Clint Eastwood: Out of the Shadows (2000)

Posted in2000s, Authors: Walter Chaw, Clint Eastwood, Documentary, DVD, Television

***/**** Image B Sound A
directed by Bruce Ricker

by Walter Chaw Directed by Bruce Ricker, Clint Eastwood: Out of the Shadows is a particularly good biographical account featuring clips from dozens of the titular subject’s work, interviews with former Eastwood co-stars as diverse as Meryl Streep and Richard Burton, and a smooth narration read by Morgan Freeman that links the periods of the actor’s professional life with grace and alacrity. Of particular interest are the moments in which such admirers as French director Bertrand Tavernier discuss Eastwood’s reception overseas. Blissfully lacking scrutiny into the actor’s personal life, the picture is more A&E than E!, choosing the road less travelled in tracing the actor’s evolution from studio stable hand to one of the most powerful directors in the United States.

The Dangerous Lives of Altar Boys (2002)

Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Theatrical

**½/****
starring Kieran Culkin, Jena Malone, Emile Hirsch, Vincent D’Onofrio
screenplay by Jeff Stockwell and Michael Petroni, based on the book by Chris Fuhrman
directed by Peter Care

Dangerouslivesofaltarboysby Walter Chaw The paradox of William Blake is that while extolling the virtues of action, he was engaged in contemplation–a paradox nettling enough that near the end of his life, he left art in favour of walking the world. During his creative period, however, Blake had few equals in terms of ideology and technical proficiency; he was an employer of what he called “the infernal method,” creating etchings through the corrosive landscaping quality of acid. Each of Blake’s original works, art or poetry, were printed by the artist’s hand and etched by this infernal method. It was his way–the artist’s way–of introducing the idea of “action” into creation.

The Great American Songbook (2002) – DVD

Posted in2000s, Authors: Walter Chaw, Documentary, DVD, Music, Television

***/**** Image A Sound A Extras C+
directed by Andrew J. Kuehn

by Walter Chaw Starting off fascinating and ending up feeling slightly overlong, the expansive musical travelogue The Great American Songbook traces the roots of “American” popular music from the War of 1812 through to the early Christy minstrel shows, Bessie Smith, Irving Berlin, George & Ira Gershwin, and beyond. If it’s true that things go in cycles on a grand scheme, it’s also true of an individual’s life: Reviewing The Great American Songbook for me coincides with my first reading of Griel Marcus’s brilliant Mystery Train; touches hands with my interview with Andrei Codrescu, who’s working on a documentary about the Mississippi blues; and follows fast my exposure to the brilliant Sarah Vowell’s brilliant piece on the “Battle Hymn of the Republic.” The piece found me, in other words, already on a journey into our heritage of American music, and if the picture is more travelogue than encyclopedia, its value is as timeline and supplement.

Rollerball (2002) [Special Edition] – DVD

Posted in2000s, Action, Authors: Walter Chaw, DVD, Germany, Japan, Sci-Fi, Sports

½*/**** Image A Sound A Extras B-
starring Chris Klein, Jean Reno, LL Cool J, Rebecca Romijn-Stamos
screenplay by Larry Ferguson and John Pogue
directed by John McTiernan

by Walter Chaw When John McTiernan’s Rollerball was scheduled for the summer 2001 movie season, it boasted of a full-frontal Rebecca Romijn-Stamos and some graphic violence. What it didn’t have was the confidence of MGM, who pushed the release of the film into the doldrums of the new year and presided over the cutting of the only two possible reasons (the nudity and the gore) that anyone would have for seeing the film in the first place. Doubtless the rationale was to garner a PG-13 rating and the expanded pre-teen first-weekend box-office it confers; they’d better hope for a whopper opening, because no one is seeing this turkey twice. It strikes me as telling that a major studio would have so little confidence in a film that it is deemed somehow too prurient and also not “good” enough for a summer audience. Rollerball proves the truism that a studio often doesn’t know if it has a winner–but almost always knows when it has a stinker. Saying that Rollerball is better than the simultaneously released Collateral Damage is likely the only praise it will garner this weekend.

