TIFF ’02: 8 Femmes

August 31, 2002Posted in2000s, Authors: Bill Chambers, Comedy, Crime, Esoterica, Film Festivals, France, Italy, Musical, Romance, TIFF
8 Women***/****starring Danielle Darrieux, Catherine Deneuve, Isabelle Huppert, Emmanuelle Béartscreenplay by François Ozon, Marina de Van, based on the play by Robert Thomasdirected by François Ozon by Bill Chambers Almost every French actress I can rhyme off without help from the audience is in the cast of François Ozon's 8 Femmes, a delightfully odd murder mystery with song-and-dance interludes. (Imagine if John Waters had directed Clue.) The film takes place during Christmastime in 1950s France at a country manor where various women have gathered to celebrate the holidays with Marcel, the only significant man in any of their lives. But…

Frailty (2002) – DVD

August 29, 2002Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Crime, Drama, DVD, Germany, Thriller

***½/**** Image A- Sound A Extras B+
starring Bill Paxton, Matthew McConaughey, Powers Boothe, Matthew O’Leary
screenplay by Brent Hanley
directed by Bill Paxton

by Walter Chaw Dad (Bill Paxton) gets lists of demons from God. He has also provided Dad with three weapons with which to dispatch said demons: a pair of work gloves, a length of pipe, and an axe named “Otis.” Oldest boy Fenton (Matthew O’Leary) and his little brother Adam (Jeremy Sumpter) are left to decide whether Dad is indeed touched by divine hand or just another redneck serial killer in a white van.

Near Dark (1987) – DVD (THX)

August 26, 2002Posted in****/****, 1980s, Action, Authors: Walter Chaw, Crime, Drama, DVD, FFC Must-Own, Horror, Romance, Thriller, Vampire

****/**** Image A+ Sound A Extras A-
starring Adrian Pasdar, Jenny Wright, Lance Henriksen, Bill Paxton
screenplay by Kathryn Bigelow and Eric Red
directed by Kathryn Bigelow

Mustownby Walter Chaw There is an element of the delirious in Kathryn Bigelow’s superb, genre-bending nomadic vampire fable Near Dark–an element of the hopelessly erotic, the melancholic, the breathless. Like the best vampire myths, it recognizes that the root of the monster lies in sexual consumption and addiction, in the interplay between nostalgia for the freedom of youth and the pricklier remembrance of the confused fever dreams of adolescence. (Hence the recurrence in modern myth of a Methuselah beast trapped in the soft body of a child.)

High Crimes (2002) – DVD

August 23, 2002Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Crime, Drama, DVD, Mystery, Thriller

½/**** Image A Sound A Extras B
starring Ashley Judd, Morgan Freeman, James Caviezel, Adam Scott
screenplay by Yuri Zeltser & Cary Bickley, based on the novel by Joseph Finder
directed by Carl Franklin

by Walter Chaw Its title too easy a condemnation of the film itself, the otherwise-talented Carl Franklin’s High Crimes is a sickly, by-the-numbers member of a proud lineage of films that includes such abortive boondoggles as The Presidio, A Few Good Men, The General’s Daughter, True Crime, and eventually What Lies Beneath. It begs the question of whether Morgan Freeman, unquestionably the American actor with the most commanding presence and charisma, will ever get a film that’s truly worthy of him–and whether professional punching-bag Ashley Judd will meekly get the stuffing knocked out of her in the upcoming Catwoman as well. It confirms that Jim Caviezel should consider either a cup of coffee or a different career, that Amanda Peet was probably born sucking on a lollipop and wearing Daisy Dukes, and that after having seen some variation on High Crimes for the umpteenth uncountable time, I have grown, unquestionably, very weary of it.

