Bubba Ho-Tep (2003)

November 21, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Horror, Mystery, Theatrical

***/****
starring Bruce Campbell, Ossie Davis, Reggie Bannister, Bob Ivy
screenplay by Don Coscarelli, based on the novel by Joe R. Lansdale
directed by Don Coscarelli

by Walter Chaw Joe R. Lansdale is best known for his tales of the “weird west,” a genre mixing splatterpunk with alternate-history western almost entirely defined by the author in the early-Nineties. His work reads a little like the sort of folklore in which Mark Twain dabbled (or the gothic in which Flannery O’Connor was involved), but with zombies and gore, while Don Coscarelli’s Bubba Ho-Tep, an adaptation of a Lansdale short story, is steeped in the same sort of bent sensibility that informs the author’s work, performing something like a masterstroke in casting Bruce Campbell as Elvis and Ossie Davis as JFK–if ultimately falling a little short of the astonishing audacity of Lansdale’s prose. (That very ballsiness what has kept any film prior to this one being made from Lansdale’s work, methinks.) What distinguishes the picture, however, is what feels like a genuine concern for the difficulties of aging and the aged, a melancholy tone to the proceedings that, fascinatingly, equates a mummy unquiet for being buried nameless with a pair of American folk heroes declining, also anonymous, in a retirement facility in East Texas.

National Lampoon’s Animal House (1978) [Double Secret Probation Edition – Widescreen] – DVD

November 20, 2003Posted in1970s, Authors: Walter Chaw, Comedy, DVD

***½/**** Image B+ Sound B+ Extras A
starring John Belushi, Tim Matheson, John Vernon, Verna Bloom
screenplay by Harold Ramis, Douglas Kenny & Chris Miller
directed by John Landis

by Walter Chaw Films that spawn genres are unusual, and if twenty-five years and dozens of imitators have diluted the sex and scatology formula of John Landis’s National Lampoon’s Animal House a bit, nothing touches the tightness of an enterprise that finds a golf ball hit into cafeteria stew in one scene and John Belushi casually eating that golf ball a few minutes later. The picture doesn’t so much cover the bases as draw the diamond, casting the evil dean of a small college, Wormer (John Vernon), against a band of fun-loving frat boys led by smooth Otter (Tim Matheson), animalistic Bluto (Belushi), hapless Flounder (Stephen Furst), and audience surrogate Pinto (Tom Hulce). What distinguishes Animal House‘s irreverence from feckless anarchy is the same thing that distinguishes the films of the Farrelly Brothers, the true inheritors of the picture’s legacy: a strong feeling for character and a congenial willingness to transgress that rings as honest even as it tickles at inappropriate.

The Santa Clause 2 (2002) [Widescreen] – DVD

November 18, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Canada, Christmas, Comedy, Disney, DVD, Family, Fantasy, ZERO STARS

ZERO STARS/**** Image A Sound A- Extras D+
starring Tim Allen, Elizabeth Mitchell, Eric Lloyd, David Krumholtz
screenplay by Ken Daurio and Cinco Paul and Steve Rudnick and Ed Decter & John J. Strauss
directed by Michael Lembeck

by Walter Chaw There is a scene about midway through Tim Allen's latest genuinely bad movie in which Allen and his screen family gather for dinner wielding McDonald's food in perfect bags, held in such a way so as not to obscure the golden arches for the duration of the shot. A 90-second commercial embedded in what passes for entertainment too often nowadays, it's driven home by the disconcerting realization that this picture's animatronic reindeer talk like The Hamburglar. (Warble blarble warble.) In addition to being misogynistic, racist, and apparently trying to plumb the humour of fascist regimes, The Santa Clause 2, then, is also home to one of the most sinister marketing ploys since Pokémon.

Film Freak Central Does the 2003 New York City Horror Film Festival

November 5, 2003Posted in****/****, 2000s, Action, Authors: Walter Chaw, Canada, Comedy, Crime, Drama, Fantasy, Film Festivals, Horror, Short Films, Thriller, UK, Zombie

Nychorrorlogo November 5, 2003|Held at the Tribeca Theater for the second year in a row, the New York City Horror Film Festival (NYCHFF) is a collection of low-budget feature and short genre films that, like the San Francisco Film Society's lamented Dark Wave festival (after two amazing years, there is no third instalment pending), gives weight to a much-deserved critical re-evaluation of horror film as an important artistic, sociological, academic endeavour. With special awards this year honouring Troma's Lloyd Kaufman, underestimated horror director Stuart Gordon, drive-in movie critic Joe Bob Briggs, my favourite independent horror director Larry Fessenden, and special effects legend Tom Savini, the 2nd NYCHFF is an emerging niche festival run by folks who care about the genre and, better, have an idea about how to present the material in a way as enthusiastic as it is savvy.

