Zombie Strippers! (2008) [Unrated Special Edition] – Blu-ray Disc

Posted in2000s, 2008, Authors: Bryant Frazer, Blu-ray Disc, Comedy, Horror

*/**** Image B+ Sound B Extras B-
starring Robert Englund, Joey Medina, Shamron Moore, Jenna Jameson
written and directed by Jay Lee

by Bryant Frazer Imagine Richard Kelly’s woefully ambitious Southland Tales without that film’s confused grandeur and you’ll get an idea of how dispiritingly terrible Zombie Strippers! really is. Not content to merely deliver generous servings of tits and ass and blood and guts, writer/director/editor/cinematographer Jay Lee tries to class up the joint with stumblebum nods towards political satire that make latter-day “Saturday Night Live” look like Robert Benchley. (Asking this film to spell “Cheney” correctly is, apparently, too tall an order.) The dialogue wouldn’t pass muster on a sitcom and the direction would qualify as adequate only by community-theatre standards. Setting this stinking bag of turds aflame is an aesthetic that could charitably be described as indifferent: It has a cheap look, and some solid make-up FX work is compromised by quick-and-dirty CG gore effects that couldn’t have been any more expensive than the pneumatic handiwork augmenting the quite visible chests of the film’s serially zombefied softcore-sex workers. It’s not as cheerfully bad as you’d expect a movie called Zombie Strippers! to be, just distressingly lousy.

The Big Bang Theory: The Complete First Season (2007-2008) – DVD

Posted in2000s, 2008, Authors: Ian Pugh, Comedy, DVD, Romance, Television

Image B Sound B Extras D
“Pilot,” “The Big Bran Hypothesis,” “The Fuzzyboots Corollary,” “The Luminous Fish Effect,” “The Hamburger Postulate,” “The Middle Earth Paradigm,” “The Dumpling Paradox,” “The Grasshopper Experiment,” “The Cooper-Hofstadter Polarization,” “The Loobenfeld Decay,” “The Pancake Batter Anomaly,” “The Jerusalem Duality,” “The Bat Jar Conjecture,” “The Nerdvana Annihilation,” “The Pork Chop Indeterminacy,” “The Peanut Reaction,” “The Tangerine Factor”

by Ian Pugh I absolutely love the fact that “The Big Bang Theory”‘s episode titles refer to throwaway gags buried in the show’s worn-out sitcom scenarios. In “The Jerusalem Duality” (1.12), theoretical physicist Sheldon Cooper (Jim Parsons) is flummoxed by the presence of a North Korean wunderkind who threatens to steal his thunder; eager to upstage him, Sheldon proposes to end to the conflict in the Middle East by building an exact replica of Jerusalem in the Mexican desert. Within this seemingly arbitrary naming convention, find everything “The Big Bang Theory” is attempting to accomplish–a jovial elbow to the ribs directed at the smart guys who can’t see the forest through the trees in their approach to life.

Student Bodies (1981) – DVD

Posted in1980s, 2008, Authors: Alex Jackson, Comedy, DVD, Horror

*½/**** Image B- Sound B-
starring Kristen Riter, Matthew Goldsby, Richard Brando, Joe Flood
written and directed by Mickey Rose

by Alex Jackson I understand on an intellectual level what Student Bodies is trying to do, and I admire its verve and, at times, even its wit. But it just isn’t funny. The film, a 1981 spoof of slasher movies, lands with an audible wet plop. There are a few laughs, but a spoof movie needs to be chockablock with laughs if it is ever going to work at all. When joke after joke fails to produce the intended response, we don’t have anything left to hang onto–and the experience becomes nothing short of excruciating. I wouldn’t mind going the rest of my life never seeing another one of these movies. I think I’ve basically outgrown them and now demand a little bit of a challenge even from mindless escapist entertainment. Once you see enough of these comedies being done badly, you realize that you have more to lose than you do to gain from investing those eighty minutes.

