Sealab 2021: Season IV (2004-2005) + Arrested Development: Season Three (2005-2006) – DVDs

Sealab 2021: Season IV (2004-2005) + Arrested Development: Season Three (2005-2006) – DVDs

Posted in2000s, 2006, Animation, Authors: Walter Chaw, Comedy, DVD, Television

SEALAB 2021: SEASON IV
Image C Sound B Extras D
“Isla de Chupacabra,” “Joy of Grief,” “Green Fever,” “Sharko’s Machine,” “Return of Marko,” “Casinko,” “Butchslap,” “Monkey Banana Raffle,” “Shrabster,” “Cavemen,” “Moby Sick,” “No Waterworld,” “Legacy of Laughter”

ARRESTED DEVELOPMENT: SEASON THREE
Image A Sound B Extras B
“The Cabin Show,” “For British Eyes Only,” “Forget Me Now,” “Notapussy,” “Mr. F,” “The Ocean Walker,” “Prison Break-In,” “Making a Stand,” “S.O.B.s,” “Fakin’ It,” “Family Ties,” “Exit Strategy,” “Development Arrested”

by Walter Chaw Oh, I get it. It’s hostile.

Stella: Season One (2005) – DVD

Posted in2000s, 2006, Authors: Travis Mackenzie Hoover, Comedy, DVD, Esoterica, Television

Image B- Sound A- Extras B
"Pilot," "Campaign," "Office Party," "Coffee Shop," "Paper Route," "Camping," "Meeting Girls," "Novel," "Vegetables," "Amusement Park"

by Travis Mackenzie Hoover There's a difference between being smart and being "smart." Smart involves the recombination of concepts into some kind of thesis or analysis; "smart" is the mere name-checking of said concepts and the class trappings they afford. The problems begin when people act "smart" and feel they're actually smart–when the pose of intelligence becomes the real thing. And despite many contortions in a vaguely surrealist direction, the masterminds behind "Stella" clearly belong in the poser category. Although their juxtaposition of overgrown children against a world somewhat less mad than they are is fastidiously groomed and played to the hilt, it's not really smart about anything: by putting these naïf characters next to the supposed intelligence of the people who write their lines, they only reveal their "smarts" in comparison to a very limited test group.

Slither (2006) – DVD

Slither (2006) – DVD

Posted in2000s, 2006, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD, Horror, Sci-Fi

***½/**** Image B+ Sound A- Extras B+
starring Nathan Fillion, Elizabeth Banks, Michael Rooker, Gregg Henry
written and directed by James Gunn

by Walter Chaw Paying tribute to his Lloyd Kaufman roots with a shot in which The Toxic Avenger is on TV in the background, James Gunn’s Slither is more in line with the hipster revisionism of his screenplay for Zack Snyder’s Dawn of the Dead. Postmodernism its point, then, drying up the musty cellars somewhat of the films it riffs on, Slither misses when it does only because it has little resonance beyond the basic Cronenbergian sexual-parasites thing and the shopworn idea that Americans are voracious, disgusting, ignorant swine. (In truth, the one moment that really bugs me is a fairly demented rape sequence (involving more infant-menace than anything in the new The Hills Have Eyes) and its played-for-giggles fallout.) In place of useful sociology, it does for redneck archetypes what Shaun of the Dead did for workaday slobs, poking fun at the thin line between slack-jawed yokels (initiating deer season with a barn-busting hoedown) and beef-craving, slug-brained zombies (recalling that NASCAR now boasts its own brand of meat). The biggest surprise is that Gunn appears to have seen and liked Night of the Creeps, and that, like that film, Slither does what it does without sacrificing too much of its good-natured, self-deprecating sense of humour along the way.