Finding Nemo (2003) [2-Disc Collector’s Edition] – DVD

November 3, 2003Posted in****/****, 2000s, Adventure, Animation, Australia, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Disability, DVD, Family, FFC Must-Own, Pixar

****/**** Image A+ Sound A+ Extras A-
screenplay by Andrew Stanton & Bob Peterson & David Reynolds
directed by Andrew Stanton

Findingnemohirescap

Mustownby Walter Chaw The perfect American parable for an anxious new millennium, Andrew Stanton's Finding Nemo is riddled with nightmares and weighted by the existential smallness of its heroic pair, finding a certain immutable gravity in the fear and hope represented by children, rekindled, both, by the spate of child-on-child violence ending our last thousand years. Following hot on horror films that, like the horror films of the late-'60s/early-'70s, focus on unapologetically evil children (then: Night of the Living Dead, Rosemary's Baby, Don't Look Now, The Exorcist, now: The Ring, Identity, Soft for Digging), what Finding Nemo does is present generational paranoia from a parent's point of view, opening as it does with an act of senseless, heartbreaking violence in the middle of an idyllic suburbia. It's not the horror (at this point) of a child facing social ostracism in the school environment, but the horror of making a choice to escape a bad environment only to find oneself in the middle of an upper middle-class tinder pile about to light.

The Cat in the Hat (1971) + The Lorax (1972) – DVDs

November 3, 2003Posted in1970s, 1980s, Animation, Authors: Travis Mackenzie Hoover, Comedy, DVD, Family, Television

THE CAT IN THE HAT
**½/**** Image B Sound A- Extras C
directed by Hawley Pratt

THE LORAX
***/**** Image B+ Sound A- Extras C
directed by Hawley Pratt

PONTOFFEL AND HIS MAGIC PIANO (1980)
Pontoffel Pock, Where Are You?
**/**** Image B- Sound B+ Extras C
directed by Gerard Baldwin

by Travis Mackenzie Hoover Adapting for the screen a sensibility as singular as that of Dr. Seuss is a desperately tricky thing. It simply won't do to faithfully transpose the narrative, because narrative is hardly the point: Seuss is about nonsense wit both visual and verbal, and to fit it into a standard teleplay box is to destroy everything that makes his books special and unique. Nevertheless, the urge to bring the madness of Dr. Seuss to life is an understandable one, and so it should come as no surprise that in the Sixties and Seventies, CBS commissioned a series of animated specials designed to do just that.

Bride of Re-Animator (1990) – DVD

October 30, 2003Posted in1980s, Authors: Walter Chaw, Comedy, DVD, Horror, Japan, Sci-Fi, Thriller

**½/**** Image C Sound C
starring Bruce Abbott, Claude Larl Jones, Fabiana Odento, David Gale
screenplay by Woody Keith and Rick Fry
directed by Brian Yuzna

by Walter Chaw Screaming Mad George is a genius. Make-up artist extraordinaire, his legacy is born of Stan Winston and Tom Savini, but his touch is more witty than the former and more perverse than the latter, resulting in a body of work that, by itself, makes the third Children of the Corn film a winner, the climax of Brian Yuzna’s Society unspeakably sticky, and this, Yuzna’s sequel to Stuart Gordon’s classic splatter flick Re-Animator, a gore flick of unusual visual wit and energy. A continuation of the sad events at H.P. Lovecraft’s doomed Miskatonic University, the tale of mad Herbert West (B-movie legend Jeffrey Combs) and his experiments in reanimating living tissue (undaunted, apparently, by his run-in with an over-eager intestinal tract in the first film) with hapless assistant Dan (Bruce Abbott), Bride of Re-Animator captures a lot of the gleeful lack of boundaries of the first film without, predictably, the attendant surprise and freshness. Still, what emerges is a genre picture that, for all of its lack of psychosexual subtext and subtlety, gains for its jubilant indulgence in the wetworks.