Californication: The First Season (2007) – DVD

Posted in2000s, 2007, 2008, Authors: Ian Pugh, Comedy, Drama, DVD, Television

Image B+ Sound B+
“Pilot (Californication),” “Hell-A Woman,” “The Whore of Babylon,” “Fear and Loathing at the Fundraiser,” “LOL,” “Absinthe Makes the Heart Grow Fonder,” “Girls Interrupted,” “Filthy Lucre,” “The Devil’s Threesome,” “Turn the Page,” “The Last Waltz”

by Ian Pugh “Californication” can only be described as an attempt to replicate Bukowskian swagger: a lot of drinking, fighting, and fucking, with a touch of melancholy as it silently laments that it doesn’t know anything else. It’s intriguing, but it proves to be a problem because, unlike its alcoholic inspiration, it really doesn’t know anything else–especially how to properly express its perspective on all that drinking, fighting, and fucking. Indeed, it’s a major problem, considering the show revolves around a novelist, Hank Moody (David Duchovny), who suffered an unwilling relocation from New York to L.A. after his alleged masterpiece of nihilism God Hates Us All was somehow transformed into a romantic comedy entitled A Crazy Little Thing Called Love, starring Tom Cruise and Katie Holmes. Much to the chagrin of his agent (Evan Handler), Hank hasn’t written a word in almost five years–and in-between trying to win over his ex-lover Karen (Natascha McElhone) and their distant daughter Becca (Madeleine Martin), he spends his time patrolling the local bars and jumping into bed with every woman who crosses his path.

Can’t Hardly Wait (1998) [10 Year Reunion Edition] – Blu-ray Disc

Can’t Hardly Wait (1998) [10 Year Reunion Edition] – Blu-ray Disc

Posted in1990s, 2008, Authors: Bryant Frazer, Blu-ray Disc, Comedy, Teen

**½/**** Image B+ Sound B+ Extras B
starring Ethan Embry, Charlie Korsmo, Lauren Ambrose, Jennifer Love Hewitt
written and directed by Deborah Kaplan & Harry Elfont

by Bryant Frazer Opportunistic special-edition DVDs are a dime a dozen, so the sudden appearance of a “10 Year Reunion Edition” of Can’t Hardly Wait doesn’t exactly signal that this insistently lightweight teen comedy is now considered a timeless classic. What it is, instead, is a remarkable time capsule–a look back, as though from decades removed, at what passed for youth culture in 1998. Audaciously staged as a little-more-than-real-time dramatization of a single night’s house party, the air humid with that special, pheromone-drenched mist of booze and sweat and young sex and aspirations towards same, Can’t Hardly Wait is a reminder of the pop-cultural moment when Brad and Gwyneth were the hot celebrity couple, Jennifer Love Hewitt was an up-and-comer, nobody had ever heard of Selma Blair or Lauren Ambrose, and the likes of Smash Mouth and Eve 6 were planting hit singles on MTV and the radio.

Made of Honor (2008) – Blu-ray Disc

Posted in2000s, 2008, Authors: Bryant Frazer, Blu-ray Disc, Comedy, Romance

*/**** Image A- Sound B+ Extras C+
starring Patrick Dempsey, Michelle Monaghan, Kevin McKidd, Sydney Pollack
screenplay by Adam Sztykiel and Deborah Kaplan & Harry Elfont
directed by Paul Weiland

by Bryant Frazer First, the obvious. Made of Honor is what’s generally known as a “chick flick.” I’m not totally comfortable deploying that term, especially in its usual derogatory, casually-sexist usage–but in a purely descriptive and possibly cynical sense, that’s what we have here. It’s a love story, featuring a conventionally handsome leading man (Patrick Dempsey) playing opposite a conventionally pretty woman (Michelle Monaghan) whose character is engaged to marry the conventionally wrong guy (blond Scot Kevin McKidd). It’s directed by a man (Paul Weiland), although to its credit there is a woman prominently involved (co-writer Deborah Kaplan), and it’s designed from the bottom up to appeal to undemanding female filmgoers.

