Viva Las Vegas (1964) – Blu-ray Disc

July 12, 2011Posted in1960s, 2011, Authors: Bill Chambers, Blu-ray Disc, Comedy, Musical, Sports

***/**** Image A+ Sound A Extras B-
starring Elvis Presley, Ann-Margret, Cesare Danova, William Demarest
screenplay by Sally Benson
directed by George Sidney

Vivalasvegascap

by Bill Chambers First, a word about Richard Attenborough's awesome, heartbreaking Magic. In that 1978 film, Anthony Hopkins plays Corky, a rising star on the ventriloquism circuit–hey, it was the '70s–who beats a hasty retreat to the Catskills to avoid a psychiatric evaluation that would doom his chances of working at NBC. There, he looks up his high-school crush, Peggy Ann Snow (Corky used to recite this sadly desperate/desperately sad rhyme about her: "Peggy Ann Snow, Peggy Ann Snow/Please let me follow, wherever you go"), who really could've been played by any actress of the moment approaching middle age, from Ellen Burstyn to Jill Clayburgh to Marsha Mason to Faye Dunaway. But Attenborough, ingeniously, cast former sex kitten Ann-Margret, so that Corky's nostalgic affection for Peggy isn't an abstract concept. Thereafter, the actress made a cottage industry out of her fading torchdom that reached its inevitable apotheosis when she tackled Blanche Dubois, but in Magic, it provides a crucial point of identification with a main character who can be inscrutable and unlovable that we have a pretty good idea of what Peggy Ann Snow used to be like. We'd pine for her, too.

Horrible Bosses (2011)

July 7, 2011Posted in2011, Authors: Ian Pugh, Comedy, Crime, Theatrical

***½/****
starring Jason Bateman, Charlie Day, Jason Sudeikis, Jamie Foxx
screenplay by Michael Markowitz and John Francis Daley & Jonathan Goldstein
directed by Seth Gordon

Horriblebossesby Ian Pugh A straight-white-male fantasy of the most ridiculous order, Horrible Bosses begins with a trio of working shmoes who are, ironically, comfortable enough to go drinking every night and bemoan how their bosses are making their lives a living hell. Office jockey Nick (Jason Bateman, in his best performance in ages) has been passed up for a promotion by the sadistic Harken (Kevin Spacey); dental assistant Dale (Charlie Day) works under constant sexual harassment from Julia Harris, DDS (Jennifer Aniston, hilarious for a change); and chemical-plant employee Kurt (Jason Sudeikis) is suddenly thrust into the dominion of middle-aged frat boy Bobby Pellit (Colin Farrell, perfection). They can't just quit their jobs because the economy's in the toilet, so the only sane solution is for them to band together and kill their employers. The joke that propels the film is that their poorly-conceived plans amount to little more than one of those online "kill your boss" simulators, and Horrible Bosses occasionally seems to acknowledge its plot as a grossly oversimplified game. A recon mission yields no intel that would be useful to these would-be hitmen, while Kurt puts Pellit's toothbrush up his ass and Dale plays "Angry Birds" on his iPhone to work off an accidental coke binge.

She’s Out of My League (2010) – Blu-ray Disc

July 6, 2011Posted in2000s, 2010, Authors: Jon Thibault, Comedy, Romance, ZERO STARS

ZERO STARS/**** Image A Sound A Extras D
starring Jay Baruchel, Alice Eve, T.J. Miller, Mike Vogel
screenplay by Sean Anders & John Morris
directed by Jim Field Smith

by Jon Thibault

What happens when a beautiful, wealthy event planner meets a scrawny, socially maladroit, uneducated TSA security guard who's too uncoordinated to shave his own balls?

Love!

Rango (2011) – Blu-ray + DVD + Digital Copy

July 5, 2011Posted in2011, Action, Adventure, Animation, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, DVD, Western

