Serendipity (2001)

October 5, 2001Posted in2000s, Authors: Walter Chaw, Canada, Comedy, Romance, Theatrical

***/****
starring John Cusack, Kate Beckinsale, Molly Shannon, Jeremy Piven
screenplay by Marc Klein
directed by Peter Chelsom

by Walter Chaw Dense with the hip references and list-making that have become trademarks of John Cusack’s films, Serendipity is a sweet confection just smart enough to be considered tasteful and just dumb enough to be forgotten. Set in the same New York as every bad Nora Ephron film (which is all of Nora Ephron’s films), Serendipity is awash in a twinkling yuletide cheer and the kind of magical realism that South American authors have made their stock in trade. Perhaps not so peculiarly, then, it appears to be very loosely based on Gabriel García Márquez’s star-crossed temporal love song Love in the Time of Cholera, a first edition of which plays a crucial role in the film. The book details a pair of young people who fall in love with each other over passionate letters and coded telegrams, but part when the woman falls ill upon their first meeting. Seeing it as an act of destiny, she marries a man within her own social caste, only coming back to her true love years after their initial opportunity was lost.

Dead Simple (2000) – DVD

August 20, 2001Posted in2000s, Authors: Walter Chaw, Canada, Comedy, Crime, Drama, DVD, Music

Viva Las Nowhere
**/**** Image B+ Sound B Extras B
starring Daniel Stern, Patricia Richardson, Lacey Kohl, Sherry Stringfield
screenplay by Richard Uhlig and Steven Seitz
directed by Jason Bloom

by Walter Chaw A bizarre cross between Psycho, Something Wild and Tender Mercies, Jason Bloom’s Dead Simple is one of those derivatively named direct-to-video productions that attempts the black comedy genre with a reasonable amount of aplomb and wide-eyed enthusiasm. It’s a Very Bad Things farce of escalating atrocities, and though Dead Simple never achieves the kind of sustained comic brilliance and continual nastiness of that movie, it does manage a few edged moments and keen performances from a cast that includes legendary bug-eyed hambones Daniel Stern and James Caan.

Second Skin (2000) – DVD

August 13, 2001Posted in2000s, Authors: Bill Chambers, Canada, DVD, Mystery, South Africa, Thriller, UK

**½/**** Image B+ Sound C
starring Natasha Henstridge, Angus MacFadyen, Liam Waite, Peter Fonda
screenplay by John Lau
directed by Darrell James Roodt

by Bill Chambers Second Skin is centred in and around a used bookshop where owner Sam Kane (Angus MacFadyen) cares more about indulging in the dog-eared pulp than making a living. Crystal (Natasha Henstridge) wanders in looking for a job, though, and while Sam doesn’t get enough customers to warrant an employee, he could use a tall blonde woman in his life, and tentatively hires her. Satisfied, she walks backwards out the door, bidding adieu, and is thwacked by a car in a hit-and-run. When Crystal comes to, in a hospital bed, she’s amnesiac. In what must be a rare act of altruism for him, Sam volunteers to assist Crystal in a rummage for her forgotten past.

The Caveman’s Valentine (2001) [Widescreen] – DVD

July 25, 2001Posted in2000s, Authors: Walter Chaw, Canada, Crime, Drama, DVD, Music, Mystery, Superhero, Thriller

***½/**** Image A+ Sound A+ Extras B-
starring Samuel L. Jackson, Ann Magnuson, Aunjanue Ellis, Tamara Tunie
screenplay by George Dawes Green, based on his novel
directed by Kasi Lemmons

by Walter Chaw A strange mixture of Shine, Basquiat, Angel Heart, and Grant Morrison & Dave McKean’s graphic novel Arkham Asylum, The Caveman’s Valentine is a feverish tale of a homeless madman-cum-detective who, on the morning of February 14th, discovers a “valentine” just outside his New York cave: one of Ella Fitzgerald’s strange fruit, stuck in the crotch of a tree–a young male model murdered and frozen to a branch. Believing at first that his imagined nemesis Stuyvesant, who shoots evil rays into his mind from atop the Chrysler Building, is responsible for the murder, Romulus (Samuel L. Jackson) is put on the trail of an avant-garde photographer in the Mapplethorpe mold, David Leppenraub (Colm Feore). His minor sleuthing interrupted by the occasional delusional fit and bouts with an ecstasy of creation (Romulus was a brilliant Julliard-trained pianist prior to his psychosis), Romulus uncovers clues and harasses suspects on his way to convincing his police-woman daughter (Aunjanue Ellis) that even though he’s a nut, that doesn’t mean he can’t solve a high-profile society murder.

