Blow Out (1981) [The Criterion Collection] – Blu-ray Disc

Blowoutcap2

****/**** Image A Sound A- Extras B+
starring John Travolta, Nancy Allen, John Lithgow, Dennis Franz
written and directed by Brian De Palma

by Bryant Frazer Blow Out begins with a broadly visual joke, nearly four minutes long, about filmmaking. It ends with a second joke on the same subject, this one more complex, pointed, and black as tar. Over the course of the narrative, the material has turned rancid, so discoloured and malodorous that it’s hardly funny. That’s because, between the two grand gestures that bookend the film, writer-director Brian De Palma has traced a hero’s journey from idealism and optimism to disillusionment and despair. If cynicism were a superhero franchise, Blow Out would be its origin story.

Harry Potter and the Deathly Hallows Part I (2010) – Blu-ray + DVD + Digital Copy

Harry Potter and the Deathly Hallows Part I (2010) – Blu-ray + DVD + Digital Copy

***½/**** Image B- Sound A+ Extras A+
starring Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter
screenplay by Steve Kloves, based on the novel by J.K. Rowling
directed by David Yates

by Walter Chaw David Yates’s Harry Potter and the Deathly Hallows Part I (hereafter Harry Potter 7a) is a coda for the end of a dark decade in film–a war journal, a diary of the apocalypse–and good enough to be this constant, niggling reminder that had J.K. Rowling the courage to do what it appears she intends to do at first, her Harry Potter series could have been nigh canonical instead of just pretty good. Alas, that’s for the second part of this two-parter. For now, it’s easy to see Harry sacrificed on the cross of his Chosen One eminence. With Yates back for his third go-round and Steve Kloves again adapting, it’s a pair of newcomers to the franchise–DP Eduardo Serra and composer Alexandre Desplat (his work on Birth and Lust, Caution: tremendous)–who contribute most to the minimal, blasted feeling of Harry Potter 7a. It’s empty, bleak, and stately for long stretches as our core triumvirate of Ron (Rupert Grint), Hermione (Emma Watson), and Harry (Daniel Radcliffe) search a Tennysonian wilderness for some essential part of themselves valuable enough to offer up for the sake of the world. When it opens with Hermione mournfully erasing the memory of her from her “muggle” parents, the film announces itself as a triumphant return to the broken wasteland promised by The Order of the Phoenix. This Harry Potter intends to do harm.

Maniac (1980) [30th Anniversary Edition] + Vigilante (1983) – Blu-ray Discs

Maniac (1980) [30th Anniversary Edition] + Vigilante (1983) – Blu-ray Discs

MANIAC
**/**** Image B+ Sound B Extras A+
starring Joe Spinell, Caroline Munro
screenplay by C.A. Rosenberg and Joe Spinell
directed by William Lustig

VIGILANTE
*½/**** Image A Sound B+ Extras B
starring Robert Forster, Fred Williamson, Richard Bright, Woody Strode
screenplay by Richard Vetere
directed by William Lustig

by Walter Chaw William Lustig reduces exploitation cinema to the filthy stepchild of Sams Peckinpah and Fuller: one part animal logic, one part tabloid paranoia. He wallows in impulse, and his sensibility is 42nd Street grindhouse through and through, from kitchen-sink production values to disjointed vignette presentations to a generally lawless indulgence towards atrocity. If Lustig’s pictures have achieved a kind of cult lustre, credit his ability to alternate action sequences with B-legends showcases. It would be a mistake to attribute more to Lustig’s pictures than workmanlike efficiency as applied to formula prurience, though there’s something to be said for knock-off garbage done with a lack of pretension–done, in fact, with a distinct, naïve childishness that doesn’t quite get down there with Jess Franco or Herschell Gordon Lewis (nor up there with Mario Bava or Dario Argento), but manages a little interest despite itself now and again, probably by (who cares?) accident.

