Analyze That (2002)

December 6, 2002Posted in2000s, Authors: Walter Chaw, Comedy, Crime, Drama, Robert De Niro, Theatrical

*/****
starring Robert De Niro, Billy Crystal, Lisa Kudrow, Joe Viterelli
screenplay by Peter Steinfeld and Harold Ramis and Peter Tolan
directed by Harold Ramis

Analyzethatby Walter Chaw The first mistake that directors make with actors who need to get brought up sharply against the reins now and again is that they sometimes request of them to feign that which they already are. Case in point is asking Robin Williams to be a gibbering velvet clown, asking Melanie Griffith to be a side of beef with a Betsy-Wetsy voice, and now asking Robert De Niro to feign mental illness and sociopathic tendencies. De Niro jumping on a table and singing selections from West Side Story isn’t one of those cinematic moments for the ages, but rather one of the more tragic examples of self-delusion and career torpor.

Vulgar (2002) – DVD

November 18, 2002Posted in2000s, Authors: Walter Chaw, Crime, Drama, DVD, Thriller, ZERO STARS

ZERO STARS/**** Image C+ Sound B+ Extras A
starring Brian Christopher O’Halloran, Jerry Lewkowitz, Matthew Maher, Ethan Suplee
written and directed by Bryan Johnson

by Walter Chaw Beginning as Shakes the Clown and segueing into I Spit on Your Grave before finally settling on Death to Smoochy, the discordant, hideously unpleasant Vulgar is the kind of puerile vanity piece that gives exploitation and egotism bad names. Produced by Kevin Smith and seeking to be a creation mythology for Smith’s View Askew mascot (just another example of Smith overestimating the inherent interest in his cult of personality), the picture is the hyphenate debut for Smith crony Bryan Johnson, making Smith, along the way, just the next nepotistic “Happy Madison” pinhead king of diminished returns.

One Last Score (2002) + The Shipment (2002) – DVDs

November 6, 2002Posted in2000s, Authors: Walter Chaw, Canada, Comedy, Crime, Drama, DVD, Thriller

If… Dog… Rabbit
*/**** Image C+ Sound C
starring Matthew Modine, John Hurt, Kevin O’Connor, David Keith
written and directed by Matthew Avery Modine

THE SHIPMENT
ZERO STARS/**** Image C Sound C-
starring Matthew Modine, Elizabeth Berkley, Nick Turturro, Paul Rodriguez
screenplay by Rich Steen
directed by Alex Wright

by Walter Chaw Matthew Modine has made a career of acting the idiosyncratic man of action–that scattershot chortle masking some unusual skill and the kind of laconic intelligence that Eric Stoltz has utilized to far different effect. Peaking early as Pvt. Joker in Kubrick’s Full Metal Jacket (and scoring a couple times before that in the deceptively interesting Vision Quest and Alan Parker’s moody war idyll Birdy), Modine has treaded water ever since in stuff like Cutthroat Island and Bye Bye Love while actually appearing as himself in a couple of films (Notting Hill, Bamboozled)–an indulgence that’s never a good sign, with very few exceptions, for an actor still serious about his career.

Film Freak Central Does San Franciso’s 2002 Dark Wave Film Festival

October 27, 2002Posted in2000s, Action, Authors: Walter Chaw, Crime, Denmark, Drama, Film Festivals, Horror, Japan, Mystery, Romance, Sci-Fi, South Korea, Spain, Thriller, UK, Werewolf

Darkwavelogoby Walter Chaw The question, and it's a question with currency, is why anyone in their right mind would subject themselves (and their long-suffering editors) to coverage of two concurrent film festivals. A pair of answers: the obvious is that I'm not in my right mind, but as obvious is the fact that San Francisco's Dark Wave, which ran from October 18-20, is one of the most exciting "small" film festivals in the United States. I wouldn't pass up the opportunity to talk about it, in other words–ulcers be damned. Presented by the hale San Francisco Film Society evenings and midnights at the historic Roxie, last year's presentation included one of this year's best films (Larry Fessenden's superb Wendigo) as well as the finest example of retro euro-horror (Lionel Delplanque's Deep in the Woods) since Dario Argento lost his marbles.

