Crime Archives - Page 11 of 36 - FILM FREAK CENTRAL

Due Date (2010) + Megamind (2010)|Due Date – Blu-ray Disc

February 21, 20112000s, 2010, 2011, Action, Animation, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, Comedy, Crime, Drama, Family, Road Movie, Sci-Fi, Thriller

DUE DATE
***½/**** Image A Sound A Extras C-
starring Robert Downey Jr., Zach Galifianakis, Jamie Foxx, Michelle Monaghan
screenplay by Alan R. Cohen & Alan Freedland and Adam Sztykiel & Todd Phillips
directed by Todd Phillips

MEGAMIND
**/****
screenplay by Alan J. Schoolcraft & Brent Simons
directed by Tom McGrath

by Ian Pugh SPOILER WARNING IN EFFECT. Peter Highman (Robert Downey Jr.) is eager to fly out of Atlanta back to Los Angeles to witness the birth of his child, but a chance encounter with wannabe actor/lone weirdo Ethan Tremblay (Zach Galifianakis) lands the pair on a no-fly list and leaves Peter without his luggage or his wallet. With no alternatives, Peter becomes Ethan's unwilling passenger–taking a seat alongside a small dog and the ashes of Ethan's late father–on a road trip west. There appears to be a general consensus that the premise of Todd Phillips's Due Date too closely resembles that of John Hughes's Planes, Trains & Automobiles, but there's a vital difference in that Due Date's lead characters are legitimately crazy. The exasperated straight man is re-imagined as a sneering jerk full of jealousy and rage (Downey Jr. maintains a cold, sweaty stare throughout), while the lovable klutz is a dangerously irresponsible lout. Roger Ebert once wrote that the Hughes film was about "empathy [and] knowing what the other guy feels." So it is; by virtue of its characters, Due Date bypasses empathy altogether, yet it still talks about treating other people with a modicum of compassion. Phillips has finally made a naughty comedy that contemplates the consequences of its actions. Here's a movie in which a father-to-be grows so frustrated with an annoying boy that he socks him in the stomach, then unknowingly mocks a disabled veteran (Danny McBride) and gets his ass kicked for it.

Sundance ’11: If A Tree Falls: A Story of the Earth Liberation Front

February 6, 20112011, Authors: Alex Jackson, Crime, Documentary, Drama, Film Festivals, Sundance, Thriller, UK

**/****directed by Marshall Curry by Alex Jackson I have officially reached the point in my life where when I see a cop beating up on a hippie, I identify with the cop. There's a shot in Marshall Curry's If A Tree Falls: A Story of the Earth Liberation Front in which the police spray two ELF members directly in the eyes with mace during a peaceful sit-in. Some audience members behind me interjected, I think by pure reflex, "That's not fair!" But I found myself feeling considerably less enraged. Yes, these protesters were being entirely non-violent, but what alternatives have…

Sundance ’11: Salvation Boulevard

February 6, 20112011, Authors: Alex Jackson, Comedy, Crime, Drama, Film Festivals, Sundance, Thriller

*½/****starring Pierce Brosnan, Jennifer Connelly, Ed Harris, Greg Kinnearscreenplay by Doug Max Stone & George Ratliff, based on the novel by Larry Beinhartdirected by George Ratliff by Alex Jackson What a waste. The cast assembled for George Ratliff's Salvation Boulevard is one for the ages. You have Pierce Bronson as super-evangelist Reverend Dan Day, Jennifer Connelly as infatuated housewife Gwen Vandeveer, Ciarán Hinds as Gwen's hard-ass Naval vet father Billy, and Ed Harris as pompous, bearded intellectual Dr. Paul Blaycock. These are traditionally serious dramatic actors in roles that lend themselves to caricature, yet they invest these characters with history…

Once Upon a Time in America (1984) [Two-Disc Special Edition] – DVD|Blu-ray Disc

February 4, 2011****/****, 1980s, 2011, Authors: Bill Chambers, Blu-ray Disc, Coming of Age, Crime, Drama, FFC Must-Own, Gangster, Italy, Robert De Niro

