Fantastic Mr. Fox (2009) + The Road (2009)

Posted in2000s, 2009, Adventure, Animation, Authors: Walter Chaw, Comedy, Directors: Wes Anderson, Drama, Theatrical, Thriller

FANTASTIC MR. FOX
**/****
animated; screenplay by Wes Anderson & Noah Baumbach, based on the book by Roald Dahl
directed by Wes Anderson

THE ROAD
*½/****
starring Viggo Mortensen, Guy Pearce, Robert Duvall, Charlize Theron
screenplay by Joe Penhall, based on the novel by Cormac McCarthy
directed by John Hillcoat

by Walter Chaw There’s nothing much going on in Wes Anderson’s stop-motion adaptation of Roald Dahl’s Fantastic Mr. Fox–which is a terrible shock, because there’s generally so much going on in Anderson’s and Dahl’s respective canons. With Anderson’s every attempt to infuse this piffle with his brand of Salinger-esque autumnal, familial melancholy registering as ever-so-slightly desperate, it strikes particularly pale in such close proximity to Spike Jonze’s magnificent Where the Wild Things Are. Missing is the vein of emotionality that runs rich in Anderson’s best films, the idiosyncrasies of his misfit family groups somehow rendered ordinary transplanted into foxes and opossums. I wonder if it isn’t something to do with the idea that “cute” animation as a genre and not a medium has “quirk” as its bread and butter. More to the point, it probably has something to do with the fact that for all those charges of “pretentious” Anderson has collected over the course of a career, when you pile all of his pathos into a film that seems mainly interested in being adorable, they’re actually deserved.

I Love You, Beth Cooper (2009) – DVD

Posted in2000s, 2009, Authors: Jefferson Robbins, Canada, Comedy, Coming of Age, DVD, Romance, Teen

*½/**** Image N/A Sound N/A Extras C
starring Hayden Panettiere, Paul Rust, Jack T. Carpenter, Lauren London
screenplay by Larry Doyle, based on his novel
directed by Chris Columbus

by Jefferson Robbins I believe this is what it looks like when a veteran director throws in the towel. Morosely paced, edited with no ear for slapstick, perfectly mediocre in its staging, timing, scripting, and performances, I Love You, Beth Cooper (hereafter Beth Cooper) betrays benign neglect on the part of producer-director Chris Columbus. It’s as if he tossed together all the ingredients for a thoughtful but teen-friendly confection–a recipe inherited from his late mentor John Hughes–and took it on faith that the cake would bake itself. There’s even a weird invocation of the dead god of teen comedies: Columbus casts Alan Ruck, a.k.a. Cameron in Ferris Bueller’s Day Off, as the hero’s dad and supplies the sidekick with Cameron’s absent, oppressive shadow of a father. That’s not homage–that’s the desperate rubbing of a talisman, a prayer to recapture lightning that leaked out of the bottle long ago.

Night of the Creeps (1986) [Director’s Cut] – Blu-ray Disc

Night of the Creeps (1986) [Director’s Cut] – Blu-ray Disc

Posted in1980s, 2009, Authors: Walter Chaw, Blu-ray Disc, Comedy, Horror, Sci-Fi, Zombie

*/**** Image A- Sound A- Extras B
starring Jason Lively, Steve Marshall, Jill Whitlow, Tom Atkins
written and directed by Fred Dekker

by Walter Chaw A childhood favourite, Fred Dekker’s Night of the Creeps generally underscores the danger of revisiting childhood favourites with a jaundiced eye; this and his sophomore feature, The Monster Squad, show that Dekker was rejected from the USC and UCLA film schools for a reason. I realize it’s all supposed to be a cozy, funny-scary homage to the terribleness of low-budget B-movies as a genre unto themselves, but the picture is terribly edited and disastrously paced–the very things that effectively kill both comedy and horror. Unconvinced? The first misstep might be its choice to leave a charming, 1950s-set black-and-white prologue in favour of a faux-Hughesian ’80s fandango that, like most of the era’s mainstream teen dramas not made by John Hughes, lacks an ear for how we actually talked, and insight into how we actually felt. In any case, it’s hopelessly incongruous to go from Ozzie & Harriet to leg-warmers and Wall of Voodoo, resulting in something that isn’t a spoof of bad filmmaking so much as an example of it. Night of the Creeps joins The Goonies for me as one of those cult classics I just can’t wrap my head around. I remember sort of loving it when I was twelve, meaning only that twelve-year-olds are idiots.

