An Evening with Kevin Smith (2002) – DVD

December 17, 2002Posted in2000s, Authors: Bill Chambers, Comedy, Concert Doc, DVD

***/**** Image A Sound B+
directed by J.M. Kenny

by Bill Chambers Love him or hate him, there are simply no two ways around the fact that An Evening with Kevin Smith is one of the most entertaining standup films, if it can indeed be called that, since the heyday of Richard Pryor. Well-shot footage–compiled by J.M. Kenny, showing better comic instincts than he did as producer of the Nancy Pimental mockumentary on The Sweetest Thing‘s DVD(s)–from Q&As in which the entrepreneurial Smith participated at various college campuses across the United States, this 225-minute presentation opens and closes with Smith discussing his on-screen alter ego Silent Bob, the rare idiot icon made famous by the performer rather than the other way around. (It’s why equating himself with such residents of the catchphrase graveyard as Pauly Shore is his least successful routine in An Evening with Kevin Smith–Silent Bob doesn’t epitomize Smith’s popularity.) Moreover, Smith is anything but bashful; you’ll only wish he was speechless as he describes open-sore intercourse with his wife-to-be.

Analyze That (2002)

December 6, 2002Posted in2000s, Authors: Walter Chaw, Comedy, Crime, Drama, Robert De Niro, Theatrical

*/****
starring Robert De Niro, Billy Crystal, Lisa Kudrow, Joe Viterelli
screenplay by Peter Steinfeld and Harold Ramis and Peter Tolan
directed by Harold Ramis

Analyzethatby Walter Chaw The first mistake that directors make with actors who need to get brought up sharply against the reins now and again is that they sometimes request of them to feign that which they already are. Case in point is asking Robin Williams to be a gibbering velvet clown, asking Melanie Griffith to be a side of beef with a Betsy-Wetsy voice, and now asking Robert De Niro to feign mental illness and sociopathic tendencies. De Niro jumping on a table and singing selections from West Side Story isn’t one of those cinematic moments for the ages, but rather one of the more tragic examples of self-delusion and career torpor.

Sunset Boulevard (1950) [Special Collector’s Edition] – DVD

November 26, 2002Posted in****/****, 1950s, Authors: Walter Chaw, Comedy, Drama, DVD, FFC Must-Own

Sunset Blvd.
****/**** Image A Sound A Extras A
starring William Holden, Gloria Swanson, Erich Von Stroheim, Nancy Olson
screenplay by Charles Brackett & Billy Wilder and D.M. Marshman, Jr.
directed by Billy Wilder

by Walter Chaw Billy Wilder’s protagonists are interlopers, outsiders itching for acceptance in insular societies recognized as decadent but possessed of an irresistible allure for Wilder’s central characters–a lure that most often takes the form of sex, status, and money. Always self-aware and basically noble, Wilder’s comedies have his heroes confessing their sins and renouncing said corrupt society in favour of an appropriate love pairing (Fran and Baxter of The Apartment); in his tragedies, his heroes confess their sins as a last decent act undertaken too late. (Think Walter Neff of Double Indemnity.) The connection between The Apartment (arguably Wilder’s best film) and Sunset Blvd. (the film with which The Apartment has its argument) begins, fascinatingly, with pivotal scenes set on New Year’s Eve. In The Apartment, of course, Fran makes her decision to be with Baxter on New Year’s, while Joe Gillis decides to be with Norma Desmond that same hallowed night in Sunset Blvd.–and both moments, as they occur at the crux of historical and cultural demarcations, encompass Wilder’s flair for emotions at crosscurrent, and the dark of a dying era with the light of possible futures.

Friday After Next (2002)

November 22, 2002Posted in2000s, Authors: Walter Chaw, Christmas, Comedy, Drama, Theatrical

½*/****
starring Ice Cube, Mike Epps, John Witherspoon, Don ‘D.C.’ Curry
screenplay by Ice Cube
directed by Marcus Raboy

by Walter Chaw Because there is no plot save the scrambling for rent money that has been stolen from the Abbot and Costello-ian pairing of Ice Cube and Michael Epps, the closest one might come to a description of Friday After Next‘s narrative would involve the running gag of a Santa Claus bandit who breaks into homes to steal presents and beat people with Christmas trees (maybe inspired by Eddie Murphy’s Mr. Robinson’s Neighborhood Christmas sketch). Rather than take the easy road and talk about how much Friday After Next hates women and homosexuals, it’s perhaps more fruitful to play along and regard the film, the long-awaited conclusion (?) to Ice Cube’s Friday trilogy, as an accurate reflection of the sensibilities of the African-American culture in regards to women and homosexuals.

