Made-Up (2003) + The Reckoning (2004)

March 26, 2004Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Horror, Mystery, Theatrical, UK

MADE-UP
**½/****
starring Brooke Adams, Lynne Adams, Eva Amurri, Gary Sinise
screenplay by Lynne Adams
directed by Tony Shalhoub

THE RECKONING
*/****
starring Paul Bettany, Tom Hardy, Willem Dafoe, Gina McKee
screenplay by Mark Mills, based on the novel by Barry Unsworth
directed by Paul McGuigan

Madeupreckoningby Walter Chaw The problem with Tony Shalhoub’s directorial debut Made-Up is a certain forced artificiality in presentation and execution that, though in keeping with the mock-documentary-within-a-mock-documentary format, makes the consideration of it emotionally and aesthetically removed. It’s a slippery criticism to level at a picture that seems to be about emotional and aesthetic remove, of course, but there comes a point when the form imitates the message to an obfuscating degree–in other words, when it’s no longer about the distance, but is the distance. So for all the empty extra-textual readings the film culls for its subtext (Brooke Adams, an actress out of the scene for a decade or so, plays an actress out of the scene for at least a decade; sisters play sisters; the daughter is played by the daughter of Susan Sarandon; and so on), Made-Up is salvaged by a sense of decency, and one meta-read that carries some weight as Shalhoub, an Arab-American of Lebanese descent, directs a film about the ills of stereotyping based on appearance.

Secondhand Lions (2003) [New Line Platinum Series] – DVD

March 26, 2004Posted in2000s, Authors: Walter Chaw, Comedy, Drama, DVD, Family

**½/**** Image A- Sound A Extras A+
starring Michael Caine, Robert Duvall, Haley Joel Osment, Kyra Sedgwick
written and directed by Tim McCanlies

by Walter Chaw A conservative imperialist fable, the peculiar Secondhand Lions can't quite decide between the polarizing siren songs of the NRA and the AARP. Scylla and Charybdis had nothing on the rock and a hard place of the two most powerful lobbies in the United States, so it was only a matter of time before an ostensible children's film (set in Texas, natch) founded on the tenets of old people shooting guns at young people (and waxing rhapsodic about their days oppressing the dark-skinned denizens of sandy places) stumbled onto the silvering screen starring, naturally, Robert Duvall and, unnaturally, Michael Caine. Speaking of unnatural, Osment, taking his first tentative steps into adult Method hell, looks a little like a poorly articulated marionette engaged in a puppet theatre where the only instruction is mad, mechanical gesticulation. To see him react to a door closing is akin to watching someone get defibrillated.

Dr. Seuss’ The Cat in the Hat (2003) [Widescreen] + Gothika (2003) [Widescreen Edition] – DVDs

March 22, 2004Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD, Family, Horror, Mystery, Thriller

The Cat in the Hat
½*/**** Image A Sound A Extras C+
starring Mike Myers, Alec Baldwin, Kelly Preston, Dakota Fanning
screenplay by Alec Berg & David Mandel & Jeff Schaffer, based on the Dr. Seuss book
directed by Bo Welch

GOTHIKA
*/**** Image A Sound A Extras B-
starring Halle Berry, Robert Downey Jr., Charles Dutton, John Carroll Lynch
screenplay by Sebastian Gutierrez
directed by Mathieu Kassovitz

Catinthegothikaby Walter Chaw The vaguely infernal Dr. Seuss classic is given an overtly infernal treatment in the most excruciating rape of a beloved childhood memory since The Grinch (another Brian Grazer abomination), the replacement of director Ron Howard for production designer Bo Welch a case of bad for worse. I’d love to be able to say that The Cat in the Hat is inexplicable because I’d love to be able to be naïve about why and how films like this are made, but I fear by now I’m all too familiar with ideas of populism, condescension, the supremacy of opening weekend box-office, and the toxic belief that entertainment for children needn’t hold up to the same kind of scrutiny as entertainment for non-children. Byzantine in the number of ways in which it declares its disdain for film and moviegoers, The Cat in the Hat is also crude, low, and proof at last (with Pieces of April) that Sean Hayes should stick to television, where it’s easier to change the channel. There’s a built-in audience for this picture (most of which will feel a little ill afterwards), it’s going to gross an obscene amount, and it’s proof positive that when large amounts of money are at stake, there are really no depths to which some people will sink to try to grow it.

