Directors: M. Night Shyamalan Archives

Trap (2024)

August 3, 20242024, Authors: Walter Chaw, Crime, Directors: M. Night Shyamalan, Horror, Mystery, Theatrical, Thriller, UK, Yemen

½*/****
starring Josh Hartnett, Ariel Donoghue, Saleka Shyamalan, Hayley Mills
written and directed by M. Night Shyamalan

by Walter Chaw I try sometimes to put myself inside the mind of the creator, to imagine the route they took to the art they made. Maybe M. Night Shyamalan was at a concert, looked around, and imagined what it would be like if everyone there was searching for him. How he would have trouble blending in, but someone who looked like, say, Josh Hartnett, might have an easier time of it. He kind of took a run at this with the football game in Unbreakable, right? But why would Night imagine people were looking for him in the first place? Did he want that? Did he want the discomfort of being recognized in public, the struggle and obligation to be magnanimous towards strangers while remaining present for his family? Was the sacrifice of it appealing, a chance to display unusual charm and grace and build on the self-mythology he started in SPORTS ILLUSTRATED reporter Michael Bamberger’s hilarious, bathetic The Man Who Heard Voices, which begins: “Night’s shirt was half open, Tom Jones in his prime.” Not Henry Fielding’s fortunate foundling, for sure, but the Welsh sexy beast notorious for the amount of ladies’ lingerie tossed in his general direction on stage. Maybe Night was feeling the burden of being semi-famous in a specific location that night at this theoretical concert. Maybe he was feeling the burden of not being more famous.

Knock at the Cabin (2023)

February 7, 20232023, Authors: Walter Chaw, Directors: M. Night Shyamalan, Horror, Mystery, Theatrical, Thriller

*/****
starring Dave Bautista, Jonathan Groff, Rupert Grint, Ben Aldridge
screenplay by M. Night Shyamalan and Steve Desmond & Michael Sherman, based on the book The Cabin at the End of the World by Paul Tremblay
directed by M. Night Shyamalan

by Walter Chaw SPOILER WARNING IN EFFECT FOR BOTH THE FILM AND THE BOOK ON WHICH IT’S BASED. M. Night Shyamalan’s Knock at the Cabin is an accurate and appropriately vile portrait of Evangelical Christianity and a conservative mindset based on a sense of righteous indignation that their ignorance and bile are not well-received by people whom they despise for receiving the gifts they themselves have not received. The maxim of the meek inheriting the Earth is not, after all, a promise of something good, but rather the herald of small, terrified people emboldened by their shared ignorance and repulsive mythologies to exterminate everything that is not as morally bankrupt and spiritually unmoored as them. They imagine they’re the good guys, the ones magnanimous in their mercy and forgiveness, when in fact they are the reason mercy and forgiveness are necessary in the world. If it were not so, the Sermon on the Mount–the keynote address by their ostensible human godhead–would be the document they’re pushing to be posted in every classroom instead of the Ten Commandments and the Pledge of Allegiance to precisely the type of golden calf their fairytales warn against. The world is ending, not because of gay marriage, abortion, or immigration, but because of the prosperity gospel. In many ways, Knock at the Cabin shares an ideological space with Scorsese’s Silence, yet only one of them reckons with the Christian god’s promised, and thorny, non-intervention in the affairs of its creation. Only one of them, in other words, isn’t a piece of ecstatic, ecclesiastical hoohah.

Old (2021)

July 22, 20212021, Authors: Walter Chaw, Directors: M. Night Shyamalan, Drama, Horror, Mystery, Theatrical, Thriller

**/****
starring Gael García Bernal, Vicky Krieps, Rufus Sewell, Alex Wolff
screenplay by M. Night Shyamalan, based on the graphic novel Sandcastle by Pierre-Oscar Lévy and Frederick Peeters
directed by M. Night Shyamalan