****/****
DVD – Image B+ Sound A- Extras C+
BD – Image A- Sound A- Extras C+
starring Robert De Niro, James Woods, Elizabeth McGovern, Tuesday Weld
screenplay by Leonardo Benvenuti, Piero De Bernardi, Enrico Medioli, Franco Arcalli, Franco Ferrini, Sergio Leone & Stuart Kaminsky, based on the novel The Hoods by Howard Grey
directed by Sergio Leone

by Bill Chambers Such is the level of cinematic sophistication in Sergio Leone's Once Upon a Time in America that all of the miserable things that happen in the picture make you giddy, filling you with the joy that is basking in an artist's command of a medium. At first, the powers-that-be didn't get it: Warner Bros. took Leone's non-linear vision and straightened it out, and the result was a picture that, though chronologically told, made no sense. This was a fascinating lesson in syntax–films are composed of "meanwhile"s, not "and then"s, perhaps none more so than Once Upon a Time in America, which is about the co-existence of past, present, and future tenses. (It's like an extrapolation of the riddle of the Sphinx: what walks on four legs in the morning, two legs in the afternoon, and three legs in the evening?) Luckily, the studio saw the error of its ways and reissued Once Upon a Time in America a year after its butchered American release in its longer, knottier international form, and to illustrate the dramatic disparity between the 139-minute domestic and 227-minute global versions, critic Sheila Benson labelled the former the worst movie of 1984 and the latter the best movie of the 1980s. Pauline Kael wrote, "I don't believe I've ever seen a worse case of mutilation."

Sundance ’11: Crime After Crime

February 2, 20112011, Authors: Alex Jackson, Crime, Documentary, Film Festivals, Sundance

***/****documentary; directed by Yoav Potash by Alex Jackson From 1983 to 2009, Deborah Peagler was incarcerated at the Central California Women's Facility for the murder of her boyfriend, Oliver Wilson. Wilson battered Peagler, forced her into prostitution, and molested her daughter from a previous relationship, but because he took out an insurance policy before his death naming Peagler as a beneficiary, and because the actual murder was carried out by two Crips she went to for protection, the district attorney at the time presented this as a hired killing. All evidence of abuse at the hands of Wilson was suppressed.…

The Mechanic (2011)

January 28, 20112011, Action, Authors: Ian Pugh, Crime, Theatrical, Thriller

**½/****
starring Jason Statham, Ben Foster, Tony Goldwyn, Donald Sutherland
screenplay by Richard Wenk and Lewis John Carlino
directed by Simon West

by Ian Pugh SPOILER WARNING IN EFFECT FOR BOTH THIS FILM AND THE ORIGINAL THE MECHANIC. Michael Winner’s The Mechanic (1972) is nominally an action film, but it gets its point across with moments of extraordinary discomfort. As its primary attraction, it features Charles Bronson and Jan-Michael Vincent as contract killers with literally nothing to do, bored to tears as they stand around waiting for people to die. It’s a weird and disturbing scenario, but with modern box-office expectations being what they are, perhaps we shouldn’t be surprised that it’s been effortlessly transformed into an average Jason Statham vehicle. The particulars remain the same: Hitman Arthur Bishop (Statham) is forced to kill his mentor, Harry (Donald Sutherland), under a contract from his employer (Tony Goldwyn); perhaps feeling a pang of guilt, he takes Harry’s wayward son Steve (Ben Foster) under his wing to teach him about the rules and tools of his trade. But it’s all presented in a much sillier light. There’s no other way to put it. When one of our assassins is instructed to poison his quarry, the characters (and the movie) deem this plan much too boring, and the whole ordeal ends in a gory brawl in which both parties stab each other with whatever they can get their hands on. It’s ridiculously over-the-top, sure, and although that’s to its credit, there are still too many moments where the viewer is left wanting something more substantial.

Sundance ’11: I Saw the Devil

January 26, 20112011, Action, Authors: Alex Jackson, Crime, Drama, Film Festivals, Horror, Revenge, South Korea, Sundance, Thriller

Ang-ma-reul bo-at-da***½/****starring Lee Byung-hun, Choi Min-sik, Jeon Gook-hwan, Jeon Ho-jinscreenplay by Park Hoon-jungdirected by Kim Ji-woon by Alex Jackson The rape scenes in Kim Ji-woon's I Saw the Devil are the most blatantly eroticized and sadistic I've seen since Kathryn Bigelow's Strange Days, but they're countered by the hilariously gory revenge scenes against the rapist (Choi Min-sik) by his victim's boyfriend (Lee Byung-hun). The film isn't trying to rationalize the rape with the revenge or the revenge with the rape. Rather, it regards women and the men who rape them as equally undeserving of our sympathy. One is tortured for…