Desert Saints (2002) – DVD

October 26, 2002Posted in2000s, Action, Authors: Walter Chaw, Crime, DVD, Romance, Thriller

**/**** Image C Sound C
starring Kiefer Sutherland, Melora Walters, Jamey Sheridan, Leslie Stefanson
screenplay by Rich Greenberg and Wally Nicols
directed by Rich Greenberg

by Walter Chaw Closer to Flashback than to Freeway, the Kiefer Sutherland vehicle Desert Saints is actually closer to Montana than either: a neo-Tarantino erstwhile buddy road trip that pairs Donald's son with a flighty dingbat channelling Rosanna Arquette. Kiefer is Banks, a hired killer who hatches a plan with woman-on-the-lam Bennie (Melora Walters) to play house, check into the same (!) hotel south of the border to do his wicked business, and evade the pair of feds, Scanlon and Marbury (Jamey Sheridan and Leslie Stefanson), hot on his trail. Soul-searching and gut-spilling lead to the kind of sudden reversals that shift power from Banks to Bennie and back before ending in what can only be described as a confusion of trick endings telegraphed from the start. It's less delightful than I make it seem.

Heaven (2002)

October 25, 2002Posted in2000s, Authors: Walter Chaw, Crime, Drama, France, Germany, Italy, Romance, Theatrical, Thriller, UK

***½/****
starring Cate Blanchett, Giovanni Ribisi, Remo Girone, Stefania Rocca
screenplay by Krzysztof Kieslowski, Krzysztof Piesiewicz
directed by Tom Tykwer

Heavenby Walter Chaw There is something of the alchemical when two disparate talents discover that their collaboration is inspired. It is an inkling of the excitement at the promise of A.I. with Kubrick’s misanthropy and Spielberg’s cult of childhood–or the pop-cultural satisfaction embedded in the narrative genius of Stephen King mixing easily with the stiff overwriting of Peter Straub. Heaven is the product of a screenplay by the late Krzysztof Kieslowski (and writing partner Krzysztof Piesiewicz) and surprisingly sedate direction by previously hyperactive wunderkind director Tom Tykwer. The result is another of Tykwer’s unpredictable romances blending with another of Kieslowski’s carefully metered, studiously non-didactic discussions of morality and consequence. The result of their union is often amazing.

Formula 51 (2001)

October 18, 2002Posted in2000s, Action, Authors: Walter Chaw, Comedy, Crime, Theatrical, Thriller, UK

The 51st State
*/****
starring Samuel L. Jackson, Nigel Whitmey, Robert Jezek, Emily Mortimer
screenplay by Stel Pavlou
directed by Ronny Yu

by Walter Chaw Called The 51st State abroad, Formula 51‘s more redneck-friendly-sounding retitling can be read as an astonishing commentary on the Ronny Yu film itself. Astonishing because it implies not only that the picture is self-aware, but also that it has actually somehow identified which formula it adheres to by number–something that strikes me as terribly useful in a shorthand way.

DIFF ’02: Come Drink with Me

October 14, 2002Posted in1960s, Action, Authors: Walter Chaw, Crime, DIFF/SDFF, Film Festivals, Hong Kong, Martial Arts
Da zui xia***½/****starring Cheng Pei-pei, Yueh Huascreenplay by Yang Yedirected by Hu King by Walter Chaw Directed by Hu King for the legendary Shaw Brothers, 1966's Come Drink with Me, presented at the DIFF in a 35mm print newly minted for this year's Cannes Film Festival, is one of the obvious headwaters for Ang Lee's Crouching Tiger, Hidden Dragon, featuring the legendary Cheng Pei-pei (villain Jade Fox in Lee's picture) as swashbuckling Golden Swallow, sister to a kidnapped imperial official. Between this film and its sequel, Golden Swallow, Pei-pei established herself as a watershed action hero, while Hu's style, alternately…