Over the Hedge (2006) [Widescreen] – DVD

Over the Hedge (2006) [Widescreen] – DVD

Posted in2000s, 2006, Adventure, Animation, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD, Family

**/**** Image A- Sound A- Extras B-
screenplay by Len Blum and Lorne Cameron & David Hoselton and Karey Kirkpatrick, based on the comic strip by Michael Fry and T Lewis
directed by Tim Johnson & Karey Kirkpatrick

by Walter Chaw It’s just a largely inoffensive, vaguely environmentalist (inasmuch as being anti-sprawl is pro-environment) assembly-line animation featuring the usual passel of aging and/or second-run celebrities subbing for trained voice performers as anthropomorphic CGI animal bodies engaged in slapstick, stink jokes, and other interchangeable ephemera for the delight of our toddlers. If you feel as though you’ve seen Over the Hedge a hundred times already, that’s because it’s been cobbled together from a hundred other identical pictures; and if you have a little trouble afterwards remembering a thing about it, well, it’s only natural that something with no nutritional value would pass right through you. That’s not to say there’s no fertile ground to be mined here in exploring the line between the natural-natural and the human natural (a line that the Japanese puzzler Pom Poko attempts to describe to similar effect)–safe to say, in fact, that a great satire lies in the suburban morass as viewed through the eyes of the “un-civilized.” But Over the Hedge is a slave to the theoretical peanut gallery, resorting to manufacturing a villain and then staging a series of boom/crash operas. Though Pixar’s Cars can pretty fairly be described as awful, it’s Pixar’s legacy of brilliant children’s entertainments that DreamWorks has tried to ape with its puerile, art-destroying, post-pop Shrek series, and if Over the Hedge at least resists the scatology that marks Shrek as low entertainment for the lowest common denominator, it still can’t quite make that jump from loud noises to real insight and value.

The Rocky Horror Picture Show (1975) + Shock Treatment (1981) [Bodice-Ripping Fabulous 3-Disc Set] – DVD

Posted in1970s, 1980s, 2006, Authors: Alex Jackson, Comedy, DVD, Esoterica, Musical

THE ROCKY HORROR PICTURE SHOW 
***½/**** Image A Sound A Extras A-
starring Tim Curry, Susan Sarandon, Barry Bostwick, Richard O’Brien
screenplay by Jim Sharman and Richard O’Brien
directed by Jim Sharman

SHOCK TREATMENT
**½/**** Image A- Sound B+ Extras B+
starring Jessica Harper, Cliff De Young, Patricia Quinn, Richard O’Brien
screenplay by Richard O’Brien and Jim Sharman
directed by Jim Sharman

by Alex Jackson SPOILER WARNING IN EFFECT. I have never attended an actual theatrical showing of The Rocky Horror Picture Show, and for the longest time, I doubted that I was completely receptive to every significant nuance and intricacy of the film, what with its name-dropping of Michael Rennie and the presence of a performer called “Little Nell” who wears Mickey Mouse ears during the “Touch-A, Touch-A, Touch Me” number. The picture’s esoteric quotient has always eluded my radar, preventing me from fully identifying with it, much less condescending to it. This idea of familiarity with extra-textual elements or training in a specific method of watching as essential in the evaluation process is a perennial issue in film criticism for me. My default position is that the two things don’t have that much to do with each other: Learning more about a film can deepen an appreciation that was already there, but the initial call of yea or nay is one that every king, scholar, and prole is equally qualified to make. Beautiful idea, I think–it helps me sleep at night and keeps me from being too scared to see and write about films outside my realm of experience. So why is it that I am so intimidated by this movie?

Feast (2006) [Unrated] + The Woods (2006) – DVDs

Posted in2000s, 2006, Action, Authors: Walter Chaw, Canada, Comedy, DVD, Germany, Horror, Mystery, Thriller

FEAST
**/**** Image C+ Sound B+ Extras C+
starring Balthazar Getty, Henry Rollins, Navi Rawat, Clu Gulager
screenplay by Patrick Melton & Marcus Dunstan
directed by John Gulager

