Comedy Archives - Page 35 of 77 - FILM FREAK CENTRAL

Coyote Ugly (2000) [The Unrated Extended Cut] – DVD|Blu-ray Disc

April 24, 20082000s, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Blu-ray Disc, Comedy, Drama, DVD, Music, Romance

*½/****
DVD – Image A Sound B+ (DD)/A- (DTS) Extras C
BD – Image A Sound A- Extras C
starring Piper Perabo, Adam Garcia, Maria Bello, Melanie Lynskey
screenplay by Gina Wendkos
directed by David McNally

by Travis Mackenzie Hoover J. Hoberman once nailed the work of '80s trash director Adrian Lyne by calling it "the spectacle of female self-actualization (as enacted for a male viewer)." This shrewd playing of both sides of the gender fence figures heavily into Coyote Ugly, which combines a cheesy uplift story with bounce-and-jiggle eye candy to maximize the number of potential ticket buyers. But though it was produced by former Lyne benefactor Jerry Bruckheimer and practically channels the director's empty-calorie flash, the his 'n' hers formula doesn't work this time around: whatever else could be said against the dissipated Brit, there was a hysterical urgency to Lyne that his substitute, David McNally, can't match. You see the flesh, you hear the pain, but aside from some very obvious body-double skin added to the film for DVD, none of it adds up to anything you can't get from Moses Znaimer on a Sunday night.

Walk Hard: The Dewey Cox Story (2007) [2-Disc Unrated Widescreen Edition] – Blu-ray Disc

April 18, 20082000s, Authors: Bill Chambers, Blu-ray Disc, Comedy, Music, Satire

WALK HARD: THE DEWEY COX STORY
AMERICAN COX: THE UNBEARABLY LONG, SELF-INDULGENT DIRECTOR'S CUT
**½/**** Image A Sound A+ Extras B+
starring John C. Reilly, Jenna Fischer, Tim Meadows, Kristen Wiig
screenplay by Judd Apatow & Jake Kasdan
directed by Jake Kasdan

by Bill Chambers In a recent magazine profile, Judd Apatow blamed the box-office failure of Walk Hard: The Dewey Cox Story (hereafter Walk Hard) on its opening-weekend competition, National Treasure: Book of Secrets and Sweeney Todd: The Demon Barber of Fleet Street. I could definitely see the combination of those movies hoarding the demographic spectrum, but I'd like to propose a different theory: I think that Walk Hard bombed because the laser precision with which it mercilessly dissects singer-songwriter biopics ultimately shamed audiences for falling for their literalminded epiphanies (see: Reese Witherspoon's June Carter telling Joaquin Phoenix's Johnny Cash that he's unable to "walk the line"), Freudian claptrap, and whitewashed characterizations in the first place. The picture drips with contempt–not for the individuals who inspire these celluloid monuments (as I had initially feared), but for the institutionalized paradigm into which the lives of artists as disparate as Cash, Ray Charles, and Bobby Darin could each be comfortably slotted. For the middlebrow establishment, Walk Hard is the equivalent of getting teased for complimenting the emperor on his new wardrobe.

Forgetting Sarah Marshall (2008)

April 17, 20082000s, Authors: Walter Chaw, Comedy, Drama, Romance

½*/****
starring Jason Segel, Kristen Bell, Mila Kunis, Russell Brand
screenplay by Jason Segel
directed by Nicholas Stoller

by Walter Chaw Listen, I have a family. There are so many places I'd rather be than in a theatre watching Forgetting Sarah Marshall, listening to the reaction elicited by three fleeting full-frontal shots of male nudity and trying for the life of me to understand how a comedy that clocks in at nearly two hours could elicit only one real laugh, maybe two. There's a potentially interesting discussion about the exploitation of the male form in Forgetting Sarah Marshall and how, in general, the reaction to male nudity is a hell of a lot different than the reaction to female nudity (there's a good reason that Colin Farrell's penis was excised from the already-unintentionally-funny A Home at the End of the World: male nudity is a threat you respond to with laughter; female nudity is an invitation you respond to with various levels of sexual discomfort)–but you can still have that discussion without actually enduring the picture. You could try to figure out how it is that Judd Apatow has parlayed his newfound hitmaker status into a cottage industry of filthy family-values flicks that fall lock-step behind one another while increasingly raising suspicions that what they're really preaching is ultra-conservative (chastity, pro-life, anti-fag) all the way down the line. If Forgetting Sarah Marshall doesn't end in a wedding, it's only because it ends before the hero and his prize get the chance. It's a romcom pretending to be a guy-flick, and I hope that's the kind of garbage we can all agree is garbage.