***/**** Image A+ Sound A+ Extras A-
screenplay by John Logan
directed by Gore Verbinski

by Walter Chaw Before he succumbed to bloat with his two Pirates of the Caribbean sequels, Gore Verbinski struck me as a particularly bright light in American genre pictures. His remake of The Ring and the first Pirates of the Caribbean flick were a one-two step that seemed more indicative of his promise than the not-awful-in-retrospect The Mexican and the awful but not bloated Mousehunt. (Well, okay, it was a little bloated.) When he’s right, his stuff plays a lot like South Korea’s genre cinema: walking a tightrope between grotesquerie and lightness that happens so seldom outside of Seoul it’s fair to wonder if proximity to an entertaining dictator is prerequisite. With the CG-animated, Industrial Light & Magic-assisted Rango, Verbinski teams again with muse Johnny Depp to send up Depp’s muse Hunter S. Thompson in what functions as a kind of footnote to both Terry Gilliam’s Fear and Loathing in Las Vegas and Sergio Leone’s four-film Spaghetti Western cycle. Unfortunately, it also references Polanski’s Chinatown and Verbinski’s own concept of an antiseptic purgatory from his endless Pirates of the Caribbean: At World’s End.

Gross Anatomy (1989); Betsy’s Wedding (1990); The Gun in Betty Lou’s Handbag (1992) – Blu-ray Discs

June 29, 2011Posted in1980s, 1990s, 2011, Authors: Jefferson Robbins, Blu-ray Disc, Comedy, Drama, Japan, Mystery, Romance

GROSS ANATOMY
**½/**** Image C Sound D+
starring Matthew Modine, Daphne Zuniga, Christine Lahti, Todd Field
screenplay by Ron Nyswaner and Mark Spragg
directed by Thom Eberhardt

BETSY'S WEDDING
***/**** Image C Sound D+
starring Alan Alda, Joey Bishop, Madeline Kahn, Molly Ringwald
written and directed by Alan Alda

THE GUN IN BETTY LOU'S HANDBAG
**/**** Image C Sound D+
starring Penelope Ann Miller, Eric Thal, William Forsythe, Alfre Woodard
screenplay by Grace Cary Bickley
directed by Allan Moyle

by Jefferson Robbins To sample three Blu-ray editions fresh out from discount distributor Mill Creek Entertainment, you'd think film comedy in the late 1980s and early '90s was at a tipping point. Or, at least, you'd think this of Touchstone, the Disney sub-studio behind Gross Anatomy, Betsy's Wedding, and The Gun in Betty Lou's Handbag. All three films seem swamped by the decade shift, caught between John Hughes's early-'80s youth revolution and the hardening of romcom formulas that would come to pass after 1990's Pretty Woman (also a Touchstone product). One of the three films, in fact, barely qualifies as a comedy, although it was surely marketed as such. The sense one gets watching them today is of opportunities missed, of storytelling approaches gently meshed together when they should've been gleefully mashed, and of an aversion to risk above all.

House Party (1990) – DVD

June 29, 2011Posted in1990s, Authors: Jon Thibault, Comedy, DVD

½*/**** Image B+ Sound A
starring Kid 'N Play, Full Force, Martin Lawrence, Robin Harris
written and directed by Reginald Hudlin

by Jon Thibault Any movie starring people with names like Kid 'N Play, Bowlegged Lou, B-Fine, and Martin Lawrence is destined to suck. Add mediocre-at-best writer–director Reginald Hudlin, and you're staring down the barrel of a 12-gauge crap rifle. Yet House Party spawned two sequels and became an early-'90s cross-over phenomenon: a purportedly comedic take on the popular urban genre of the time, like Boyz n the Hood and Do the Right Thing, only with funny violence and racism. Now, decades later, it sports a 95% "fresh" rating on ROTTEN TOMATOES, which proves once again that white guilt (more specifically, white liberals' fear of appearing racially insensitive) almost always trumps professional integrity–an attitude that's patronizing to black filmmakers and loathsome in its self-congratulatory mendacity.

Cars 2 (2011)

June 24, 2011Posted in2011, Adventure, Animation, Authors: Ian Pugh, Comedy, Disney, Family, Pixar, Sports, Theatrical

*½/****
screenplay by Ben Queen
directed by John Lasseter

Cars2by Ian Pugh SPOILER WARNING IN EFFECT. Trading the ’50s Americana of the original for ’60s British adventure, Cars 2 seems, for a moment there, like it might actually work. The inhumanity that Walter Chaw correctly attributed to Cars scores a few subversive points in this sequel, filled as it is with complicated stunts that are, amusingly, impossible for automobiles to perform. (Even sillier: all of the anthropomorphic spy cars are retrofitted with Gatling guns and assault rifles.) But all is lost as tow-truck hick Mater (voice of Larry the Cable Guy) takes centre-stage in a convoluted espionage scheme, meaning that Cars 2 stoops to the same mistaken-identity spy parody that children’s movies have beaten into the ground since 1966’s The Man Called Flintstone. The subversion runs completely dry after the pre-title sequence, as our resident Connery (?) Finn McMissile (Michael Caine) jumps and shoots his way across oil derricks, only to hand over the reins to the blander heroes of the previous film. So the same old car jokes prevail as Pixar keeps shovelling coal onto a dead fire. Find one more extraneous character in Finn’s liaison Holley Shiftwell (Emily Mortimer), whose primary function is to prove that Bondian double-entendres don’t have much impact when everyone’s name is a double-entendre.