Trick ‘r Treat (2009) [Digital Copy Special Edition] – Blu-ray Disc

Trick ‘r Treat (2009) [Digital Copy Special Edition] – Blu-ray Disc

Posted in2000s, 2009, Authors: Walter Chaw, Blu-ray Disc, Canada, Comedy, Horror

*½/**** Image A- Sound B Extras B-
starring Dylan Baker, Rochelle Aytes, Anna Paquin, Brian Cox
written and directed by Michael Dougherty

by Walter Chaw Less a portmanteau than a Tarantino time-shift/overlap, Trick ‘r Treat is a handsomely-mounted bit of fluff that dribbles out like the Cat’s Eye redux for which no one was clamouring, with more than a few images borrowed from other Stephen King errata such as Creepshow and Pet Sematary. Michael Dougherty’s hyphenate debut, it, a lot like co-writer-on-X2 Dan Harris’s own first feature, Imaginary Heroes, has a pedigree and the benefit of the doubt in its corner but washes out as something that needed to marinate longer to reach the full flower of any potential. The buzz surrounding Trick ‘r Treat, though, in particular the Internet outrage over the studio’s alleged mishandling of it, is peculiarly deafening and–as with most buzz around most projects falsely promised theatrical distribution–in large part hysterical and unjustified.

The Proposal (2009) – Blu-ray Disc

Posted in2000s, 2009, Authors: Bryant Frazer, Blu-ray Disc, Comedy, Drama, Romance

*½/**** Image B+ Sound B+ Extras B-
starring Sandra Bullock, Ryan Reynolds, Malin Akerman, Betty White
screenplay by Peter Chiarelli
directed by Anne Fletcher

by Bryant Frazer Reviewing a romantic comedy can feel a bit like criticizing a kitten. So what if the feline puked in your slippers? What cat lovers generally want is something that will curl up in their lap, purr like nobody’s business, and maybe give off a little heat on a cold winter’s night. Complaining that the hungry little fuzzball won’t fetch your slippers, can’t guard your house, and bears no singular distinguishing marks or characteristics comes across as a tad churlish.

St. Elmo’s Fire (1985) + About Last Night… (1986) – Blu-ray Discs

St. Elmo’s Fire (1985) + About Last Night… (1986) – Blu-ray Discs

Posted in1980s, 2009, Authors: Walter Chaw, Blu-ray Disc, Comedy, Directors: Joel Schumacher, Drama, Romance, ZERO STARS

ST. ELMO’S FIRE
ZERO STARS/**** Image A- Sound C+ Extras C
starring Emilio Estevez, Rob Lowe, Andrew McCarthy, Demi Moore
screenplay by Joel Schumacher & Carl Kurlander
directed by Joel Schumacher

ABOUT LAST NIGHT…
½*/**** Image C- Sound C Extras C
starring Rob Lowe, Demi Moore, James Belushi, Elizabeth Perkins
screenplay by Tim Kazurinsky & Dennis DeClue, based on the play Sexual Perversity in Chicago by David Mamet
directed by Edward Zwick