The Jane Austen Book Club (2007) – DVD

April 15, 20082000s, Authors: Walter Chaw, Comedy, Drama, DVD, Romance, ZERO STARS

ZERO STARS/**** Image B Sound B- Extras D
starring Kathy Baker, Maria Bello, Marc Blucas, Lynn Redgrave
screenplay by Robin Swicord, based on the novel by Karen Joy Fowler
directed by Robin Swicord

by Walter Chaw I hate smug little pieces of masturbatory treacle like Robin Swicord's The Jane Austen Book Club, bits of piffle strutting around like peacocks on a parade ground, secure in the knowledge that it's pretentious in just the right way for the only demographic that it cares about at all. What kills me is that the idiots thronging to shit like this are the same ones who criticize "mainstream" Hollywood for its propensity to squeeze out cookie-cutter nuggets of worthless effluvium for the slavering approval of teenage boys. I wonder if young men and middle-aged women (the kind who watch "The View" and join Oprah's Book Club) aren't, in fact, natural ideological enemies: the former unaware of the evil stereotypes perpetrated by their favoured entertainment, the latter, you know, likewise. In our age of missing information, it makes perfect sense that mouth-breathing pundits find favourable spawning conditions. And in any age, it makes perfect sense that the stupid ones seek them out.

Life of Brian (1979) [The Immaculate Edition] – DVD + The Adventures of Baron Munchausen (1988) [20th Anniversary Edition] – DVD|Blu-ray Disc

April 8, 20081970s, 1980s, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, Directors: Terry Gilliam, Drama, DVD, Fantasy, UK, West Germany

LIFE OF BRIAN
***/**** Image B Sound C Extras A
starring Monty Python
screenplay by Graham Chapman & John Cleese & Terry Gilliam & Eric Idle & Terry Jones & Michael Palin
directed by Terry Jones

THE ADVENTURES OF BARON MUNCHAUSEN
**/****
DVD – Image B- Sound B+ Extras B+
BD – Image B+ Sound B+ Extras B+
starring John Neville, Eric Idle, Sarah Polley, Oliver Reed
screenplay by Charles McKeown & Terry Gilliam
directed by Terry Gilliam

by Walter Chaw Call it a rite of passage, but I'm thinking that boys of my generation memorize the Monty Python repertoire as a buttress against the terror of losing their virginity. (No colder shower than a round of "ni"s, let's face it; reciting the entirety of Monty Python and the Holy Grail is the antithesis of smooth and as such becomes the chit one trades for entry into the club of delayed experience.) Not until you get a little older do you appreciate that Monty Python earned their outsider status by being a satirical animal as opposed to a slapstick one–that the lengths to which they'd go for a joke has more to do with camouflage than with their stated goal of silliness. Owing to my knowing it almost subliminally at this point (let's just say the surprise is gone), I must confess I don't find Life of Brian that funny anymore–but I do find it to be a little amazing. This most recent viewing is the first time I've seen it with thousands of films packed dense into the rear-view, as well as the first time I've been able to appreciate that Life of Brian isn't one of dozens of films that take an irreverent run at fundamentalism, but rather one of the only ones. It's a revelation I greet with equal parts admiration for the picture and horror at the paucity of real conversation about skepticism in our Judeo-Christian culture. Always a lot of dust kicked up when another Dutch artist takes a run at Islam; the only difference in fundamentalist Christianity's response to Life of Brian is that the government didn't sanction the death threats it provoked.