THE WOODS
***½/**** Image A Sound A+
starring Agnes Bruckner, Patricia Clarkson, Rachel Nichols, Bruce Campbell
screenplay by David Ross
directed by Lucky McKee

by Walter Chaw I’m surprised that more great films aren’t shuttled to the direct-to-video twilight zone, seeing as how mainstream taste-makers, particularly in regards to genre pictures, seem primarily invested in churning out the same pre-masticated gruel. At the very least, prefab garbage like School for Scoundrels might as well have been dumped on the home market without a ripple in the fabric of daily life. (Something like Liliana Cavani’s Ripley’s Game, on the other hand, deserved a theatrical release: Disguised as a dtv unload, it’s the best thriller in years.) Between their low budgets, how they perform without bankable leads, and how they pretty much guarantee a healthy return on their investments, it’s almost inexplicable that horror movies get exiled to Blockbuster as often as they do. You can learn a lot about a people from the mythologies they construct to frighten and warn, although because horror films are bankable product (and always were), they fall prey to the same venal, filthy lucre-inspired pitfalls of formula drudgery. Still, I like to refer to them as the “indicator species” of our cultural swamp in that they’re not only ugly, dirty, bottom-feeding, what have you, but also the first species of entertainment to reflect the elements polluting the spirit of this exact moment in our social history. If you can find the pulse of it, a horror movie will tell you a lot about that quickening in your own chest when you watch the evening news.

Weeds: Season One (2005) – DVD

Posted in2000s, 2006, Authors: Walter Chaw, Comedy, Crime, Drama, DVD, Television

Image B+ Sound B Extras C
“You Can’t Miss the Bear,” “Free Goat,” “Good Shit Lollipop,” “Fashion of the Christ,” “Lude Awakening,” “Dead in the Nethers,” “Higher Education,” “The Punishment Light,” “The Punishment Lighter,” “The Godmother”

by Walter Chaw Showtime Entertainment chief Roger Greenblatt told the PHILADELPHIA INQUIRER in August of this year that he was surprised “Weeds”, the pay channel’s latest attempt to catch the HBO original series tiger by the tail, had generated no controversy whatsoever. The ongoing saga of a soccer mom, recently widowed, selling pot to her friends and neighbours, “Weeds” has apparently aroused no ire from the traditionally prickly right-wing groups that make it their stock and trade to get their panties in a bunch over this sort of thing. Credit “Weeds”‘ decidedly non-controversial make-up and storylines for its complete inconsequence; its weak writing and suffocating air of self-congratulation very quickly metastasizes into a lump of middlebrow prestige. Seen by many as the blue-state response to the red-state Stepford conformity of the allegedly subversive “Desperate Housewives”, “Weeds” is more accurately a comedy that uses the very same neo-conservative fear-mongering and race-baiting its satirical targets use but re-deploys them to ostensibly satirical effect. Yet there’s so little weight to its happy serial horseshit that what’s probably meant as smarty-pants sociology comes off as limp and pandering. I see “Weeds” as an Ayn Rand piece, its straw men stuffed with dolled-up ganja and its slack grasp on the legitimately subversive hidden under a pile of insubstantial, terrified condescension.

Inside Man (2006) [Widescreen] + Thank You for Smoking (2006) [Widescreen] – DVDs

Inside Man (2006) [Widescreen] + Thank You for Smoking (2006) [Widescreen] – DVDs

Posted in2000s, 2006, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, Directors: Spike Lee, Drama, DVD, Mystery, Satire, Thriller

INSIDE MAN
***/**** Image A Sound A- Extras B
starring Denzel Washington, Clive Owen, Jodie Foster, Christopher Plummer
screenplay by Russell Gewirtz
directed by Spike Lee