Jacked Up (2001) – DVD

August 14, 2002Posted in2000s, Authors: Walter Chaw, Crime, Drama, DVD, Thriller

Jacked
**½/**** Image C Sound B Extras C
starring Ron Beaco Lee, Bizzy Bone, Alexis Fields, Anna Maria Horsford
written and directed by Timothy Wayne Folsome

by Walter Chaw Courageous and extremely well performed, Timothy Wayne Folsome’s zero-budget Jacked Up demonstrates a rare and surprising willingness to explore the moral consequences of a moment’s rash misadventure on victim and family alike. It is, in that sense, as unusual and compelling as Roger Michell’s brilliant Changing Lanes, even if the route that it takes to get to its revelations are circuitous at best and overly familiar at worst. Jacked Up is a showcase for a young filmmaker’s potential (otherwise missing from Folsome’s debut of a couple of years ago, An Uninvited Guest), but it also exposes Folsome as a bad visual stylist and a limited scenarist who depends too much upon the path most travelled. Good thing there are lots of flowers of interesting bouquet to sniff along the way.

Reservoir Dogs (1992) [Ten Years – Special Edition] – DVD

August 14, 2002Posted in1990s, Authors: Bill Chambers, Crime, Directors: Quentin Tarantino, Drama, DVD, Thriller

***½/**** Image A- Sound A- Extras A+
starring Harvey Keitel, Tim Roth, Chris Penn, Steve Buscemi
written and directed by Quentin Tarantino

by Bill Chambers

"They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush, and the ruthless killers realize one of them is a police informer. But which one?"
–DVD liner summary for Reservoir Dogs

I came around to being a fan of Reservoir Dogs after Quentin Tarantino's standing had crested and the backlash was kicking in. It's impossible for me to see now why I didn't take to it initially–solid flick, as they say. Stylish, knowing, but not necessarily pretentious. Well-performed. And moving, in its macho way: Let us not forget that Reservoir Dogs ends in tears and an embrace.

Dahmer (2002)

August 7, 2002Posted in2000s, Authors: Walter Chaw, Biopic, Crime, Drama, Horror, Theatrical, Thriller

**½/****
starring Jeremy Renner, Bruce Davison, Artel Kayaru, Matt Newton
written and directed by David Jacobson

by Walter Chaw Well-acted but without a point-of-view, hyphenate David Jacobson’s sophomore feature Dahmer is less biopic than Arthouse Exploitation Lite, a curiously uninvolving glimpse into the banal life and times of a serial murderer. Rather than portray the stalking and vivisection of man as grotesquely vapid (like its more successful brothers Henry: Portrait of a Serial Killer or The Untold Story), Dahmer chooses that same all-too-familiar docudrama frankness to illustrate a sick man’s loneliness and inability to make a true connection with another human being. It’s not attempting to humanize Dahmer so much as it’s attempting to elevate Dahmer to the level of great post-modern anti-hero: unromantic, unexceptional, and unmoored, utterly, from moral responsibility–Beavis playing frog baseball with a holy trinity of representative pretty-boy victims. Even its end title card, reporting (we infer “mournfully”) that the titular bogey was murdered just two years into his 1,070-year sentence by a fellow inmate, seems intended as an epitaph for a misunderstood prophet rather than a declaration of karma asserting itself, penitentiary-style.

Rocco and His Brothers (1960)

August 2, 2002Posted in1960s, Authors: Travis Mackenzie Hoover, Crime, Drama, France, Italy, Sports, Theatrical

Rocco e i suoi fratelli
***/****
starring Alain Delon, Renato Salvatori, Annie Girardot, Katina Paxinou
screenplay by Luchino Visconti and Vasco Pratolini and Suso Cecchi d’Amico, based on the novel Il ponte della Ghisolfa by Giovanni Testori
ritten and directed by Luchino Visconti

by Travis Mackenzie Hoover Once, decades ago, Luchino Visconti was a name to conjure with. Not only was his Ossessione recognized as a torrid precursor of Italian Neo-Realism, but his tragic characters on the cusp of societal change and fragmentation were greeted with the respect commonly afforded to what used to be known as high culture. Now, he’s barely remembered in North America, punished for the crime of quietly going about his business. La terra trema notwithstanding, he was less movement-defining than high neo-realists like DeSica or Rossellini; nor was he an inventor of modernist forms, like Antonioni and Resnais. And as his literary, aristocratic bent was less formally bracing than a nouvelle vague hotshot, Visconti’s films seem to the uninitiated too much like just movies–they didn’t change how you looked at the medium, they simply inhabited it, for good or for ill.