Valentine (2001) – DVD

July 22, 2001Posted in2000s, Authors: Bill Chambers, Canada, DVD, Horror, Mystery, Thriller

**/**** Image A Sound B Extras C+
starring David Boreanaz, Denise Richards, Marley Shelton, Katherine Heigl
screenplay by Donna Powers & Wayne Powers and Gretchen J. Berg & Aaron Harberts, based on the novel by Tom Savage
directed by Jamie Blanks

by Bill Chambers There was a time in my life, not necessarily a proud one, when I based my video-rental selections on whether the box pictured some configuration of pointy knife, mask, and bug-eyed victim. Call it my 'boo' period; without it, I may never have seen Prom Night, and therefore not understood just how banal Valentine, its unofficial remake, really is. Prom Night is brain food by comparison, and it stars Leslie Nielsen! Still, I'd sooner watch Valentine again before much of today's quickie horror, if only to re-experience Denise Richards's eyebrow-raising performance. She suggests here an understudy for the understudy–the custodian who's been around long enough to pick up the lines but not necessarily the context in which they belong. In the words of Radiohead, she's like a detuned radio, but she's easily the most compelling thing in the film.

The Claim (2000) – DVD

July 14, 2001Posted in2000s, Authors: Walter Chaw, Canada, Drama, DVD, France, Romance, UK, Western

***½/**** Image A Sound A
starring Wes Bentley, Milla Jovovich, Nastassia Kinski, Peter Mullan
screenplay by Frank Cottrell Boyce
directed by Michael Winterbottom

by Walter Chaw Cold and barren as the winter’s landscape it inhabits, Michael Winterbottom’s exceptional retelling of Thomas Hardy’s The Mayor of Casterbridge is the delicate and maddening The Claim. It’s told in undertones and sidelong glances, gathering its strength from the inexorable tides of fate and the offhand caprices of nature that reflect the essential chaos at the centre of every man’s character. Hardy stated about The Mayor of Casterbridge that “it is not improbabilities of incident but improbabilities of character that matter,” and the subtitle of the novel is, consequently, “A Man of Character.” Though it’s possible to take the subtitle as ironic seeing as the titular main character is guilty in the first chapter (an incident related in the film as a flashback) of an act that is at the very least heinous, both novel and film are earnest in exploring the sticky gradations of morality without value judgment.

The Pledge (2001) – DVD

June 23, 2001Posted in2000s, Authors: Bill Chambers, Canada, Crime, Drama, DVD, Jack Nicholson, Mystery, Thriller

***½/**** Image A- Sound A-
starring Jack Nicholson, Benicio Del Toro, Aaron Eckhart, Helen Mirren
screenplay by Jerzy Kromolowski & Mary Olson Kromolowski, based on the novel by Fredrich Durrenmatt
directed by Sean Penn

by Bill Chambers The Pledge implicates anyone and everyone, especially its viewers. There are critics who like to remain situated on a high horse looking down at the movies: that group loathed The Pledge, because it knocked the saddle out from under them. Their reviews are full of defensive posturing, refusing to deal with the film head-on, denouncing exploitation before deciding on whom or what is being exploited. It’s easy to call The Pledge “sick,” for instance, because of the moment where Jack Nicholson’s Jerry Black sifts through crime-scene photographs of slain children and, because the camera is over his shoulder, so do we.

Lost and Delirious (2001) – DVD

May 9, 2001Posted in2000s, Authors: Walter Chaw, Canada, Drama, DVD, Romance

*½/**** Image A Sound B
starring Piper Perabo, Jessica Pare, Mischa Barton, Jackie Burroughs
screenplay by Judith Thompson, based on the novel The Wives of Bath by Susan Swan
directed by Léa Pool

by Walter Chaw A teen-lesbian Phenomenon without the maggots and psychotic chimp, Lost and Delirious is gawky, breathy, and self-important–just like a teenage girl, I guess, which makes the film difficult to criticize in a conventional way. It does such a good job with the portentousness of that mawkish Shakespeare-quoting period in a young woman's life that some will and have mistaken its gaucherie for a portrayal of gaucherie. But mostly what Lost and Delirious succeeds in doing is helping The Virgin Suicides and its portrait of the dulcet, ephemeral cult of childhood impress even more by comparison.

Urban Legends: Final Cut (2000) – DVD

February 5, 2001Posted in2000s, Authors: Bill Chambers, Canada, DVD, Horror, Mystery

*½/**** Image B Sound B Extras B
starring Jennifer Morrison, Matthew Davis, Hart Bochner, Joseph Lawrence
screenplay by Paul Harris Boardman & Scott Derrickson
directed by John Ottman

by Bill Chambers The absent piece of biographical info in John Ottman’s “talent file” on Columbia TriStar’s DVD release of his directorial debut, Urban Legends: Final Cut, is that the USC vet actually attended film school in a fairytale world of limited oversight and unlimited resources. This quasi-sequel to Urban Legend-minus-the-“s” is perhaps the least conscientious of modern slasher flicks by virtue of setting up myriad Spielberg wannabes for disappointment. It’s (just barely) amusing in that regard to people like myself who consider themselves “in the know,” but misleading to cineaste undergrads and the people who already hate them on principle.