The Killer/Hard-Boiled [Blu-ray Double Feature] – Blu-ray Disc

January 26, 2011****/****, 1980s, 1990s, 2011, Action, Authors: Walter Chaw, Blu-ray Disc, Crime, Directors: John Woo, Drama, Hong Kong, Romance, Thriller

THE KILLER (1989)
****/**** Image C- Sound C Extras B
starring Chow Yun-Fat, Danny Lee, Sally Yeh, Chu Kong
written and directed by John Woo

HARD-BOILED (1992)
***/**** Image C Sound B Extras A+
starring Chow Yun-Fat, Tony Leung, Teresa Mo, Philip Chan
screenplay by Barry Wong
directed by John Woo

by Walter Chaw It's possible to try to detail the history of John Woo at the beginning of the Heroic Bloodshed movement in Hong Kong–how, with the first two A Better Tomorrows (the second of which features a genuinely astonishing amount of violence and the infamous subtitled malapropism "don't fuck on my family!"), he created in buddy Chow Yun-Fat a fashion/role model in the James Dean mold, and how he eventually left for Hollywood's golden shore at the service of Jean-Claude Van Damme and John Travolta (twice) and Nicolas Cage (twice). It's possible–but Planet Hong Kong, City on Fire, Hong Kong Babylon, and on and on have done a pretty fair job of it already. Better to say that Woo's group of films from this period–the A Better Tomorrow pictures, his acknowledged masterpiece The Killer, his flawed but undeniably bombastic Hard-Boiled, and his ambitious, deeply felt Bullet in the Head–meant the world to me as a Chinese kid growing up in a predominantly white area in predominantly white Colorado. I saw a devastated 35mm print of The Killer at a midnight show in CU Boulder's Chem 140 auditorium in the early-'90s. It was dubbed (a mess), the screening was packed, and I, for maybe the first time in my life (and still one of the only times in my life), felt a genuine kinship with my countrymen and a certain pride in being Chinese. Here, after all, was the best action film I'd ever seen, and it wasn't John McTiernan's or Robert Zemeckis's or Steven Spielberg's name above the title, but someone called John Woo. And he was directing not Bruce Willis nor Arnie nor Sly nor any of the tools he would eventually work with in the United States, but a handsomer version of me with the same last name. As existential epiphanies go, it wasn't bad.

You Will Meet a Tall Dark Stranger (2010) + Secretariat (2010) – Blu-ray Discs + Conviction (2010)

January 24, 20112000s, 2010, 2011, Authors: Bill Chambers, Authors: Ian Pugh, Biopic, Blu-ray Disc, Comedy, Crime, Drama, Family, Romance, Spain, Sports, Switzerland, Theatrical, UK

YOU WILL MEET A TALL DARK STRANGER
**/**** Image A Sound B
starring Antonio Banderas, Josh Brolin, Anthony Hopkins, Gemma Jones
written and directed by Woody Allen

SECRETARIAT
**/**** Image A Sound A Extras B
starring Diane Lane, John Malkovich, Dylan Walsh, Scott Glenn
screenplay by Mike Rich, suggested by the book Secretariat: The Making of a Champion by William Nack
directed by Randall Wallace

CONVICTION
**/****
starring Hilary Swank, Sam Rockwell, Minnie Driver, Juliette Lewis
screenplay by Pamela Gray
directed by Tony Goldwyn

by Ian Pugh You Will Meet a Tall Dark Stranger represents the apotheosis of what shall now be called the New Woody Allen Average–those perfectly competent nothing movies that never rate more than two, two-and-a-half stars. I say that without a hint of sarcasm, and I say that as someone who considers Allen's work a primary influence–and as the guy who regularly defends Scoop. But I have to be honest: the New Woody Allen Average has become so predictably mediocre that I just can't take it anymore. The director's latest surrogate is another novelist, Roy (Josh Brolin), who's struggling to complete his latest book. It's putting a strain on his marriage to Sally (Naomi Watts), so he looks into the window of his pretty next-door neighbour (Freida Pinto) for romantic respite. Sally, an art curator, feels the same pressure, and casually drifts closer to her boss, Greg (Antonio Banderas). Sally's father Alfie (Anthony Hopkins) has left his wife for a prostitute (Lucy Punch), while his ex, Helena (Gemma Jones), retreats to spirituality, consulting a medium to find out where she stands in the great cosmic plan. It's a matter of "what you want" versus "what you take" in a race to see which floundering/philandering idiot can make the most tragic mistakes in the span of 90 minutes. Is it any different from Vicky Cristina Barcelona? When you break it down to its most basic components…no, not really.