The Starz Independent FilmCenter Project, Vol. 11

August 2, 2002Posted in2000s, Authors: Walter Chaw, Canada, Comedy, Coming of Age, Crime, Drama, Teen, Theatrical

by Walter Chaw

SWIMMING (2002)
***/****
starring Lauren Ambrose, Jennifer Dundas Lowe, Joelle Carter, Josh Pais
screenplay by Lisa Bazadona, Robert J. Siegel, Grace Woodard
directed by Robert J. Siegel

An insightfully-written, delicately-performed coming-of-age piece that is good enough not to be cheapened by that genre appellation, Robert Siegel's Swimming captures one summer at tourist-filthy Myrtle Beach. (A film professor, Siegel directs his first feature here in some 20 years.) Frankie (Lauren Ambrose) works at her family's restaurant, right on the main drag next to childhood pal Nicola's (Jennifer Dundas) piercing parlour. Frankie's plain and pale, Nicola's brash and blonde; their banal day-to-day is interrupted by the introduction of floozy bombshell Josee (Joelle Carter), who begins as the standard catalytic plot device but ends as something complicated and possessed of unusual depth. The same could be said of the rest of the cast, from Dundas's volatility to Ambrose's amazingly transparent and tricky performance. Even-handedly negotiating the tricky shoals of hormone-addled actions and emotions, Swimming excels in presenting the sort of small-town yearning I most associate with Steve Earle's early production, the cruelty of teens on the make smartly presented with the same kind of nostalgic affection as the moment when a plain girl recognizes the strength of her decency and the inimitable quality of her difference. Observations of the ebbs and flows of adolescent angst are interesting in Swimming, though not interesting enough to make this charming adolescent melodrama resonate with the melancholia of Bogdanovich's similarly themed The Last Picture Show, and the picture runs out of steam with a goofy subplot involving a sweet-natured ganja-burner played by Jamie Harrold.

The Starz Independent FilmCenter Project, Vol. 10

July 26, 2002Posted in2000s, Authors: Walter Chaw, Crime, Drama, Romance, Theatrical, Thriller
by Walter Chaw READ MY LIPS (2001)Sur mes lèvres***½/****starring Vincent Cassel, Emmanuelle Devos, Olivier Gourmet, Olivia Bonamyscreenplay by Jacques Audiard and Tonino Benacquistadirected by Jacques Audiard Suffused with intelligence, courage, and the unmistakable taint of life, Jacques Audiard's remarkable Read My Lips is a brilliant picture with a few problems that, because they exist in so carefully structured a film, will probably iron themselves out under more careful reconsideration. At the bottom of a corporate jungle inhabited by wild boors, Carla (Emmanuelle Devos, winner of the 2001 Best Actress César for this film) is a kettle of repressed sexual desire…

Kung Pow: Enter the Fist (2002) [The Chosen Edition] + Contract Killer (1998) – DVDs

July 23, 2002Posted in1990s, 2000s, Action, Authors: Bill Chambers, Comedy, Crime, DVD, Hong Kong, Martial Arts, Satire, Thriller

KUNG POW: ENTER THE FIST
**½ Image B+ Sound A- Extras B
starring Steve Oedekerk
written and directed by Steve Oedekerk