Robots (2005) – Blu-ray Disc

**/**** Image A- Sound B+ Extras C+
screenplay by David Lindsay-Abaire and Lowell Ganz & Babaloo Mandel
directed by Chris Wedge and Carlos Saldanha

by Walter Chaw Surprisingly, perhaps shockingly, Robots isn’t terrible, even though it’s a product of the same chowderheads behind Ice Age and even though it’s your basic ramshackle kid’s flick/self-esteem trope (complete with closing musical number) upon which the Shrek franchise has founded a scatological empire. What works in its favour is its attention to the little details of a world that, without explanation, is completely populated by robots that employ other robots in specialized, superfluous functions. What works against it is the lack of a firm grip on Robin Williams’s bridle (resulting in a bunch of gay jokes that weren’t funny when Milton Berle was doing them half a century ago), a weak reliance on pop cultural in-jokes that are already dated (Britney Spears? C’mon–why not Ricky Martin?), and the usual roster of fart and diarrhea jokes, which aren’t exactly a calling card for immortality. The appropriately-named Blue Sky animation studio promises a lot with its giant mainframes, but it can’t deliver anything beyond a brilliant opening sequence, a Tom Waits song (like Shrek 2), and then a lot of the same passionless, heartless idiotspeak that passes for children’s fare nowadays.

Fair Game (2010) – Blu-ray Disc

**½/**** Image B+ Sound C Commentary C
starring Naomi Watts, Sean Penn, David Andrews, Sam Shepard
screenplay by Jez Butterworth & John-Henry Butterworth, based on the books The Politics of Truth by Joe Wilson and Fair Game by Valerie Plame Wilson
directed by Doug Liman

by Walter Chaw I remember distinctly somewhere in year two of W.’s administration the feeling of extreme “outrage fatigue”–that burnout that occurs when you’ve spent so much time incredulous that you realize you’re the idiot for expecting something different. Subsequently, I recall being the only one in my circle of friends to predict W.’s re-election, as well as the only one not surprised when we didn’t find any WMDs. It’s not that I’m particularly smart, it’s that I’m dick enough to be right half the time. Why fight it? Bad movies tend to win the weekly box office, bad music dominates the charts, bad TV gets renewed; rather than declare it a new phenomenon, take cold comfort in knowing that it was always this way, and it’s not necessarily worse now. Sophocles wasn’t selling out the Coliseum, after all. So if Fair Game, Doug Liman’s adaptation of Valerie Plame’s memoir of her betrayal by the Bush Administration for the sins of her big-mouthed, self-righteous husband Joe Wilson, doesn’t have shock and outrage going for it, it at least has the smarts to portray Joe as a deeply ambiguous figure. He’s a jackass, but he’s right, and Sean Penn’s portrayal of him is uncompromised, unflattering, and completely in keeping with stuff like his Into the Wild and The Assassination of Richard Nixon: liberal shots that don’t offend the conversation.

48Hrs. (1982) – Blu-ray Disc

****/**** Image B- Sound B
starring Nick Nolte, Eddie Murphy, Annette O’Toole, Frank McRae
screenplay by Roger Spottiswoode and Walter Hill & Larry Gross and Steven E. de Souza
directed by Walter Hill

by Walter Chaw A genuinely tetchy, risky race comedy, Walter Hill’s finest box-office hour reveals itself to be his finest hour, period. There’s a moment in 48Hrs. where dishevelled grizzly bear of a cop Jack (Nick Nolte, typecast) apologizes to the convict in his charge, Reggie (Eddie Murphy), for calling him a “nigger” and a “watermelon,” to which a smiling Reggie responds that, you know, there’s not always an explanation or an excuse for things sometimes. And it’s that moment that defines the film–defines it as a prototype for the modern buddy comedy but, moreover, defines this picture and this man, Murphy (then finishing up his second year on SNL), as the most important African-American actor since Sidney Poitier, in a meatier, more meaningful role than Poitier ever had. He is unapologetically a criminal–not the Desperate Hours/Stanley Kramer-ized Christ-like criminal or the super-duper Green Mile magic Negro con, but a horny, profane, violent, venal criminal measuring the angles and deciding to help the fuzz because there’s something attractive to him about becoming rich off the spoils of the heist that landed him in the pen in the first place. Reggie, in other words, is smart as hell, as well as the product of a certain reality that would drive Spencer Tracy and Katharine Hepburn absolutely insane. Better still, Jack is smart as hell, too, and fifteen years after In the Heat of the Night here, finally, is a dynamic between a black guy and a white guy solving a case that rings with all the pain, injustice, and social weight necessary to tell the unsolvable calamity of race in our country.