The Next Big Thing (2002)

Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Romance, Theatrical

*/****
starring Chris Eigeman, Jamie Harris, Connie Britton, Mike Starr
screenplay by Joel Posner & P.J. Posner
directed by P.J. Posner

by Walter Chaw A film that curiously reminds of Eric Schaeffer’s smug, unfunny If Lucy Fell, P.J. Posner’s badly-scored, clumsily-written, expansively-performed, and stodgily-paced The Next Big Thing is an exercise in elitism that sketches out its tedious premise in broad strokes. It takes broadsides at the snooty New York art world (an exercise akin to complaining about the media or engaging in a discussion on the ethics of politicians)–the ground for excoriation, in other words, isn’t so much fertile as it is in dire need of crop rotation. And like a hack artist before his hack art, The Next Big Thing lays on its easel in the benighted hope that it can be appreciated for a work of insight rather than the umpteenth riff on a strip-mined theme.

Bartleby (2002)

Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Mystery, Theatrical

*/****
starring Crispin Glover, David Paymer, Glenne Headly, Maury Chaykin
screenplay by Jonathan Parker and Catherine DiNapoli, based on the novella Bartleby the Scrivener by Herman Melville
directed by Jonathan Parker

by Walter Chaw SPOILER WARNING IN EFFECT. Bartleby (Crispin Glover) is a former employee of the dead-letter office hired on by The Boss (David Paymer) to perform menial tasks in a nondescript public-works office. Joining a small crew of underpaid, rather dull people (mad Ernie (Maury Chaykin), belligerent Rocky (Matt Groening-sketched Joe Piscopo), and sexpot Vivian (Glenne Headly)), pallid and peculiar Bartleby makes waves when he begins to respond to any request outside the ordinary with a slightly apologetic, “I would prefer not to.”

Windtalkers (2002)

Posted in2000s, Action, Authors: Walter Chaw, Directors: John Woo, Drama, Nicolas Cage, War

*½/****
starring Nicolas Cage, Adam Beach, Peter Stormare, Noah Emmerich
screenplay by John Rice & Joe Batteer
directed by John Woo

by Walter Chaw A few minutes into John Woo’s Windtalkers and the sad realization that Woo has become only the latest director ripping off the “John Woo Film” dawns on a long-time fan. Neophytes to Woo will probably think the director hasn’t fallen all that far from Face/Off and Mission: Impossible II; fanboys who’ve seen Bullet in the Head and The Killer will wonder what the maestro was thinking this time around.

The Believer (2001)

Posted in2000s, Authors: Walter Chaw, Drama, Theatrical

*½/****
starring Ryan Gosling, Summer Phoenix, Theresa Russell, Billy Zane
written and directed by Henry Bean

by Walter Chaw It isn’t that Henry Bean’s provocative The Believer unintentionally glamorizes white supremacy, as has been written–it’s that The Believer doesn’t do enough to make a case for it. Based (“inspired by” the better term) on the 1965 story of Daniel Burros, a member of the American Nazi Party and the KKK who, after being “outed” as a Jew in a NEW YORK TIMES article, killed himself confessing equal parts loathing and self-loathing, The Believer is unabashedly philo-Semitic, presenting the case for Judaism in a way manipulative and simple-minded. It is an Ayn Rand argument, a fictional foil with serpent’s eloquence outmatched in the end by the light of right reason–literally, in this case. That it imagines the afterlife as a Sisyphusian debate is the closest it ever comes to poignancy; the rest of the picture’s dedicated to Philip Roth-lite: most of the anger, one quarter the savage. I’ve no problem with a biased dishonesty–my problem is with disguising that dishonesty in evenhanded reportage.

I Am Sam (2001) [New Line Platinum Series] – DVD

Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Disability, Drama, DVD

½*/**** Image A Sound A Extras B
starring Sean Penn, Michelle Pfeiffer, Dakota Fanning, Doug Hutchison
screenplay by Kristine Johnson & Jessie Nelson
directed by Jessie Nelson

by Walter Chaw I Am Sam‘s premise is a strange one: a mentally retarded* man (titular Sam, played by Sean Penn) impregnates a homeless woman he has invited to stay with him. After giving birth to the impossibly precocious Lucy (Dakota Fanning), the vagrant mom vamooses (“I never wanted this! I just wanted a place to sleep!”), leaving Sam solely responsible for the raising of the child. With the help of eccentric piano-playing recluse Dianne Wiest (perhaps fulfilling a bizarre ambition to play Madame Sousatzka), Sam learns an infant’s feeding schedule (by timing it to late-night Nickelodeon programming), shops for diapers, and realizes that he needs to find daycare if he wants to keep his job tidying sugar cozies at the local Starbucks. (Feel-good, politically-correct bullshit being a saltlick for corporate sponsors, Starbucks, International House of Pancakes, Target, and Pizza Hut all helped fund I Am Sam.) When Child Services finally collects Lucy into protective custody on her seventh birthday, Sam gets frosty type-A lawyer Rita (Michelle Pfeiffer) to take on his cause pro bono. In the process, of course, Sam’s infectious goodness teaches Rita, and us, a little about what’s really important in life.