CONTRACT KILLER
*/**** Image B Sound B
starring Jet Li, Eric Tsang, Simon Yam, Gigi Leung
screenplay by Chan Heng Ka, Vincent Kok, Cheng Kam Fa
directed by Tung Wai

by Bill Chambers In addition to putting the fear of God in us about CGI, Kung Pow: Enter the Fist (henceforth Kung Pow) makes us wish the technology it employed to seamlessly superimpose writer-director-star Steve Oedekerk into the 1977 kung fu movie Tiger and Crane Fists had been around circa Bruce Lee’s demise. Back then, the producers of Game of Death struggled to complete a half-finished star vehicle minus one star using cardboard cut-outs and a variety of unconvincing doubles. (Lee’s character, the hero, spends most of the picture with his back to the camera.) Oedekerk, playing the archetypal grown-up orphan seeking vengeance against “Master Pain” for his parents’ murder, spends most of Kung Pow looking into the lens with his tongue sticking out, the tongue itself adorned with a face that has its own tongue. Technological advances have always been either too dawdling or too hasty in serving the cinema, alas.

K-9: P.I. (2002) [Widescreen] – DVD

July 21, 2002Posted in2000s, Action, Authors: Walter Chaw, Comedy, Crime, DVD

*/**** Image A Sound A
starring James Belushi, Gary Basaraba, Kim Huffman, Jody Racicot
screenplay by Gary Scott Thompson and Ed Horowitz
directed by Richard J. Lewis

by Walter Chaw Much more interesting than talking about a film called K-9: P.I. is talking about exactly the kind of mind it takes to embrace the idea of a standard buddy picture composed of one half mangy dog and one half German Shepherd not once, not twice, but thrice. On the night of their retirement, Dooley (James Belushi) and Jerry Lee (King) break up a microchip heist, which, of course, makes them the prime suspects of the crime in the eyes of the evil FBI. The feds are always wicked bumblers in films of this breed; the police chiefs always give the heroes a hard time; and there are always femmes fatale to briefly distract the hero from the super-bland "appropriate" love interest.

The Starz Independent FilmCenter Project, Vol. 9

July 20, 2002Posted in2000s, Authors: Walter Chaw, Biopic, Crime, Documentary, Drama, France, Theatrical

by Walter Chaw

MURDEROUS MAIDS (2000)
Les Blessures assassines
***/****
starring Sylvie Testud, Julie-Marie Parmentier, Isabelle Renauld, Dominique Labourier
screenplay by Jean-Pierre Denis & Michèle Pétin, based on the novel L'affaire Papin by Paulette Houdyer
directed by Jean-Pierre Denis

Heavenly Creatures by way of Henry James, Jean-Pierre Denis's Murderous Maids–based on the true story of two sisters who, in 1933, murdered and mutilated the bodies of their employers in a small French town–is haunting and uncompromising. Denis proposes that taciturn Christine (Sylvie Testud) and open, elfin Léa (Julie-Marie Parmentier) were engaged in an incestuous relationship; that this relationship was founded on the basis of a deep resentment of a mother (Isabelle Renauld) who hired them out as housemaids and collected their salaries to fund her "love of life"; and that this relationship–arrested sexuality, repressed beneath a veneer of unbearable religiosity (a third sister, supposedly raped by a long-absent father, joins a convent) and the humiliations of the master/servant dynamic–eventually imploded into an orgy of bloodlust and madness. Denis's unwillingness to sensationalize (let alone explain) first incest and then murder results in a certain harshness that magnifies every bourgeoisie slight against the long-suffering proletariat into a potentially triggering event, yet also prevents very much in the way of suture with either the sisters or their eventual victims. The bloodletting made as sterile as the eroticism in an affectively airless chamber piece, Murderous Maids falls short of Claude Chabrol's brilliant La Cérémonie and Nancy Meckler's underseen Sister, My Sister, in that the same reserve that allows its actresses to shine (Testud, in particular) inhibits very much in the way of actual involvement or tension beyond a kind of clinical interest. Still, the weight of the piece, the unerring professionalism of the chilly production, and the fascination embedded in the lurid topic prove recommendation enough.