The Incredibles (2004) – [2-Disc Collector’s Edition – Widescreen] DVD + 2-Disc Blu-ray + DVD + Digital Copy

FFC Must-Own****/****
DVD – Image A+ Sound A+ Extras A+
BD – Image A Sound A Extras A+
written and directed by Brad Bird

by Walter Chaw The first hint that there’s something at work in The Incredibles far beyond the pale is the casting of Sarah Vowell as the voice of wilting Violet, the wallflower older sister in the Incredibles’ nuclear family. Vowell herself is a brilliant satirist, a gifted writer, and in her heart o’ hearts, a bona fide autobiographical anthropologist. She mines the tragedies of her life for insight into the thinness of the onionskin separating our ability to function with the iron undertow of self-doubt and disappointment that comprises all of our paralyzed yesterdays. The Incredibles does a lot of things well–a lot of the same things, as it happens, that Sarah Vowell does well. Through two Toy Story films and last year’s fantastically topical Finding Nemo, Pixar has provided the new gold standard in children’s entertainment, and it has consistently done so by injecting an amazing amount of insight and depth into the foundation of its bells and whistles.

Mutiny on the Bounty (1935) + Kramer Vs. Kramer (1979) – Blu-ray Discs

Mutiny on the Bounty (1935) + Kramer Vs. Kramer (1979) – Blu-ray Discs

MUTINY ON THE BOUNTY
****/**** Image A- Sound B+ Extras C
starring Charles Laughton, Clark Gable, Franchot Tone, Herbert Mundin
screenplay by Talbot Jennings, Jules Furthman, Carey Wilson, based on the novel by Charles Nordhoff and James Norman Hall
directed by Frank Lloyd

KRAMER VS. KRAMER
****/**** Image B+ Sound B Extras A
starring Dustin Hoffman, Meryl Streep, Jane Alexander, Justin Henry
screenplay by Robert Benton, based on the novel by Avery Corman
directed by Robert Benton

by Alex Jackson Frank Lloyd’s 1935 version of Mutiny on the Bounty and Robert Benton’s Kramer vs. Kramer don’t have much in common other than that they both won the Oscar for Best Picture and that they are both totally fucking awesome. I know it sounds weird for me to apply fanboyish hyperbole to such conventionally middlebrow fare, but I love these films in much the same way I love Star Wars or the Indiana Jones movies. One is a lavish, two-million-dollar literary adaptation starring Clark Gable and Charles Laughton; the other is a minimalist Issue Movie about divorce (apparently aiming to do for the dissolution of marriage what Gentleman’s Agreement did for anti-Semitism) starring Dustin Hoffman and Meryl Streep. Evidently, they represent what the Academy believed was quality cinema at the time.

Rob Roy (1995) – Blu-ray Disc

***/**** Image B Sound B
starring Liam Neeson, Jessica Lange, John Hurt, Tim Roth
screenplay by Alan Sharp
directed by Michael Caton-Jones

by Jefferson Robbins Did they name a cocktail after William Wallace? I didn’t think so. In this, the later Scots hero Robert Roy MacGregor has the advantage, as he does in the film drawn from his story. Rob Roy beat Mel Gibson’s Braveheart into theatres by more than a month, and it’s the superior product. But what challenge could Michael Caton-Jones’s courtly, well-crafted tale of swash and buckle–his only film set in his home country–mount against the bludgeoning, ass-baring, gay-defenestrating fever dream of a megastar who yearned to be stretched on the rack in imitation of his Lord?