Hall Pass (2011) [Enlarged Edition] – Blu-ray Disc

June 20, 2011Posted in2011, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, Comedy, Romance

***/**** Image B+ Sound A- Extras C-
starring Owen Wilson, Jason Sudeikis, Jenna Fischer, Christina Applegate
screenplay by Pete Jones & Peter Farrelly and Kevin Barnett & Bobby Farrelly
directed by Peter Farrelly & Bobby Farrelly

by Ian Pugh SPOILER WARNING IN EFFECT. Rick Mills (Owen Wilson) is in real estate and Fred Searing (Jason Sudeikis) sells life insurance–and yet these guys treat their own marriages, indeed their own lives, as an epic burden, so where do they get off trying to sell us peace-of-mind? Their leering obsession with sex has become all-consuming of late, prompting their wives (Maggie (Jenna Fischer) and Grace (Christina Applegate)) to grant them a hall pass: a "week off from marriage" in which they have the freedom to do whatever they want with the opposite sex without fear of recrimination. The Farrelly Brothers' Hall Pass tells a fairly conventional story about men and women who very slowly come to recognize just how much they love their significant others. But one thing it doesn't fully reconcile is this impulse that finds the movie's middle-aged male characters blinking madly at attractive women, taking "mental photographs for [their] spank bank"–because even once they've learned their lessons and shouted them from the rooftops, they're still taking those mental photographs. Beneath a thin veneer of sex jokes, the movie is about the denial and suppression of regret that occurs in the quest for long-term happiness.

The Silent House (2011) + Rubber (2010)

May 24, 2011Posted in2010, 2011, Adventure, Authors: Walter Chaw, Comedy, Drama, Esoterica, France, Horror, Mystery, Theatrical, Thriller, Uruguay

La casa muda
***½/****
starring Florencia Colucci, Abel Tripaldi, Gustavo Alonso, María Salazar
screenplay by Oscar Estévez
directed by Gustavo Hernández

RUBBER
½*/****
starring Stephen Spinella, Roxanne Mesquida, Jack Plotnick, Wings Hauser
written and directed by Quentin Dupieux

by Walter Chaw Billed as being filmed in a single shot (though the skeptical–and those taken in by the "unedited" long takes of Alfonso Cuarón's Children of Men–should wonder why an editor is credited), Gustavo Hernández's zero-budget conceptual experiment The Silent House (La casa mudi) has found a way not only to suggest a gimmick successfully carried through, but also to weave that gimmick into a richer thematic tapestry. Here, the digital camera isn't carried by a protagonist, Blair Witch-like, but instead floats around the victim of the movie's horrors, one Laura (Florencia Colucci), who's endeavouring with father Wilson (Gustavo Alonso) to clean up an old abandoned house in preparation of its sale. The camera does take on the point-of-view of someone at some point, then jumps back to an objective place, then plays that trick Evil Dead II plays with perspective in the scene where Ash wakes up in a clearing and looks around in a panning 360-degree take, only for the audience to discover that the camera eye is both character and commentator, more physical in its way than a first-person point-of-view could ever be. In a genre dependent on cutting for its scares, in fact, The Silent House's accomplishments are all the more impressive. It's suffocating (I'd never considered how liberating edits were from a complete immersion into a film) and at times unbearably tense–and though some will point to the airlessness of Hitch's Rope or the fluid choreography of Alexander Sokurov's Russian Ark, The Silent House is a different beast altogether.