Milk Money (1994) + I.Q. (1994) – DVDs

October 28, 2003Posted in1990s, Authors: Walter Chaw, Comedy, DVD, Romance

MILK MONEY
*½/**** Image B Sound B
starring Melanie Griffith, Ed Harris, Michael Patrick Carter
screenplay by John Mattson
directed by Richard Benjamin

I.Q.
**/**** Image B+ Sound B
starring Meg Ryan, Tim Robbins, Walter Matthau, Charles Durning
screenplay by Andy Breckman and Michael Leeson
directed by Fred Schepisi

by Walter Chaw The first preteen sex comedy I’ve ever seen, Richard Benjamin’s inexplicable Milk Money is a fascinating example of a movie that was never a good idea brought to life in a presentation that is every bit as misguided as its appalling premise would suggest. Melanie Griffith is a hooker who flashes her goodies for a bag of change collected by a trio of pre-pubescent youngsters who seem to live in 1994 but act like they’re from 1950. They’ve idealized The City in an impossibly provincial “aw shucks” country-mouse sort of way, proclaiming it the place where anything can happen and, more importantly, anything can be bought. It’s stupid, but at least its naivety is echoed in the way they earn their cash, the cool “Fonzie” kid selling a brief turn with his leather jacket for a handful of change. I’m not certain what freakish netherworld Benjamin and writer John Mattson (responsible for this and two Free Willy sequels) dragged themselves out of, but Milk Money is a product of the same kind of autumnal bullshit-spring from which wells magnificent falderal like The Majestic.

The Singing Detective (2003)

October 24, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Crime, Esoterica, Musical, Mystery

***/****
starring Robert Downey Jr., Robin Wright Penn, Jeremy Northam, Mel Gibson
screenplay by Dennis Potter, based on his miniseries
directed by Keith Gordon

Singingdetectiveby Walter Chaw A film about transplants (UK to America, Michael Gambon to Robert Downey Jr., postwar-'40s English tunes to 1950s American doo-wop), The Singing Detective has as its most effective moments the parts transplanted whole from Dennis Potter's amazing six-hour BBC miniseries. Not to say that Keith Gordon's The Singing Detective isn't a frequently fascinating beast all by itself (the late Potter's own screenplay, shot nearly word-for-word by Gordon, assures a measure of quality almost deliriously high), but to say that the inevitable comparisons will be harsh and, frankly, unfair, given the author's hand in the adaptation and the strain of compression.

Scary Movie 3 (2003)

October 24, 2003Posted in2000s, Authors: Walter Chaw, Canada, Comedy, Satire, Theatrical, ZERO STARS

ZERO STARS/****
starring Anna Faris, Charlie Sheen, Regina Hall, Denise Richards
screenplay by Craig Mazin and Kevin Smith and David Zucker
directed by David Zucker

Scarymovie3by Walter Chaw Even without the Wayans Brothers, the latest Scary Movie sequel is unspeakably bad. A disjointed series of set-piece recreations from popular films (Signs, The Matrix Reloaded, The Ring, 8 Mile) populated by idiots and scripted with a flat collection of obvious fall-down gags and scatology, the picture doesn't even respect the movies it mocks enough to understand what it is about them that fails. More, with the absence of the Wayans (who are replaced by David Zucker, one-third of the braintrust behind successful spoofs like Airplane! and The Naked Gun), the repeated shout-outs to heroes of hip-hop (an entire record label shows up in cameo bits) and attendant disrespect of the culture land with disturbing racial undertones. The film is aimed specifically at an African-American demographic: That's one thing when the filmmakers are African-American, another thing altogether when they're not.

DIFF ’03: Bitter Jester

October 19, 2003Posted in2000s, Authors: Walter Chaw, Comedy, DIFF/SDFF, Documentary, Film Festivals, Road Movie, Romance
***/****directed by Maija DiGiorgio by Walter Chaw Bitter Jester is a hard-to-watch record of an irritating, dangerously self-destructive stand-up comedienne named Maija (director Maija DiGiorgio) who, with a video camera and goombah ex-boxer boyfriend Kenny in tow, imposed herself on the frighteningly neurotic underworld of stand-up performers. With the endorsement of Kenny's legend-in-the-stand-up-world pal Richard Belzer and Maija's dead therapist, the pair set out to make a documentary on the effectiveness of throwing oneself at the mercy of antagonistic comedy-club audiences as therapy for working out childhood trauma and pathological personality defects. What results is a surreal, Hunter S. Thompson-esque…

