding: Bride Wars is reptilian, hateful stuff, biologically engineered to disrespect–with maximum efficiency–the precise demographic to which it targets itself. It’s like an antibody to the middle-class, medium-attractive girl by virtue of encouraging her to associate herself with upper-middle-class, gorgeous avatars and, through that agency, act in ways completely hostile towards common sense and decency. It’s an epidemic of bad taste: there’s no other way to read the suggestion that size-zero Kate Hudson is a fat, disgusting swine for gaining five pounds pounding chocolate and cookies for a couple of weeks, is there? What’s harder to explain is a scene in the middle where rivals/best friends Liv (Hudson) and Emma (Anne Hathaway) do a slutty dance-off in a strip-club for the crown of “sexiest bride.” Here’s the weird part: one of them actually cares when the other one wins. In the middle of a movie that can only hope to attract women as its audience, here’s a scenario that physically exploits women as opposed to just emotionally or situationally (as is more to be expected). It’s like a soul kiss and a reach-around between Vin Diesel and Paul Walker to cap off a nice street race. But does it have the same chilling effect on its would-be audience, or does it instead feed into the electric lesbian tension that serves as the motor for all these “Sex and the City” knock-offs? Never mind, it’s not important. What is somewhat important is that Gary Winick, the heir-apparent to Garry Marshall’s chick-flick throne, be discouraged from ever directing another movie.

How to Lose Friends & Alienate People (2008) – DVD + Beverly Hills Chihuahua (2008) – Blu-ray Disc

March 23, 20092000s, Adventure, Authors: Ian Pugh, Biopic, Blu-ray Disc, Comedy, Disney, Drama, DVD, Family, Mexico, Romance, UK

HOW TO LOSE FRIENDS & ALIENATE PEOPLE
**/**** Image B- Sound A Extras B+
starring Simon Pegg, Kirsten Dunst, Danny Huston, Jeff Bridges
screenplay by Peter Straughan, based on the book by Toby Young
directed by Robert Weide

BEVERLY HILLS CHIHUAHUA
½*/**** Image B Sound B+ Extras B-
starring Piper Perabo, Manolo Cardona, Jamie Lee Curtis, José María Yazpik
screenplay by Analisa LaBianco and Jeffrey Bushell
directed by Raja Gosnell

by Ian Pugh Tipping its hat to Godard through a poster on the wall of disillusioned magazine editor Clayton Harding (Jeff Bridges), How to Lose Friends & Alienate People (hereafter How to Lose Friends) owes an enormous debt to the success of The Devil Wears Prada, but it may be more accurate to describe it as Contempt as told by Elizabethtown-era Cameron Crowe. Which is to say, it argues that the only way to beat the entertainment industry at its game of media-manipulation is to play by the rules. The idealistic writer has to sell out, temporarily at least; and when he loses the girl to some asshole "in the know," the audience can rest assured that they'll be reunited soon enough. Simon Pegg ostensibly plays boorish journo Sidney Young, a British transplant in New York City come to shake the foundations of a thinly-veiled VANITY FAIR clone only to endure several rude awakenings. Pegg really plays the part of the wacky Kirsten Dunst pixie from Elizabethtown, though, come from merry old England with a fistful of snark to teach strait-laced Kirsten Dunst (here essaying the Orlando Bloom role) about the fruitlessness of obsessing over ridiculous establishments beyond your control. Well, that and the joys of Con Air.

High School Musical (2007) [Remix]; High School Musical 2 (2008) [Extended Edition]; High School Musical 3: Senior Year (2009) [Deluxe Extended Edition] – Blu-ray Discs

February 25, 20092000s, Authors: Ian Pugh, Blu-ray Disc, Comedy, Disney, Musical, Romance, Teen, Television

HIGH SCHOOL MUSICAL
**/**** Image A- Sound B+ Extras C+
starring Zac Efron, Vanessa Hudgens, Ashley Tisdale, Lucas Grabeel
written by Peter Barsocchini
directed by Kenny Ortega

HIGH SCHOOL MUSICAL 2
½*/**** Image B Sound B+ Extras C-
starring Zac Efron, Vanessa Hudgens, Ashley Tisdale, Lucas Grabeel
written by Peter Barsocchini
directed by Kenny Ortega

HIGH SCHOOL MUSICAL 3: SENIOR YEAR
*½/**** Image A Sound A- Extras B-
starring Zac Efron, Vanessa Hudgens, Ashley Tisdale, Lucas Grabeel
screenplay by Peter Barsocchini
directed by Kenny Ortega

by Ian Pugh Not exactly the cultural apocalypse its Disney Channel roots and preteen popularity would have you believe, High School Musical is no worse, really, than any other cookie-cutter musical in recent memory. A by-product of pandering to a young, young audience, its biggest sin is that it alleges a greater basis in reality than its more "adult" contemporaries: The movie endeavours to give credence to the familiar tropes of storybook romance and rags-to-riches by applying them to the politicized zoo known as high school. Troy (Zac Efron) is captain of the basketball team and Gabriella (Vanessa Hudgens) is a brainiac, but all it takes is one happenstance karaoke duet for them to discover they both enjoy singing a whole lot, and their pursuit of that mutual interest throws the entire clique-driven society of East High into disarray. Although it's bolstered by a few genuine chuckles, the premise can't hide the fact that the high-school backdrop actively highlights how inconsequential the whole blasted thing truly is.