Leatherheads (2008)

April 4, 20082000s, Authors: Walter Chaw, Comedy, Drama, Germany, Romance, Sports, Theatrical

*½/****
starring George Clooney, Renée Zellweger, John Krasinski, Jonathan Pryce
screenplay by Duncan Brantley & Rick Reilly
directed by George Clooney

by Walter Chaw George Clooney's Leatherheads is a lifeless, desperate-feeling vacuum that arrives without much reason for being other than to underscore that the Coen Brothers' Intolerable Cruelty was pretty underestimated as an attempt to revive the screwball farce. It's deeply flawed as a comedy, given that the only real laugh has to do with someone being set on fire. And while the instinct is to give it a pass because it's innocuous and slickly done, the other side of that is this giant diagram of a slippery slope. The film's first mistake is casting the flat, increasingly insipid Renée Zellweger as a Rosalind Russell/Kate Hepburn type; the second is its expectation that a screenplay by SPORTS ILLUSTRATED scribes Duncan Brantley and Rick Reilly could have the same kind of oomph as a Charles Lederer or Brackett/Wilder piece; and the third and last is a slowing down of the patter from 45 to 33 to accommodate modern actors' relative inability to do rapid-fire delivery, thus highlighting the first and second mistakes anew. Zellweger further perfects her walking-on-a-rail-whilst-sucking-on-a-lemon shtick (she moves and acts like a puckering hat rack), leaving Clooney–a gifted physical comedian, as his work with the Coens would attest–to carry the load. No help that the Ralph Bellamy in the standard triangle is the American "The Office"'s Jon Krasinski, who'd better get Lloyd's of London on the horn about that fourth-wall smirk. Without it, he's wallpaper.

Cops: 20th Anniversary Edition (1988-2007) + Smurfs: Season One, Volume One (1981-1982) – DVDs

March 30, 20081980s, 1990s, 2000s, Action, Adventure, Animation, Authors: Ian Pugh, Belgium, Comedy, Crime, DVD, Family, Fantasy, Television

COPS: 20TH ANNIVERSARY EDITION
Image B Sound B+ Extras B-
"Cops: 20th Season," "Pilot," "Las Vegas Heat," "First Ten Seasons," "Second Ten Seasons"

THE SMURFS: SEASON ONE, VOLUME ONE
Image B+ Sound B- Extras D
"The Smurf's Apprentice/The Smurfette/Vanity Fare," "King Smurf/The Astrosmurf/Jokey's Medicine," "St. Smurf and the Dragon/Sorcerer Smurf," "The Smurfs and the Howlibird," "The Magical Meanie/Bewitched, Bothered and Besmurfed," "Smurf-Colored Glasses/Dreamy's Nightmare," "Fuzzle Trouble/Soup a la Smurf," "The Hundredth Smurf/Smurphony in 'C'"

by Ian Pugh Kevin Rubio's "COPS"-Star Wars mashup Troops is painfully predictable, but there's a little nugget of profundity in its twist on "COPS"' familiar narration: "Suspects are guilty, period–otherwise, they wouldn't be suspects, would they?" It's the most concise description and criticism of "COPS" one could muster, almost impossible to build on because it so handily defines the tacit agreement the show's producers have with its audience. I mentioned in my review of the parodic "Reno 911!" that Fox's long-running reality show is useless in any political debate about police conduct, and it is–but upon watching several hours' worth of the series in a new "20th Anniversary Edition" DVD set, I became more perturbed by how it attempts to forge an uncrossable distance between you and the suspect. "COPS" always poses itself as something completely external to the viewer: in the interests of entertainment, the vast, vast majority of scenarios involve idiots caught in the act or resisting arrest. You're therefore not only a rubbernecker looking for a visceral thrill–you also come to consider yourself exempt from police scrutiny because you don't break the law and certainly wouldn't do so as blatantly and stupidly as these criminals. It's the equivalent of the moron who has no problem with the government wiretapping his phone because he doesn't believe he does anything to warrant their attention.

Zapped! (1982) – DVD

March 21, 20081980s, Authors: Alex Jackson, Comedy, DVD, Sci-Fi

*½/**** Image B- Sound C+
starring Scott Baio, Willie Aames, Felice Schachter, Scatman Crothers
screenplay by Bruce Rubin and Robert J. Rosenthal
directed by Robert J. Rosenthal

by Alex Jackson I’m willing to pretend that Zapped! is of some historical significance in the annals of exploitation cinema as either the last or the first of its type. Somehow, it reminded me a lot of 1976’s minor cult classic Revenge of the Cheerleaders. It belongs in the same general universe, with a vibe that feels a lot more late-Seventies than early-Eighties. I think Zapped!, like Revenge of the Cheerleaders, was made specifically to be exhibited at drive-ins. The telltale sign is how brightly-lit everything is. Lighting conditions were poor at drive-in theatres, and so studio executives tended to frown when they got back tenebrous product that wouldn’t play well in this market. (I vaguely remember hearing that Gordon Willis’s work on The Godfather was viewed as particularly risky for that reason.) In this respect, Zapped! looks markedly different from its near contemporaries Porky’s and Friday the 13^th, both of which feature plenty of night scenes boasting the grungy, unrefined aesthetic of a pile of rotting leaves.