Mute Witness: On “Synecdoche, New York”

Posted in2008, Authors: Bill Chambers, Blog, Canada, Charlie Kaufman, Comedy, Documentary, Drama, Esoterica, Film Festivals, TIFF

As threatened, a few stream-of-consciousness thoughts on Charlie Kaufman’s latest…

When Synecdoche, New York premiered at Cannes, I remember being annoyed by how feeble the critical coverage on it was. But I get it now. This is a film I’m hard-pressed to describe, let alone review in depth, after just a single viewing. I can say that I see why Kaufman kept this one for himself rather than entrusting it to Spike Jonze or Michel Gondry—it’s so dense and cryptic that it would be nigh uninterpretable by anyone but the source. Kaufman is a pretty meat-and-potatoes director, all things considered, but there are so many idiosyncrasies built into the material that it’s stylish by default.

TIFF ’08: Gigantic

Posted in2000s, 2008, Authors: Bill Chambers, Comedy, Drama, Film Festivals, Romance, TIFF
**/**** starring Paul Dano, Zooey Deschanel, Ed Asner, Jane Alexander screenplay by Adam Nagata & Matt Aselton directed by Matt Aselton by Bill Chambers Gigantic is littered with dead and loose ends, which wouldn't be a big deal if this were the quasi-freeform jazz of a Cassavetes or even an Apatow wannabe, but is a considerable problem when taking into account the crispness of the film's aesthetics. The clean 'scope compositions and fat-free performances become increasingly incongruous; by the time the movie stops short with everything and nothing resolved, you're convinced the filmmakers snatched a script out of the oven half-cooked…

TIFF ’08: Rachel Getting Married

Posted in2000s, 2008, Authors: Bill Chambers, Comedy, Directors: Jonathan Demme, Drama, TIFF
**/**** starring Anne Hathaway, Rosemarie DeWitt, Mather Zickel, Bill Irwin screenplay by Jenny Lumet directed by Jonathan Demme by Bill Chambers Jonathan Demme's Rachel Getting Married has the cultural disadvantage of arriving soon after Margot at the Wedding and the personal one of following Claire Denis's 35 Shots in my screening log. Denis does so much more with so much less; perhaps sight-unseen, people have been calling this a return to form for Demme (as in, the form before The Silence of the Lambs created certain commercial expectations of/obligations in his work), but I don't remember him ever being this…

TIFF ’08: The Girl from Monaco

Posted in2000s, 2008, Authors: Bill Chambers, Comedy, Drama, Film Festivals, France, TIFF
La fille de Monaco **/**** starring Fabrice Luchini, Roschdy Zem, Louise Bourgoin, Stéphane Audran screenplay by Anne Fontaine, Benoît Graffin directed by Anne Fontaine by Bill Chambers Her ringtone is a wolf whistle, her bedroom is decorated with Princess Di memorabilia, and she says things like, "I feel orange." She's The Girl from Monaco. She's also a coarse variation on Sarah Jessica Parker's SanDeE* from L.A. Story (this time, it's she who does the weather), duking it out for the soul of lawyer Bertrand against his emotionally-involved bodyguard, Christophe. Bertrand (Fabrice Luchini) is in Monaco representing a suspected murderess (Stéphane…

TIFF ’08: A Christmas Tale

Posted in2000s, 2008, Authors: Bill Chambers, Christmas, Comedy, Drama, Film Festivals, France, TIFF
Un Conte de Noël ***/**** starring Catherine Deneuve, Mathieu Amalric, Jean-Paul Roussillon, Anne Cosigny screenplay by Arnaud Desplechin, Emmanuel Bourdieu directed by Arnaud Desplechin by Bill Chambers A Gallic collision of The Family Stone (ugh) and The Royal Tenenbaums (woo) but far more palatable and novelistic than that might suggest, Arnaud Desplechin's A Christmas Tale (Un Conte de Noël) unfurls over Christmas in bourgeois Roubaix, where the dysfunctional Vuillards have congregated to weigh their options now that matriarch Junon (Catherine Deneuve) has been diagnosed with cancer. She needs a bone-marrow transplant, and the only potential matches are black sheep Henri…
Comedy Central’s TV Funhouse: Uncensored (2000-2001) + Dear Pam (1976) [2 DVD Set] – DVDs