THANK YOU FOR SMOKING
***/**** Image B+ Sound B+ Extras B
starring Aaron Eckhart, Maria Bello, Adam Brody, Sam Elliott
screenplay by Jason Reitman, based on the novel by Christopher Buckley
directed by Jason Reitman

by Walter Chaw You make mistakes as a film critic sometimes, and, unlike a lot of professions, when you flub, you do it for the record. I underestimated Spike Lee’s 25th Hour badly upon its release a few years ago, misunderstanding it, fearing it, seeing it as a mediocre film when, in fact, subsequent viewings have revealed it as possibly Lee’s tonal masterpiece. My inclination, then, is to overcompensate with Inside Man by offering it every benefit of the doubt beforehand, during, and now–by trying hard to overlook the first bad Jodie Foster performance I can remember as well as a mishandled denouement that stretches the picture past the point of recoil. But even with a jaundiced eye, Inside Man cements Lee as one of the few filmmakers with the brass ones to comment on the race schism, and to shoot (with assistance from ace cinematographer Matthew Libatique) a post-9/11 New York with the gravity of a heart attack. In his individualism, though, that almost-shrill dedication to pumping fists up familiar channels, Lee raises a few eyebrows (and elicits a couple of grins) for posing his Nazi villain in various desktop-photo tableaux with other twentieth-century, profiteering, conservative ogres like George and Barbara Bush and Margaret Thatcher. It’s an interesting companion piece to V for Vendetta in that way, at once a melodramatic throwback and a progressive scalpel. It’s blaxploitation, Seventies paranoia, and the latest Spike Lee Joint from Ground Zero.

Smokey and the Bandit (1977) [Special Edition] – DVD

Smokey and the Bandit (1977) [Special Edition] – DVD

Posted in1970s, 2006, Action, Adventure, Authors: Travis Mackenzie Hoover, Comedy, DVD, Road Movie

*/**** Image B Sound B+ (DD)/A (DTS) Extras B
starring Burt Reynolds, Sally Field, Jerry Reed, Jackie Gleason
screenplay by James Lee Barrett and Charles Shyer & Alan Mandel
directed by Hal Needham

by Travis Mackenzie Hoover One thing is inescapably true: Smokey and the Bandit was not aimed at people like me. Only the most casual, least demanding filmgoer need apply to this good-ol’-boy version of Vanishing Point–people with as much beer in them as possible, ready to laugh at cheap jokes and root for a speed demon. They are welcome to the movie, but the fact remains that anyone with even a scintilla of interest in film as art is pretty much left out in the cold. As I can hear a mountain of e-mail forming denouncing me for my perceived elitism, let me be perfectly clear: anyone in the market for Burt Reynolds driving fast and making Jackie Gleason apoplectic will find this the sort of thing that they like.

The Science of Sleep (2006) + Jet Li’s Fearless (2006)

Posted in2000s, 2006, Action, Authors: Walter Chaw, Biopic, China, Comedy, Drama, Esoterica, France, Hong Kong, Italy, Martial Arts, Romance, Theatrical

THE SCIENCE OF SLEEP
*½/****
starring Gael García Bernal, Charlotte Gainsbourg, Alain Chabat, Miou-Miou
written and directed by Michel Gondry

Fearless
**/****
starring Jet Li, Nakamura Shidou, Sun Li, Dong Yong
screenplay by Chris Chow, Christine To
directed by Ronny Yu

by Walter Chaw A cacophony of cascading whimsy, Michel Gondry’s exercise in Freudian bric-a-brac The Science of Sleep plays like a movie based on a thrift store specializing in Harlequin novels–French Harlequin novels. It adheres to the music-video director’s maxim of maximum images per second, and it casts Gael García Bernal as Stéphane, a useless lug endlessly working on a calendar of calamitous events and pining after his across-hall neighbour Stéphanie (Charlotte Gainsbourg), with whom he is too smitten to confess that his mother is her landlord. His dreams take the form of a one-man variety show, while Gondry revels in scenes where he inflates his hero’s hands and has him ride an animated patchwork horse. But The Science of Sleep is more exhausting than illuminating–more a loud masturbation than any kind of intercourse with the audience. The difference between the Gondry of Eternal Sunshine of the Spotless Mind and the Gondry of The Science of Sleep, it seems obvious to say, is the difference between a film scripted by Charlie Kaufman and one not, though it’s more complicated than that in that the Kaufman of Eternal Sunshine of the Spotless Mind is an artist who finally struck a balance between affectation and a much finer connective tissue. Gondry is still just engaged in the twist.