Midnight in Paris (2011)

May 20, 2011Posted in****/****, 2011, Authors: Ian Pugh, Comedy, Fantasy, France, Romance, Spain, Theatrical

****/****
starring Kathy Bates, Adrien Brody, Carla Bruni, Marion Cotillard
written and directed by Woody Allen

Midnightinparisby Ian Pugh Midnight in Paris begins with a Manhattan-esque montage of the titular city, and after so many consecutive duds, Woody Allen has finally rediscovered (and relocated) the vital essence that traces back to his very best films. Don't mistake his latest for a nostalgic throwback, though–in fact, it's something of an essay on the dangerous intoxication of nostalgic throwbacks. Take it, too, as fair indication that Allen has shared our frustrations with his recent output and knew that the only way to get out of his rut was to confront the spectre of his earlier work. While he probably hates himself for it, it was bound to happen sooner or later: The pull of the past is simply too great to resist. Here, Manhattan becomes Paris, Paris becomes Manhattan, and we're left to wonder what, exactly, that's supposed to mean in the long run. Allen projects himself onto a younger avatar, who in turn projects himself onto the artists who came before him, who in turn have their own projections to deal with. As usual, Allen stops the action cold to explain his theses in a brief monologue, but for the first time in a long time, it feels necessary. It feels like legitimate self-criticism.

Hesher (2011) + Everything Must Go (2011)

May 13, 2011Posted in2011, Authors: Ian Pugh, Comedy, Drama, Theatrical

HESHER
***½/****
starring Joseph Gordon-Levitt, Devin Brochu, Rainn Wilson, Natalie Portman
screenplay by Spencer Susser & David Michôd
directed by Spencer Susser

EVERYTHING MUST GO
*½/****
starring Will Ferrell, Rebecca Hall, Michael Peña, Laura Dern
screenplay by Dan Rush, based on the story "Why Don't You Dance?" by Raymond Carver
directed by Dan Rush

by Ian Pugh You could say that Spencer Susser's Hesher is about the desperate search for philosophical guidance during times of grief and how it can come from the unlikeliest of places…but that's the easy-to-digest version. The eponymous longhaired, frequently-shirtless metalhead makes for an intentionally obvious allegory; less obvious is Hesher's message that Christ was probably nothing like the Fonz. Troubled young lad T.J. (Devin Brochu) is still reeling from his mother's death, and during one of his frequent temper tantrums, he runs afoul of Hesher (Joseph Gordon-Levitt), who responds by moving into T.J.'s house uninvited. Hesher's a profane slob prone to bouts of unprovoked violence, but Dad (Rainn Wilson) is too depressed to care and wacky old Grandma (Piper Laurie) takes Hesher in senile stride. So, T.J. is forced to live with this new houseguest under threat of a "skullfucking." Admittedly, the picture boils down to a series of wacky vignettes (in which Hesher hounds T.J. and fucks up his life accordingly), though anyone looking for a genuine moral centre is bound to be disappointed. While Hesher inevitably teaches the characters about the virtues of moving on, the very fact of Hesher himself throws doubt on the intentionality of his lessons. Offering advice in the form of vulgar, half-assed metaphors, he is perhaps best described as an out-of-control golem conjured by an adolescent's directionless rage.

The Sorcerer’s Apprentice (2010) – Blu-ray + DVD

May 9, 2011Posted in2000s, 2010, 2011, Action, Adventure, Authors: Walter Chaw, Blu-ray Disc, Comedy, Disney, Drama, DVD, Family, Fantasy, Nicolas Cage

*/**** Image A+ Sound A+ Extras D
starring Nicolas Cage, Jay Baruchel, Alfred Molina, Teresa Palmer
screenplay by Matt Lopez and Doug Miro & Carlo Bernard
directed by Jon Turteltaub

by Walter Chaw Disney was headed this way before The Little Mermaid–then Pixar–gave them the illusion of a new direction. But all along, the dirty little secret in the House of Mouse has been that, Eisner or not, the company's sensibilities lie in the exhumation and unnatural reanimation of their vault product, whether it be in repackaging the old grey mares or offering dtv sequels to the same, or mounting big-budget revamps of past "glories." Then, accidentally, they made a good film with the first Pirates of the Caribbean, which reminds of a certain thing with blind squirrels and nuts. So it comes as no surprise that Disney, dealing with a congenital paucity of imagination, has reached the point where it's actually making movies based on a portion of a movie. Next up? That Spaghetti Scene from Lady and the Tramp: The Movie. But first, there's Jon Turteltaub and Jerry Bruckheimer's The Sorcerer's Apprentice, hoping to conjure up (ha) the nominal success of their National Treasure franchise on the back of a specious premise cobbled together so they can repurpose part of Fantasia in live-action. Bad idea? Really bad idea.