by Walter Chaw The Brat Pack as a phenomenon is something that largely, blissfully escaped this child of the Eighties–just a touch too young, just a tad too disinterested. When Sixteen Candles came out, I was embarrassed by the Asian caricature enough to avoid talking about it (ditto The Goonies and Temple of Doom–though not, oddly enough, The Karate Kid); when St. Elmo’s Fire came out, I was busy sneaking into consecutive showings of Back to the Future. I remember a party where The Breakfast Club was playing in the background, and a girl I had a crush on exclaiming how much she loved it. Later, they played A Nightmare on Elm Street, and whoever’s mother it was at whoever’s house it was broke up the festivities not long after the bodybag in the hall. (I don’t know that I ever saw either movie in its entirety until I was well into my twenties.) Ferris Bueller was my connection to John Hughes, Raiders of the Lost Ark and Marty McFly were my thing–not a Molly Ringwald in sight. The closest I came to assimilation was Red Dawn, which, while awful, is also awesome in a deadening, testosterone-sick way. Looking back, the moment the ’80s matured for me was Near Dark, The Evil Dead, Predator, and David Cronenberg’s The Fly and not, as it was for many people in my peer group, Pretty in Pink and Some Kind of Wonderful. I remember hosting a sweltering screening of Broadcast News in my bedroom with a couple of dozen pals, a considerably less well-attended showing of Angel Heart a few weeks later, and a private viewing of Pump Up the Volume with a girl I really liked and to whom I crystallized my theory of how it was always better to watch a movie in the theatre…but not tonight. It was a hot evening. All my memories of movies in the ’80s are accompanied by suffocating heat. The decade in my memory is one long summer.

Couples Retreat (2009)

Posted in2000s, 2009, Authors: Ian Pugh, Comedy, Romance, Theatrical

½*/****
starring Vince Vaughn, Jason Bateman, Jon Favreau, Faizon Love
screenplay by Jon Favreau and Vince Vaughn & Dana Fox
directed by Peter Billingsley

by Ian Pugh Peter Serafinowicz–a creepy, irony-free Christopher Walken prototype who appears to have strolled in from a different movie entirely–keeps Couples Retreat out of the running for Worst Film of 2009. What is it with these romantic comedies, exactly, that the characters left in orbit are always crafted with more care and love than the ones with whom you’re forced to spend the most time? I look at this latest trainwreck of clichés and I can only see it as director and former child star Peter Billingsley’s payback for being trapped in the amber of A Christmas Story and Hershey’s Syrup commercials in the decades since. A few ill-placed dick jokes are there to force the medicine down–call it the equivalent of Bob Saget’s stand-up career. To be fair, early trailers featuring adulterous parking-lot trysts seem to indicate that test screenings may have taken some substantial bite out of the filmmakers’ original intentions. But even with that in mind, this is still the kind of film that saves a few moments for the lead character’s precocious toddler (Colin Baiocchi), who, like an ersatz Olsen twin, regurgitates whatever elementary dialogue is fed to him. This is also the kind of film that saves the same little urchin for the last image before the credits, as he takes a shit in a display toilet. Coo and scream with laughter where appropriate–and realize that whatever the movie’s original intentions might have been, it’s doubtful that a few backseat hump sessions would have tied them together.

A Serious Man (2009); The Invention of Lying (2009); Capitalism: A Love Story (2009)

Posted in2000s, 2009, Authors: Ian Pugh, Coen Brothers, Comedy, Crime, Documentary, Drama, Esoterica, France, Romance, Satire, Theatrical, UK

A SERIOUS MAN
***½/****
starring Michael Stuhlbarg, Richard Kind, Fred Melamed, Sari Lennick
written and directed by Joel Coen & Ethan Coen

THE INVENTION OF LYING
*½/****
starring Ricky Gervais, Jennifer Garner, Jonah Hill, Tina Fey
written and directed by Ricky Gervais & Matthew Robinson

CAPITALISM: A LOVE STORY
**½/****
directed by Michael Moore

by Ian Pugh The appropriate, even inevitable capper to a loose nihilist trilogy following No Country for Old Men and Burn After Reading, the Coen Brothers' A Serious Man is so utterly dark and dire that it almost plays like self-reflexive parody–an adaptation of Barton Fink's "beautiful" wrestling script, perhaps, or an honest-to-gosh realization of the O Brother, Where Art Thou? Preston Sturges imagined once upon a time. Even the title is sarcastic. This is a scenario whereby life-altering misfortunes fall with ridiculous timing and precision; the dismal tides and the coming storms are now damningly literal, such that it's nearly impossible to take it with any semblance of seriousness. In making time during the game to explain Heisenberg's uncertainty principle, our hapless Job, physics professor Larry Gopnik (Michael Stuhlbarg), offers, if you haven't surmised, a fairly concise metaphor for everything that happens in this film. Why are the Coens being so on-the-nose about themes they've lately approached with a legitimately intimidating brilliance? Maybe it's because their mordant philosophy has amassed unprecedented critical and commercial acceptance over their last two pictures. Maybe the idea that anyone could actually commiserate with them strikes the Coens as so terrifying that the time has come to cast such notions aside in the most punishing way possible.1 For now, anyway.