The Green Hornet (2011)

January 14, 20112011, Action, Authors: Walter Chaw, Comedy, Crime, Superhero, Theatrical, ZERO STARS

ZERO STARS/****
starring Seth Rogen, Jay Chou, Christoph Waltz, Tom Wilkinson
screenplay by Seth Rogen & Evan Goldberg
directed by Michel Gondry

by Walter Chaw Lenore Case (Cameron Diaz) asks chauffer Kato (Taiwanese pop star Jay Chou) out on a date in Michel Gondry's excrescent The Green Hornet, and then, once on that date, acts surprised when Kato makes a pass at her whilst tickling the ivories. It's the only thing of mild interest in a film that's otherwise the obvious front-runner for a few worst-of-2011 lists–a fate it'll probably avoid only because no one will remember the benighted thing an hour or two after screening it. Give The Green Hornet this, though: it's the first mainstream American film to even flirt with the idea of Yellow/White miscegenation since maybe the 18-year-old Dragon: The Bruce Lee Story, Rob Cohen's biopic about Chou's hero and the true antecedent to the Kato role. It's funny to me that men from one of the most populated places on the planet have, in the American cinema, been reduced to hilarious, impotent sidekicks or wise old men who know kung fu–or is there some kind of Little Richard image-castration going on here to protect delicate Caucasian egos from bedroom Yellow Peril? No, more likely the instinct that makes it funny to cast someone like Jackie Chan as Chris Tucker's bitch in the United States is the same one that fuels Chou's eventual rescue in this piece of shit by the titular lummox, played by Seth Rogen (make that rescues–the first coming when The Green Hornet tosses poor, dumb Kato a lobster-shaped inflatable to save his drowning ass). It's the same one that casts Mexicans as chulo drug-dealers hanging out on the East Side and poor Christoph Waltz, Oscar still warm, as an insecure crime lord given to monologues and bemoaning his mid-life crisis. The Green Hornet is bad stand-up, all improvisation and flop sweat you get to endure for over two full, agonizing, distended hours.

The Town (2010) – Blu-ray + DVD + Digital Copy

December 20, 20102000s, 2010, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Crime, Drama, DVD, Romance, Thriller

***½/**** Image A- Sound A Extras B
starring Ben Affleck, Jon Hamm, Rebecca Hall, Chris Cooper
screenplay by Peter Craig and Ben Affleck & Aaron Stockard, based on the novel Prince of Thieves by Chuck Hogan
directed by Ben Affleck

by Walter Chaw If I'm still not entirely sold on Ben Affleck as an actor of depth, I'm completely sold on him as a director of depth. A director good enough, as it happens, to identify and avoid the actor's own weaknesses and augment his strengths, and to guide Affleck the actor to his best performance in a picture, The Town, that would be something like a revelation were Affleck's directorial debut, Gone Baby Gone, not so exceptional. Absolutely filthy with its story of place, count The Town as a tough-love love letter to Boston suburb Charlestown, a place established in the film as a breeding ground for bank robbers. Affleck plays Doug MacCray, the head of one such crew that also includes childhood buddy Jimmy (Jeremy Renner, excellent again) in an echo of the macho/familial dynamic established in the Aussie bank robber drama Animal Kingdom. More about the ties that bind men to a place and an idea of manhood than about the crimes themselves, The Town compensates for what it lacks in originality with its patience and its bracing trust in its screenplay and cast. Monologues that could be didactic are laced with what feels like genuine yearning; a moment in which Doug tells new girlfriend Claire (Rebecca Hall) about his childhood could have (should have) been embarrassing, but comes off under Affleck's surprising wisdom as heartfelt, even resonant.

