Orson Welles: A Critical View – Books

FFC rating: 8/10
by André Bazin

by Walter Chaw André Bazin is one of the most influential figures in cinema, not for his actions behind a camera, but for his actions as an active spectator–as that most loathsome and vital of creatures, the critic. A founder of the legendary arts magazine Cahiers du Cinéma, Bazin became the de facto father of the French Nouvelle Vague movement and a nearly literal father to director François Truffaut, whom he saved more than once from imprisonment and impoverishment. Writers employed by Cahiers du Cinéma include the “big five” French New Wave directors: Truffaut, Jean-Luc Godard, Claude Chabrol, Jacques Rivette and Eric Rohmer. Each began his career in cinema among its staunchest critics, and each would later endeavour to redefine film as a more “novelistic” and “authentic” method of expression.

Antitrust (2001) [Special Edition] – DVD

*/**** Image A+ Sound B+ Extras D
starring Ryan Phillipe, Rachael Leigh Cook, Claire Forlani, Tim Robbins
screenplay by Howard Franklin
directed by Peter Howitt

by Walter Chaw A fitfully entertaining throwback to the Pakula paranoia thrillers of the Seventies, Peter Howitt’s Antitrust is a cross between the techno-geekery of Wargames, the ‘gifted youngster getting a crash course in Machiavellian corruption’ of The Firm, the steal-the-air adolescent angst anthem of Pump Up the Volume, and the ‘rebel teen-geniuses unite’ malarkey of the simply-abominable Hackers. The great shame and irony of Antitrust is that after all the high concept–the creative use of sesame seeds, the Citizen Kane-esque skewering of a media tycoon, the constant reiterations of the hero’s intelligence–the film remains a conventional addition to the thriller genre that is slightly better than it should be because of its audacious goofiness, but far worse than it could have been because of its failure to be goofier. Antitrust, in other words, suffers from what I call the Wizard of Oz malady: no heart, no brain, no courage.

Lost and Delirious (2001) – DVD

*½/**** Image A Sound B
starring Piper Perabo, Jessica Pare, Mischa Barton, Jackie Burroughs
screenplay by Judith Thompson, based on the novel The Wives of Bath by Susan Swan
directed by Léa Pool

by Walter Chaw A teen-lesbian Phenomenon without the maggots and psychotic chimp, Lost and Delirious is gawky, breathy, and self-important–just like a teenage girl, I guess, which makes the film difficult to criticize in a conventional way. It does such a good job with the portentousness of that mawkish Shakespeare-quoting period in a young woman's life that some will and have mistaken its gaucherie for a portrayal of gaucherie. But mostly what Lost and Delirious succeeds in doing is helping The Virgin Suicides and its portrait of the dulcet, ephemeral cult of childhood impress even more by comparison.

The Substitute 4: Failure Is Not an Option (2001) – DVD

The Substitute: Failure Is Not an Option
*½/**** Image C Sound B Extras B-

starring Treat Williams, Angie Everhart, Patrick Kilpatrick, Bill Nunn
screenplay by Dan Gurskis
directed by Robert Radler

by Walter Chaw Since being robbed of an Oscar for his performance in Sidney Lumet’s underestimated Prince of the City, Treat Williams has been engaged in a terrifying and vengeful rampage of direct-to-video schlock and woeful cinema (The Deep End of the Ocean). Taking over the decidedly unimposing titular role of “the substitute” after Tom Berenger’s surprise cult favourite inversion of the tired Blackboard Jungle/Dangerous Minds mold–fish-out-of-water teachers beating the tar out of inner-city youths–Treat Williams makes his third appearance as the teacher we’d love to torment…but better not.