Hannah Montana: The Complete First Season (2006-2007) + Alvin and the Chipmunks (2007) [Special Edition] – DVD

January 7, 20092000s, Adventure, Animation, Authors: Ian Pugh, Comedy, Disney, Drama, DVD, Family, Music, Musical, Television

HANNAH MONTANA: THE COMPLETE FIRST SEASON
Image C Sound C+ Extras D+
"Lilly, Do You Want to Know a Secret?," "Miley Get Your Gum," "She's a Super Sneak," "I Can't Make You Love Hannah If You Don't," "It's My Party and I'll Lie If I Want To," "Grandma Don't Let Your Babies Grow Up to Play Favorites," "It's a Mannequin's World," "Mascot Love," "Ooh, Ooh Itchy Woman," "O Say Can You… Remember These Words?," "Oops! I Meddled Again," "You're So Vain, You Probably Think This Zit is About You," "New Kid in School," "More Than a Zombie to Me," "Good Golly, Miss Dolly," "Torn Between Two Hannahs," "People Who Meet People," "Money for Nothing, Guilt for Free," "Debt it Be," "My Boyfriend's Jackson And There's Gonna Be Some Trouble," "We Are Family–Now Get Me a Water!," "Schooly Bully," "The Idol Side of Me," "Smells Like Teen Sellout," "Bad Moose Rising"

ALVIN AND THE CHIPMUNKS
½*/**** Image B- Sound B- Extras D+
starring Jason Lee, David Cross, Cameron Richardson, Jane Lynch
screenplay by Jon Vitti and Will McRobb & Chris Viscardi
directed by Tim Hill

by Ian Pugh Contemplating the factors that pushed Hannah Montana into the limelight is automatically more interesting than devoting the least amount of attention to the eponymous Disney sitcom that introduced her to her gullible constituency. The concept behind the show, a kind of rock star wish-fulfillment that teaches its tweener audience that if you tell enough people you're famous, you'll get there eventually, has proved the foundation on which to make a mint. But sit down to watch "Hannah Montana" itself and you won't see much more than the same episodic drivel from the Disney Channel–standardized junior-high antics cushioned by lame slapstick. Any significance you cull from a deeper reading invariably leads back to the construction of the carefully-groomed personality that serves as its centrepiece. Flanked by her best friends (Mitchel Musso and Emily Osment) and supported by her manager/father (Billy Ray Cyrus) and brother Jackson (Jason Earles), Miley Stewart (Miley Cyrus) divides her time between a typical teenage life and a tour through fame as bubblegum diva Hannah Montana. What she actually does with that time hardly matters.

Bolt (2008)

November 26, 20082000s, Adventure, Animation, Authors: Walter Chaw, Comedy, Crime, Disney, Drama, Family, Theatrical

**½/****
screenplay by Dan Fogelman, Chris Williams
directed by Byron Howard, Chris Williams

by Walter Chaw What counts as a revolution for Disney animation nowadays is tellingly only a shadow of Pixar's gracefully loaded pictures. It demonstrates that any film completed under the supervision of John Lasseter can't be that bad, but also that all the things wrong with The Mouse over the last couple of decades won't clear up with just one picture. Bolt isn't a bad start, though, handling in its light, rote way a couple of nice moments with orphaned cat Mittens (voiced by Susie Essman) that remind of Jessie's heartache from Toy Story 2 and a few well-paced action sequences that recall a superhero highlight reel from The Incredibles (speaking of films that need a sequel). The point of greatest interest is that Bolt represents the second major movie this year after Tropic Thunder that has as its protagonist an actor who doesn't realize he's no longer on a soundstage. (Collective commentary on the end of our time in Oz or Kansas?) Even without a deeper interest in answering the questions that it asks (in sharp contrast to the introspective, almost silent WALL·E), it's still light years ahead of Disney's spate of racist, misanthropic entertainments and/or direct-to-video sequels that cynically transform their Vault™ into a McDonald's franchise.

Shine a Light (2008) + Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour (2008) – Blu-ray Discs

August 28, 20082000s, Authors: Bill Chambers, Blu-ray Disc, Concert Doc, Directors: Martin Scorsese, Disney, Documentary, Music

SHINE A LIGHT
**/**** Image A Sound A Extras B+
directed by Martin Scorsese

HANNAH MONTANA/MILEY CYRUS: BEST OF BOTH WORLDS CONCERT TOUR
½*/**** Image A Sound A Extras C
directed by Bruce Hendricks

by Bill Chambers Film critic and snarkmeister extraordinaire Glenn Kenny recently blogged, "When Martin Scorsese's Shine a Light hit theaters in April, it gave movie critics, myself included, a chance…to weigh in on just what they thought of [the Rolling Stones]. It sure was fun, kinda, but rather missed a point, which is that having an opinion on The Stones these days is like having an opinion about Mount Rushmore. No one really gives a shit." While I'm inclined to agree, does that not make a concert from "The Stones these days" tantamount to a sightseeing tour of Mt. Rushmore? What, then, does Shine a Light leave us to talk about? Sadly, not a lot.