The Riches: Season 1 (2007) + Squidbillies: Volume One (2005-2006) – DVDs

March 17, 20082000s, Animation, Authors: Ian Pugh, Comedy, Crime, Drama, DVD, Television

THE RICHES: SEASON 1
Image A- Sound B+ Extras C
"Pilot," "Believe the Lie," "Operation Education," "Been There, Done That," "The Big Floss," "Reckless Gardening," "Virgin Territory," "X Spots the Mark," "Cinderella," "This is Your Brain on Drugs," "Anything Hugh Can Do, I Can Do Better," "It's a Wonderful Lie," "Waiting for Dogot"

SQUIDBILLIES: VOLUME ONE
Image A- Sound B+ Extras D+
"This is a Show Called Squidbillies," "Take This Job and Love It," "School Days, Fool Days," "Chalky Trouble," "Family Trouble," "Government Brain Voodoo Trouble," "Butt Trouble," "Double Truckin' the Tricky Two," "Swayze Crazy," "Giant Foam Dickhat Trouble," "The Tiniest Princess," "Meth OD to My Madness," "Bubba Trubba," "Asses to Ashes, Sluts to Dust," "Burned and Reburned Again," "Terminus Trouble," "Survival of the Dumbest," "A Sober Sunday," "Rebel with a Claus"

by Ian Pugh You didn't need anyone to tell you that hypocrisy transcends social class, but this doesn't stop "The Riches" from preaching that liars and thieves can be found in virtually any tier of society. What finally emerges is a belaboured cry of "fuck rich people" about as subtle and original as the show's title. Start from the bottom and work your way up to the top: with his wife, Dahlia (Minnie Driver), newly-released from a two-year stretch in the slammer, Wayne Malloy (Eddie Izzard) shuttles his family of con artists–including children Cael (Noel Fisher), Di Di (Jewel Staite look-alike Shannon Woodward), and Sam (Aidan Mitchell)–back to the safety of their Irish travelers' campout, only to find that the clan is less than thrilled at the way Wayne's been running his branch of the family tree. Shortly after making off with all the money from the compound, the Malloys are thrown into a wild RV chase that results in the death of one Doug Rich, a scumbag lawyer who was on his way to a freshly-purchased home in the high-class gated community of Edenfalls. With no other witnesses to the crash and the nomadic nature of their grifts quickly losing its novelty, Wayne concocts a plan to assume the Riches' identities and, ultimately, "steal the American Dream."

Nancy Drew (2007) – DVD

March 9, 20082000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, DVD, Family, Mystery, Romance, Thriller, ZERO STARS

ZERO STARS/**** Image C+ Sound A- Extras D+
starring Emma Roberts, Josh Flitter, Max Thieriot, Tate Donovan
screenplay by Andrew Fleming and Tiffany Paulsen
directed by Andrew Fleming

by Walter Chaw Andrew Fleming's Nancy Drew isn't just bad, it's fascinatingly bad. From minute one, it's an example of what happens when nobody knows what the hell is going on and doesn't have the wit to hide it. It suffers from the same malady as Pirates of the Caribbean: At World's End in that it's only confusing if you walk into it believing there's something to figure out–but unlike that picture, this one has so little in the way of internal coherence that it's almost a work of surrealism. When teen sleuth Nancy (a fetching yet robotic Emma Roberts) awakens to find herself abducted in an old projection booth, she doesn't panic and search for exits, she stands up, collects her compass (why does anyone need a compass in the middle of Los Angeles? Dunno), and heads straight for a little window that she promptly opens onto a scaffolding, thus enabling her snickersnack escape. It mirrors an earlier scene in which Nancy discovers a letter pivotal to the picture's central mystery stuck in an old book that, as executed, has all the weight and import of every other indecipherable, non-linear, dada scene in the piece. I'm not suggesting, even, that there's no tension in the film, as there's tension galore in trying to follow, much less predict, its astonishing leaps of baffling, shit-headed incongruity. There are no impulses that make sense, no characters with either a toehold in our reality or a justification for their existence (and the only people who might give a damn about Nancy Drew as an institution are too old to see the film on their own and unlikely to take their baffled children, anyway). As a mystery, in the most literal sense, it's possibly the most mysterious film of the year.