Enough (2002) – DVD

October 12, 2002Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Crime, Drama, DVD, Revenge, Thriller, ZERO STARS

ZERO STARS/**** Image A Sound A
starring Jennifer Lopez, Bill Campbell, Tessa Allen, Juliette Lewis
screenplay by Nicholas Kazan
directed by Michael Apted

by Walter Chaw So try this one on for size: a woman wronged by a world of evil men recuperates, studiously fails to call the police (too many men on the police force–men=bad; we’ll be returning to this equation often), and finally tracks down her tormentors with the express purpose of murdering them. This not only describes Michael Apted’s Enough, but also Meir Zarchi’s infamous exploitation flick I Spit on Your Grave, the main difference between the two being that Enough tries very hard to hide the fact that it’s an ugly bit of repugnant vigilantism masquerading as a feminist uplift drama.

Knockaround Guys (2002)

October 11, 2002Posted in2000s, Authors: Walter Chaw, Crime, Drama, Theatrical, Thriller

**½/****
starring Barry Pepper, Vin Diesel, Seth Green, Andrew Davoli
written and directed by Brian Koppelman & David Levien

Knockaroundguysby Walter Chaw Counting on one’s desire to see a legendarily hammy actor–a pair of them in fact–unleashed without fetters onto the unsuspecting world with nary a warning, Knockaround Guys is a surprisingly likeable kitsch artifact that astounds for its casual pretension and dangerous level of cheese. The film has John Malkovich trying unsuccessfully to channel his Valmont through a Brooklyn-made Guido and Dennis Hopper still out of control in a role intended, I think, to be bookish. Gathering dust on the shelf for a year or so now, the picture is finding a release in the early-fall doldrums one presumes for the meteoric rise of Vin Diesel, but stealing the show, as he so often does, is veteran character actor Tom Noonan as a laconic, nowhere Montana sheriff.

DIFF ’02: The Weight of Water

October 9, 2002Posted in2000s, Authors: Walter Chaw, Canada, Crime, DIFF/SDFF, Drama, Film Festivals, France, Mystery, Thriller
*½/****starring Catherine McCormack, Sarah Polley, Sean Penn, Josh Lucasscreenplay by Alice Arlen and Christopher Kyle, based on the novel by Anita Shrevedirected by Kathryn Bigelow by Walter Chaw Sort of a "Crucible" of period repression and sexual hysteria tied uncomfortably to Roman Polanski's Bitter Moon, Kathryn Bigelow's unreleased and maybe unreleasable The Weight of Water looks to parallel two distinct genres by mining the sexual tension in both. The problem with such a conceit is not its ambition--the picture's sort of admirable in a soggy, pretentious way--but rather the essential misunderstanding of the disparateness of the sources of that tension:…

DIFF ’02: Sweet Sixteen

October 7, 2002Posted in2000s, Authors: Walter Chaw, Crime, DIFF/SDFF, Drama, Film Festivals, Germany, Spain, UK
***½/****starring Martin Compston, William Ruane, Annmarie Fulton, Michelle Abercrombyscreenplay by Paul Lavertydirected by Ken Loach by Walter Chaw Ken Loach returns to his blue-collar roots with the incendiary Sweet Sixteen, a fabulous evocation of place and the plight of the lower class in the mean streets of Glasgow. Supremely well-acted and marked by Loach's gift for an effortless transparency in setting and the performances he coaxes from inexperienced actors, the picture follows young Liam (Martin Compston) on the eve of his sixteenth birthday as he shuck-and-jives his way towards a better life for him and his soon-to-be-ex convict mother, Jean…