by Walter Chaw M. Night Shyamalan is a brilliant filmmaker and an arrogant storyteller, and sometimes that works out pretty well (see: The Sixth Sense, Unbreakable). More often, it yields wildly mixed results where his savant-like mastery of the visual wars with the pedantic, childish, even messianic tendencies of his writing. Imagine if Spielberg wrote all his own movies instead of merely tacking his tidy happy endings on them. There's possibly a paper in how the degree of obstreperousness in Shyamalan's cameos has a direct correlation to the film's obnoxiousness. My favourite Hitchcock cameo is in Notorious, where Hitch has himself drinking a glass of champagne at a party at a Nazi's house, thus, through a series of events, accelerating the discovery of our heroic secret agent. But Hitch never cast himself, as Shyamalan has, in extended speaking roles that have found him playing a prophet writing a new Bible (Lady in the Water), delivering key exposition in a protracted flashback (Signs), and serving as the beneficiary of the most complicated camera set-up to deliver the twist in an otherwise transfixing, transporting picture (The Village). Tarantino used to do garbage like that, and, predictably, this was reliably the worst part of a Tarantino movie. For a while, after Shyamalan went through a pronounced humbling (The Happening, The Last Airbender, After Earth), he cut the shit for a trio of tight, nasty, mostly-glorious, largely career-resuscitating little thrillers (The Visit, Split, Glass). With his latest, Old, he's got his confidence back, and that's…bad.

Glass (2019)

January 21, 20192019, Authors: Walter Chaw, Directors: M. Night Shyamalan, Drama, Sci-Fi, Superhero, Theatrical

***/****
starring James McAvoy, Bruce Willis, Samuel L. Jackson, Sarah Paulson
written and directed by M. Night Shyamalan

by Walter Chaw SPOILER WARNING IN EFFECT. Glass is really only about two things, but they happen to be the two most urgent things we have to talk about in 2019. It’s about gaslighting–how people in positions of power lie about plain fact until the truth becomes a political theory. And it’s about a cabal of white elites interested in maintaining the status quo at any cost. Late in the picture, someone says they’re not “for” right or wrong, just ten thousand more years of same. The correlation to entrenchment Democrats who are as driven by self-interest as entrenchment Republicans is spot-on and devastating. The reaction of the Establishment Left to someone like Alexandria Ocasio-Cortez–who, after all, never says anything remotely controversial to the majority of Americans–reminds that Trump would never be President if it weren’t for the complicity of an entire ossified system that is at the end also not interested in right or wrong, just same. This country is not red and blue, it’s grey.

After Earth (2013)

May 30, 20132013, Action, Adventure, Authors: Angelo Muredda, Directors: M. Night Shyamalan, Sci-Fi, Teen, Theatrical, ZERO STARS

ZERO STARS/****
starring Will Smith, Jaden Smith, Sophie Okenedo, Zoë Kravitz
screenplay by Gary Whitia and M. Night Shyamalan
directed by M. Night Shyamalan

by Angelo Muredda Give M. Night Shyamalan this much: he is
not a timid filmmaker. Where some might have responded to the critical drubbing
of The
Village with a shrug, Shyamalan turned his follow-up,
ostensibly a children's story, into a vicious riposte. Lady in the Water isn't just an off-kilter fairytale about an endangered waif who
falls out of the sky and into Paul Giamatti's swimming pool: it's also a deranged
manifesto for protecting the imaginative freedom of artists like
Shyamalan–playing a writer who will one day be martyred for his ideas,
collected in a volume modestly titled "The Cookbook"–against
critics and nonbelievers, who meet deservedly bad ends. That would be a gutsy
move if the artist had something to die for himself, yet the best you could say
for Lady in the Water is that at least Bob Balaban's beast-ravaged movie
reviewer is spared the finale with a saviour eagle that Shyamalan has the gall
to christen "Eaglet." Though nominally a star vehicle for Will Smith
and his son Jaden, After
Earth covers much the same ground, down to its
repetition of both the aquila
ex machina trope and half-assed nomenclature. (A
double-sided spear is a "cutlass" in the future, while walking
stealthily is now "ghosting." No word on what we call spoons or
actual cutlasses.) Lady
in the Water's world-building by crayon doodles can be
explained away easily enough by its bedtime-story mechanics, but there's no
excuse for After
Earth, a thinly-sketched, unbearably haughty
survival story that cites Moby-Dick as it steals from Suzanne Collins.

The Sixth Sense (1999) [VISTA Series] – DVD|Blu-ray Disc

October 2, 20081990s, Authors: Bill Chambers, Blu-ray Disc, Directors: M. Night Shyamalan, Drama, DVD, Mystery, Thriller

***½/****
DVD – Image A Sound A Extras A-
BD – Image A Sound A Extras A-
starring Bruce Willis, Toni Collette, Olivia Williams, Haley Joel Osment
written and directed by M. Night Shyamalan

by Bill Chambers There's a feeling of déjà vu at moviehouses this summer: in two different films, a particularly troubled character senses danger of the paranormal kind as the room plummets to freezing temperatures. The difference is that when it happens to Lili Taylor's Nell in The Haunting, it's schadenfreude. The hero of The Sixth Sense, a young boy named Cole, is a more sympathetic creation in a far less shrill enterprise, and we wish nothing more than for the ghosts that haunt him to take a hike.