Good Bye Lenin! (2003)

March 19, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Comedy, Drama, Germany, Romance, Theatrical

Good bye, Lenin!
***½/****
starring Daniel Brühl, Kathrin Sass, Chulpan Khamatova, Maria Simon
screenplay by Bernd Lichtenberg and Wolfgang Becker
directed by Wolfgang Becker

Goodbyeleninby Travis Mackenzie Hoover Good bye, Lenin! is that rarest of beasts, a popular film that's actually about something. Detailing a former East German's mixed emotions at the demise of communism, it's precise in its modelling of a historical turning point without either trivializing or preaching. One doesn't have to pick out the plums of insight from a thin pudding of plot: The elements of analysis and narrative fuse so seamlessly that they carry you along, making a happy medium that is supremely satisfying. One wishes that Hollywood could turn out a film such as this, which, for all its movie-movie gusto, deals with complex issues real people have to deal with, making its huge success back home a heartening sign in this age of Amélie and cultural amnesia.

Those Magnificent Men in Their Flying Machines (1965) – DVD

March 17, 2004Posted in1960s, Adventure, Authors: Travis Mackenzie Hoover, Comedy, DVD, Family, UK

Those Magnificent Men in Their Flying Machines, or How I Flew from London to Paris in 25 hours 11 minutes
**½/**** Image A Sound A- Extras B+
starring Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi
screenplay by Jack Davies & Ken Annakin
directed by Ken Annakin

by Travis Mackenzie Hoover As far as bloated Twilight of Hollywood fluff goes, Those Magnificent Men in Their Flying Machines, or How I Flew from London to Paris in 25 hours 11 minutes doesn't do too badly for itself. The picture doesn't try to fill you with ersatz wonder at the magnitude of its expensive contraptions, nor does it try to bully you with offensive sentiment in the Sound of Music vein. It's mostly just a lark, and while it's clearly overpriced (as H'wood films of the period generally are), it manages as best as it can to be light and airy. Alas, as often as not the soufflé falls, the victim of obvious caricatures and a grotesquely overblown approach to slapstick. But while Those Magnificent Men in Their Flying Machines doesn't really linger very long in the mind, it's not bad enough to be an affront, and should at least please children young enough to find the sight of a man with an enormous moustache funny.

The Pink Panther Film Collection [6-Disc DVD Collector’s Set – Special Edition] – DVD

March 16, 2004Posted in1960s, 1970s, 1980s, Authors: Bill Chambers, Comedy, Crime, DVD, Mystery, Romance, UK

THE PINK PANTHER (1964)
*½/**** Image A+ Sound B+ Extras B
starring David Niven, Peter Sellers, Robert Wagner, Capucine
screenplay by Maurice Richlin and Blake Edwards
directed by Blake Edwards

A SHOT IN THE DARK (1964)
***/**** Image B+ Sound B+
starring Peter Sellers, Elke Sommer, George Sanders, Herbert Lom
screenplay by William Peter Blatty and Blake Edwards, based on the play by Harry Kurnitz
directed by Blake Edwards

THE PINK PANTHER STRIKES AGAIN (1976)
***½/**** Image A- Sound A-
starring Peter Sellers, Herbert Lom, Lesley-Anne Down, Burt Kwouk
screenplay by Frank Waldman, Blake Edwards
directed by Blake Edwards

REVENGE OF THE PINK PANTHER (1978)
*½/**** Image A Sound A-
starring Peter Sellers, Herbert Lom, Burt Kwouk, Dyan Cannon
screenplay by Ron Clark, Frank Waldman, Blake Edwards
directed by Blake Edwards

TRAIL OF THE PINK PANTHER (1982)
*/**** Image A Sound A-
starring Peter Sellers, David Niven, Herbert Lom, Joanna Lumley
screenplay by Frank Waldman, Tom Waldman, Blake Edwards, Geoffrey Edwards
directed by Blake Edwards

by Bill Chambers If you've never seen the one that started it all, then it will probably surprise you to learn that The Pink Panther is all but a pre-emptive strike against a possible franchise–practically the only thing about it that became canonical and conventional was the animated title sequence. (This upheld tradition of a cartoon beneath the opening credits formalized a cottage industry for James Bond distributor United Artists.) Series lynchpin Inspector Clouseau (Peter Sellers) isn't even the central figure; that would be Sir Charles Litton (David Niven), a playboy plotting to steal the coveted Pink Panther diamond by ingratiating himself with its owner, Dala (Once Upon a Time in the West's Claudia Cardinale), a pampered princess decompressing at a ski chalet in Cortina.