The Romance of Astrea and Celadon (2007) – DVD

Posted in2000s, 2007, 2009, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD, France, Italy, Romance, Spain

Les Amours d’Astrée et de Céladon
**/**** Image B Sound B+
starring Andy Gillet, Stéphanie Crayencour, Cécile Cassel, Serge Renko
screenplay by Eric Rohmer, based on the novel L’Astrée by Honoré d’Urfé
directed by Eric Rohmer

by Travis Mackenzie Hoover Of all the Cahiers du cinema New Wave heroes, Eric Rohmer is the one I’ve thought about the least. His subdued, tasteful chamber drama never had the grab of the other four: he wasn’t compellingly over-intellectual like Godard, entertaining to a fault like Truffaut, pointedly genre-ready like Chabrol, or off-book bizarre like Rivette.  That’s not necessarily a bad thing. To think about Truffaut and Godard is to think about a couple of grandstanders–one for “cinema,” one for anti-cinema–who drew battle lines so intense and unreasonable that you felt dragged into a bloodbath. To think about Chabrol and Rivette–the popular artist and the intellectual–is to think of people working through their kinks without such alibis, and who are very good at the work.

Zombieland (2009)

Posted in2000s, 2009, Adventure, Authors: Walter Chaw, Comedy, Horror, Sci-Fi, Theatrical, Zombie

½*/****
starring Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin
screenplay by Rhett Reese & Paul Wernick
directed by Ruben Fleischer 

by Walter Chaw Bad by every measurable, objective standard, Ruben Fleischer’s Zombieland is a shining, sterling example of what happens when a bunch of idiots get together with their asshole high-concept and proceed to make an abominable hash of it. It’s a conversation halfwits have: what would happen if you married the teen romance with the zombie flick? The problem being that Fleischer and writers Rhett Reese and Paul Wernick don’t have much of a grasp on what it is about teen romances and zombie flicks that are interesting in the first place. It’s the right choice, casting the poor man’s Michael Cera, Jesse Eisenberg, in his second “-land” movie of the year (after the fantastic coming-of-age flick Adventureland); it’s entirely the wrong choice to have Eisenberg provide film-long voiceover narration that takes the piss–without the benefit of wit or trenchant observation–out of zombie flicks before dropping him in the middle of that old familiar wistful love intrigue. The object of his desire is a fellow survivor of an apocalyptic zombie plague, Wichita (Emma Stone, deee-lish), who is travelling with little sis Little Rock (Abigail Breslin). Ohio (Eisenberg), meanwhile, has hooked up with Woody Harrelson’s redneck-with-a-heart-of-gold Tallahassee–yes, if these characters are actually named after the places from which they hail, they have some ‘splainin’ to do. Our four ragamuffin protags proceed through the long middle of the movie with no zombies in sight, alone with reams of smug, moronic, self-satisfied dialogue that has as the basis of every punchline how much of a virgin pussy is Ohio, and how much of an inbred thug is Tallahassee.

Observe and Report (2009) [Digital Copy Special Edition] – Blu-ray Disc

Observe and Report (2009) [Digital Copy Special Edition] – Blu-ray Disc

Posted in****/****, 2000s, 2009, Action, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, Comedy, Crime, Drama, FFC Must-Own, Mystery

****/**** Image A Sound A Extras B-
starring Seth Rogen, Anna Faris, Michael Peña, Ray Liotta
written and directed by Jody Hill

by Ian Pugh The tide is changing, that much is clear. In just the last month alone, Paul Rudd and Jason Segel have turned a dependence on male bonding into a crisis of sexual identity (I Love You, Man), while Greg Mottola has deromanticized teenage nostalgia (Adventureland). Now, with their thoroughly disturbing Observe and Report, Jody Hill and Seth Rogen finish prying loose the grip that Will Ferrell and Judd Apatow have had on American comedy these past few years. More importantly, the film finally gives a clear voice to the ineluctable madness that the cinema of 2009 has poked and prodded at up to this point. The deadly sociopathy of Alan Moore’s Rorschach blooms at last in security guard Ronnie Barnhardt (Rogen), approached with frightened apprehension and a full understanding as to why he would nevertheless be lauded as a hero. As a result, the movie he inhabits is difficult, devastating, and paints our most recent cycles of vulgar, man-child humour as an empire built on unspoken psychosis and violent outbursts. Suddenly, the idea of Ferrell beating up a swarm of grade-schoolers in Step Brothers doesn’t seem so hilarious.