Comedy Central’s TV Funhouse: Uncensored (2000-2001) + Dear Pam (1976) [2 DVD Set] – DVDs

Posted in1970s, 2000s, 2008, Authors: Ian Pugh, Comedy, DVD, Television

COMEDY CENTRAL’S TV FUNHOUSE: UNCENSORED
Image B Sound B Extras B-
“Western Day,” “Hawaiian Day,” “Christmas Day,” “Mexicans Day,” “Caveman Day,” “Safari Day,” “Astronaut Day,” “Chinese New Year’s Day”

DEAR PAM
*/**** Image C- Sound D+ Extras D+
starring Crystal Sync, Jennifer Jordan, John Holmes, Tony Perez
written and directed by Harold Hindgrind

by Ian Pugh Viewing it today, I realize that Robert Smigel’s unfortunately short-lived Comedy Central series “TV Funhouse” probably represented a major turning point in my understanding of film and television as artforms. Its casual acquaintance with reality and fantasy was a vital link that germinated the meta seeds planted by “Freakazoid!” and Back to the Future Part II before I graduated to The Dead Pool and Tenebrae; and although the cartoons parodying celebrities are horribly dated now, they’re most likely where I properly developed a sense of irony. (“Stedman,” wherein Oprah’s fiancé pretends to be a secret agent in order to spend her money and avoid sleeping with her, remains my most lucid memory of the show’s broadcast run.) The revelation was somehow surprising yet completely logical all the same, considering how the show operates in a grey zone between two perspectives–that of a child vs. that of an adult–and questions whether the two are really that different from each other.

The Whoopee Boys (1986) – DVD

Posted in1980s, 2008, Authors: Alex Jackson, Comedy, DVD

**/**** Image B- Sound B-
starring Michael O’Keefe, Paul Rodriguez, Denholm Elliott, Dan O’Herlihy
screenplay by Steve Zacharias and Jeff Buhai and David Obst
directed by John Byrum

by Alex Jackson John Byrum’s 1986 comedy The Whoopee Boys is a strictly hit-and-miss affair. When it hits, it’s good for a chuckle and a worthy distraction. When it misses, it is, to borrow one of the film’s favourite visuals, like a swift kick to the groin. I’m being a lot easier on the picture than I imagine most people would be, in part because I simply admire its sheer hubris. The Whoopee Boys really puts it on the line, and there are many times where it seems like it’s working without a safety net. What do you have to gain from making a movie like this? You might make people laugh. What do you have to lose? You could create such an unholy object of pure, unadulterated shittiness that audiences will commit hara-kiri in the aisles to preserve the very last shred of dignity they have left after buying a ticket.

Once Upon a Zeitgeist: Blue City (1986); Top Gun (1986); The Lost Boys (1987); Bull Durham (1988)

Once Upon a Zeitgeist: Blue City (1986); Top Gun (1986); The Lost Boys (1987); Bull Durham (1988)

Posted in1980s, 2008, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, Crime, Directors: Joel Schumacher, Directors: Tony Scott, Drama, DVD, Horror, Sports, Teen, Thriller, Tom Cruise, Vampire

BLUE CITY – DVD
ZERO STARS/**** Image C- Sound C-
starring Judd Nelson, Ally Sheedy, Paul Winfield, Scott Wilson
screenplay by Lukas Heller and Walter Hill, based on the novel by Ross MacDonald
directed by Michelle Manning

TOP GUN [Widescreen Special Collector’s Edition] – DVD + [Special Collector’s Edition] Blu-ray Disc
*/****
DVD – Image B Sound B+ Extras B
BD – Image B+ Sound A+ (DTS) A- (DD) Extras B
starring Tom Cruise, Kelly McGillis, Val Kilmer, Anthony Edwards
screenplay by Jim Cash & Jack Epps, Jr.
directed by Tony Scott

THE LOST BOYS [Two-Disc Special Edition] – DVD
***/**** Image B+ Sound B Extras C+
starring Corey Feldman, Jami Gertz, Corey Haim, Dianne Wiest
screenplay by Janice Fischer & James Jeremias and Jeffrey Boam
directed by Joel Schumacher