The Commitments (1991) [Collector’s Edition] – DVD

March 15, 2004Posted in1990s, Authors: Walter Chaw, Comedy, Drama, DVD, Ireland, Music, UK

*½/**** Image A Sound A Extras A
starring Robert Arkins, Michael Aherne, Angeline Ball, Maria Doyle Kennedy
screenplay by Dick Clement & Ian La Frenais and Roddy Doyle
directed by Alan Parker

by Walter Chaw Alan Parker likes to use his platform as a film director to preach about all manner of society's more obvious ails, reserving the bulk of his ham-fisted proselytizing for the problems he himself identifies as endemic to the United States: hedonism and drug abuse (The Wall, Midnight Express); the price of a culture of fame (The Wall, Fame); the price of Vietnam and our broken social services system (Birdy); the rampant Yankee tragedy of divorce (Shoot the Moon); racism (Mississippi Burning, Come See the Paradise); our love/hate/fear relationship with food (The Road to Wellville); and, most recently (and egregiously), the death penalty (The Life of David Gale). When Parker manages to shut his hole long enough to pack his ponderous, moronic disdain back across the pond, the films he produces there (Angela's Ashes, The Commitments) are weepy prole sagas highlighting the determination of grubby Dickensian urchins toiling in the underbelly of failed capitalism–which, in Parker's mind, is probably America's fault, too. Poor baby. I'm not sure what's made Parker an expert on fixing the United States (something to do with his background as a commercial director, I suspect), but I for one am just so grateful for his insight.

Love, Sex and Eating the Bones (2004)

March 5, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Comedy, Romance, Theatrical

Eating the Bones
***/****
starring Hill Harper, Marlyne Afflack, Mark Taylor, Kai Soremekun
written and directed by Sudz Sutherland

by Travis Mackenzie Hoover Rightly or wrongly, the romantic comedy is usually viewed as a low-priority genre and handed out to style-free directors settling for second best. On the surface, Love, Sex and Eating the Bones would appear to be one of these films, beset as it is by an obsequious realist aesthetic that stays out of the way of the narrative. But writer-director Sudz Sutherland instils it with something that most rom-coms don’t normally have: speed. Instead of lingering ponderously over the content of the screenplay, he states his points, lets them speak for themselves, and moves on. This makes Love, Sex and Eating the Bones a brisk, energizing experience–no masterpiece, perhaps, but easily the most fleet-footed Canadian film to emerge in a long time.

Starsky & Hutch (2004)

March 5, 2004Posted in2000s, Action, Authors: Walter Chaw, Comedy, Crime, Theatrical

*/****
starring Ben Stiller, Owen Wilson, Snoop Dogg, Fred Williamson
screenplay by John O'Brien and Todd Phillips & Scot Armstrong
directed by Todd Phillips

Starskyandhutchby Walter Chaw The problems with Todd Phillips's lifeless and auto-consumptive Starsky & Hutch begin with a lack of imagination and end with a lack of pace. The one thing a comedy can't be is boring, and Starsky & Hutch is that in spades, banking far too much on the inherent hilarity of the '70s (its title declares "Bay City. The Seventies" like a plot outline and mission statement) while depending upon Owen Wilson and Ben Stiller to keep doing the same thing they've been doing for what's beginning to seem like decades. If I never see Stiller do a silly dance again, not to mention engage in a dance-off, it'll be too soon. Hope/Crosby for an age of lowered expectations, both are talented artists when they're not just cashing a paycheck. The danger is that a few more like Starsky & Hutch and The Royal Tenenbaums will begin to seem like a fluke.

Lilies of the Field (1963) + For Love of Ivy (1968) – DVDs

March 4, 2004Posted in1960s, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD, Romance

LILIES OF THE FIELD
*½/**** Image A- Sound A-
starring Sidney Poitier, Lilia Skala, Stanley Adams
screenplay by James Poe, based on the novel by William E. Barrett
directed by Ralph Nelson

FOR LOVE OF IVY
*/**** Image A Sound A
starring Sidney Poitier, Abbey Lincoln, Beau Bridges, Nan Martin
screenplay by Robert Alan Aurthur, based on a story by Sidney Poitier
directed by Daniel Mann

by Travis Mackenzie Hoover Two steps forward, one step back. It's hard to know how to read the career of Sidney Poitier, who was America's premier black actor during the '60s and is often held up as a standard bearer for those trying to break through Hollywood's white ceiling. Is he a figure of uncommon dignity in an industry that trafficked in insulting stereotypes, or is he the "nice" black man-made palatable to a white audience eager to flatter itself for its liberalism? The answer is a complex one, requiring an examination of his films–two of which have recently been reissued on DVD. Both Lilies of the Field and For Love of Ivy are tedious, uncontroversial filmmaking, but they afford an interesting glimpse into the compromised mind of liberal Hollywood when faced with the task of "integrating" its product.