The Butcher Boy (1998) + The Brave One (2007) – DVDs

March 6, 2008****/****, 1990s, 2000s, Action, Australia, Authors: Walter Chaw, Comedy, Coming of Age, Crime, Drama, DVD, FFC Must-Own, Ireland, Revenge, Thriller

THE BUTCHER BOY
****/**** Image A Sound A- Extras B-
starring Stephen Rea, Fiona Shaw, Eammon Owens, Alan Boyle
screenplay by Neil Jordan and Patrick McCabe, based on the novel by McCabe
directed by Neil Jordan

THE BRAVE ONE
***½/**** Image B- Sound B Extras C+
starring Jodie Foster, Terrence Howard, Naveen Andrews, Nicky Katt
screenplay by Roderick Taylor & Bruce A. Taylor and Cynthia Mort
directed by Neil Jordan

THE BUTCHER BOY

by Walter Chaw Opening with a series of panels from Golden Age comics produced circa the era in which the film is set (i.e., 1962), The Butcher Boy identifies Neil Jordan as a director with a secret yen for superhero fantasies. It certainly jibes with the filmmaker's affection for protagonists who, for whatever reason, live in private worlds, in fairytale dreamscapes populated by emblems of good and emissaries of evil–worlds where the most colourful places are the interiors of churches, where the characters' fears and failings alike are assets. Jordan's films are unfailingly about transformation (though sometimes they're about the failure to transform adequately, or quickly enough) and heavy with the illness of existential introspection–the Judas strain with which the modern superhero pantheon is sick. His heroes are rendered simple by their duality, confronted by the idea that for as hollow as it is to change to fit the demands of a particular time and place, it's equally useless to try to stay the same as the world falls down. Jordan makes the movies Terry Gilliam never quite made until Tideland; far from the compassionate fare many label it, his oeuvre is comprised of harsh little ditties about the voraciousness of the social organism and the bites it takes out of individuals living perpendicular to the absolute mean. For me, all of his films, from The Crying Game to Mona Lisa, from The End of the Affair to Interview with the Vampire, are pointedly concerned with the futility of compensatory measures in the lives of deviants.

The Best of the Colbert Report (2005-2007)

February 19, 20082000s, Authors: Ian Pugh, Comedy, DVD, Satire, Television

Image B Sound B

by Ian Pugh Speaking strictly as a casual observer of the event, one of the lessons the recent WGA strike taught us was that talk-show scripts are pretty carefully tailored to their hosts' personalities. Consequently, one could finally determine, once and for all, why "The Colbert Report" is superior to its progenitor, "The Daily Show with Jon Stewart": When you boil everything down to the bare essentials, it's easier to see that Stewart's treatment of world events, unlike Stephen Colbert's, is primarily composed of sharp chuckles and incredulous reactions. It's a belaboured but valid point that Comedy Central's hour of "fake news" has casually drifted closer to relevance as mainstream news sources continue their downward trend towards pop infotainment and outrageous bias, and by taking on the persona of an ill-informed, blowhard pundit, Colbert merely brings media politics to their logical extreme, presenting news items precisely as they matter to his infallible worldview. His mock inability to detect irony is a sharp, timely condemnation–sharp enough, at least, to send the White House Press Corps retreating to the fossilized, altogether toothless material of Rich Little after Colbert did his thing at their annual Correspondents Dinner. But one of the most important facets of Colbert's act–indeed, one that greatly extends the shelf-life of his shtick–is how he takes the accolades he receives as a satirist and effortlessly folds them to fit the monstrous ego of his onscreen character.