Moonstruck (1987) [Deluxe Edition] – DVD|Blu-ray Disc

**/****
DVD – Image B Sound B+ Extras B+
BD – Image B- Sound B+ Extras B+
starring Cher, Nicolas Cage, Vincent Gardenia, Olympia Dukakis
screenplay by John Patrick Shanley
directed by Norman Jewison

by Travis Mackenzie Hoover SPOILER WARNING IN EFFECT. If you were to make a film about African-Americans in which everyone is shiftless, ignorant, and constantly eating watermelon or fried chicken and acting lascivious, you’d be rightly vilified for your inherent racism. But if you were to make a film about Italian-Americans in which everyone is loud, hilarious, and constantly eating pasta and acting lascivious, apparently you’d be rewarded with the Oscar for Best Original Screenplay. That, at least, is the conclusion one draws from watching the stereotype cavalcade that is Moonstruck, which, however affectionate, creates a tedious minstrel show out of those wacky Eye-talians while minimizing their pain. There’s plenty of talk about the chaos of love and the torment of attraction, but who are they kidding? That everything works out in the end for problems that would normally rip a family apart is par for the course in a Norman Jewison film, meaning baked ziti for all and true drama for none.

I Spit on Your Grave (1978) + I Spit On Your Grave (2010) – Blu-ray Discs

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I SPIT ON YOUR GRAVE (a.k.a. Day of the Woman)
**/**** Image A Sound B Extras B+

starring Camille Keaton, Eron Tabor, Richard Pace, Anthony Nichols
written and directed by Meir Zarchi

I SPIT ON YOUR GRAVE
*/**** Image A Sound A- Extras B-

starring Sarah Butler, Jeff Branson, Daniel Franzese, Andrew Howard
screenplay by Stuart Morse, based on a screenplay by Meir Zarchi
directed by Steven R. Monroe

by Bryant Frazer Rape-revenge is the basest of movie formulas. What amounts to a social contract exists with the audience: during the first half of the film, you will experience the sadistic, brutal, misogynistic sexual abuse of an innocent, probably naïve young woman at the hands of cavalier thugs. And during the second half of the film, you will see this broken woman–this survivor–pull herself together long enough to exact a terrible revenge on those who wronged her.

All-Star Superman (2011) – Blu-ray + DVD + Digital Copy

All-Star Superman (2011) – Blu-ray + DVD + Digital Copy

**½/**** Image A- Sound B Extras A-
screenplay by Dwayne McDuffie, based on the comic book series by Grant Morrison and Frank Quitely
directed by Sam Liu

by Jefferson Robbins It’s an adaptation so infatuated with its admirable source material that it fails to leap the gap between the two media. Anyone who glanced at the first page of Grant Morrison and Frank Quitely’s “All-Star Superman” when it was published in 2005 knew it was special–a book that intended to crystallize the Superman legend and then refract the character to his logical/mythological extremes. That’s been one of Morrison’s most alluring talents as a comics scriptor. This is the guy, after all, who had “New X-Men”‘s Beast evolving into a giant blue cat-man and shitting in a litterbox. So his Superman is a guy who can read your genetic code with a glance and temper a chunk of dwarf star into a housekey; someone whose goodness is so acute he can shame superhuman tyrants into working for the commonweal, all while he’s knocking on death’s door. In fact, in this twelve-issue interpretation, Superman is not only the saviour of his world but also the creator of our own. It demands repeat visits–unlike its Blu-ray spin-off. The DC Universe direct-to-video films, from the shop of producer Bruce Timm, almost all share one common element: seen once, they never need to be seen again.

Hereafter (2010) – Blu-ray + DVD + Digital Copy

½*/**** Image A Sound A Extras C+
starring Matt Damon, Cécile De France, Jay Mohr, Bryce Dallas Howard
screenplay by Peter Morgan
directed by Clint Eastwood

by Ian Pugh It’s an age-old problem: how do you make a movie (or write a book, or stage a play) about the broad and ultimately philosophical subject of death? Not like this, that’s for sure. Looking and feeling like it was shot from inside an aquarium, Clint Eastwood’s Hereafter is a failure of staggering proportions. Three stories intertwine to form a bland whole: George (Matt Damon) is an honest-to-gosh psychic who’s trying and failing to stay out of the racket; Marie (Cécile De France) is a French TV presenter who recalls visions of the afterlife after being caught in the Indian Ocean tsunami; and Marcus (Frankie McLaren) is a young lad who seeks answers when his twin brother dies in a traffic accident. Rest assured, their paths will cross in profoundly obvious ways as they wrap their heads around the very concept of death and what comes next. I’m certainly not the first person to compare Hereafter to Babel, but Eastwood offers little alternative. Hereafter approaches the various perceptions of death in the same way that Alejandro González Iñárritu approached “life,” and the end result is equally bloated and condescending.