Robots (2005) – Blu-ray Disc

April 11, 2011Posted in2000s, 2011, Adventure, Animation, Australia, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, Family, Romance, Sci-Fi, UK

**/**** Image A- Sound B+ Extras C+
screenplay by David Lindsay-Abaire and Lowell Ganz & Babaloo Mandel
directed by Chris Wedge and Carlos Saldanha

by Walter Chaw Surprisingly, perhaps shockingly, Robots isn't terrible, even though it's a product of the same chowderheads behind Ice Age and even though it's your basic ramshackle kid's flick/self-esteem trope (complete with closing musical number) upon which the Shrek franchise has founded a scatological empire. What works in its favour is its attention to the little details of a world that, without explanation, is completely populated by robots that employ other robots in specialized, superfluous functions. What works against it is the lack of a firm grip on Robin Williams's bridle (resulting in a bunch of gay jokes that weren't funny when Milton Berle was doing them half a century ago), a weak reliance on pop cultural in-jokes that are already dated (Britney Spears? C'mon–why not Ricky Martin?), and the usual roster of fart and diarrhea jokes, which aren't exactly a calling card for immortality. The appropriately-named Blue Sky animation studio promises a lot with its giant mainframes, but it can't deliver anything beyond a brilliant opening sequence, a Tom Waits song (like Shrek 2), and then a lot of the same passionless, heartless idiotspeak that passes for children's fare nowadays.

Your Highness (2011)

April 8, 2011Posted in2011, Adventure, Authors: Walter Chaw, Comedy, Fantasy, Romance, Satire, Theatrical

*/****
starring Danny McBride, James Franco, Natalie Portman, Zooey Deschanel
screenplay by Danny R. McBride & Ben Best
directed by David Gordon Green

Yourhighnessby Walter Chaw David Gordon Green continues his burnout trilogy with the medieval stoner swords & sorcery flick Your Highness, a sharp, incisive satire that rips the lid off the long-held secret of smart people-in-the-know that Red Sonja is a piece of shit. It's an extended, hostile slam of stuff like Clash of the Titans, and just because it's better than, say, Excalibur, that doesn't excuse it for being the kind of movie "Mystery Science Theater" would make if it made movies instead of taking shots at them from a privileged position. There's no love in Your Highness–replacing Harryhausen's clockwork Bubo with an animatronic crow that's resurrected from a trash heap in an offhand rejection of the Clash of the Titans remake doesn't go nearly far enough towards convincing me that Green and his writers, Danny McBride and Ben Best, actually give a damn about the genre or any of its key films. I'm not sure the genre merits much respect, frankly, but all I'm really certain of after this one is that the filmmakers thought Ladyhawke would be a lot better with a fat slob saying "fuck" and wearing a penis around his neck. Indeed, in case you were wondering, Your Highness is in the same family as the asshole who writes "faggot" on your forehead in Sharpie while you're sleeping.

48Hrs. (1982) – Blu-ray Disc

April 6, 2011Posted in****/****, 1980s, 2011, Action, Authors: Walter Chaw, Blu-ray Disc, Comedy, Eddie Murphy, Thriller

****/**** Image B- Sound B
starring Nick Nolte, Eddie Murphy, Annette O’Toole, Frank McRae
screenplay by Roger Spottiswoode and Walter Hill & Larry Gross and Steven E. de Souza
directed by Walter Hill

by Walter Chaw A genuinely tetchy, risky race comedy, Walter Hill’s finest box-office hour reveals itself to be his finest hour, period. There’s a moment in 48Hrs. where dishevelled grizzly bear of a cop Jack (Nick Nolte, typecast) apologizes to the convict in his charge, Reggie (Eddie Murphy), for calling him a “nigger” and a “watermelon,” to which a smiling Reggie responds that, you know, there’s not always an explanation or an excuse for things sometimes. And it’s that moment that defines the film–defines it as a prototype for the modern buddy comedy but, moreover, defines this picture and this man, Murphy (then finishing up his second year on SNL), as the most important African-American actor since Sidney Poitier, in a meatier, more meaningful role than Poitier ever had. He is unapologetically a criminal–not the Desperate Hours/Stanley Kramer-ized Christ-like criminal or the super-duper Green Mile magic Negro con, but a horny, profane, violent, venal criminal measuring the angles and deciding to help the fuzz because there’s something attractive to him about becoming rich off the spoils of the heist that landed him in the pen in the first place. Reggie, in other words, is smart as hell, as well as the product of a certain reality that would drive Spencer Tracy and Katharine Hepburn absolutely insane. Better still, Jack is smart as hell, too, and fifteen years after In the Heat of the Night here, finally, is a dynamic between a black guy and a white guy solving a case that rings with all the pain, injustice, and social weight necessary to tell the unsolvable calamity of race in our country.