Lovely and Amazing (2002) – DVD

November 21, 2002Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, Romance

Lovely & Amazing
***/**** Image A+ Sound A- Extras C-
starring Catherine Keener, Emily Mortimer, Brenda Blethyn, Raven Goodwin
written and directed by Nicole Holofcener

by Walter Chaw The best and highest praise I can offer Lovely and Amazing is that there aren’t any patently untrue moments in it. It’s a film that disdains the hysterical screeching of Divine Secrets of the Ya-Ya Sisterhood in favour of pleasant understatement and measured response–the rare movie about women that respects them while offering some genuinely funny moments based on character rather than absurd situations. Yet the picture is so lightweight that it’s difficult to muster a great deal of enthusiasm in recommending it. It does what it does with an admirable level of professionalism but the whole of Lovely and Amazing is something a good deal less than the sum of its parts.

Austin Powers in Goldmember (2002) [infinifilm] – DVD

November 19, 2002Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD, Espionage, Sci-Fi, Tom Cruise

*½/**** Image A Sound A+ Extras B
starring Mike Myers, Beyoncé Knowles, Michael York, Michael Caine
screenplay by Mike Myers & Michael McCullers
directed by Jay Roach

by Walter Chaw In the grand tradition of Final Chapter – Walking Tall, the third film in the Austin Powers franchise, Austin Powers in Goldmember, begins and ends with our hero watching himself being portrayed by someone else in a movie of his life–a level of post-modern reflexivity that is taken to such grotesque heights by the film that what emerges is actually fascinating in a detached, unpleasant, deeply unfunny sort of way. Mike Myers’s obsession with body distortion and cannibalistic consumption and auto-consumption likewise reaches a macabre pinnacle in the picture’s best running gag–the preoccupation with Fred Savage’s mole with a mole–and with a new circus geek for the Myers pantheon (joining blue-eyed bald albino Dr. Evil and Shrekian Scot Fat Bastard), the Dutch villain Goldmember, who makes it a habit to eat giant flakes of his own skin. We meet Goldmember (so named for his prosthetic bullion bar and ingots) in another bit of multi-layered absurdity during a time-travel journey to New York circa 1975 and the fictional Studio 69, with Myers referencing his own most critically praised performance as Studio 54’s perverse Steve Rubell. A study of Myers’s Dick Tracy-like mania with latex appliances would no doubt fill volumes.

Bad Company (2002)

November 9, 2002Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Czech Republic, DVD, Thriller, ZERO STARS

ZERO STARS/**** Image A Sound A-
starring Anthony Hopkins, Chris Rock, Gabriel Macht, Garcelle Beauvais
screenplay by Jason Richman and Michael Browning
directed by Joel Schumacher

by Walter Chaw Apparently named after a dinosaur rock band for no other reason than that it is a logy, prehistoric stillbirth imbued with the corpulent stench of excess (and probably a scattershot popularity attributable to a feeble-minded few), Bad Company would be the worst film I have seen this year had I not attended Cameron Diaz’s The Sweetest Thing. It’s professional hack extraordinaire Joel Schumacher’s latest sloppy bucket of pyrotechnic tripe, and not coincidentally the umpteenth summer skinny dip in Jerry Bruckheimer’s putrid pond of retread action twaddle. The collaboration of Schumacher and Bruckheimer, incidentally, should be warning enough to most sentient beings–the addition of Chris Rock and Anthony Hopkins, only overkill.