TIFF ’06: Everything’s Gone Green

Posted in2000s, 2006, Authors: Bill Chambers, Canada, Comedy, Crime, Film Festivals, TIFF
*/**** starring Paulo Costanzo, Steph Song, JR Bourne, Gordon Michael Woovett screenplay by Douglas Coupland directed by Paul Fox by Bill Chambers After popularizing the term "Generation X" with the title of his debut novel, Douglas Coupland staked a claim in the chick-lit-for-guys genre, his publishers no doubt hoping that zeitgeist lightning would strike twice. If anything, Everything's Gone Green, Coupland's first foray into screenwriting, makes him seem like Matthew McConaughey in Dazed and Confused, still courting the teenage and twentysomething idealists because even though he gets older, they stay the same receptive age. Here we learn that Vancouver has…

TIFF ’06: Fay Grim

Posted in2000s, 2006, Action, Authors: Bill Chambers, Comedy, Espionage, Film Festivals, France, Germany, TIFF
**/**** starring Parker Posey, Jeff Goldblum, James Urbaniak, Saffron Burrows written and directed by Hal Hartley by Bill Chambers Those hoping this unexpected sequel to the terrific Henry Fool will be a Before Sunset should brace themselves for a Texasville. I think the problem is not that Parker Posey can't carry a picture (Posey's more of a movie star than she is a character actor, after all, so inflexible is her neurotic persona), but that her Fay Grim can't carry a picture. In that sense, Fay Grim is a little bit like a highbrow Jay and Silent Bob Strike Back,…

Hollywoodland (2006); The Black Dahlia (2006); Factotum (2006)

Posted in2000s, 2006, Authors: Walter Chaw, Biopic, Comedy, Crime, Directors: Brian De Palma, Drama, France, Germany, Italy, Mystery, Norway, Romance, Scarlett Johansson, Theatrical, Thriller

HOLLYWOODLAND
*/****
starring Adrien Brody, Diane Lane, Ben Affleck, Bob Hoskins
screenplay by Paul Bernbaum
directed by Allen Coulter

THE BLACK DAHLIA
**½/****
starring Josh Hartnett, Scarlett Johansson, Aaron Eckhart, Hilary Swank
screenplay by Josh Friedman, based on the novel by James Ellroy
directed by Brian De Palma

FACTOTUM
**½/****
starring Matt Dillon, Lili Taylor, Marisa Tomei, Didier Flamand
screenplay by Bent Hamer and Jim Stark, based on the novel by Charles Bukowski
directed by Bent Hamer

by Walter Chaw Deadening, dull, sepia-drenched faux-noir period hokum of a suddenly popular stripe, Allen Coulter’s Hollywoodland casts lantern-jawed, wooden-countenanced Ben Affleck as his way-back literal and metaphorical doppelgänger George Reeves. An apparent suicide that has fostered a small measure of conspiracy theories, Reeves, television’s original Superman, is shot in the head, naked in bed, on a summer night in 1959, briefly throwing a generation of kids into minor existential turmoil. But casting Reeves’s death into suspicion is a far stickier wicket: Even with the introduction of a woefully-underwritten fictional gumshoe (Adrien Brody) with his own crew-cut, wayward boy, and ice queen ex (Molly Parker) to match, the suggestion that someone in the portly statue’s coterie (including his wife-of-a-studio-bigwig-mistress, played by the ageless Diane Lane) might have had a motive for slaying him is given a quick spin and then stabled without a whimper. What’s left is the typical and unsurprising Hollywood fable of the high price of fame and the dreadful cost of its pursuit. The central irony that drives Hollywoodland is that, in its desperate attempt to make a mystery of Reeves’s death, the only thing it succeeds in doing is cataloguing the myriad reasons Reeves had to justifiably cap himself.