DIFF ’02: Home Room

October 6, 2002Posted in2000s, Authors: Walter Chaw, Crime, DIFF/SDFF, Drama, Film Festivals, Teen
*/****starring Busy Philipps, Erika Christensen, Victor Garber, Raphael Sbargewritten and directed by Paul F. Ryan by Walter Chaw A standard good girl-meets-bad girl formula wrapped around a gloss on high-school shooting (our own perverse millennial take on the fin-de-siècle phenomenon), Home Room presents its vision of post-traumatic stress disorder with such hamhandedness that it threatens to spawn the same in the viewer. Essentially an Afterschool Special complete with pre-packaged messages about the evil of cigarettes, the secret pain of goth chicks, the importance of not taking the Lord's name in vain, and the crass stupidity of well-meaning cops and school administrators,…

Skins (2002)

September 27, 2002Posted in2000s, Authors: Walter Chaw, Crime, Drama, Theatrical

*/****
starring Eric Schweig, Graham Greene, Gary Farmer, Noah Watts
screenplay by Jennifer D. Lyne, based on the novel by Adrian C. Louis
directed by Chris Eyre

by Walter Chaw There is palpable desperation in Skins, director Chris Eyre’s broad follow-up to his well-received Smoke Signals, but that desperation is not so much a reflection of the plight of the film’s Native American characters as a result of Eyre’s yen to expose the tragedy of the Native American experience. Skins is far from an effective exposé of the calamity of the Ogallala Sioux–it founders badly as a pulpit-pounding vanity piece, playing its cards loose and proselytizing. A picture this badly written, transparently directed, and–save a pair of decent performances in its two main roles–dreadfully acted is a tune best received and appreciated by a very specific choir and likely no other. While a nearly all-Native American cast and crew is certainly a refreshing accomplishment, one is left to wonder if the picture needed to be so much specifically for an all-Native American audience–and a limited one at that. Skins, in other words, is a pretty good rant, but a pretty bad movie.

Ballistic: Ecks vs. Sever (2002)

September 20, 2002Posted in2000s, Action, Authors: Walter Chaw, Crime, Germany, Mystery, Sci-Fi, Theatrical, Thriller, ZERO STARS

ZERO STARS/****
starring Antonio Banderas, Lucy Liu, Roger R. Cross, Ray Park
screenplay by Peter M. Lenkov and Alan B. McElroy
directed by Kaos

Ballisticby Walter Chaw Walking away with the title of Most Incomprehensible Film of 2002 (walking away is also, incidentally, what you should do when presented with the prospect of seeing this film), Wych Kaosayananda’s ponderously branded Ballistic: Ecks Vs. Sever is a collection of puzzling explosions married to a series of alternately stunning and hilarious line deliveries of, to be fair, unspeakable exposition. It hopes to obscure its awfulness with its volume or, failing that, to dress up its stupidity with backlit shots of a woman communing with a captive manatee.

TIFF ’02: Femme Fatale

September 14, 2002Posted in2000s, Authors: Bill Chambers, Crime, Directors: Brian De Palma, Drama, Film Festivals, France, Mystery, Thriller, TIFF
**/****starring Antonio Banderas, Rebecca Romijn-Stamos, Peter Coyote, Gregg Henrywritten and directed by Brian De Palma by Bill Chambers Given the genre affiliation of its title and that it opens with a clip from Double Indemnity, Brian De Palma's Femme Fatale is unapologetically a film noir--which is not to say the picture has nothing to apologize for. Oh, for a pair of Armond White's De Palma goggles to beautify Femme Fatale, a flat, trés familiar, idly tongue-in-cheek caper starring Rebecca Romijn-Stamos in a role she's not dangerous enough to play, that of a bisexual American thief who switches places with her…

Stealing Harvard (2002)

September 13, 2002Posted in2000s, Authors: Walter Chaw, Comedy, Crime, Theatrical

*½/****
starring Jason Lee, Tom Green, Leslie Mann, Dennis Farina
screenplay by Peter Tolan
directed by Bruce McCulloch