One Last Score (2002) + The Shipment (2002) – DVDs

November 6, 2002Posted in2000s, Authors: Walter Chaw, Canada, Comedy, Crime, Drama, DVD, Thriller

If… Dog… Rabbit
*/**** Image C+ Sound C
starring Matthew Modine, John Hurt, Kevin O’Connor, David Keith
written and directed by Matthew Avery Modine

THE SHIPMENT
ZERO STARS/**** Image C Sound C-
starring Matthew Modine, Elizabeth Berkley, Nick Turturro, Paul Rodriguez
screenplay by Rich Steen
directed by Alex Wright

by Walter Chaw Matthew Modine has made a career of acting the idiosyncratic man of action–that scattershot chortle masking some unusual skill and the kind of laconic intelligence that Eric Stoltz has utilized to far different effect. Peaking early as Pvt. Joker in Kubrick’s Full Metal Jacket (and scoring a couple times before that in the deceptively interesting Vision Quest and Alan Parker’s moody war idyll Birdy), Modine has treaded water ever since in stuff like Cutthroat Island and Bye Bye Love while actually appearing as himself in a couple of films (Notting Hill, Bamboozled)–an indulgence that’s never a good sign, with very few exceptions, for an actor still serious about his career.

Pumpkin (2002) – DVD

November 5, 2002Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Disability, Drama, DVD, Romance, Sports

½*/**** Image B- Sound B+
starring Christina Ricci, Hank Harris, Brenda Blethyn, Dominique Swain
screenplay by Adam Larson Broder
directed by Adam Larson Broder and Tony R. Abrams

by Walter Chaw The best and only successful joke of Adam Larson Broder and Tony R. Abrams’s unspeakably bad Pumpkin is borrowed from another Christina Ricci film: the last primp that she performs on herself in Don Roos’s The Opposite of Sex is a quick pinch of her nipples to bring them into sharper relief; that’s pretty funny, and in Pumpkin, Ms. Ricci’s nipples in various sorority sweaters are an Anne Heche-ian running gag never commented upon. It’s fitting, I guess, that the one thing that works about this film is probably unintentional and derivative besides.

Felicity: Season One [The Complete First Season Plus Pilot Episode] (1998-1999) – DVD

November 2, 2002Posted in1990s, Authors: Bill Chambers, Comedy, Coming of Age, Drama, DVD, Romance, Television

Image B Sound B+ Commentary A-
“Pilot”, “The Last Stand”, “Hot Objects”, “Boggled”, “Spooked”, “Cheating”, “Drawing the Line Part 1”, “Drawing the Line Part 2”, “Thanksgiving”, “Finally”, “Gimme an O!”, “Friends,” “Todd Mulcahy Part 1”, “Todd Mulcahy Part 2”, “Love and Marriage”, “The Fugue”, “Assassins”, “Happy Birthday”, “Docuventary”, “Connections”, “The Force”, “Felicity Was Here”

by Bill Chambers

“Starring Golden Globe Award-winning actress Keri Russell and today’s hottest young stars, Felicity introduces us to a wide-eyed college freshman and the most exhilarating journey of all–self-discovery. From co-creators and executive producers J.J. Abrams (Alias) and Matt Reeves, along with executive producer Brian Grazer, Ron Howard and Tony Krantz, comes to Felicity, which explores the excitement and uncertainty of living in New York City–a setting where anything goes and anything can happen.”
–DVD liner summary for “Felicity: The Complete First Season”

I had what I consider a pretty good excuse to watch the well-hyped pilot of “Felicity”, a show that is not necessarily mine to judge: A year before, I directed co-star Scott Speedman in a short film–I like to keep track of the Ursa Major alumni. But, and the name-dropping/bean-spilling ends after this indulgence, Scott does not belong on a teen soap, per se–as far as my experience with him goes, the format is too rigid for his improvisational methods, which happened to lean towards the profane. It was a bit like observing a caged tiger throughout “Felicity”‘s run, though I’d bet my bottom dollar that the first time his character, Ben Covington, called someone a “dick,” it was unscripted. The moment sparkles.

I Spy (2002)

November 1, 2002Posted in2000s, Action, Adventure, Authors: Walter Chaw, Comedy, Eddie Murphy, Hungary, Theatrical, Thriller

*/****
starring Eddie Murphy, Owen Wilson, Famke Janssen, Malcolm McDowell
screenplay by Marianne Sellek Wibberley & Cormac Wibberley and David Ronn & Jay Scherick
directed by Betty Thomas

Ispyby Walter Chaw The best bit of dialogue in Betty Thomas’s abysmal I Spy, a film saddled with a hack director and a too-many-cooks scenario that translates adroitly into the screenwriting process (the script is credited to Marianne Wibberley, Cormac Wibberley, Jay Scherick, and David Ronn), is a bit where Eddie Murphy “Cyranos” Owen Wilson to the tune of Marvin Gaye’s “Sexual Healing.” That out of a mercifully brief 90-minute film the best moment comes courtesy a cheap gag involving an R&B classic and a flash of panty is, really, statement enough about the wisdom and ingenuity of the entire enterprise. Proof positive, if more proof is needed of the fecklessness of this shipwreck, is the fact that Wilson, easily the most gifted screenwriter on set, was not among the many asked to put pen to paper for I Spy.