The Incredibles (2004) – [2-Disc Collector’s Edition – Widescreen] DVD + 2-Disc Blu-ray + DVD + Digital Copy

April 5, 2011Posted in****/****, 2000s, 2011, Action, Adventure, Animation, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, DVD, Espionage, Family, FFC Must-Own, Pixar, Superhero

****/****
DVD – Image A+ Sound A+ Extras A+
BD – Image A Sound A Extras A+
written and directed by Brad Bird

Incrediblescap

by Walter Chaw The first hint that there's something at work in The Incredibles far beyond the pale is the casting of Sarah Vowell as the voice of wilting Violet, the wallflower older sister in the Incredibles' nuclear family. Vowell herself is a brilliant satirist, a gifted writer, and in her heart o' hearts, a bona fide autobiographical anthropologist. She mines the tragedies of her life for insight into the thinness of the onionskin separating our ability to function with the iron undertow of self-doubt and disappointment that comprises all of our paralyzed yesterdays. The Incredibles does a lot of things well–a lot of the same things, as it happens, that Sarah Vowell does well. Through two Toy Story films and last year's fantastically topical Finding Nemo, Pixar has provided the new gold standard in children's entertainment, and it has consistently done so by injecting an amazing amount of insight and depth into the foundation of its bells and whistles.

Moonstruck (1987) [Deluxe Edition] – DVD|Blu-ray Disc

March 24, 2011Posted in1980s, 2011, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Blu-ray Disc, Comedy, Drama, DVD, Nicolas Cage, Romance

**/****
DVD – Image B Sound B+ Extras B+
BD – Image B- Sound B+ Extras B+
starring Cher, Nicolas Cage, Vincent Gardenia, Olympia Dukakis
screenplay by John Patrick Shanley
directed by Norman Jewison

by Travis Mackenzie Hoover SPOILER WARNING IN EFFECT. If you were to make a film about African-Americans in which everyone is shiftless, ignorant, and constantly eating watermelon or fried chicken and acting lascivious, you’d be rightly vilified for your inherent racism. But if you were to make a film about Italian-Americans in which everyone is loud, hilarious, and constantly eating pasta and acting lascivious, apparently you’d be rewarded with the Oscar for Best Original Screenplay. That, at least, is the conclusion one draws from watching the stereotype cavalcade that is Moonstruck, which, however affectionate, creates a tedious minstrel show out of those wacky Eye-talians while minimizing their pain. There’s plenty of talk about the chaos of love and the torment of attraction, but who are they kidding? That everything works out in the end for problems that would normally rip a family apart is par for the course in a Norman Jewison film, meaning baked ziti for all and true drama for none.

Paul (2011)

March 18, 2011Posted in2011, Adventure, Authors: Walter Chaw, Comedy, Sci-Fi, Theatrical, UK

*/****
starring Simon Pegg, Nick Frost, Jason Bateman, Sigourney Weaver
screenplay by Simon Pegg & Nick Frost
directed by Greg Mottola

Paulby Walter Chaw As talky and obsessed with Star Wars as a Kevin Smith joint and every bit as awkward and unfunny for extended stretches, Greg Mottola's Paul squanders a wonderful cast and a vaguely interesting concept in pursuit of the same pomo alchemy wrought in the kinds of movies Edgar Wright makes. Not all the blame can be ladled on Mottola, however, as he appears to be the patsy holding the camera for co-screenwriters/stars/buddies Simon Pegg and Nick Frost, engaged in what's probably some weak, last-ditch go at saving Frost's career. Pegg and Frost are British geeks Clive and Graeme, touring UFO landing sites in the American hinterland after a jaunt at the San Diego Comic-Con. One night outside Area 51, naturally, they pick up hitchhiker Paul (voiced by Seth Rogen), a foul-talking "gray" who smokes doobies, drinks beer, and generally acts a lot like Howard the Duck. The premise paves the way for the usual stuff about a virgin (Buggs (Kristin Wiig)) wanting to fornicate and indulging in wacky-tobaccy; about fag-hating rednecks in a honkytonk with a band that plays a bluegrass version of the Cantina Theme from Star Wars; and about referencing everything from Capturing the Friedmans to Close Encounters of the Third Kind (with an assist from Steven Spielberg on the phone, no less). As the government suit responsible for Paul's capture, Sigourney Weaver gets her iconic "get away from her, you bitch" recited to her at Devil's Tower, while Jeffrey Tambor gets to do a devastating impersonation of Whitley Strieber–meaning that if there are chuckles to be had along the way, they're the asthmatic, superior kind that Comic Book Guy on "The Simpsons" enjoys.