Mother Night (1996) + Waking the Dead (2000) – DVDs

November 16, 2000Posted in****/****, 1990s, 2000s, Authors: Bill Chambers, Canada, Drama, DVD, Esoterica, FFC Must-Own, Mystery, Romance, Thriller, War

MOTHER NIGHT
***/**** Image A- Sound B+ Extras A
starring Nick Nolte, Sheryl Lee, Alan Arkin, John Goodman
screenplay by Robert B. Weide, based on the novel by Kurt Vonnegut
directed by Keith Gordon

WAKING THE DEAD
****/**** Image A- Sound A- Extras A
starring Billy Crudup, Jennifer Connelly, Molly Parker, Janet McTeer
screenplay by Robert Dillon, based on the novel by Scott Spencer
directed by Keith Gordon

by Bill Chambers In Timequake, the most recent and arguably most flawed of Kurt Vonnegut, Jr.’s novels (like many of his fans, I found it only intermittently readable), the author writes: “…I have never used semicolons. They don’t do anything, don’t support anything. They are transvestite hermaphrodites.” Perhaps Keith Gordon’s Mother Night is one of the few artistically successful cinematic adaptations of a Vonnegut work because Gordon avoids semicolons in his filmmaking–there is no straining to cohere, here.

Rules of Engagement (2000) – DVD

October 19, 2000Posted in2000s, Authors: Bill Chambers, Canada, Directors: William Friedkin, Drama, DVD, Germany, Thriller, UK, War

**/**** Image A Sound A+ Extras B-
starring Tommy Lee Jones, Samuel L. Jackson, Guy Pearce, Bruce Greenwood
screenplay by Steven Gaghan
directed by William Friedkin

by Bill Chambers In an absurd bit of pop irony, director William Friedkin's biggest smash post-The Exorcist is…The Exorcist. His 1973 horror masterpiece just returned theatres as you've never seen it before–meaning it has been radically altered to fit the George Lucas model of re-release. Starting from scratch today, I doubt Friedkin could have made something half as trenchant as even this tailored-to-the-Nineties version of The Exorcist; for all its unnecessary underscore and pandering CGI, the film retains a purity of emotion he's rarely pursued–or hit upon–since. With Rules of Engagement, which bows on DVD this month, Friedkin seems jazzed by a good cast and implosive subject matter, but at the end of the day I'd be hard-pressed to call it anything but hollow.

The Fly/The Fly 2 [Fox Double Feature] – DVD

September 12, 2000Posted in1980s, Authors: Vincent Suarez, Canada, Directors: David Cronenberg, Drama, DVD, France, Horror, Romance, Sci-Fi, UK

THE FLY (1986)
***½/**** Image A Sound B
starring Jeff Goldblum, Geena Davis, John Getz
screenplay by Charles Edward Pogue and David Cronenberg
directed by David Cronenberg

The Fly II (1989)
*/**** Image B- Sound B
starring Eric Stoltz, Daphne Zuniga, Lee Richardson, Harley Cross
screenplay by Mick Garris and Jim & Ken Wheat and Frank Darabont
directed by Chris Walas

by Vincent Suarez

“Long live the new flesh.” — Max Renn, David Cronenberg’s Videodrome (1983)

“I must not know enough about the flesh. I’ve got to learn more.” — Seth Brundle, David Cronenberg’s The Fly (1986)

“I want it out of my body … now!” — Veronica Quaife, David Cronenberg’s The Fly (1986)

SPOILER WARNING IN EFFECT. David Cronenberg’s most memorable and profound films are a unique blend of fascination, celebration, inquisitiveness, and horror with regard to the possibilities of the flesh. Hollywood’s most memorable and profound monster movies (Bride of Frankenstein, King Kong (1933), Bram Stoker’s Dracula (1992)) are a similarly mystical mingling of romance, repulsion, and overwhelming sympathy with regard to the creature. It’s no wonder, then, that Cronenberg’s The Fly is essentially the genetic splicing of his trademark obsessions with these hallowed genre conventions. In making the material his own, the pathos generated by Cronenberg’s fusion of elements raises the film’s status from mere remake of the campy 1958 original to masterpiece.