Cheaper by the Dozen (1950) + Belles on Their Toes (1952) – DVDs

March 3, 2004Posted in1950s, Authors: Travis Mackenzie Hoover, Biopic, Comedy, Drama, DVD, Family

CHEAPER BY THE DOZEN
**/**** Image B+ Sound B+
starring Clifton Webb, Jeanne Crain, Myrna Loy, Betty Lynn
screenplay by Lamar Trotti, based on the novel by Frank B. Gilbreth, Jr. and Ernestine Gilbreth Carey
directed by Walter Lang

BELLES ON THEIR TOES
**/**** Image B Sound B
starring Jeanne Crain, Myrna Loy, Debra Paget, Jeffrey Hunter
screenplay by Phoebe and Henry Ephron, based on the book by Frank B. Gilbreth, Jr. and Ernestine Gilbreth Carey
directed by Henry Levin

by Travis Mackenzie Hoover Periodically, one comes across a critic who yearns for the qualities of golden-age studio filmmaking. This person will point to the technical proficiency that has since vanished from our cinema and appeal to something other than brutal, instant gratification in their narrative makeup. In response, I offer 1950's Cheaper by the Dozen and its sequel, Belles on their Toes, as examples of how these elements can be used for evil and not for good. Aesthetically, there's nothing especially wrong with them: Though directors Walter Lang and Henry Levin aren't masters, they're solid professionals, and they help the saga of an enormous family go down fairly easy. But what they're sending down is something conformist and ugly, making a phoney harmony out of ingredients that would under normal circumstances repel each other and fly off into space. Thus the initial film is about being crowded into one space under the rule of a benign despot, and the sequel, though backed into a mildly subversive corner, still manages to minimize the dark undertones of the family unit.

Under the Tuscan Sun (2003) [Widescreen] + Death in Venice (1971) – DVDs

March 2, 2004Posted in1970s, 2000s, Authors: Bill Chambers, Comedy, Drama, DVD, Esoterica, France, Italy, Romance

UNDER THE TUSCAN SUN
*/**** Image A Sound A Extras C+
starring Diane Lane, Sandra Oh, Lindsay Duncan, Raoul Bova
screenplay by Audrey Wells, based on the book by Frances Mayes
directed by Audrey Wells

DEATH IN VENICE
**/**** Image A Sound B Extras D+
starring Dirk Bogarde, Mark Burns, Björn Andrésen, Silvana Mangano
screenplay by Luchino Visconti, Nicola Badalucco, based on the novel by Thomas Mann
directed by Luchino Visconti

by Bill Chambers Can't afford that trip to Italy? Consider the next best thing: a jaunt to your local video store, where you can pick up the diametrically opposed but concurrently-released travelogues Under the Tuscan Sun and Death in Venice. I confess I'm only covering them together because it struck me as funny to do so–it's doubtful there's a lot of overlap between the pictures' fanbases, though I'd sooner recommend Under the Tuscan Sun to a Death in Venice admirer than vice-versa: in my experience, devotees of so-called "chick flicks" are notoriously unadventurous moviegoers, while it should go without saying that anyone high on Death in Venice lives by the benefit of the doubt. Both vastly overrated by their supporters, they at least beat watching somebody's vacation slides.

Allan Quatermain and the Lost City of Gold (1987) – DVD

February 24, 2004Posted in1980s, Action, Adventure, Authors: Travis Mackenzie Hoover, Comedy, DVD, Israel

*½/**** Image B+ Sound A
starring Richard Chamberlain, Sharon Stone, James Earl Jones, Henry Silva
screenplay by Gene Quintano and Lee Reynolds
directed by Gary Nelson

by Travis Mackenzie Hoover Bad-film enthusiasts will surely remember King Solomon's Mines, the 1985 H. Rider Haggard adaptation (and Indiana Jones rip-off) starring Richard Chamberlain and a pre-fame Sharon Stone. A fetid mixture of ridiculous situations, papier-mâché production design, and hopeless dialogue that takes off for camp heaven within minutes of unspooling, it was a moderate-sized hit for the late lamented hack studio Cannon Pictures, meaning that two years later emerged Allan Quatermain and the Lost City of Gold. But though the sequel is just as shoddy as its predecessor, it lacks a certain visionary quality that blasted King Solomon's Mines into the stratosphere of corn. While the original had the purity of madness backing up its tacky sets and costumes, Allan Quatermain and the Lost City of Gold is merely tacky, seeming just as tired, in the end, as the strip of polyester leopard skin that's wound around Quatermain's signature fedora.