The Other Guys (2010) [The Unrated Other Edition] – Blu-ray Disc

December 13, 2010****/****, 2000s, 2010, Action, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, Comedy, Crime, FFC Must-Own

****/**** Image A- Sound A Extras B+
starring Will Ferrell, Mark Wahlberg, Eva Mendes, Dwayne Johnson
screenplay by Adam McKay & Chris Henchy
directed by Adam McKay

by Ian Pugh SPOILER WARNING IN EFFECT. Think about what sort of film would place Will Ferrell's schlubby physique and vacant grin against Mark Wahlberg's sharp, furrowed brow. More than just comically mismatched, these two actors belong in different movies, different genres…on different planets, even. They share something resembling a love-hate "chemistry," but from the get-go the pairing feels off–different. Eventually you figure out that The Other Guys is the kind of movie that thrives on bizarre contradictions–the kind of movie where gun-toting heroes are sent to end corporate malfeasance, where their vehicles of choice are a Prius and a Gran Torino that runs on "100% vegetable oil," where they loudly defend not the awesomeness of Star Wars but its scientific accuracy.¹ A quintessentially American response to the quintessentially British Hot Fuzz, Adam McKay's The Other Guys is the funniest, most delirious comedy I've seen in a long while, and it matches and exceeds the sharp cultural satire of McKay's Talladega Nights in tackling not so much the conventions of the buddy-cop genre as the childish drama that attends them.

Bored to Death: The Complete First Season (2010) – Blu-ray Disc

November 22, 20102000s, 2010, Authors: Jefferson Robbins, Blu-ray Disc, Comedy, Crime, Drama, Mystery, Television, Thriller

Image B Sound B Extras C+
"Stockholm Syndrome," "The Alanon Case," "The Case of the Missing Screenplay," "The Case of the Stolen Skateboard," The Case of the Lonely White Dove," "The Case of the Beautiful Blackmailer," "The Case of the Stolen Sperm," "Take a Dive"

by Jefferson Robbins With its accomplished but psychologically malformed boy-men, the first season of novelist-screenwriter Jonathan Ames's "Bored To Death" feels like a Judd Apatow joint transplanted to Tom Wolfe's outer boroughs. Its characters all want to be Masters of their particular Universes, but they're either hamstrung by their own neuroses or carting them along like luggage in spite of success. We know we're watching an HBO comedy, though it's often hard to discern where the comedy is supposed to be located. In Woody Allen nebbishism? In misdirection and error? In slapstick? In satirizing the hip, self-satisfied artistes of millennial New York's most fashionable burg? Barring a few episodes that succeed on the other points, the latter feels most likely.

Red Riding (2009) [Special Edition] – Blu-ray Disc

November 15, 20102000s, 2010, Authors: Bryant Frazer, Blu-ray Disc, Crime, Drama, Mystery, Thriller, UK

RED RIDING
**½/**** Image B+ Sound B Extras C

THE YEAR OF OUR LORD 1974
**½/****
starring Andrew Garfield, Sean Bean, Warren Clarke, Rebecca Hall
screenplay by Tony Grisoni, based on the novel Red Riding: Nineteen Seventy-Four David Peace
directed by Julian Jarrold

THE YEAR OF OUR LORD 1980
***/****
starring Paddy Considine, Jim Carter, Warren Clarke, Sean Harris
screenplay by Tony Grisoni, based on the novel Red Riding: Nineteen Eighty David Peace
directed by James Marsh

THE YEAR OF OUR LORD 1983
**/****
starring Mark Addy, David Morrissey, Jim Carter, Warren Clarke
screenplay by Tony Grisoni, based on the novel Red Riding: Nineteen Eighty-Three David Peace
directed by Anand Tucker

by Bryant Frazer Red Riding, adapted by screenwriter Tony Grisoni into three movies from four novels by David Peace, is an awfully downbeat thing that's difficult to classify. It's not really a mystery, because the central crimes are barely the point (at least in the first two films), and the question isn't whodunit, but who among all those involved is not yet corrupt. It's not a police procedural, because the only effective police work we see is of the thuggish, back-room variety. In its specificity of time and place–nine years in Yorkshire, a county in northern England–it recalls James Ellroy's novels about Los Angeles cops in the 1940s and '50s. But Ellroy's stories were bracing because their point of view came from inside a department dominated by bigotry and machismo and tormented by its own failings. Each of the Red Riding stories comes at the situation mostly from an outsider's perspective, elevating a principled crusader to the high ground, then having the corrupt institution take potshots at him, decimating his footing.