TIFF ’00: Low Self Esteem Girl

September 3, 2000Posted in2000s, Authors: Bill Chambers, Canada, Comedy, Drama, Film Festivals, TIFF

Low Self-Esteem Girl
***/****
starring Corrina Hammond, Ted Dave, James Dawes, Rob McBeth
written and directed by Blaine Thurier

Guys want her body.
Zealots want her soul.
–Low Self Esteem Girl‘s honest tagline

by Bill Chambers A few minutes into Low Self Esteem Girl, I got the distinct feeling I was watching an episode of “Candid Camera” in which the recording device itself, and not the camera’s subjects, was the one being had. First-time director Blaine Thurier, a former cartoonist for Vancouver’s TERMINAL CITY, zigzags his digital video camera about the house of Lois (Corrina Hammond) like a spy who has unwittingly stumbled upon a stage exercise: Lois and Gregg (Ted Dave), her one-night stand, conduct a pillow-fight with overtones of rape, and then she offers him a beer–at which point I half-expected a drama teacher to call time-out, step into the frame, and critique their performances.

Double Jeopardy (1999) [Widescreen] – DVD

March 26, 2000Posted in1990s, Authors: Bill Chambers, Canada, Crime, Drama, DVD, Germany, Mystery, Thriller

**/**** Image A Sound A Extras D+
starring Tommy Lee Jones, Ashley Judd, Bruce Greenwood, Annabeth Gish
screenplay by David Weisberg & Douglas S. Cook
directed by Bruce Beresford

by Bill Chambers Imprisoned for the murder of her husband, whose apparently dismembered body was never recovered from the deep blue sea, Libby Parsons (Ashley Judd, who’s very good) calls her little boy from a phone bank and hears him say this: “Daddy!” It’s Double Jeopardy‘s most convincing moment, relying as it does on the ignorance of a child–so persuasive, in fact, that you may wonder at film’s end if it had been imported from another screenplay altogether.

Stephen King’s Storm of the Century (1999) – DVD

June 22, 1999Posted in1990s, Authors: Bill Chambers, Canada, Drama, DVD, Horror, Stephen King, Television, Thriller

Storm of the Century
**½/**** Image A Sound B+ Commentary A-
starring Tim Daly, Colm Feore, Debrah Farentino, Casey Siemaszko
teleplay by Stephen King
directed by Craig R. Baxley

by Bill Chambers Donald Trump probably hears it every time he gets a divorce: “Give me what I want and I will go away.” Stephen King, prolific author of books beautiful (The Green Mile serial) and banal (Insomnia), recently wove a miniseries, the TV equivalent of an “event movie,” around this loaded demand. For three consecutive nights during last February’s sweeps week, viewers tuned in to Storm of the Century wondering what the psychic, psychotic Linoge (Colm Feore) could possibly want from the townsfolk of a New England inlet on the eve of a blizzard loosely inspired by the one that was christened “storm of the century” when it passed through the Eastern seaboard in 1993.

Affliction (1998)

February 17, 1999Posted in1990s, Authors: Bill Chambers, Canada, Directors: Paul Schrader, Drama, Japan, Mystery, Thriller

***½/****
starring Nick Nolte, Sissy Spacek, James Coburn, Willem Dafoe
screenplay by Paul Schrader, based on the novel by Russell Banks
directed by Paul Schrader

by Bill Chambers

Wade: "I get to feeling like a whipped dog some days, Rolfe. And some night I'm going to bite back."
Rolfe: "Haven't you already done a bit of that?"
Wade: "No, not really. I've growled a little, but I haven't bit."

Why Paul Schrader chose to adapt Russell Banks's disquieting literary novel Affliction is no great mystery: its story follows an arc similar to that of Schrader's best known works, such as his screenplays for Scorsese's Taxi Driver and his own Hardcore. Affliction's Wade Whitehouse (Nick Nolte), like Travis Bickle before him, is a man who fixates on exposing corruption in repression of his own violent past. In Bickle's case, planning the assassination of a governor perhaps defers the pain of Vietnam, from which he was honourably discharged; Wade has been afflicted for years by his father Glen's wickedness.

Apt Pupil (1998)

October 25, 1998Posted in1990s, Authors: Bill Chambers, Canada, Crime, Drama, France, Stephen King, Theatrical, Thriller

***/****
starring Brad Renfro, Ian McKellen, Elias Koteas, David Schwimmer
screenplay by Brandon Boyce, based on the novella by Stephen King
directed by Bryan Singer

by Bill Chambers "No man is an island," goes the famous John Donne poem, effectively summarizing Apt Pupil's central themes. Though hardly a great film, Bryan Singer's ambitious adaptation of Stephen King's same-named novella* is nonetheless challenging, a bleak picture destined to be misunderstood by the masses. But perhaps the most shocking aspect of this inclement psychological thriller is that a major studio got behind it.