Chappelle’s Show: The Series Collection (2003-2006) – DVD

February 11, 20082000s, Authors: Ian Pugh, Comedy, DVD, Music, Satire, Television

Image B|B|B+ Sound B+|B+|B+ Extras C|B|B-
episodes 101-112
episodes 201-213
episodes 301-303

by Ian Pugh Dave Chappelle's greatest asset and greatest liability both lie in his desire to be underestimated, which handily encapsulates the brilliance of Comedy Central's "Chappelle's Show" and why it lasted a scant two seasons. The series' wraparound segments consist of stand-up from Chappelle that's almost painful in its modesty–so much so that you never fail to be ambushed by his boisterous impersonations and trenchant observations. The same joke of "A Moment in the Life of Lil' Jon" (2.6) improbably works every time it's subsequently recycled, while Charlie Murphy's "true Hollywood stories" about Rick James add up to one of the greatest half-hours to have ever aired on television thanks to Murphy's dynamic storytelling and Chappelle's volcanic impression of James. But however unintentional it may have been, Chappelle's infectious enthusiasm, his ability to subtly burrow into your brain, also tends to manifest itself as a collection of catchphrases, ultimately distracting from the deceptive simplicity of his social commentary.

In Bruges (2008)

February 8, 20082000s, Authors: Walter Chaw, Comedy, Crime, Drama, Theatrical, Thriller, UK

*½/****
starring Colin Farrell, Brendan Gleeson, Ralph Fiennes, Clémence Poésy
written and directed by Martin McDonagh

by Walter Chaw An ugly piece of work, writer-director Martin McDonagh's feature debut In Bruges has about it an unshakeable air of unleavened unpleasantness. It starts with the framing conceit of little boys with their heads blown off: the first victim unlikely because, hey, you'd at least turn your head if shooting started in the next room, right?; the second unsavoury because it caps a running joke about little people that isn't funny in the least. (No small accomplishment for running jokes about midgets, I don't have to tell you.) Between, find Colin Farrell and Brendan Gleeson as hitmen Ray and Ken, respectively, exiled to Bruges, Belgium after a London hit goes bad and forced to excrete witticisms in one another's company like Juno-spawned Pez dispensers. McDonagh's idea of profound profanity consists of Ray being very amused by midgets, fat Americans, and effete Canadians and Ken being sucked in by the medieval, touristy charms of sleepy Bruges; both await some word from their boss Harry (Ralph Fiennes), himself busy doing a real convincing impersonation of Ben Kingsley's insane mobster from Sexy Beast. Funny how something can be both overwritten and underwritten, but there you have it. In Bruges posits the idea that our boys are in God's waiting room–not Florida, but some enchanted backwater, waiting for judgment on high for their sins while sightseeing ancient churches and contemplating Bosch. Ken takes the communion, Ray takes a piss, and Harry surfaces like a Cockney shark in a third act remarkable for its feckless cupidity.

The Band’s Visit (2007)

February 8, 20082000s, Authors: Walter Chaw, Comedy, Drama, France, Israel, Music, Romance, Theatrical

Bikur Ha-Tizmoret
***½/****
starring Shlomi Avraham, Saleh Bakri, Ronit Elkabetz, Sasson Gabai
written and directed by Eran Kolirin

by Walter Chaw I've been reading a lot of Thomas Friedman lately, mostly because I have glaring, embarrassing gaps in my education and popular, contemporary scholarship about our Middle East imbroglio is chief among them. I've read a good bit on The Crusades and on the wars we've waged during the two Bush administrations; what I haven't read is any extensive insight into the psyche of the Arab Street. Where better to start than through the erudition of a three-time Pulitzer Prize winner? I approached Eran Kolirin's The Band's Visit in a different way, I realize, than I would have prior to my dip into Friedman's headspace–and was gratified, as I seldom have been, by how a juncture in my interests resulted in what could only be a richer film experience. The Band's Visit is already remarkable for its sensitivity and patience, but knowing a little of the tragic intractability of Israeli/Arab relations lends it an implacable weight of sorrow. I'm convinced that there's already a latent melancholy in the picture, but armed with just a gloss of Camp David, the Israeli/Egyptian conflict, suddenly all of the picture's travails–being shut out of the Cairo film festival and, at the last minute, the Abu Dhabi fest as well–take on this terrible weight of irony and hopelessness. Without showing anybody coming over to "the other side," as it were, The Band's Visit is about communication, understanding, and acceptance, its characters united in their difference in the quest for the indefinable sublime. It's the best kind of political film in that it's a work, without pretension, of essential humanity–and the best kind of sentimental film in that it earns its sentiment.