The Player (1992) – Blu-ray Disc

November 8, 20101990s, 2010, Authors: Alex Jackson, Authors: Bill Chambers, Blu-ray Disc, Comedy, Crime, Directors: Robert Altman, Drama, Mystery, Romance, Thriller

***/**** Image B+ Sound B+ Extras B
starring Tim Robbins, Greta Scacchi, Fred Ward, Whoopi Goldberg
screenplay by Michael Tolkin, based on his novel
directed by Robert Altman

by Alex Jackson SPOILER WARNING IN EFFECT. In the opening scene of Robert Altman's The Player–an uninterrupted tracking shot lasting 7 minutes and 45 seconds–chief of studio security Walter Stuckel (Fred Ward) discusses long tracking shots with mailboy Jimmy (Paul Hewitt). Stuckel talks at length about Rope and Touch of Evil and says directors back then knew how to shoot a film. Jimmy mentions Bernardo Bertolucci's then-recent The Sheltering Sky and Julien Temple's Absolute Beginners as having terrific long shots, but Stuckel shrugs and mumbles that he hasn't seen them. It appears that Altman and screenwriter Michael Tolkin (adapting his novel of the same name) are illustrating a point about the insularity of the studio system and how the studios have no reference point outside their own past. Today, a complaint like that seems positively churlish. I honestly would not expect any of the newer executives to know or appreciate Rope or Touch of Evil, much less any current chiefs of security! In my view, anybody familiar with American cinema to that extent is already distinguished from your typical capitalist.

Breaking Bad: The Complete First Season (2008) – Blu-ray Disc

November 3, 20102000s, 2010, Authors: Bryant Frazer, Blu-ray Disc, Crime, Drama, Television, Thriller

Image B Sound B Extras B
"Pilot," "Cat's in the Bag…," "…And the Bag's in the River," "Cancer Man," "Gray Matter," "Crazy Handful of Nothin'," "A No-Rough-Stuff-Type Deal"

by Bryant Frazer Describing the ideal temperature for pan-roasting, Tom Colicchio advises budding chefs that the oil in the pan should sizzle, not sputter. That's an apt description of what Bryan Cranston does, with amazing physical control, through the entirety of the first season of "Breaking Bad". He resists going over the top, but still turns in a performance that could cook a steak.

A Scanner Darkly (2006) – Blu-ray Disc

October 3, 2010****/****, 2000s, 2010, Animation, Authors: Walter Chaw, Blu-ray Disc, Crime, Directors: Richard Linklater, Drama, FFC Must-Own, Mystery, Sci-Fi, Thriller

****/**** Image A+ Sound A- Extras C
starring Keanu Reeves, Robert Downey Jr., Woody Harrelson, Winona Ryder
screenplay by Richard Linklater, based on the novel by Philip K. Dick
directed by Richard Linklater

by Walter Chaw Our reality has almost outstripped Philip K. Dick's paranoid fantasies, and Richard Linklater's grim A Scanner Darkly is the slipperiest take yet on the war between perception vs. reality in a year that knows United 93. Keanu Reeves, so often woefully miscast, is wonderfully imagined here as a guy in a "scramble suit": his appearance constantly shifting in a kaleidoscope of mismatched parts–the uniform of future-narcs (seven years from now, announce the opening titles) sent undercover to ferret out the dopers and dealers of Substance D. It's a hallucinogen that eventually causes a rift in the individual consciousness (the left hemisphere atrophies and the right tries to compensate) and Reeves' Agent Fred is sent to find out where dealer Donna (Winona Ryder) is getting her shit. But the scramble suits seem mainly used to keep the vice squad's identities from one another instead of their quarry, meaning that Fred goes underground as himself, Robert Arctor, in full grunge, inhabiting his once-cozy suburban nook with tweaked conspiracy theorists Ernie (Woody Harrelson) and Barris (Robert Downey Jr.). Meaning, too, that Fred is asked to spy on Arctor, and that Barris, in a pair of hilarious scenes, informs on Arctor to Arctor. It's not the labyrinthine audacity of Dick's delusions that so enthrals, but rather the mendacity of them. What's complicated about A Scanner Darkly isn't the compression of identity or the various plots to which its characters imagine themselves hero and victim, but the idea that reality conforms itself to belief–that because life has stopped making sense to you, life has stopped making sense, period.