The State: The Complete Series (1994-1995) – DVD

Posted in1990s, 2009, Authors: Jefferson Robbins, Comedy, DVD, Television

Image B+ Sound B Extras A-

by Jefferson Robbins “The State” probably had me at its opening kicker, a knockoff of the tumbling SPECIAL logo that prefaced every “Charlie Brown” program on CBS in the 1970s. The titular comedy troupe’s eleven members are all about my age, so when these “twentysomething sketch-comedy whores” got their own show on MTV, this twentysomething sketch-comedy consumer was in generational tune with them. The members of The State clearly watched, and had grown up watching, a shitload of TV, just like their audience. Nostalgia’s a powerful thing.

Important Things with Demetri Martin: Season One (2009) – DVD

Posted in2000s, 2009, Authors: Jefferson Robbins, Comedy, DVD, Television

Image A- Sound B Extras B-
"Timing," "Power," "Brains," "Chairs," "Safety," "Coolness," "Games"

by Jefferson Robbins If he ever gets tired of being Steven Wright with a guitar and a facial expression, Demetri Martin may have a future as a filmmaker. It's plain from the first season of "Important Things With Demetri Martin" that the comedian/actor thinks about the various parts of a given scenario and holds the branching possibilities in his mind in a three-dimensional way. This is typical of puzzle fiends and anagramists–terms which suit Martin well–and any producer/director worth a damn. His well-known line drawings, here set into motion by animators, make me think he's read both Kurt Vonnegut's Breakfast of Champions and Scott McCloud's Understanding Comics. His comedy is a realm where everything is nametagged and hypertexted. (See the title of his debut CD: "These Are Jokes".) No surprise, then, that his stand-up routine is a hit in this age of Google Maps and floating metadata. Wait 'til we're all staring through the lenses of our augmented-reality iPhones, swimming in subsurface information–then we'll truly be residents of Demetri Martin's world.

2009 TIFF Bytes #3: A Gun to the Head; Genius Within: The Inner Life of Glenn Gould

Posted in2000s, 2009, Authors: Bill Chambers, Canada, Comedy, Crime, Documentary, Film Festivals, Music, Thriller, TIFF

Too long for Twitter, too brief for the capsule page, some quick takes on films screened at this year’s TIFF:
A Gun to the Head (d. Blaine Thurier)
Those who, like me, missed Male Fantasy, the sophomore feature of Blaine Thurier, may find themselves at a loss to distinguish between Thurier’s growth as a filmmaker and advancements in digital video since his directorial debut, the better-in-retrospect Low Self Esteem Girl. Thurier’s latest, the Vancouver-lensed A Gun to the Head, is comparatively polished, yet the film, with its focus again on suburban drug culture, feels dismayingly unevolved coming from someone who leads a prolific life that includes a steady gig as the keyboardist for the indie-rock supergroup The New Pornographers–even as it cops to a certain anxiety about abandoning comfortable milieux via Trevor (Tygh Runyan), a newlywed struggling with the demands of marriage in the face of his old freedoms. Basically a bush-league Mikey and Nicky, the picture has Trevor ferrying paranoid cousin Darren (Paul Anthony) all over town on a drug run just to avoid the dinner party his wife (Marnie Robinson, the spitting image of Jordana Spiro) is throwing back home; eventually the two run afoul of Darren’s suppliers, who have already shown themselves capable of murder. I will say that Thurier is good with actors–this cast really brings it, with the suddenly-vivacious Sarah Lind a particular standout. (Revealing hidden comic chops, she plays a nasal-voiced bimbo who only picked up the word for “um” on her trip to Japan.) Lead baddie Hrothgar Mathews unfortunately bears a sometimes-striking resemblance to Glenn Gould the same year a documentary about the famous pianist plays alongside A Gun to the Head at the TIFF. Which leads me to… (**/4, by the way.)