Family Guy: Blue Harvest (2007) – DVD

February 4, 20082000s, Animation, Authors: Ian Pugh, Comedy, DVD, Television

*/**** Image N/A Sound A Extras C+
written by Alec Sulkin
directed by Dominic Polcino

by Ian Pugh Born the year after Return of the Jedi came out, I was left in limbo as far as the behemoth of popular culture that is Star Wars was concerned: too young to have seen the films when they exploded into the public consciousness, I was also a little too old to experience a religious awakening with their "Special Edition" revivals in the late-Nineties. I bore witness to a hundred "I am your father" jokes before any formal viewing of The Empire Strikes Back, and so, like other movie references I was not yet intellectually mature enough to piece together on my own (Rosebud is a sled, the Planet of the Apes is really Earth), I was more apt to laugh because the television kept telling me to laugh. It's a poisonous mentality, this vicarious sense of entertainment, and its infiltration of my generation is manifested in our exaltation of "Family Guy". Though the show brilliantly attacked social mores and narrative conventions, we were more impressed by its far-reaching knowledge of pop culture–mostly the kind of stuff we had only seen on Nick at Nite and the Internet–than by any of the subversive material therein. Ergo, once the fanbase had successfully rescued the series from premature cancellation, Seth MacFarlane and his crew became lazy, too often resorting to facile name-dropping.

Sundance ’08: The Wackness

February 1, 20082000s, Authors: Alex Jackson, Comedy, Drama, Film Festivals, Romance, Sundance, Teen, UK

**/****starring Josh Peck, Ben Kingsley, Famke Janssen, Olivia Thirlbywritten and directed by Jonathan Levine by Alex Jackson In the opening scene of The Wackness, teenager Luke Shapiro (Josh Peck) is having a session with his psychiatrist, Dr. Squires (Ben Kingsley). Dr. Squires tells him that a "quarter bag" will buy him forty-five minutes. Luke produces the requested pot and goes on to discuss his problems as Dr. Squires fills and lights up a bong. In one of the film's closing scenes, Luke is having dinner with his family when an uncle asks him what he wants to be once he…

Sundance ’08: What Just Happened

February 1, 20082000s, Authors: Alex Jackson, Comedy, Drama, Film Festivals, Robert De Niro, Sundance

**½/****starring Robert De Niro, Bruce Willis, Sean Penn, Catherine Keenerscreenplay by Art Linson, based on his bookdirected by Barry Levinson by Alex Jackson Already pegged as another legendary fiasco for Man of the Year helmer Barry Levinson, What Just Happened strongly suggests that Levinson is trying to Peter Bogdanovich himself into unemployment. Ben (Robert De Niro) is a fading Hollywood producer torn between two projects in need of salvaging. One is an action film starring Sean Penn that the director, Jeremy (Michael Wincott), has ended by having the villains shoot Penn's dog point blank in the head, spraying viscera on the…

Sundance ’08: Be Kind Rewind

January 30, 20082000s, Authors: Alex Jackson, Comedy, Esoterica, Film Festivals, France, Sundance, UK

***/****starring Jack Black, Mos Def, Danny Glover, Mia Farrowwritten and directed by Michel Gondry by Alex Jackson Michel Gondry has said he always wanted to make a film like Back to the Future (i.e., a quirky, funny, big-budget movie), and I guess this is his version of it. It has science-fiction, toilet humour, a lovable man-child (à la Adam Sandler or Jerry Lewis, here played by Jack Black), slapstick, romance, and a classic storyline involving evil developers with plans to pave over the community hangout unless the heroes can stop them in time. Gondry clearly wants to break the one-hundred…

Sundance ’08: Good Morning Heartache

January 29, 20082000s, Authors: Alex Jackson, Comedy, Film Festivals, Italy, Sundance

Riprendimi**/****starring Alba Rohrwacher, Marco Foschi, Valentina Lodovini, Stefano Fresiscreenplay by Anna Negri and Giovanna Moridirected by Anna Negri by Alex Jackson Broadly speaking, bad movies come in two distinct flavours: boring and obnoxious. I'm always conflicted as to which is worse, but as of this moment, I feel like it would be faint praise to say that Riprendimi (the preferred English title is Good Morning Heartache) is just plain boring. Small-time actor Giovanni (Marco Foschi) and television editor Lucia (Alba Caterina Rohrwacher) are a young Roman couple who have agreed to appear in a documentary about temp workers. The thesis…