The TIFFing Point

Posted in2006, Action, Authors: Bill Chambers, Belgium, Blog, Comedy, Drama, Film Festivals, France, Germany, Horror, Netherlands, New Zealand, Sci-Fi, South Korea, Thriller, TIFF, UK, War

Two more days until I turn back into a pumpkin (or something like that), probably for the good of not only my health, but also that of FILM FREAK CENTRAL. Anyway, some more stopgap coverage for you…

FAY GRIM (d. Hal Hartley)
As far as this unlikely sequel to the brilliant Henry Fool is concerned, those hoping for a Before Sunset should brace themselves for a Texasville. The movie feels like it came out of Hartley sideways (or, conversely, all too painlessly), and it never really catches fire until Thomas Jay Ryan makes his long-delayed cameo as Henry Fool. By then, it’s too little too late. **/****

TIFF ’06: The Pleasure of Your Company

Posted in2000s, 2006, Authors: Bill Chambers, Comedy, Film Festivals, Romance, TIFF
½*/**** starring Jason Biggs, Isla Fisher, Joe Pantoliano, Michael Weston, Edward Herrmann written and directed by Michael Ian Black by Bill Chambers To paraphrase comedian Andy Kindler talking about The Three Stooges, I finally figured out why I don't like sketch comic Michael Ian Black: he's not funny. Until The Pleasure of Your Company, Black's hyphenate debut, I thought maybe it was a/n natural/irrational aversion to his countenance--he looks bizarrely like a member of Our Gang, one who just keeps getting taller. But that ferret face is only the most appropriate avatar for Black's hipster snottiness. Around these parts, we…

TIFF ’06: Citizen Duane

Posted in2000s, 2006, Authors: Bill Chambers, Canada, Comedy, Coming of Age, Drama, Film Festivals, Teen, TIFF
*/**** starring Douglas Smith, Donal Logue, Vivica A. Fox, Alberta Watson screenplay by Jonathan Sobol and Robert DeLeskie directed by Michael Mabbott by Bill Chambers This Canuck Rushmore really got on my nerves. The movie makes a crucial miscalculation in the early going by introducing its puny teenaged hero, Duane Balfour (Douglas Smith), in revenge mode: Given that we already know Duane's girlfriend (Jane McGregor) is way out of his league, he would seem to have pre-emptively settled any scores he could possibly have with the Most Popular Kid in School (porcine Nicholas Carella, as miscast as Haylie Duff was…

My TIFF So Far

Posted in2006, Austria, Authors: Bill Chambers, Blog, Canada, Comedy, Crime, Drama, Esoterica, Film Festivals, France, Horror, Iran, Iraq, Japan, Mexico, Sci-Fi, South Korea, TIFF

Seems we’re all a little constipated right now but rest assured reviews are on the way; here’s a quick rundown of TIFFpix screened thus far by yours truly.

BABEL (d. Alejandro González Iñárritu)
It coheres better than 21 Grams, but Iñárritu and screenwriter Guillermo Arriaga are really spinning their wheels at this point. A few funny extratextual lessons are imparted: never take a Fanning to Mexico (Elle has almost as harrowing an adventure there as sister Dakota does in Man on Fire); and never trust a director who includes a post-script dedication to his children. As with 21 Grams, though, Babel doesn’t make room for any intentional levity, eventually desensitizing you to all the calculated anguish. *½/****

Strangers with Candy: The Complete Series (1999-2000) – DVD

Strangers with Candy: The Complete Series (1999-2000) – DVD

Posted in1990s, 2000s, 2006, Authors: Travis Mackenzie Hoover, Comedy, DVD, Television