The Happening (2008)

June 12, 20082000s, Authors: Walter Chaw, Directors: M. Night Shyamalan, Drama, Horror, India, Sci-Fi, Theatrical, Thriller

**/****
starring Mark Wahlberg, Zooey Deschanel, John Leguizamo, Betty Buckley
written and directed by M. Night Shyamalan

by Walter Chaw The number one, indisputable, biggest surprise of M. Night Shyamalan's The Happening is that it doesn't entirely suck–followed fast by the stunner that the director-writer-producer-demiurge doesn't appear anywhere in the film as Christ on a chariot. After his self-aggrandizing cameos in Signs (as catalyst to the story's existence and outcome), The Village (as star of the "twist" in the film's most complicated lighting/camera set-up), and Lady in the Water (as author of the Bible), it seemed that was the next logical step. Instead, The Happening is a Larry Cohen-esque thriller along the lines of God Told Me To, delivered with a heavy hand, to be sure, but full of some of the most delicious misanthropy to hit screens since Julia Roberts was making romantic comedies. Shyamalan, if we follow the auteur theory as closely as he claims to, hates his fellow man enough so that a coda revealing a blessed pregnancy is framed in such a way as to suggest that mankind is spelling its own doom with this urge to procreate. By extension, it's tempting to see it as a criticism of pictures that end in Spielberg town, with marriages and babies and a cabin in the woods for the precogs. If Shyamalan is to the point where he's actively flipping the bird to audiences and expectations, eschewing his life-support systems for twists and protracted takes in favour of ugly, flat, uninspired action sequences and blighted implications, then I might actually at this point be looking forward to his next one. Meaning, at the end of the day, that's the biggest surprise of The Happening.

Signs (2002) [VISTA Series] – DVD|Blu-ray Disc

May 25, 20082000s, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Directors: M. Night Shyamalan, Drama, DVD, Mystery, Sci-Fi, Thriller

**/****
DVD – Image A- Sound A Extras B
BD – Image A- Sound A Extras B
starring Mel Gibson, Joaquin Phoenix, Rory Culkin, Abigail Breslin
written and directed by M. Night Shyamalan

by Walter Chaw M. Night Shyamalan makes very specific films about very specific concerns in a very specific manner: long master shots; an unusual trust in silence; remarkably few edits for a modern picture; joy in the choice of garish topics; and a thing for failed fathers and their lost little boys. He reminds of Hitchcock in his elevation of pulp art into high art, but differs in that his concerns aren't so much about abnormal psychology, the nervy manipulation of the audience, and the voyeuristic implication of movie-watching as they are about personal demons and Shyamalan's increasingly obvious desire to be considered in the same breath as his idol.

Unbreakable (2000) – [VISTA Series] – DVD|Blu-ray Disc

March 24, 20082000s, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Blu-ray Disc, Directors: M. Night Shyamalan, Disability, Drama, DVD, Mystery, Sci-Fi, Superhero, Thriller

**½/****
DVD – Image A Sound A Extras B+
BD – Image B+ Sound A+ Extras B+
starring Bruce Willis, Samuel L. Jackson, Robin Wright Penn, Spencer Treat Clark
written and directed by M. Night Shyamalan

by Travis Mackenzie Hoover I came late to the Sixth Sense party. After sneering at the trailer–which, with its moppet-in-peril and supernatural themes, made the film look like just another one of those less commercial pop jobs that get shoehorned into late-summer release–I put it immediately out of my mind. But three weeks later, I discovered that it had become a huge hit, with a sizable amount of critical acclaim, and it led me to wonder how I had managed to miss the parade. What was it about this film about a boy who sees dead people that had touched such a sensitive nerve?