BULL DURHAM [Collector’s Edition] – DVD
**/**** Image B+ Sound B+ Extras B+
starring Kevin Costner, Susan Sarandon, Tim Robbins, Trey Wilson
written and directed by Ron Shelton

by Walter Chaw Released in 1986 and tonally identical to contemporary suck classics The Wraith and Wisdom, the Brat Pack travesty Blue City represents the nadir of a year that produced Blue Velvet, Down By Law, The Mosquito Coast, Henry: Portrait of a Serial Killer, Sid and Nancy, Aliens, Ferris Bueller’s Day Off, The Fly, Big Trouble in Little China, Something Wild, Mona Lisa, and Night of the Creeps, for starters. It’s the quintessence of why people remember the 1980s as a terrible decade for film, poor in every single objective measure of quality. Consider a central set-piece where our hero Billy (Judd Nelson) and his buck-toothed cohort Joey (David Caruso) stage a weird re-enactment of the heist from The Killing at a dog track that includes not only such bon mots as “I’m new at this! Give me a break!” but also the dumbest diversionary tactic in the history of these things as Joey tosses a prime cut on the track in front of a frankly startled/quickly delighted pack of muzzled greyhounds. Then again, it’s not a bad metaphor for the Me Generation and its blockbuster mentality. After cracking wise a few times in a way that makes one wonder if he’s suddenly become a Republican, Billy blows on the barrel of his gun in his best John Ireland-meets-Montgomery Clift and professional bad editor Ross Albert (the whiz kid behind Bushwhacked, The Beverly Hillbillies, and The Pest) cracks a little wise himself by cutting to a rack of hot dogs. Unfortunately, suggesting that Judd Nelson is gay as a French holiday is only mildly wittier than suggesting the same of clearly gay Tom Cruise. More on that when we get to Top Gun.

Tootsie (1982) [25th Anniversary Edition] + The Pied Piper (1972) – DVDs

Posted in1970s, 1980s, 2008, Authors: Ian Pugh, Comedy, Drama, DVD, Fantasy, Musical, Romance, UK, West Germany

TOOTSIE
**/**** Image B Sound A- Extras B
starring Dustin Hoffman, Jessica Lange, Teri Garr, Dabney Coleman
screenplay by Murray Schisgal and Larry Gelbart
directed by Sydney Pollack

THE PIED PIPER
*½/**** Image C Sound C
starring Donovan, Jack Wild, John Hurt, Donald Pleasence
screenplay by Andrew Berkin, Jacques Demy & Mark Peploe
directed by Jacques Demy

by Ian Pugh SPOILER WARNING IN EFFECT. The fatal flaw of Tootsie can be traced back to the fact that, here at least, Teri Garr is a better actress than Jessica Lange, playing a better character in a more interesting scenario. It only takes one scene to realize that: Garr’s Sandy Lester, long-time friend and protégé to douchebag actor Michael Dorsey (Dustin Hoffman, who possesses enough self-awareness as a douchebag actor to be the film’s saving grace), bursts into tears because a promising role on the soap opera “Southwest General” requires the one quality she can’t play: “a woman!” Suddenly, you’re thrust into the compelling inner circle of a profession fraught with self-doubt, false friends, and the attempt to decipher a very slippery perception of “reality.”

The Frank Sinatra and Gene Kelly Collection – DVD

Posted in1940s, 2008, Animation, Authors: Alex Jackson, Comedy, DVD, Musical, Romance, Sports, War

ON THE TOWN (1949)
**/**** Image C Sound B-
starring Gene Kelly, Frank Sinatra, Betty Garrett, Ann Miller
screenplay by Adolph Green and Betty Comden, based on the play
directed by Gene Kelly and Stanley Donen

TAKE ME OUT TO THE BALL GAME (1949)
**/**** Image B+ Sound A- Extras C
starring Frank Sinatra, Esther Williams, Gene Kelly, Betty Garrett
screenplay by Harry Tugeno and George Wells
directed by Busby Berkeley