Bambi (1942) [Diamond Edition] – Blu-ray + DVD

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***/**** Image A- Sound B+ Extras A-
story direction Perce Pearce and story adaptation Larry Morey, from the story by Felix Salten
supervising director David D. Hand

by Bryant Frazer Bambi is just 70 minutes long, but it’s one of the more versatile features in the Disney canon. It’s a cute circle-of-life story, sure, populated by talking rabbits, nominally sweet-smelling skunks, and wise old owls (not to mention the adorable chipmunks that the owl, for some reason, hasn’t preyed upon). But look what else is going on in this slice-of-wildlife film: an attempt at an animated nature documentary; a tract in opposition to sport hunting; and the impetus for generations of children to weep in terror at the prospect of losing their mothers.

The American (2010) – Combo Blu-ray + DVD + Digital Copy

The American (2010) – Combo Blu-ray + DVD + Digital Copy

***½/**** Image A+ Sound A Extras B-
starring George Clooney, Violante Placido, Thekla Reuten, Paolo Bonacelli
screenplay by Rowan Joffe, based on the novel A Very Private Gentlman by Martin Booth
directed by Anton Corbijn

by Walter Chaw Though nothing more than a well-made Jean-Pierre Melville shrine at first glance, Anton Corbijn’s lovely The American leaves a surprising amount of aftertaste in a year of film that will probably be remembered for the number of “growers” among its roster of resonant pictures. An unusual take on the monotony of any profession (be it prostitution or engineering to-order weapons for assassins), it’s more evidence that George Clooney, with this tribute to Melville, his Kaufman-scripted Confessions of a Dangerous Mind, and his Tarkovsky redux Solaris, is quietly becoming a visible, above-the-line champion for smart American genre flicks–fomenting his own little underground Nouvelle Vague with movies that audiences, for the most part, are anxious to dismiss. The American is provocatively self-conscious in the way of its best French antecedents; aware of the shoulders upon which it stands (everything from Le Samourai to Breathless to later stuff like the homegrown Eye of the Needle), it also has the gumption to title itself after the original title for Citizen Kane. In so doing, it announces itself as something like a commentary on how the passionate, bloody carnality at the foundation of the United States has aged into an almost bored functionality in the first decade post-9/11.

Hot Tub Time Machine (2010) [Unrated] – Blu-ray + Digital Copy

Hot Tub Time Machine (2010) [Unrated] – Blu-ray + Digital Copy

*½/**** Image A Sound A Extras D
starring John Cusack, Rob Corddry, Craig Robinson, Chevy Chase
screenplay by Josh Heald and Sean Anders & John Morris
directed by Steve Pink

by Walter Chaw Emboldened, perhaps, by the surprisingly good The Other Guys and the surprisingly great Get Him to the Greek, I went into Steve Pink’s Hot Tub Time Machine with the belief that its high-concept idea–not the time travel, but the casting of ’80s icon John Cusack in a film that would return him to his decade of greatest power and influence–would be at least enough for it to function as a fairly smart nostalgia piece. Sadly, it’s not very smart, nor is it very funny–and the parts of it that work do so in spite of what feels like Cusack’s disdain for this period that made him famous. It’s pretty standard fare, really, full of obvious jokes about changing the past and the obvious “rebellion” of not honouring the Prime Directive by introducing The Black-Eyed Peas into an eighties music scene that, for everything you could say about Falco or Flock of Seagulls, never produced anything remotely as odious as The Black-Eyed Peas. No, not even Billy Joel. In other words, Pink and his stable of writers can’t seem to tell what’s ironic from what isn’t, meaning the whole project was doomed before it left the starting gate.