Lady in the Water (2006) + Sympathy for Lady Vengeance (2005)|Lady in the Water [Widescreen Edition] – DVD

December 18, 2006****/****, 2000s, Authors: Bill Chambers, Authors: Walter Chaw, Crime, Directors: M. Night Shyamalan, Drama, Fantasy, Mystery, Revenge, South Korea, Theatrical, Thriller, ZERO STARS

LADY IN THE WATER
ZERO STARS/**** Image B+ Sound A Extras B-
starring Paul Giamatti, Bryce Dallas Howard, Bob Balaban, Jeffrey Wright
written and directed by M. Night Shyamalan

Chinjeolhan geumjassi
****/****
starring Lee Yeong-ae, Choi Min-sik, Kim Shi-hoo, Kwon Yea-young
written and directed by Park Chanwook

by Walter Chaw The creeping, inescapable feeling is that M. Night Shyamalan would like to be known as “M. Christ Shyamalan”: a guy who wants you to drink the Kool-Aid; a messiah with a shrinking flock preaching a platform that his increasingly deluded, astonishingly arrogant fables are actually themselves the secret to world peace. He claims to hear voices–the first couple of times he did so (here in the stray interview, there in The Buried Secret of M. Night Shyamalan, that abhorrent mock-documentary he did for the Sci-Fi Channel), I thought he was kidding. Hell, the first couple of times he did it, he probably was kidding. But I don’t think he’s kidding anymore. And there’s no longer any currency in playing this ethereal shaman card. Prancing about like a mystic while shitting away millions of other people’s money isn’t a pastime with longevity: it’s something only a zealot would do. I think he’s gone off the deep end, hubris first, overfed to bloating on a steady diet of his own press and the tender ministrations of yes-men too afraid to set off Shyamalan’s diseased persecution complex by telling him that while he might be good at a few things, Lady in the Water was unsalvageable. When Disney executives did approximately that, Shyamalan took his ball and went across the street to Warner Brothers.

The Buried Secret of M. Night Shyamalan (2004) + Pauly Shore is Dead (2004) – DVDs

March 11, 20052000s, Authors: Walter Chaw, Comedy, Directors: M. Night Shyamalan, DVD, Pseudo-Documentary, ZERO STARS

THE BURIED SECRET OF M. NIGHT SHYAMALAN
ZERO STARS/**** Image A Sound A
written by Melissa Foster
directed by Nathaniel Kahn

PAULY SHORE IS DEAD
½*/**** Image C Sound B Extras D
starring Pauly Shore, Jaime Bergman, Todd Bridges, Rick Ducommon
screenplay by Pauly Shore and Kirk Fox
directed by Pauly Shore

by Walter Chaw The only thing separating M. Night Shyamalan from Pauly Shore is that Shyamalan actually has a couple of classic modern suspensers under his belt and Shore doesn't have anything on his resume that could be remotely considered indispensable. Both are weasels, both have spent some period of time being really popular, both have endured a critical and popular backlash, and both have produced mock-documentaries detailing how interesting they think they are. But at the end of the day, only Shore's Pauly Shore Is Dead has anything like an affecting, self-deprecating, clear-eyed sense of self: The Buried Secret of M. Night Shyamalan is an embarrassing and cripplingly self-congratulatory PR gag. Shore knows that he's like nails across a chalkboard for most sentient beings on this planet (going so far as to portray his remaining fanbase as a hilljack in a trailer somewhere in Kentucky); Shyamalan thinks that a fake documentary shot in the style of Curse of the Blair Witch is a cute way to not only publicize his sham of a post-9/11 psychodrama The Village, but also debunk some of the venomous press (and leaked memorandums) that he's been amassing ever since deciding to start giving himself top-billing and face-time within the promotional materials for his films. (Check out the Signs DVD's packaging and cast your mind back to the last time you saw a picture of the director incorporated into the cover art of any release.) Shore knows he's become an object of ridicule; Shyamalan thinks he's become a national treasure–or at least the poet laureate.

The Village (2004) [VISTA Series – Widescreen] – DVD

January 10, 20052000s, Authors: Bill Chambers, Authors: Walter Chaw, Directors: M. Night Shyamalan, Drama, DVD, Mystery, Thriller

½*/**** Image A Sound A+ Extras B
starring Bryce Dallas Howard, Joaquin Phoenix, Adrien Brody, William Hurt
written and directed by M. Night Shyamalan

by Walter Chaw M. Night Shyamalan’s films have become life support systems for his twists–empty, ponderous, self-righteous shells of ideas carried by cadaverous actors speaking in contraction-less sentences and spectral tones. He seems with Signs and now The Village to be espousing some kind of insane puritanical religion–call it the Church of Shyamalan, where the real world is too loutish a place for his gallery of close-mouthed martyrs, who exist in specially-created Hitchcockian microverses as airless as they are unlikely. It’s not too much of a stretch to begin to view his mission as one where he challenges his East Indian self to make his increasingly self-aggrandizing cameos as difficult as possible. Philadelphia? No problem. Hooterville, PA–a little tougher. Turn of the century Amish-town? Byzantine, to say the least.