The Animal (2001) [Uncut Special Edition] – DVD

February 20, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Comedy, DVD, Sci-Fi

*/**** Image A- Sound A- Extras D+
starring Rob Schneider, Colleen Haskell, John C. McGinley, Guy Torry
screenplay by Tom Brady & Rob Schneider
directed by Luke Greenfield

by Travis Mackenzie Hoover There's not much to say about The Animal that hasn't been said a million times before about a million other cheap and lazy comedies. If you're even moderately discerning, you'll be groaning at the story of yet another nerdy schlub who once again achieves magical powers and, sure enough, finally gets the girl of his dreams; you'll also be rolling your eyes at the old jokes, tired scatological references, and boring un-PC swipes that dot the narrative like bird droppings. I know that I'm groaning and rolling my eyes at the prospect of writing about them, because there's not much to be proved here that isn't blindingly obvious: that making a comedy is no excuse for taking a holiday from wit and intelligence, and that bad filmmakers are seldom as funny on screen as they seem to themselves between takes.

The Other Side of the Bed (2002)

February 20, 2004Posted in2000s, Authors: Bill Chambers, Comedy, Drama, Musical, Romance, Spain, Theatrical

El Otro lado de la cama
**/****
starring Ernesto Alterio, Paz Vega, Guillermo Toledo, Natalia Verbeke
screenplay by David Serrano
directed by Emilio Martínez Lázaro

Othersideofthebedby Bill Chambers By the fifteen-minute mark of The Other Side of the Bed (El Otro lado de la cama), actresses Paz Vega and Natalia Verbeke have both doffed their clothes and bedded down the same man, but the movie, a musical, is–or wants to be–as sanitary as an Elvis vehicle. Director Emilio Martínez Lázaro labours to make promiscuity innocent again, if ever there was such a thing, and his sense of whimsy is quite seductive at first, since films about the self-interested are so often as shallow or tunnel-visioned as their protagonists (see: Thirteen). Lázaro risks, of course, glossing over his characters’ predicaments to the point of condescension by leeching the film of any gloom, but something possibly worse insinuates itself, a kind of apathy as it occurs that frothiness is being used to evade subjecitivity altogether. The Other Side of the Bed is colourfully sterile, if you will, an ensemble piece in the noncommittal sense of the term, and if you find yourself empathizing with anyone on screen, it’s generally because she’s not wearing pants at the time.

Welcome to Mooseport (2004) + EuroTrip (2004)

February 20, 2004Posted in2000s, Authors: Walter Chaw, Comedy, Czech Republic, Germany, Romance, Theatrical

WELCOME TO MOOSEPORT
ZERO STARS/****
starring Gene Hackman, Ray Romano, Marcia Gay Harden, Maura Tierney
screenplay by Tom Schulman
directed by Donald Petrie

EUROTRIP
**½/****
starring Scott Mechlowicz, Jacob Pitts, Kristin Kreuk, Nial Iskhakov
screenplay by Alec Berg & David Mandel & Jeff Schaffer
directed by Jeff Schaffer

Welcometoeurotripby Walter Chaw Has there ever been a prospective leading man this self-immolating? Ray Romano on the big screen comes off as some kind of etherized cross between Jerry Lewis and Woody Allen: a nightmare auto-consumptive, allegedly comic offspring who, left alone for long enough, will eventually swallow his own face. I haven’t felt this much aggressive antipathy towards a personality since the heyday of George Raft. Romano’s performances in Ice Age and now Welcome to Mooseport deposit him square in the David Caruso/Sean Hayes school of engaging television performers whose charms are unique to the boob tube. They’re small-screen vampires, and 35mm is their sunlight.