Stealingharvardby Walter Chaw A virtual clone of Jake Kasdan’s Orange County, Bruce McCulloch’s Stealing Harvard takes the same premise (low-aspiring kids get a chance at a prestigious school), the same quirky sensibility, and the same characters (Jason Lee fills in for Colin Hanks, Tom Green for Jack Black, and Leslie Mann (who is also in Orange County) for Schuyler Fisk), and does considerably less with them. Taken as bookends to 2002 up to the awards season or as a peculiarly precise comparison of how minor differences in screenplay, director, and cast can subtly push a somewhat dreary premise into a vaguely good film or a vaguely bad one, Stealing Harvard at its heart remains a picture that never finds a way to balance the laconic style of Lee with the erratic jitter of Green. Its inability to find any sort of cohesiveness (the same malady afflicting Albert Brooks’s and Brendan Fraser’s The Scout) dooms Stealing Harvard to long stretches of irritating torpor punctuated by the occasional line delivery that reminds, mainly, that Megan Mullally (as a character straight out of Drop Dead Gorgeous) has impeccable comic timing.

TIFF ’02: Assassination Tango

September 13, 2002Posted in2000s, Argentina, Authors: Bill Chambers, Crime, Drama, Film Festivals, Romance, Thriller, TIFF
**½/****starring Robert Duvall, Rubén Blades, Frank Gio, Katherine Micheaux Millerwritten and directed by Robert Duvall by Bill Chambers As dawdling and peculiar as Robert Duvall's previous directorial outing, The Apostle, Assassination Tango has many checks in its 'pro' column, not the least of which a lead performance from writer-director Duvall that finds common ground between his character's two modes: volatile sociopath and lovestruck romantic. Duvall plays John J., a ponytailed hitman sent to Buenos Aires on a high-stakes job for his potential to camouflage with the locals. Once settled in, he discovers he can't carry out his execution for another…

TIFF ’02: Auto Focus

September 7, 2002Posted in2000s, Authors: Bill Chambers, Biopic, Crime, Directors: Paul Schrader, Drama, Film Festivals, TIFF
**/****starring Greg Kinnear, Willem Dafoe, Rita Wilson, Maria Belloscreenplay by Michael Gerbosi, based on The Murder of Bob Crane by Robert Graysmithdirected by Paul Schrader by Bill Chambers I find it curious that, in my experience, TIFF-goers keep mishearing or misspeaking Auto Focus as "Out of Focus," what with either title applying to some degree. The former speaks to the self-centredness of the movie's subject, "Hogan's Heroes" star Bob Crane, the latter the shambles his life became, and aye, there's the rub: it's too easy to tie a bow on Auto Focus. Greg Kinnear is affable as Crane, who used…

City by the Sea (2002)

September 6, 2002Posted in2000s, Authors: Walter Chaw, Crime, Drama, Mystery, Robert De Niro, Theatrical, Thriller

*/****
starring Robert De Niro, Frances McDormand, James Franco, Eliza Dushku
screenplay by Ken Hixon, based on an article by Michael McAlary
directed by Michael Caton-Jones

by Walter Chaw Leaden with mock gravitas and embarrassing aspirations to the Shakespearean, Michael Caton-Jones’s aggressively uninteresting City by the Sea is a purported true story (based on an article by Michael McAlary) that proves to be just another by-the-numbers police procedural crunched with an abortive middle-age romance and a stultifying Oedipal complication. Opening with archive newsreel footage of Long Beach as a place of fun and hope before juxtaposing the burnt-out crack-house dead wonderland of the Long Beach of just a couple of years ago (a conceit carried out with far more grace in Stacy Peralta’s Dogtown and Z-Boys), the picture quickly reveals itself to be infatuated with a certain kind of dramatic irony in which the stock characters are unaware that they are clumsy allegorical pawns in a metaphorical landscape.