Vampire Circus (1972) – Blu-ray + DVD Combo Pack

Vampire Circus (1972) – Blu-ray + DVD Combo Pack

***½/**** Image A Sound A Extras A-
starring Adrienne Corri, Laurence Payne, Thorley Walters, Anthony Corlan
screenplay by Judson Kinberg
directed by Robert Young

by Jefferson Robbins I’m risking all kinds of things here, not least the prospect of becoming That Guy At FFC Who Finds Too Much Depth In Hammer Horror Movies, but this is my take: Vampire Circus is about the plight of the Jews in Christian Europe. I rubbed my eyes and swabbed my ears at first, but attentive viewing didn’t dispel this impression. And looking at Hammer’s entire output in the fright genre, it seems like a logical consequence. The British studio always made shockers that grappled with subtext, but by 1972, Hammer was fighting for life. Its bread-and-butter franchises had been comedically pricked five years earlier by Roman Polanski’s The Fearless Vampire Killers, which threatened to bleed gothic horror of its frights just as Blazing Saddles would soon gutshoot the Western. As Hammer’s market power waned and it threw open the doors to more explicit sex and more visceral gore, some larger story ideas were bound to creep in.

One Swayze Summer: A DVD Tribute to Patrick Swayze

One Swayze Summer: A DVD Tribute to Patrick Swayze

RED DAWN (1984) [COLLECTOR’S EDITION] – DVD
**½/**** Image B Sound C+ Extras N/A
starring Patrick Swayze, C. Thomas Howell, Lea Thompson, Powers Boothe
screenplay by Kevin Reynolds and John Milius
directed by John Milius

THE OUTSIDERS (THE COMPLETE NOVEL) (1983) [TWO-DISC SPECIAL EDITION] – DVD
****/**** Image A+ Sound A Extras A+

starring C. Thomas Howell, Matt Dillon, Diane Lane, Leif Garrett
screenplay by Kathleen Knutsen Rowell, based on the novel by S.E. Hinton
directed by Francis Ford Coppola

YOUNGBLOOD (1986) [TOTALLY AWESOME 80s DOUBLE FEATURE] – DVD
ZERO STARS/**** Image D+ Sound C-

starring Rob Lowe, Cynthia Gibb, Ed Lauter, Patrick Swayze, Jim Youngs
written and directed by Peter Markle

POINT BREAK (1991) [PURE ADRENALINE EDITION] – DVD + [WARNER REISSUE] – BLU-RAY DISC
***/****

DVD – Image B- Sound A Extras C
BD – Image B- Sound B+ Extras C
starring Patrick Swayze, Keanu Reeves, Gary Busey, Lori Petty
screenplay by W. Peter Iliff, based on the novel by Rick King
directed by Kathryn Bigelow

DIRTY DANCING (1987) [TWENTIETH ANNIVERSARY] – DVD
½*/**** Image B Sound A Extras B

starring Patrick Swayze, Jennifer Grey, Jerry Orbach, Steven Reuther
screenplay by Eleanor Bergstein
directed by Emile Ardolino

GHOST (1990) [SPECIAL COLLECTOR’S EDITION] – DVD + BLU-RAY DISC
*/****

DVD – Image A- Sound B Extras B
BD – Image A Sound B+ Extras B
starring Patrick Swayze, Demi Moore, Whoopi Goldberg, Tony Goldwyn
screenplay by Bruce Joel Rubin
directed by Jerry Zucker