Image A- Sound B+ Extras B
“Old Habits, New Beginnings,” “A Burden’s Burden,” “Dreams on the Rocks,” “Who Wants Cake?,” “Bogie Nights,” “Let Freedom Ring,” “Feather in the Storm,” “Jerri Is Only Skin Deep,” “The Trip Back,” “The Virgin Jerri,” “Behind Blank Eyes,” “Yes, You Can’t,” “The Goodbye Guy,” “The Blank Page,” “Hit and Run,” “To Love, Honor & Pretend,” “Blank Stare, Part 1,” “Blank Stare, Part 2,” “A Price Too High for Riches,” “Jerri’s Burning Issue,” “Is Freedom Free?,” “Trail of Tears,” “Invisible Love,” “Is My Daddy Crazy?,” “Blank Relay,” “Ask Jerri,” “There Once Was a Blank from Nantucket,” “Bully,” “The Last Temptation of Blank”

by Travis Mackenzie Hoover “Strangers with Candy” is at once extremely clever and not quite clever enough. On the one hand, its gleeful shredding of After School Specials is fanatically faithful to its target, turning the form’s mealy-mouthed platitudes into the kind of dispiriting cruelty that is part and parcel of actual high school. On the other hand, the show’s total devotion to that bit of satire means it doesn’t hit any other targets. Though its heroine–Jerri Blank (Amy Sedaris), a 46-year-old former “boozer, user and loser” attempting to turn her life around by going back to secondary school–receives a constant stream of parent/teacher figures and learns negative life lessons as a result of her own corruption, the whole thing is fanciful to the point where you can shrug it off as one more naughty bit of college humour. Authority here isn’t based on any real-life examples: they’re just cartoons dishing out arbitrary meanness; the show’s spirited inhumanity often drew a blank face out of me.

Lucky Number Slevin (2006) [Widescreen Edition] – DVD

Posted in2000s, 2006, Authors: Bill Chambers, Authors: Walter Chaw, Canada, Comedy, Crime, Drama, DVD, Germany, Thriller, UK

***/**** Image A- Sound A- Extras B+
starring Josh Hartnett, Morgan Freeman, Sir Ben Kingsley, Lucy Liu
screenplay by Jason Smilovic
directed by Paul McGuigan

Luckynumberslevincapby Walter Chaw I wonder if it's not ultimately a little too pat for its own good, but Paul McGuigan's Lucky Number Slevin is another slick, Guy Ritchie crime-manqué to pair with the director's breakthrough Gangster No. 1. It stars his muse Josh Hartnett (great in McGuigan's underestimated Hitchcock shrine Wicker Park) as the handsome Roger O. Thornhill/Wrong Man archetype–and it finds for Lucy Liu the first role that didn't make me sort of want to punch her mother. But the real star of a film that finds supporting roles for Bruce Willis, Morgan Freeman, Stanley Tucci, and Sir Ben Kingsley is McGuigan's restless camerawork: an intricate lattice of matching shots and glittering surfaces that becomes almost an impressionistic projection of the mad, labyrinthine interiority of a mind bent on vengeance. Flashbacks and CGI-aided swoops and zooms are woven into the picture's visual tapestry, so that Lucky Number Slevin is read best as a lurid, comic-book send-up of a genre–every scene is played with a good-natured nudge, and when it overstays its welcome with a round-up that verges on sickly, its only real crime is that it's less a grotesque than a screwball romance. Hitchcock did it like that sometimes, too.

Hoot (2006) [New Line Platinum Series] – DVD

Posted in2000s, 2006, Adventure, Authors: Travis Mackenzie Hoover, Comedy, DVD, Family

*½/**** Image A- Sound A Extras C+
starring Luke Wilson, Logan Lerman, Brie Larson, Tim Blake Nelson
screenplay by Wil Shriner, based on the novel by Carl Hiaasen
directed by Wil Shriner

by Travis Mackenzie Hoover On the subject of keeping young people away from R-rated movies, Pauline Kael once remarked: "How are kids supposed to appreciate movies if they only see the crap that's aimed at them?" That "crap," of course, is usually stuff that's been interrogated for controversial subject matter and aesthetic interest alike, as if a sweeping camera or a finely-tuned mise-en-scène would disturb the kiddies. And on past performance, Walden Media is a leading exponent of this kind of subdued mediocrity: not only did they issue that ultra-bland C.S. Lewis adaptation from last winter, but they also cranked out the thoroughly innocuous Hoot to disastrous box office this spring. It's a movie that treats potentially charged material like No Big Deal–which is the supposed position to take with young minds in the room.