Eight Legged Freaks (2002) [Widescreen Edition] – DVD

October 29, 2002Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD, Horror, Scarlett Johansson, Sci-Fi, Thriller

**½/**** Image B Sound B+ Extras B
starring David Arquette, Kari Wuhrer, Scarlett Johansson, Scott Terra
screenplay by Jesse Alexander & Ellory Elkayem
directed by Ellory Elkayem

by Walter Chaw Ellory Elkayem’s Eight Legged Freaks (sic) is less a throwback to the giant-bug howlers of Gordon Douglas and Jack Arnold than just another post-modern fright comedy long on ironic genre in-references and short on any real thrills. In tone, it reminds a great deal of Joe Dante’s Gremlins II–more jokey than scary, in other words, and, like Gremlins II, Eight Legged Freaks works better than it ought to because of some fairly nifty special effects (I’ve seen worse CGI) and better-than-average performances from its B-list cast.

The Santa Clause (1994) [Widescreen Special Edition] – DVD

October 27, 2002Posted in1990s, Authors: Bill Chambers, Christmas, Comedy, Disney, Drama, DVD, Family, Fantasy

½*/**** Image A Sound B+ Extras D+
starring Tim Allen, Judge Reinhold, Wendy Crewson, Eric Lloyd
screenplay by Leo Benvenuti & Steve Rudnick
directed by John Pasquin

by Bill Chambers Julia Roberts’s male equivalent in persecution vanity, if not box-office viability, Tim Allen has a ‘Cinderfella’ complex that vividly unveiled itself in the first big-screen vehicle built for the comedian-turned-sitcom star, The Santa Clause, a holiday stinker mysteriously elevated to instant-classic status after managing to outgross Speed, The Mask, Pulp Fiction, and Interview with the Vampire. That it spoke to the zeitgeist is just one of those things, ultimately beyond comprehension; why it actually sucks, that’s a little easier to break down.

DIFF ’02: Swing

October 23, 2002Posted in2000s, Authors: Walter Chaw, Comedy, DIFF/SDFF, Drama, Film Festivals, France, Japan, Music
***/****starring Oscar Copp, Lou Rech, Tchavolo Schmitt, Mandino Reinhardtwritten and directed by Tony Gatlif by Walter Chaw An infectiously good-natured and bittersweet film about the Manouche Gypsy culture in France, Tony Gatlif's musical history Swing wraps a story of first love around the story of passion for the creation of music. A dream of flight scored by a haunting Gypsy lullaby marks the centre point of the film and defines as well the feeling of eternity that marks the picture and its threads of love, music, and place. (A burial at sea consists of the axe of a guitar sent…

Big Fat Liar (2002) – DVD

October 22, 2002Posted in2000s, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD, Family

**½/**** Image C Sound A- Extras C+
starring Frankie Muniz, Paul Giamatti, Amanda Bynes, Amanda Detmer
screenplay by Dan Schneider
directed by Shawn Levy

by Walter Chaw Although it closes with thirty minutes of pratfalls and screaming, Big Fat Liar begins its life as a fun revenge fantasy that makes the interesting choice of never being about greed, but rather truth. Marty Wolf (Paul Giamatti) is an evil Hollywood producer who steals the vaguely autobiographical writing assignment of pathological liar Jason (Frankie Muniz) and turns it into a big-budget blockbuster that shares its name with this film’s title. Saddened that his wolf-crying (like “Marty Wolf”–get it?) has resulted in a loss of trust between him and his parents, Jason takes off for California with his tart pal Kaylee (Amanda Bynes) in tow to convince Marty to cop to the theft. No mention of economic restitution is ever made.