Shallow Hal (2001) – DVD

Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, Romance

***½/**** Image A+ Sound A- Extras B-
starring Gwyneth Paltrow, Jack Black, Jason Alexander, Jimmy Badstibner
screenplay by Sean Moynihan & Peter Farrelly & Bobby Farrelly
directed by Bobby Farrelly & Peter Farrelly

by Walter Chaw Sadness saturates every frame of Peter and Bobby Farrelly’s Shallow Hal like a melancholy tune. It seeps into the corners of a scene–into the wounded eyes of a young woman who has never been asked for her phone number and the wary acceptance of a compliment by someone accustomed to casual abuse. The premise of the film is deceptively simple: an extremely shallow man, the titular Hal (Jack Black), is given the ability by self-help guru Tony Robbins to see the “inner beauty” of people. This means that suddenly for Hal, many beautiful people appear ugly and many physically unattractive people gorgeous. Some folks remain unchanged. In the case of the guarded and acerbic 300 lb Rosemary, she resembles Gwyneth Paltrow in Hal’s eyes.

The Starz Independent FilmCenter Project, Vol. 6

Posted in2000s, Authors: Walter Chaw, Crime, Drama, France, Revenge, Theatrical, Thriller

BAISE-MOI (2000)
Rape Me
Fuck Me
*½/****
starring Raffaëla Anderson, Karen Bach
written and directed by Virginie Despentes and Coralie Trinh Thi, based on the novel by Despentes

by Walter Chaw Virginie Despentes and Coralie Trinh Thi’s Baise-moi (translated as “Rape Me” in the U.S., “Fuck Me” internationally) is a wallow in the murk of exploitation cinema not-cleverly disguised as a commentary on the evils of pornography and the violent objectification of women. Maybe it’s not disguised at all: Baise-moi subverts porn conventions with graphic (phallic) gun violence overlaying explicit, unsimulated penetration–the clumsy juxtaposition clearly intended to forward the idea that penetration and money shots in porn are the equivalent of getting shot and welters of gore. (The late Linda Lovelace described her legendary turn in seminal porno Deep Throat as a document of her rape.) Blood and semen, guns and dicks–the rationale behind the French phrase for orgasm meaning “a little death” is suddenly stripped of its more romantic lilt.

Divine Secrets of the Ya-Ya Sisterhood (2002)

Posted in2000s, Authors: Walter Chaw, Drama, Theatrical

*/****
starring Sandra Bullock, Ellen Burstyn, Fionnula Flanagan, James Garner
screenplay by Callie Khouri (with Mark Andrus), based on the novel by Rebecca Wells
directed by Callie Khouri

by Walter Chaw Tennessee Williams by way of Oprah’s Book Club, the only thing more intolerable than reading the hideously popular Rebecca Wells novel Divine Secrets of the Ya-Ya Sisterhood is watching Callie Khouri’s equally shrill and unpleasant film of it. Divine Secrets of the Ya-Ya Sisterhood makes assumptions about the stupidity (and cupidity) of women that are unjust and hateful while painting men as paternalistically indulgent, a roll of the eyes and a pat on the hand apparently the best and only way to deal with women when they’re being insane and abusive. It doesn’t even need to be said that in films of this type women are always being insane and abusive–that is when they aren’t being insipid and cutesy. It’s bad in the book; after the shorthand and the compressions, it’s infinitely worse in the film. It is, after all, now pure and unfiltered.