L’auberge espagnole (2002)

October 17, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Comedy, Drama, France, Romance, Spain, Theatrical

***/****
starring Romain Duris, Judith Godrèche, Audrey Tautou, Cécile De France
written and directed by Cédric Klapisch

Laubergeespagnoleby Travis Mackenzie Hoover Cédric Klapisch is the director of a mid-'90s gem called When the Cat's Away; although it wasn't of great shattering importance, it understood that, and turned out to be enjoyably funky nonetheless. Alas, the intervening years have taken their toll on Klapisch's sense of self-importance, because now he's made L'auberge espagnole–a film with the potential to be another enjoyably funky little movie that instead pushes banal life lessons and shallow cultural observations. L'auberge espagnole might have squeaked by had its tale of a French student in a Barcelona rooming house just been a sex farce with low ambitions, but as it stands, it's a sex farce that thinks that it's actual drama, making for some serious head-slapping when it drags out the ersatz "importance."

Pieces of April (2003)

October 17, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Theatrical

**/****
starring Katie Holmes, Patricia Clarkson, Oliver Platt, Derek Luke
written and directed by Peter Hedges

Piecesofaprilby Walter Chaw Modest in its intentions and achievements, Peter Hedges's Pieces of April has an undercurrent of paternalistic racism that verges on the disturbing. April (Katie Holmes, great but wasted) and her boyfriend Bobby (Derek Luke) invite April's difficult family to Thanksgiving dinner. Because it's potentially, ominously, the "last" Thanksgiving, the estranged nuclear unit composed of mom Joy (Patricia Clarkson), dad Jim (Oliver Platt), grandma Dottie (professional grandma Alice Drummond), and their other two children Beth (Alison Pill) and Timmy (John Gallagher Jr.) pack themselves into the station wagon and head up the interstate. The picture cuts between April struggling to find someone in her tenement who'll lend her the use of an oven and the family doing their best to suffer the acerbic, often nasty Joy.

House of 1000 Corpses (2003) + Waxwork/Waxwork II: Lost in Time [Double Feature] – DVD

October 16, 2003Posted in1980s, 2000s, Authors: Walter Chaw, Comedy, DVD, Fantasy, Horror, Sci-Fi, UK, West Germany, ZERO STARS

HOUSE OF 1000 CORPSES
**/**** Image A Sound A Extras A
starring Sid Haig, Bill Moseley, Sheri Moon, Karen Black
written and directed by Rob Zombie

WAXWORK (1988)
*/**** Image D Sound D
starring Zach Galligan, Deborah Foreman, Michelle Johnson, Dana Ashbrook
written and directed by Anthony Hickox

WAXWORK II: LOST IN TIME (1991)
ZERO STARS/**** Image C Sound C
starring Zach Galligan, Alexander Godunov, Monika Schnarre
written and directed by Anthony Hickox

by Walter Chaw Curiously, compulsively watchable in a grindhouse exploitation sort of way, neo-glam shock-rocker Rob Zombie follows in Twisted Sister Dee Snider’s capering footsteps with a derivative flick that mainly goes a long way towards demonstrating how hard it is to make a coherent movie. More Richard Donner’s The Goonies than Tobe Hooper’s The Texas Chain Saw Massacre, House of 1000 Corpses is a shoestring series of hyperactive camera movements and disjointed images culled from what seems too many films to count, from Bloodsucking Freaks to Near Dark to Maniac to The Serpent and the Rainbow to Halloween to Hellbound: Hellraiser 2 and so on, with no reason except to demonstrate how many horror movies Zombie has seen. The only thing missing from the picture–besides actual dread–is a helpful annotation so that youngsters intrigued can check out the real deal.