TIFF 2010: Wrap It Up

September 27, 20102010, 2011, Action, Authors: Bill Chambers, Blog, Canada, Comedy, Crime, Documentary, Drama, Film Festivals, France, Horror, Music, Mystery, South Korea, Superhero, Thriller, TIFF, TIFF 10, Time Travel

by Bill Chambers

The films are fading fast in the rearview for me (no reflection on them, necessarily), but before they become too vestigial I want to at least highlight the rest of what I saw at this year’s TIFF, starting with a movie called White Irish Drinkers (*/****). How I wound up catching this flick is fairly embarrassing: the director is “John Gray,” which I misread in my bleary, end-of-festival state as “James Gray.” I was severely late for the flick, so I don’t want to pummel it (or even officially rate it), but keen auteurist that I am, I figured out my mistake pretty quickly: James Gray just wouldn’t have a naked girl (the maddeningly familiar Leslie Murphy) run around a cemetery with “free spirit” music cued up on the soundtrack–he’s not a de facto film student anymore. Though it turns out that John Gray has an extensive TV-movie resume, having done everything from The Marla Hanson Story to the remake of Brian’s Song, this feels very much the work of a novice, not a little for its pretensions to be the next Mean Streets. Because Stephen Lang salvaged Public Enemies virtually single-handedly, I was hopeful when he turned up here, but his character may be even more one-note than the one he played in Avatar. As his put-upon wife, Karen Allen has seemingly recovered from the stupefying euphoria of getting to resurrect her iconic Marion in Kingdom of the Crystal Skull. Strangely, I missed said goofy grin, yet she makes the most of a thankless role that indirectly references her previous brush with this genre, Philip Kaufman’s The Wanderers. The rest of the cast is made up of baby-faced thugs who have to be given black eyes at regular intervals in order to pass for tough. On a related note, I never could shake the feeling that this is exactly the sort of project Vinnie Chase would be hot for on “Entourage”.

Machine Gun McCain (1969) – Blu-ray Disc

September 23, 20101960s, 2010, Action, Authors: Bryant Frazer, Blu-ray Disc, Blue Underground, Crime, Thriller

**½/**** Image A- Sound A- Extras B
starring John Cassavetes, Britt Ekland, Peter Falk, Gena Rowlands
screenplay by Mino Roli, based on the novel Captive City by Ovid Demaris
directed by Giuliano Montaldo

by Bryant Frazer Tough, simple, and bereft of nonsense, Machine Gun McCain is the bare quintessence of the crime movie. Bound to and thus defined by its generic elements–the ex-convict on the make, the gangster's moll, the double-cross, the triple-cross, and the shadowy mob bosses pulling the strings–it takes a basic but unpretentiously stylish formal approach that makes the most of several terrific performances at the film's core.

Machete (2010)

September 2, 20102000s, 2010, Action, Authors: Walter Chaw, Crime, Robert De Niro, Theatrical, Thriller

***/****
starring Danny Trejo, Jeff Fahey, Michelle Rodriguez, Steven Seagal
screenplay by Robert Rodriguez & Alvaro Rodríguez
directed by Ethan Maniquis & Robert Rodriguez

by Walter Chaw The only kind of movie Robert Rodriguez should be making as well as the kind of movie The Expendables should have been, the knowing, balls-out Machete is unforgivable, reprehensible, sleazy, disgusting fun, and somehow not entirely stupid. It gives props to the eternally quickly-dead character actor Danny Trejo as the titular ex-Federale, a grab-bag of Mexican stereotypes who in the course of his bloody rampage (for justice, of course) uses a weed-whacker and a pick-axe, among other day-labourer tools. Meanwhile, when he's picked up as a patsy in a senator's ploy, he more fears that he's being tapped for a "septic job." It's unabashed in its politics, taking on the illegal immigration debate in the United States with a naïve brio and outrage. But it's all the more winning, I think, for its complete lack of embarrassment about itself. The thought even occurs that the reason it works is the exact reason a few of the better drive-in/grindhouse/exploitation films of the Seventies worked: Born of low pretensions, it frees itself to explore its outrage with a simple-mindedness that rings with the earnest "geez!" of a Kevin Costner joint.