Cosmonaut (2009)

March 16, 2011Posted in2000s, 2011, Authors: Bill Chambers, Comedy, Coming of Age, Drama, Italy, Teen

Cosmonauta
**½/****
starring Claudio Pandolfi, Sergio Rubini, Mariana Raschilla, Pietro Del Giudice
screenplay by Susanna Nicchiarelli, Teresa Ciabatti
directed by Susanna Nicchiarelli

Cosmonautby Bill Chambers Susanna Nicchiarelli's Cosmonaut (Cosmonauta) opens with little Luciana fleeing Holy Communion, shedding the accoutrements of the ceremony on her sprint back home. She seems a little young to be throwing off the shackles of religious conformity, younger even than her alleged onscreen age of nine, but the punchline's priceless in its precociousness: "Because I'm a communist!" she barks when her mother asks why she left church. There's actually a bit more to her rebellion than that. With their dad gone (having died a "true communist"), she looks to her geeky older brother Arturo for guidance, and because it's 1957 and the Soviets are about to launch Sputnik, he favours the godless world of communism as well. From a North American perspective, the movie is interesting in that respect, as very rarely do our history books stop to consider the excitement that Sputnik and Yuri Gagarin must have engendered in Europe on their way to depicting America's mad rush to win the space race. Even propaganda footage showcasing the likes of Laika the Russian dog–which forms the basis of transitional montages similar to but less operatically intense than the ones that constitute a good portion of Marco Bellocchio's Vincere–was mostly new to me. In fact, when the moon-landing cropped up in the finale, I breathed a sigh of disappointment, though it's worth noting that it may not be such a cliché in Italy.

The Romantics (2010) – DVD

March 8, 2011Posted in2000s, 2010, 2011, Authors: Walter Chaw, Comedy, Drama, DVD, Romance, ZERO STARS

ZERO STARS/**** Image C Sound B Extras D
starring Katie Holmes, Josh Duhamel, Anna Paquin, Elijah Wood
screenplay by Galt Niederhoffer, based on her novel
directed by Galt Niederhoffer

by Walter Chaw Though technically correct, I much prefer the term “Romanticists” to “Romantics,” but that’s a fussy kind of neither here nor there in a film, hyphenate Galt Neiderhoffer’s The Romantics, that suffers from nothing like precision, elegance, or, crucially, poetry. It’s a nightmare–a handheld, artfully ugly mash-up of Rachel Getting Married and Dead Poets Society that starts with credits in Wes Anderson’s favourite font and slogs on through with Lilith Fair/coffee-shop folk and a character played by Katie Holmes who’s jealous of a character played by Anna Paquin’s boobs. Let’s call it a draw, ladies, and discuss instead this variety of faux-prestige romcom, which hijacks Lloyd Dobler’s holding of a boombox blaring Peter Gabriel over his head by having frickin’ Josh Duhamel hoist an iPhone with Keats’s “To a Nightingale” on its screen. It features idiots like dollar-store Cameron Diaz Malin Akerman and an increasingly Gollum-esque Elijah Wood in awkward supporting roles; allows scenarios like the nightmare rehearsal-dinner toast montage; and tasks Candace Bergen’s team of handlers and feeders to drag her out to yet again fulfill the role of Tyrannosaurus Reaction Shot. Good job, Ms. Neiderhoffer, for not only mistaking Catch & Release for Noah Baumbach or Lars Von Trier, for not only setting your indie emoti-fest in the Dan in Real Life bizarre-verse, but for borrowing a bad burlesque from the lame 27 Dresses, too.