Matchstick Men (2003) [Widescreen Edition] – DVD

February 15, 2004Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, Directors: Ridley Scott, Drama, DVD, Nicolas Cage

**/**** Image B+ Sound B+ Extras B+
starring Nicolas Cage, Sam Rockwell, Alison Lohman, Bruce McGill
screenplay by Nicholas Griffin & Ted Griffin, based on the novel by Eric Garcia
directed by Ridley Scott

by Walter Chaw The defining Nicolas Cage performance is still the one he delivered in Vampire’s Kiss, an indescribably strange film that saw the actor affecting some sort of Algonquin accent and, in the picture’s most memorable scene, screaming at his therapist while wearing an ill-fitting set of plastic fangs. For Ridley Scott’s highly anticipated take on the dead-on-its-feet big con formula Matchstick Men (one last score for the grizzled shyster, a young apprentice who’s not what he seems, an unexpected and unwise late partner in crime, a big twist telegraphed from the first frame, and so on), Cage seems to have resurrected his perversely hammy turn in that underseen camp classic: screaming at another therapist (Bruce Altman, always good), donning another disguise with an astonishing number of distracting tics and affectations, and ultimately accepting his fate with a sort of fatigued, fatalistic resignation.

The Republic of Love (2004)

February 13, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Comedy, Drama, Romance, Theatrical, UK

***/****
starring Bruce Greenwood, Emilia Fox, Edward Fox, Connor Price
screenplay by Deepa Mehta and Esta Spalding, based on the novel by Carol Shields
directed by Deepa Mehta

Republicofloveby Travis Mackenzie Hoover Not long ago in these pages, I gave Ginger Snaps II: Unleashed a thumbs-up for leading us out of Canadian master-shot hell with a bold use of montage. Little did I know that the master shots would deliver a riposte so soon afterwards, but lo and behold, here is The Republic of Love, a movie that finds a way to use Canada's compositional rhythm of choice to fairly spectacular effect. True, it has some narrative deficiencies, and it builds to a climax that never really arrives, but Deepa Mehta's slick and stately use of cinematography and colour redeems what could have been another leaden exercise in choice-free Canadian aesthetics.

Marci X (2003) [Widescreen] – DVD

February 6, 2004Posted in2000s, Comedy, DVD, Germany, Music

**½/**** Image B+ Sound A
starring Lisa Kudrow, Damon Wayans, Richard Benjamin, Christine Baranski
screenplay by Paul Rudnick
directed by Richard Benjamin

by Walter Chaw Long about the time Lisa Kudrow and her JAP posse wrap scarves around their heads in a hip-hop club and engage in a tribal dance they learned at The Seven Sisters, it becomes apparent that, while Richard Benjamin's Marci X is sort of terrible, it's also sort of brave. The places that it goes with its observations about race relationships in the United States are places that films rarely go on purpose anymore, and I admire the hell out of it for that. If most of the jokes fall flat while too much of the runtime is given over to musical numbers starring Lisa Kudrow that go nowhere, when the barbs hit their target, they do so with a kind of timeliness that defeats Paramount's decision to shelve the thing for a couple of years before dumping it in theatres last summer without much fanfare to a chorus of pre-written pans.

Against the Ropes (2004) + Catch That Kid (2004)

February 6, 2004Posted in2000s, Action, Adventure, Authors: Walter Chaw, Biopic, Comedy, Crime, Drama, Family, Germany, Romance, Sports, Theatrical

AGAINST THE ROPES
*/****
starring Meg Ryan, Omar Epps, Skye McCole Bartusiak, Tony Shalhoub
screenplay by Cheryl Edwards
directed by Charles Dutton

CATCH THAT KID
**/****
starring Kristen Stewart, Corbin Bleu, Max Thieriot, Jennifer Beals
screenplay by Michael Brandt & Derek Haas
directed by Bart Freundlich 

by Walter Chaw  AgainstthekidErin Brockovich with more boxing, Charles S. Dutton's Against the Ropes (released in the same time of year as Steven Soderbergh's surprise obliterating feminist uplift drama and likewise inspired by the true story of a crass woman from a blue-collar background making good) is interested in mythmaking in the way that boxing manager Jackie Kallen, the subject of this would-be biopic, was. Oddly enough, the film is also interested in marginalizing its minority "product" in the way that Kallen is portrayed to have been by the film. Ostensibly the story of Kallen (Meg Ryan) discovering middleweight James Toney on the streets and fashioning from such rough loam the stuff of a boxing hall of fame shoo-in, the film takes so many liberties with history that the "truth" resembles a Hallmark Hall of Fame production complete with a jaunty score by the late Michael Kamen that made me want to punch something. It's lowest-common-denominator filmmaking, a shake-and-bake Oprah Winfrey urban melodrama that hits all the Wildcats-meets-Rocky moments of saccharine populist uplift on its road to instant Palookaville.