The Starz Independent FilmCenter Project, Vol. 8

July 12, 2002Posted in2000s, Authors: Walter Chaw, Crime, Drama, Mystery, Theatrical, Thriller
by Walter Chaw THE SALTON SEA (2002)**/****starring Val Kilmer, Vincent D'Onofrio, Doug Hutchison, Peter Sarsgaardscreenplay by Tony Gaytondirected by D.J. Caruso The Salton Sea opens with a trumpeter-in-Hell kind of thing, sort of a Chet Baker in Drugstore Cowboy image where Danny Parker (Val Kilmer) plays a mournful Miles in a cool hat while bundles of cold cash burn like little pyres to the bluesman's lost ideals. We know there'll be a dame he shouldn't have trusted (Deborah Kara Unger, beaten up on screen yet again) and a gallery of rogues fervid in their multiplicity of deformities (Vincent D'Onofrio's redneck…

The Films of John Sayles (1980-2002)

July 6, 2002Posted in****/****, 1980s, 1990s, Adventure, Authors: Walter Chaw, Comedy, Crime, Disability, Drama, Family, Fantasy, Ireland, Mexico, Mystery, Romance, Sci-Fi, Sports, Thriller, Western

Filmsofjohnsayles

Return of the Secaucus Seven (1980)
**/****
Buy DVD at Amazon.com
John Sayles's directorial debut has taken on the aura of a folk tale, the details of its genesis are that well known: With a $40,000 budget raised largely from the quadruple-threat's (writer/editor/director/actor) work for the scripts for Roger Corman's Battle from Beyond the Stars, Piranha, and Alligator, Sayles shot a film at a rented lake house with friends possessed of neither experience nor know-how and redefined the American indie movie scene. Return of the Secaucus Seven had two separate New York runs, made appearances on several year-end lists, and became a cause célèbre for snobs "in the know" deriding Kasdan's The Big Chill as a Secaucus rip-off. Twenty-some years later and the bloom is off the rose, so to speak: Return of the Secaucus Seven reveals itself to be sloppily made, overwritten, and horrendously performed (with the exception of David Strathairn and Gordon Clapp). Still, there are moments of truth in the picture that are pure: an embarrassing interlude when two old friends pass on their way to an unfortunately placed bathroom, and another during a feverish pick-up basketball sequence that steadily develops a delicious subtext. Gathering for what might be an annual reunion, the titular seven reminisce about characters who never appear, discuss past indiscretions (legal and sexual), and locate themselves on the verge of their third decade unmoored from the virulent liberalism of their flower-powered youth. Stealing the show is nerdy "straight" man Chip (Clapp), demonstrating the kind of unaffected naturalism indicative of Sayles's later work but a naturalism buried for the most part here by oodles of hanging plots, mismanaged character moments, odd editing choices, and a peculiarly literate lack of focus indicative of a brilliant novelist moonlighting as a filmmaker. 104 minutes

Vidocq (2001) [Signature Collection] – DVD

June 17, 2002Posted in2000s, Action, Authors: Bill Chambers, Crime, DVD, France, Mystery, Thriller

*½/**** Image B Sound B Extras (see review)
starring Gérard Depardieu, Guillaume Canet, Ines Sastre, André Dussolier
screenplay by Jean-Claude Grange
directed by Pitof

by Bill Chambers Bona fide criminologist Eugene Francois Vidocq has been the subject of several films, including Douglas Sirk’s little-known A Scandal in Paris. What makes him ripe for mythologizing is his pre-detective career as a thief: he’d learned the streets so well as one of their own that he knew which rocks to turn over in his police work. Among his achievements as a purported inspiration for Sir Arthur Conan Doyle’s Sherlock Holmes, master of disguise Vidocq pioneered the science of ballistics and founded the first detective agency. Little biographical detail finds its way into Francophone director Pitof’s anti-biopic Vidocq, but a cursory knowledge of the gumshoe’s legacy can’t hurt. You may otherwise find yourself doubting the layout of Vidocq’s office–which suggests Sam Spade’s circa 1830–or his talent for slipping in and out of corners unnoticed, even though he’s portrayed by the unmistakable Gérard Depardieu.