ANCHORS AWEIGH (1945)
**/**** Image C+ Sound B- Extras D
starring Frank Sinatra, Kathryn Grayson, Gene Kelly, Dean Stockwell
screenplay by Isobel Lennart
directed by George Sidney

by Alex Jackson One of the cinema’s most startling moments in recent years was a close-up of Paul Dano early on in There Will Be Blood. Dano was never meant to get that friendly with the camera. I’m not sure I can properly convey this notion, but his close-up created a dissonant effect. It felt as though director Paul Thomas Anderson had broken some unstated rule of filmmaking. I think the reason it’s so jarring is that the Close-Up wasn’t designed for actors like Paul Dano. It was designed for somebody like his co-star, Daniel Day-Lewis. To put it as delicately as possible, Dano wasn’t blessed with a “movie star” face. He’s a bit strange-looking. In contrast, Daniel Day-Lewis is traditionally handsome and truly “belongs” on the silver screen. In and of himself, he’s as cinematic as anything you’re ever going to find in the movies.

Drillbit Taylor (2008) – Blu-ray Disc

Drillbit Taylor (2008) – Blu-ray Disc

Posted in2000s, 2008, Authors: Bill Chambers, Blu-ray Disc, Comedy, John Hughes, Teen

**/**** Image A+ Sound A Extras B
starring Owen Wilson, Leslie Mann, Danny McBride, Josh Peck
screenplay by Kristofor Brown & Seth Rogen
directed by Steven Brill

by Bill Chambers For good and for ill, John Hughes’s sticky fingerprints are all over Drillbit Taylor, his first screen credit (under his nom-de-plume “Edmond Dantès”) in six years. The film has signs of something written post-Curly Sue, given its glib fascination with the homeless, penchant for quasi-Dickensian names (Drillbit, Filkins, Doppler, Fence), and reams of sadistic slapstick. Yet it also echoes an earlier period in which Hughes treated high-schoolers with sensitivity, confronted the sometimes-toxic influence of their parents (particularly the patriarch), and understood pop-culture as teenage shorthand. (If the score’s pomo quotation of the Cape Fear theme wasn’t indicated in Hughes’s 70-page “scriptment,” it’s an uncanny homage. Ditto a non-sequitur of the nurse’s office pulling down a “Closed” sign like a nervous bank teller in the Wild West during an altercation in the hall outside.) Too, Drillbit Taylor betrays Hughes’s influence in scenes of class warfare, though a moment when the protagonists, running for their lives, stop to ogle a couple of sunbathers is so derivative of his Ferris Bueller’s Day Off that only the rabid fandom of script doctors Kristofor Brown and Seth Rogen could account for it.

Hellboy II: The Golden Army (2008)

Posted in****/****, 2000s, 2008, Action, Adventure, Authors: Walter Chaw, Comedy, Fantasy, Germany, Hungary, Sci-Fi, Superhero, Theatrical

****/****
starring Ron Perlman, Selma Blair, Doug Jones, John Hurt
written and directed by Guillermo del Toro

by Walter Chaw It’s at the forefront of one’s mind during Hellboy II: The Golden Army (hereafter Hellboy II), Guillermo del Toro’s brilliant dance along an ephemeral tightrope between pop and Puccini, that David Cronenberg and Howard Shore recently converted their remake of The Fly into a full-fledged opera: I can see the same thing happening with a lot of del Toro’s pictures. The director’s said that after his Pan’s Labyrinth “something popped” in regards to his restraint in allowing the menagerie of monsters in his brain free rein over his imagination–and that he endeavoured to bring all the madness of Mike Mignola’s “Hellboy” universe to the big screen with or without a commensurately giant budget. (Of Summer ’08’s blockbusters, Hellboy II, costing around 85 million dollars, might be the most frugal.) The result is a film so crammed to the gills with invention that a bit of background business in a scene set at a bazaar hidden beneath the Brooklyn Bridge (this is the second great genre film this year after Cloverfield to make a pit stop at that particular locale) wherein a creature plays a pipe made out of a tanned human corpse is left uncommented-upon and is somehow ultimately unremarkable. The wonders of Hellboy II as experienced through our avatars Hellboy (Ron Perlman), Liz (Selma Blair), and Abe (Doug Jones, this time vocalizing the character as well)–team members for a covert government agency that deals with supernatural intrusions–are the way the world is, and it’s fascinatingly left for the normals in the audience to crane for a better look.