Bridge to Terabithia (2007) [Widescreen]; The Seeker: The Dark is Rising (2007); The Spiderwick Chronicles [2-Disc Field Guide Edition] – DVDs

June 30, 20082000s, Action, Adventure, Authors: Walter Chaw, Disney, Drama, DVD, Family, Fantasy, Thriller

BRIDGE TO TERABITHIA
**½/**** Image A Sound A- Extras C
starring Josh Hutcherson, Annasophia Robb, Robert Patrick, Zooey Deschanel
screenplay by Jeff Stockwell and David Paterson, based on the book by Katherine Paterson
directed by Gabor Csupo

THE SEEKER: THE DARK IS RISING
½*/**** N/A
starring Alexander Ludwig, Christopher Eccleston, Ian McShane, Frances Conroy
screenplay by John Hodge, based on the book by Susan Cooper
directed by David L. Cunningham

THE SPIDERWICK CHRONICLES
**/**** Image A Sound A Extras C-
starring Freddie Highmore, Mary-Louise Parker, Nick Nolte, David Strathairn
screenplay by Karey Kirkpatrick and John Sayles, based on the books by Tony DiTerlizzi and Holly Black
directed by Mark Waters

by Walter Chaw In the genre of wide-eyed, hyperactive ‘tween bullshit, there seems a common thread of missing parents or siblings with all the attendant Oedipal complexities upon which to coat-hanger every genus of just-pubescent, Uncle Joe Campbell shenanigans. (Oh, I get it, it’s a metaphor for strange hair, jerking-off, and embarrassing hard-ons–no wonder I identify with these things again as I get older.) More underground than overt adolescent emo rock-star/rapist fantasies like vampirism, the flicks of this type that work–such as Sam Raimi’s Spider-Man trilogy, or the third and fifth Harry Potters, or The Passion of the Christ–incorporate the uncertainty and body horror of growing up with hero/martyr fantasies and, ultimately, the melancholy of childhood’s end. The result of a job well done is a piece of enduring, often befuddling, resonance, owing in part to the canny hijacking of some existing folklore or mythology (including comic books) and the gratifying recognition that at the end of all that hormonal devastation is the justification of manhood. Psychosexual psychodrama at least, the new crop of boy-into-man-boy flicks, in the wake of the astounding success of that certain boy wizard (and, shit, probably Shrek‘s, too), takes a new interest in fantasy as a means to specific ontological ends. For this unabashed fan of Matthew Robbins’s idyllic, laden Dragonslayer, it’s not entirely bad news.

The Chronicles of Narnia: Prince Caspian (2008)

May 15, 20082000s, Action, Adventure, Authors: Walter Chaw, Czech Republic, Disney, Family, Fantasy, Poland, Slovenia, Theatrical, UK

**½/****
starring Georgie Henley, Skandar Keynes, William Moseley, Anna Popplewell
screenplay by Andrew Adamson & Christopher Markus & Stephen McFeely, based on the novel by C.S. Lewis
directed by Andrew Adamson

by Walter Chaw Let’s face it: The Chronicles of Narnia: Prince Caspian (hereafter Narnia 2) is by most objective measures a complete mess. It doesn’t do a particularly good job of shading in its backstory (you really need to have read the book or seen the first film very recently) and its narrative proper is truncated and spastic. The characters don’t demonstrate enough awe when they’re confronted with a minotaur for the first time, nor do they register the appropriate shock upon characters from their storybooks suddenly appearing in their midst. Though there’s a real problem with special-effects films that spend too much time gawping at their own illusions, it’s not much better when pictures like this give its characters good reason to be surprised and they’re not. It begins in the middle and ends with an exit tune so embarrassing that it threatens to completely deflate the goodwill the picture has, against all odds, built to that point–but damn it if it isn’t quite good for all that. Narnia 2 reminds of Stardust in that sense: it works because it works, because the connective tissue that’s there in the ephemera is made of sinew and spider silk–strong, fibrous, and sticky even when the actual plotting does the film no favours. Its themes are universal even though C.S. Lewis is unabashedly Christian; what’s laudable about the first instalment and now this sequel is the obvious pains taken to present themes of resurrection, redemption, and faith as archetype rather than dogma. Attaching something so specific as an idea of Satan, for instance, to a brief, remarkably affecting reappearance of The White Witch (Tilda Swinton) is a reach and missing the point besides. Narnia 2 is about believing in something so simple as a greater power–about humility and resisting temptation and the easy path. Yoda had something to say to my generation from atop a log in Dagobah, and it’s possible to see Narnia 2 as Luke’s invitation to meet his darker self in the roots of a gnarled old tree.