TIFF ’09: Up in the Air

Posted in2000s, 2009, Authors: Bill Chambers, Comedy, Drama, Film Festivals, Romance, TIFF
**½/**** directed by Jason Reitman by Bill Chambers Jason Reitman's Up in the Air calls inveterate bachelor George Clooney to the stand to defend his enviable lifestyle to the civilized world. Alas, since this is mainstream Hollywood, where no undomesticated man goes unpunished, the jury's rigged. But first, the rest of it. Clooney's thinly-veiled alter ego, Ryan Bingham, is a corporate hatchet-man-for-hire who loves travelling and all the freedom from responsibility that implies. He's never been married, has no kids, and with business booming (thanks to our current economic crisis), it looks like he's not that far off from achieving…

The Odd Couple (1968) [Centennial Collection] – DVD

Posted in1960s, 2009, Authors: Alex Jackson, Comedy, DVD

**/**** Image B+ Sound B+ Extras C
starring Jack Lemmon, Walter Matthau, John Fiedler, Herb Edelman
screenplay by Neil Simon, based on his play
directed by Gene Saks

by Alex Jackson My high-school psychology teacher used The Odd Couple‘s Oscar and Felix as an example of two men who had never resolved the anal stage of Sigmund Freud’s model for psychosexual development. Oscar (Walter Matthau) is anal-expulsive, rebelling against toilet-training well into adulthood, wallowing in his own filth and living completely in the moment. Felix (Jack Lemmon) is anal-retentive, finding pleasure in withholding his feces as a child, and as an adult obsessively cleaning and re-cleaning his surroundings and living by a strictly controlled schedule. Indeed, playwright Neil Simon’s The Odd Couple seems custom-built to illustrate the anal-stage concept in Freudian psychosexual development. In a broader sense, The Odd Couple is also an overt embodiment of the Apollonian/Dionysian dichotomy: Felix represents the need to create order, whereas Oscar represents the need to maintain a natural chaotic state.

Adventureland (2009) + Alien Trespass (2009)|Adventureland (2009) – Blu-ray + Digital Copy

Adventureland (2009) + Alien Trespass (2009)|Adventureland (2009) – Blu-ray + Digital Copy

Posted in2000s, 2009, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, Comedy, Coming of Age, Drama, Horror, Romance, Satire, Sci-Fi, Teen, Theatrical, Thriller

ADVENTURELAND
***½/**** Image A- Sound A- Extras B
starring Jake Eisenberg, Kristen Stewart, Martin Starr, Margarita Levieva
written and directed by Greg Mottola

ALIEN TRESPASS
***/****
starring Eric McCormack, Jenni Baird, Robert Patrick, Dan Lauria
screenplay by Steven P. Fisher
directed by R. W. Goodwin

by Ian Pugh In everyone’s life, there’s a summer of ’42, but of course it was never as wonderful as you remember. Although Greg Mottola’s Adventureland is set in 1987, that’s almost incidental–it really takes place in that hazy cloud known as “the past,” full of fly-by-night jobs rife with fraud and deceit, fairweather friends who sock you in the crotch, and, of course, the music that brings to mind painful experiences perhaps best left forgotten. (Funny to think that this might be the ideological inverse of another great 2009 film about memory, The Uninvited: unhealthily obsessive instead of unhealthily in denial.) The key to understanding the film, I think, lies in Falco‘s New Wave anthem “Rock Me Amadeus,” here serving as an inescapable nightmare at the titular amusement park, where it’s pumped through the sound system ad nauseam (“Can you give me an ice pick that I can just jam into my ears?”). But then the romantic confusion driving the plot unravels in a series of betrayals, and that same song becomes a damning elegy. Seems strange that the director of Superbad, an instant classic of maturity-through-childishness and nostalgia-without-precedent, should deliver something so angry and contradictory for a follow-up. Perhaps it is strange–but Adventureland is also a more honest, more personal, and, most importantly, more mature film than Superbad.