DIFF ’03: Wilbur Wants to Kill Himself

October 11, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Denmark, DIFF/SDFF, Drama, Film Festivals, France, Sweden, UK
Wilbur Begar Selvmord***½/****written by Lone Scherfig, Anders Thomas Jensendirected by Lone Scherfig by Walter Chaw Uncompromising yet surprisingly gentle for all that, Lone Scherfig's Wilbur Wants to Kill Himself is an unmannered character drama about Wilbur (Jamie Sives), despondent and suicidal after the death of his father; Wilbur's older brother, Harbour (Adrian Rawlins), who's taking the family's loss much better; and Harbour's new wife, Alice (the self-swallowing, eternally imploding Shirley Henderson), who finds love for the first time only to find it again in her husband's mordant brother. A psychiatric support group is funny in predictably quirky ways (though its…

DIFF ’03: Bought & Sold

October 8, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Crime, DIFF/SDFF, Drama, Film Festivals
**/****written and directed by Michael Tolajian by Walter Chaw Michael Tolajian's Bought & Sold is a low-aspiring inner-city fairy tale featuring an Oscar De La Hoya-looking hoodlum protagonist named Ray Ray (Rafael Sardina) who dreams of buying DJ turntables from the local pawn shop while working part-time at a shoe store. He falls in with the wrong crowd, ends up going undercover for a local godfather in the pawn under kindly Armenian storekeeper (Isiah Whitlock Jr.), and gets twitterpated for the pawnshop owner's niece, Ruby (beautiful Marjan Neshat)--all of which unfolds in a herky-jerky kind of way as Tolajian's dialogue…

DIFF ’03: Assisted Living

October 7, 2003Posted in2000s, Authors: Walter Chaw, Comedy, DIFF/SDFF, Drama, Film Festivals
**/****written and directed by Elliot Greenbaum by Walter Chaw Playing at times like a documentary (indeed, the film used the residents of its retirement-home setting as extras), Assisted Living is a troubling picture, balanced as it is midway between fiction and essay, with some actors feigning dementia and others clearly in its sway. Todd (Michael Bonsignore) is a pot-smoking twentysomething working at a nursing home--a kind-hearted soul, it seems, burned out in more ways than one and fixated on one of his charges, Mrs. Pearlman (Maggie Riley). Their relationship really not much more than a sketch, Todd's "rescue" of Mrs.…

Legally Blonde 2: Red, White & Blonde (2003) [Special Edition] – DVD

October 7, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD

*½/**** Image B Sound A- Extras A-
starring Reese Witherspoon, Sally Field, Bob Newhart, Luke Wilson
screenplay by Kate Kondell
directed by Charles Herman-Wurmfeld

by Walter Chaw Recognizing that there's nothing more patriotic than rampant materialism, cultural ignorance, fast fashion, a steadfast lack of imagination, and disturbing dog-love, Charles Herman-Wurmfeld's Legally Blonde 2: Red, White & Blonde is essentially a blow-by-blow remake of its predecessor with a different setting and more Chihuahua. It tackles animal rights and congressional corruption with the same seriousness as Versace vs. Gucci, hoping against hope that Reese Witherspoon's considerable charm will smooth over the clumsy grafts and inevitable tissue rejection of a film with speaking roles for Jennifer Coolidge, Bob Newhart, and Sally Field. Harvard Law is replaced by the Beltway Boys, factoids about perms are replaced by factoids about facials, and all of it boils down to the importance of sorority sisters–particularly ironic in a picture so horrified by the evils of intractable nepotism amongst insular societies.

School of Rock (2003) + Intolerable Cruelty (2003)

October 2, 2003Posted in2000s, Authors: Walter Chaw, Coen Brothers, Comedy, Crime, Directors: Richard Linklater, Germany, Music, Romance

SCHOOL OF ROCK
**/****
starring Jack Black, Joan Cusack, Mike White, Sarah Silverman
screenplay by Mike White
directed by Richard Linklater

INTOLERABLE CRUELTY
**½/****
starring George Clooney, Catherine Zeta-Jones, Geoffrey Rush, Cedric the Entertainer
screenplay by Robert Ramsey & Matthew Stone and Ethan Coen & Joel Coen
directed by Joel Coen

by Walter Chaw Maverick filmmaker Richard Linklater takes a break from his experiments in narrative and philosophy to helm what is essentially a mélange of the most tried and true mainstream formulas: the underdog kids uplift (The Bad News Bears, et. al); the inspirational teacher uplift (Dead Poets Society, et. al); the slacker whose best friend is dating an uptight harridan uplift (Saving Silverman, et. al); the burnout loser makes good uplift (Bill & Ted’s Excellent Adventure, et. al); and the rebel who reforms a restrictive institution led by an icy task-mistress uplift (One Flew Over the Cuckoo’s Nest, et. al). Not to say that School of Rock is without its merits, but the whiff of originality–which every film of Linklater (and Mike White, who wrote the script) has possessed to some degree or another up to now–is not among them.