The Starz Independent FilmCenter Project, Vol. 6

June 6, 2002Posted in2000s, Authors: Walter Chaw, Crime, Drama, France, Revenge, Theatrical, Thriller

BAISE-MOI (2000)
Rape Me
Fuck Me
*½/****
starring Raffaëla Anderson, Karen Bach
written and directed by Virginie Despentes and Coralie Trinh Thi, based on the novel by Despentes

by Walter Chaw Virginie Despentes and Coralie Trinh Thi’s Baise-moi (translated as “Rape Me” in the U.S., “Fuck Me” internationally) is a wallow in the murk of exploitation cinema not-cleverly disguised as a commentary on the evils of pornography and the violent objectification of women. Maybe it’s not disguised at all: Baise-moi subverts porn conventions with graphic (phallic) gun violence overlaying explicit, unsimulated penetration–the clumsy juxtaposition clearly intended to forward the idea that penetration and money shots in porn are the equivalent of getting shot and welters of gore. (The late Linda Lovelace described her legendary turn in seminal porno Deep Throat as a document of her rape.) Blood and semen, guns and dicks–the rationale behind the French phrase for orgasm meaning “a little death” is suddenly stripped of its more romantic lilt.

Outta Time (2002) – DVD

May 20, 2002Posted in2000s, Action, Adventure, Authors: Walter Chaw, Crime, DVD

*½/**** Image C Sound C Extras C
starring Mario Lopez, Tava Smiley, Carlos Mencia, Ali Landry
screenplay by Scott Duncan & Ned Kerwin
directed by Lorena David

by Walter Chaw A Latin blend of Charlie Sheen’s The Chase and Patrick Dempsey’s Run, Outta Time is a sometimes-frenetic, pleasantly ludicrous pursuit film that treats logic and continuity like roadkill on the highway of narrative. “Saved by the Bell”‘s Mario Lopez is David Morales, a Mexican-American going to school on a soccer scholarship who, after hurting his knee, loses his tuition. In desperate financial straits, David agrees to run untested drugs across the border into Tijuana for shady professor Darabont (John Saxon).

Corky Romano (2001) – DVD

May 14, 2002Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, DVD, ZERO STARS

ZERO STARS/**** Image A- Sound A- Extras C
starring Chris Kattan, Peter Falk, Peter Berg, Roger Fan
screenplay by David Garrett & Jason Ward
directed by Rob Pritts

by Walter Chaw There’s an apocryphal tale from the set of John Sturges’s The Magnificent Seven concerning Steve McQueen consistently upstaging Yul Brynner until the bald-pated thespian, fresh off his Oscar for The King and I, threatened to take off his hat during McQueen’s scenes. An amusing anecdote about Hollywood egos and the urge to steal the limelight, it enters into a discussion of the abominable Corky Romano because a very curious thing happens in the film to its star, Chris Kattan.

The Gambler (1974) – DVD

May 8, 2002Posted in1970s, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Crime, Drama, DVD

**½/**** Image A- Sound B+
starring James Caan, Paul Sorvino, Lauren Hutton
screenplay by James Toback
directed by Karel Reisz

by Travis Mackenzie Hoover SPOILER WARNING IN EFFECT. Somewhere near the beginning of The Gambler, we see Axel Freed (James Caan) teaching a college course in literature. Taking his cues from Dostoevsky, he announces that any idiot can say that two plus two equals four, but the man who says that they equal five is riding on sheer will. Whether he knows that the declaration is false or not is irrelevant–he is transcending truth to make his own rules. This deliciously summarizes not only The Gambler itself, but also the whole shaky decade of art-pop that was the Seventies. This was the era in which cartoon heroes jousted improbably with literature and politics and when a torrent of homages created whole films piece by appropriated piece. The Gambler‘s Freed is all too typical of the type, with its literary pretensions mixed in with a helping of macho declarations that could only come from a lifetime of hero-worship at the movies.