KEEPING MUM (2006) – DVD
½*/**** Image A Sound B+ Extras B

starring Rowan Atkinson, Kristin Scott Thomas, Maggie Smith, Patrick Swayze
screenplay by Richard Russo and Niall Johnson
directed by Niall Johnson

by Walter Chaw Early on in the stupidest/smartest movie of 1984, a band of high-schoolers, having just witnessed a few planeloads of Cuban paratroopers land in their football field and machine gun their history teacher (“Education this!”), stock up for a stay in forest exile by cleaning out a gas-n-sip. Sleeping bags, canned goods, and the last thing off the shelf? That’s right: a football. I spent the rest of Red Dawn trying to figure out if the football played some role in the eventual fighting prowess of our carbuncular guerrillas or if it was merely a big “fuck you” to the rest of the world that thinks “football” is soccer. The jury’s still out, because while there’s an awful lot of grenade-chucking in the last hour of the picture, none of it looks particularly football-like (or athletic come to think of it) despite the deadly accuracy of each toss aimed at the hapless commie combatants. (So clueless are they about modern-day conventional warfare that they’re repeatedly ambushed by this untrained makeshift militia; they’re the Washington Generals to our Harlem Globetrotters.) It’s just one puzzle in an altogether puzzling film–one that has Patrick Swayze playing Charlie Sheen’s older brother (and Jennifer Grey the sister of Lea Thompson in an even greater genetic stretch) and C. Thomas Howell as a remorseless, psychopathic nihilist who takes his dose of glory by Rambo-ing up against a Russian attack helicopter. Maybe his transformation from ’80s-wallpaper milquetoast to tough-guy killing machine had something to do with being forced by the brothers Swayze-Sheen to drink fresh deer blood from a tin cup.

Justified: The Complete First Season (2010) – Blu-ray Disc

Image A- Sound B Extras B
“Fire in the Hole,” “Riverbrook,” “Fixer,” “Long in the Tooth,” “The Lord of War and Thunder,” “The Collection,” “Blind Spot,” “Blowback,” “Hatless,” “The Hammer,” “Veterans,” “Fathers and Sons,” “Bulletville”

by Jefferson Robbins Fish gotta swim, birds gotta fly, Timothy Olyphant gotta sidle. It’s the actor’s natural means of locomotion–he may approach an object or adversary or inamorata head-on at first, but by the time he’s within arm’s length, his gaze has tilted to squint at his target with one coyote eye dominant. It’s the walk not only of an actor who’s thoroughly considered the best way to present himself to a camera but also of a man who might have to reach for his pistol at any time. It may be an actorly crutch, but Olyphant can alternately wield it as a wedge, a hook, or a truncheon to coerce a viewer into watching him more closely. We want to know what he sees that makes his glare go askance.

Due Date (2010) + Megamind (2010)|Due Date – Blu-ray Disc

DUE DATE
***½/**** Image A Sound A Extras C-
starring Robert Downey Jr., Zach Galifianakis, Jamie Foxx, Michelle Monaghan
screenplay by Alan R. Cohen & Alan Freedland and Adam Sztykiel & Todd Phillips
directed by Todd Phillips

MEGAMIND
**/****
screenplay by Alan J. Schoolcraft & Brent Simons
directed by Tom McGrath

by Ian Pugh SPOILER WARNING IN EFFECT. Peter Highman (Robert Downey Jr.) is eager to fly out of Atlanta back to Los Angeles to witness the birth of his child, but a chance encounter with wannabe actor/lone weirdo Ethan Tremblay (Zach Galifianakis) lands the pair on a no-fly list and leaves Peter without his luggage or his wallet. With no alternatives, Peter becomes Ethan’s unwilling passenger–taking a seat alongside a small dog and the ashes of Ethan’s late father–on a road trip west. There appears to be a general consensus that the premise of Todd Phillips’s Due Date too closely resembles that of John Hughes’s Planes, Trains & Automobiles, but there’s a vital difference in that Due Date‘s lead characters are legitimately crazy. The exasperated straight man is re-imagined as a sneering jerk full of jealousy and rage (Downey Jr. maintains a cold, sweaty stare throughout), while the lovable klutz is a dangerously irresponsible lout. Roger Ebert once wrote that the Hughes film was about “empathy [and] knowing what the other guy feels.” So it is; by virtue of its characters, Due Date bypasses empathy altogether, yet it still talks about treating other people with a modicum of compassion. Phillips has finally made a naughty comedy that contemplates the consequences of its actions. Here’s a movie in which a father-to-be grows so frustrated with an annoying boy that he socks him in the stomach, then unknowingly mocks a disabled veteran (Danny McBride) and gets his ass kicked for it.