Parker Lewis Can’t Lose: The Complete First Season (1990-1991) – DVD

Parker Lewis Can’t Lose: The Complete First Season (1990-1991) – DVD

Posted in1990s, 2009, Authors: Jefferson Robbins, Comedy, Coming of Age, DVD, Scream/Shout! Factory, Teen, Television

Image C Sound B Extras B-
“Pilot,” “Operation Kubiac,” “Power Play,” “Parker Lewis Must Lose,” “Close, But No Guitar,” “G.A.G. Dance,” “Love’s a Beast,” “Saving Grace,” “Musso & Frank,” “Deja Dudes,” “Radio Free Flamingo,” “Science Fair,” “”Teacher, Teacher,” “Rent-a-Kube,” “Heather the Class,” “Jerry: Portrait of a Video Junkie,” “Splendor in the Class,” “The Human Grace,” “Citizen Kube,” “Randall Without a Cause,” “Jerry’s First Date,” “Against the Norm,” “King Kube,” “Teens from a Mall,” “My Fair Shelly,” “Parker Lewis Can’t Win”

by Jefferson Robbins It’s the cool uncle of “Malcolm in the Middle”. It’s got “Scrubs” among its progeny, and the ’80s teen comedies of Savage Steve Holland somewhere back up the line of descent. It may have single-handedly established the swoosh-smash-zip school of sitcoms, festooned with sound effects, inner monologues, and discursive daydreams. If it wanted, “Parker Lewis Can’t Lose” could claim “Family Guy” as a descendant, for the way it appropriates “Parker”‘s absurdist jump-cuts to tangential situations.1

Duplicity (2009) – DVD

Posted in2000s, 2009, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, DVD, Germany, Romance, Thriller

*½/**** Image B Sound A- Commentary B+
starring Clive Owen, Julia Roberts, Tom Wilkinson, Paul Giamatti
written and directed by Tony Gilroy

by Walter Chaw Tony Gilroy’s droll, deadly dull Duplicity is the kind of movie Cary Grant made in the Sixties: wheel the old dear out in a nice suit and have him recite reams of dialogue to some woman in various scenic locales. It’s not an elderly movie, it just seems that way. The “some woman” in this scenario is Julia Roberts (fresh from Maria Shriver’s face-sharpener), making her umpteenth triumphant return to the silver screen on the sloping, mopey, rumpled, shoulders of fading A-lister Clive Owen, who apparently can’t say “no” lately to would-be prestige pictures abandoned in the doldrums of the first part of the year.

Paper Heart (2009)

Posted in2000s, 2009, Authors: Ian Pugh, Comedy, Drama, Esoterica, Romance, Theatrical

*½/****
starring Charlyne Yi, Jake Johnson, Michael Cera
screenplay by Nicholas Jasenovec & Charlyne Yi
directed by Nicholas Jasenovec

by Ian Pugh The twain where mainstream comedy conventions and a certain vogue-ish indie aesthetic meet, Paper Heart is desperate to be seen as an earnest exploration of love but done in by an almost suffocating desire to please. Any emotion or profundity to be taken from this hybrid documentary is rendered irrelevant by its attempts to increase its entertainment value through cheap laughs. Comic Charlyne Yi (Knocked Up) is touring the nation asking passersby from all walks of life their thoughts on the nature of love when a chance encounter with young gadabout Michael Cera (Michael Cera)–more or less Yi’s ideological soul mate–convinces her documentary’s director, Nick Jasenovec (played on camera by an affable Jake Johnson), that they’ve found the perfect opportunity for romantic skeptic Yi to experience love first hand. It’s a prefab narrative scenario meant to complement the documentary footage, though it’s not exactly a “standard” love story since it casts doubt on whether anyone is actually in love. The problem is that it employs the worn-out tactics of pretty much every lame juvenile laffer from the last four years: bad jokes are told, then let out in the air to die–and everyone stares at each other for longer than is deemed socially acceptable. Because even the documentary aspects aren’t enough to stand on their own, each story of true love is recreated by one of Yi’s intentionally amateurish puppet shows/third-grade dioramas, with the major players represented by Popsicle-stick people and every metaphor literalized to the point of ridiculousness.