Finding Forrester (2000) – DVD

**/**** Image A- Sound A- Extras D+
starring Sean Connery, F. Murray Abraham, Anna Paquin, Busta Rhymes
screenplay by Mike Rich
directed by Gus Van Sant

by Walter Chaw Not content to play Salieri on film just once, F. Murray Abraham, after years of toiling away in decidedly lowbrow productions subsequent to Amadeus, has returned to the role that made him fitfully famous. It’s interesting to me that an actor who found fleeting celebrity (as a composer who borrowed fame very briefly) would choose to make a ‘comeback’ portraying a once almost-famous writer/now frustrated teacher of English at a snotty prep school. Still, given the level of relative originality in Finding Forrester, it’s not entirely unexpected that a secondary character played by a rather limited character actor is transplanted whole cloth from another film. On the other hand, something of a surprise is that Sean Connery would reprise his performance as an antisocial genius (who opens his heart to a creature of the Bronx) from Medicine Man, and that Gus Van Sant would try to resuscitate the flyblown carcass of Good Will Hunting by cleverly splicing it together with The Paper Chase.

julien donkey-boy (1999) – DVD

**½/**** Image A Sound A Extras B
starring Ewen Bremner, Chloe Sevigny, Werner Herzog, Evan Neumann
written and directed by Harmony Korine

by Walter Chaw Julien Bishop (Ewen Bremner, of Trainspotting) is schizophrenic, a stream-of-consciousness construct biding his time shambling along city streets, riding public transportation, and volunteering at a school for the blind. Aggressively disoriented and a sower of discomfort, Julien is not only a twisted Christ figure at the center of this most religious of Harmony Korine’s pictures, but a clear manifestation of Korine’s filmmaking philosophy.

Gummo (1997) – DVD

***/**** Image A- Sound A Extras C
starring Linda Manz, Max Perlich, Jacob Reynolds, Chloe Sevigny
written and directed by Harmony Korine

by Walter Chaw Xenia, Ohio, America's middle-of-nowhere, is imagined by Harmony Korine (Kids) as the quintessence of Grant Wood's slightly canted take on the gothic at the heart of the mundane. It's a town out of step, recovering from a tornado which, an opening narration tells us, left people dead, cats and dogs dead, and houses ripped apart. In Gummo, his directorial debut, one of the tasks Korine sets for himself is detailing the psychological damage wrought on Xenia by two different forces of nature: the lingering emotional fallout from the almost-forgotten tornado; and the tragedy of being born with no advantageous DNA in an ever-diminishing gene pool.

Wonder Boys (2000) – DVD

****/**** Image A Sound A Extras B
starring Michael Douglas, Tobey Maguire, Frances McDormand, Katie Holmes
screenplay by Steve Kloves, based on the novel by Michael Chabon
directed by Curtis Hanson

by Walter Chaw While safely cocooned in the lushly-padded walls of academia, I had as my advisor a Grady Tripp–a man I respected as a professor and as a friend. We exchanged books often, we talked a great deal about the obscure minutiae of Samuel Taylor Coleridge’s life, and we argued over whether William and Dorothy Wordsworth were engaged in a seedy incestual entanglement. (Yes, Brad, they were.) I even suspect that there was a tattered, coffee-stained manuscript tucked in the top drawer of his desk. If you’ve ever had a professor who shaped your opinions and a good portion of your intellectual life, and if you were additionally lucky enough to call him a friend as well as a mentor, then you’re predisposed to liking Curtis Hanson’s Wonder Boys.

The Perez Family (1995) – DVD

***/**** Image A Sound A
starring Marisa Tomei, Alfred Molina, Chazz Palminteri, Anjelica Huston
screenplay by Robin Swicord
directed by Mira Nair

by Walter Chaw Sensuous and lush with a hint of Isabel Allende’s magical realism in the bleeding of a man’s broken heart and a string of rose petals trailing a line along the belly of a new lover, Mira Nair’s lovely The Perez Family is all ripe colours, song, sex, honour, and dance. A long-lost father asks his wife upon their decades-long separation if their grown daughter remembers him: “She says she remembers dancing with you.” In The Perez Family, that’s only as it should be.