DIFF ’02: Gossip

October 20, 2002Posted in2000s, Authors: Walter Chaw, Comedy, DIFF/SDFF, Drama, Film Festivals, Sweden
*½/****starring Pernilla August, Helena Bergström, Lena Endre, Olsson-Frigårdhwritten and directed by Colin Nutley by Walter Chaw Colin Nutley's insufferable (and interminable) in-joke of a roundelay concerning nine aging Swedish actresses each vying for the coveted role of Queen Christina in a remake of the Garbo classic suffers from that peculiar malady of actors occasionally thinking it novel to pretend that their lives are as laden with the indignities of outrageous fortune as ours. While one wonders if the auto-fun-poking would be more trenchant were one more familiar with the reputations and peccadilloes of the actors in question (among them Pernilla…

Formula 51 (2001)

October 18, 2002Posted in2000s, Action, Authors: Walter Chaw, Comedy, Crime, Theatrical, Thriller, UK

The 51st State
*/****
starring Samuel L. Jackson, Nigel Whitmey, Robert Jezek, Emily Mortimer
screenplay by Stel Pavlou
directed by Ronny Yu

by Walter Chaw Called The 51st State abroad, Formula 51‘s more redneck-friendly-sounding retitling can be read as an astonishing commentary on the Ronny Yu film itself. Astonishing because it implies not only that the picture is self-aware, but also that it has actually somehow identified which formula it adheres to by number–something that strikes me as terribly useful in a shorthand way.

DIFF ’02: The Marriage Certificate

October 17, 2002Posted in2000s, Authors: Walter Chaw, China, Comedy, DIFF/SDFF, Drama, Film Festivals
Shui shuo wo bu zai hu*/****starring Gong Feng, Liping Luwritten and directed by JianXin Huang by Walter Chaw A miserable, over-directed bit of heated allegorical melodrama, JianXin Huang's The Marriage Certificate seeks to monumentalize the loss of the titular document and its disastrous effect on the marriage between a goofy shrink and his grasping wife into a jab at the rigidity of the communist Chinese bureaucracy. It succeeds in being cutesy in an Amélie sort of way (told from the point-of-view of an insipid little girl complete with bad voiceovers, double ponytail flips, and rough animated skits) while being a…

Men with Brooms (2002) – DVD

October 16, 2002Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Canada, Comedy, Drama, DVD, Romance, Sports

**½/**** Image B+ Sound B+ Extras C
starring Paul Gross, Molly Parker, Leslie Nielsen, Peter Outerbridge
written and directed by Paul Gross

by Walter Chaw Closer in spirit to Mystery, Alaska than to the similarly Olympics-inspired Cool Runnings, Men with Brooms is an underdog sports intrigue mashed together with a bedroom farce–and neither dog-eared formula is handled with very much originality, while uncomfortable subplots concerning adultery, alcoholism, and healing father/son rifts (see also: Hoosiers) vie for a level of pathos that always feels out of place in what is essentially The Bad News Bears (or The Replacements, or Slap Shot) for curling. Though it’s extremely tempting to lay out an endless stream of titles for films that are essentially identical to Men with Brooms, time is better served just saying that the picture, the directorial debut of Canuck star Paul Gross, is a low-aspiring bit of nonsense that fits as comfortably as a cozy pair of ratty sneakers while stinking a little all the same.

The Rules of Attraction (2002)

October 11, 2002Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Esoterica, Germany, Romance, Theatrical

***½/****
starring James Van Der Beek, Shannyn Sossamon, Ian Somerhalder, Jessica Biel
screenplay by Roger Avary, based on the novel by Bret Easton Ellis
directed by Roger Avary

Rulesofattractionby Walter Chaw Roger Avary’s The Rules of Attraction jitters and grooves like a thing possessed. It’s a post-modern Less Than Zero based on a below-average book by nihilism wunderkind Bret Easton Ellis transformed by a pair of exceptional performances and the insouciant style of Avary (more, Avary’s one-time partner-in-crime Quentin Tarantino) into a portrait of college life feral and uncomfortable. It handles time and traditional narrative structures with an expert insolence and earns points besides for making a cunning pop cultural reference to Sheriff Buford Pusser and Walking Tall. It’s too smart to outsmart itself, then, juggling its in-references with a kind of casual offhandedness that allows the proscenium to be occupied by a surprisingly piquant trio of character sketches.