Lars and the Real Girl (2007); The Passion of Greg the Bunny: The Best of the Film Parodies Volume 2 (2006-2007); The Cottage (2008) [Unrated] – DVDs

Lars and the Real Girl (2007); The Passion of Greg the Bunny: The Best of the Film Parodies Volume 2 (2006-2007); The Cottage (2008) [Unrated] – DVDs

Posted in2000s, 2007, 2008, Authors: Ian Pugh, Canada, Comedy, Crime, Drama, DVD, Horror, Romance, Scream/Shout! Factory, Thriller, UK

LARS AND THE REAL GIRL
*½/**** Image A Sound B Extras D
starring Ryan Gosling, Emily Mortimer, Paul Schneider, Kelli Garner
screenplay by Nancy Oliver
directed by Craig Gillespie

THE PASSION OF GREG THE BUNNY: THE BEST OF THE FILM PARODIES VOLUME 2
Image B+ Sound B Extras C+
“Fur on the Asphalt,” “Wumpus the Monster,” “Sockville,” “Blue Velveteen,” “Plush: Behind the Seams,” “Wacky Wednesday,” “The Passion of the Easter Bunny: A Fabricated American Movie”

THE COTTAGE
½*/**** Image A- Sound B- Extras D
starring Andy Serkis, Reece Shearsmith, Stephen O’Donnell, Jennifer Ellison
written and directed by Paul Andrew Williams

by Ian Pugh Beyond its pale stab at indie street cred and an Oscar nomination for Best Original Screenplay (which are almost one and the same these days), Lars and the Real Girl shares with Juno an invitation to partake in a never-ending stream of laughs over its premise until it basically flips a switch and instructs you to get emotional over it–the supposed target of discussion here being nothing less than that ever-popular subject of paternalistic revulsion, mental illness. Ryan Gosling turns his “twitchy zombie” knob up to eleven as Lars, a quiet loner living in his brother Gus’s (Paul Schneider) backyard shed. After Gus’s pregnant wife Karin (Emily Mortimer) expresses concern that her brother-in-law is spending too much time by himself, Lars orders a realistic sex doll named “Bianca” over the Internet and parades it around the neighbourhood as the girlfriend he never had, much to the consternation of Gus, Karin, and Lars’s would-be love interest Margo (Kelli Garner), who can only respond with uncertain stares and a lot of hemming and hawing.

P.S. I Love You (2007) – Blu-ray Disc

P.S. I Love You (2007) – Blu-ray Disc

Posted in2000s, 2007, 2008, Authors: Bryant Frazer, Blu-ray Disc, Comedy, Drama, Romance, UK

**/**** Image B Sound B Extras C+
starring Hilary Swank, Gerard Butler, Lisa Kudrow, Kathy Bates
screenplay by Richard LaGravanese and Steven Rogers, based on the novel by Cecelia Ahern
directed by Richard LaGravanese

Bryant Frazer In P.S. I Love You, Hilary Swank gets to play a part that’s typically the province of male actors: the lovesick bachelor. The gender-specific word for what she is here is widow: Her husband has succumbed to brain cancer, leaving her alone in a Chinatown apartment. But the stereotype is so familiar as a guy thing–Swank’s place is littered with pizza crusts, Chinese take-out containers, and take-out coffee cups, and she herself parades around in boxers–that its presence is a touch of wit in a movie that has lots of grace notes. That’s a testimony to the skills of writer-director Richard LaGravenese, a sort of go-to guy for contemporary melodrama. He’s made a career out of investing commercial romantic comedy with soul, humour, and a little bit of weirdness. Alas, that LaGravenese touch is not enough to balance out the manipulative tone of the whole wish-fulfillment enterprise he’s working at here. P.S. I Love You is easy to watch and occasionally rewarding, but it’s so transparently inspirational that its feel-good contortions might end up making you feel worse for the wear.