The Pagemaster (1994) – DVD

Posted in1990s, Adventure, Animation, Authors: Walter Chaw, Comedy, DVD, Family, Fantasy, Mystery, Romance

*½/**** Image B- Sound B- Extras B-
starring Macaulay Culkin, Christopher Lloyd, Ed Begley, Jr., Mel Harris
screenplay by David Casci, David Kirschner, Ernie Contreras
live-action director Joe Johnston, animation director Maurice Hunt

by Walter Chaw Tailor-made as a public service announcement for going to the library and reading the classics, The Pagemaster makes up for what it lacks in grace with an admirable and perhaps misplaced faith in its audience. Clearly intended as an introduction to discussion rather than a particularly entertaining animated film, it becomes the role of the parents with The Pagemaster to point out the references it makes along the way: Robert Louis Stevenson’s Treasure Island and Dr. Jekyll and Mr. Hyde, Melville’s Moby Dick, Shelley’s Frankenstein, Verne’s 20,000 Leagues, Hugo’s Hunchback of Notre Dame, and Swift’s Gulliver’s Travels. The extent to which a parent is able to fulfill this obligation is the extent to which The Pagemaster is worthwhile; using this film as an eighty-minute babysitter-cum-opiate negates any possible positive effect conferred by the picture–raising the question, clearly, of how best to approach criticism of the piece.

Fidel (2002) – DVD

Posted in2000s, Authors: Walter Chaw, Biopic, Drama, DVD, Television

*½/**** Image B- Sound B
starring Victor Huggo Martin, Gael Garcia Bernal, Patricia Velasquez, Cecilia Suarez
screenplay by Stephen Tolkin, based on the books Guerrilla Prince by Georgie Anne Geyer and Fidel Castro by Robert E. Quirk
directed by David Attwood

by Walter Chaw Fidel is a very long, frustrating, exculpatory biopic of Cuba’s dictator that, in its near-fanatical dedication to even-handedness, provides a piece devoid of a moral compass. In certain instances, pacifism implies an endorsement of one side and director David Attwood is certainly guilty of not taking a stand on one of the most controversial, inflammatory, murderous, megalomaniacal, and charismatic figures in modern history. Beginning, intriguingly, in 1949 with a young Castro (Victor Huggo Martin) as a clean-shaven lawyer incensed by certain acts of vandalism perpetrated by the American Navy in Havana, the film promises to draw an interesting connection to Gandhi’s legal background and, most fascinatingly, the starkly different ways these two revolutionary leaders conduct their rebellions (and to what eventual purposes).

Hombre (1967) – DVD

Posted in1960s, Authors: Walter Chaw, DVD, Western

***½/**** Image B Sound B
starring Paul Newman, Fredric March, Richard Boone, Diane Cilento
screenplay by Irving Ravetch and Harriet Frank Jr., based on the novel by Elmore Leonard
directed by Martin Ritt

by Walter Chaw Paul Newman’s Hombre is his fourth and final “H” film of that decade–a quartet that includes The Hustler, Harper, and another of his six collaborations with Martin Ritt, the fantastic Hud. Each (and feel free to lump Cool Hand Luke and Paris Blues in with this esteemed crowd) features Newman as an outsider influence, a catalyst for change and a hero testing the boundaries of acceptable social mores (as was much of the cinema of the ’60s), made all the more shocking for his matinee idol good looks and all-American cool. Newman, arguably the biggest and best star of the Sixties, was the quintessential anti-hero for a dissenting cinematic age, and he brought that brooding outcast sensibility to what was perhaps the quintessential outsider role: a half-breed in a western in Ritt’s 1967 film Hombre.

Out Cold (2001) – DVD

Posted in2000s, Authors: Walter Chaw, Comedy, DVD, Sports

½*/**** Image B Sound B- Extras C
starring Jason London, Willie Garson, Lee Majors, Zach Galifianakis
screenplay by Jon Zack
directed by The Malloys

by Walter Chaw The Malloy Brothers’ ode to the “makin’ it” comedies of the mid-’80s (which reached their apex at the genre’s nascence with Bob Clark’s coming-of-age smut-fest Porky’s) is the flaccid snowboard epic Out Cold. Looking back at Porky’s (not that I would look back at Porky’s) reveals that its thrills are decidedly modest–but not nearly so modest as those in the disingenuously chaste Out Cold. The film is so much just a collection of puerile (and unfunny) pranks interspersed with extended cock-teases that the effect is akin to watching a Britney Spears concert with a fraternity.

The Wash (2001) – DVD

Posted in2000s, Authors: Walter Chaw, Comedy, DVD, ZERO STARS

ZERO STARS/**** Image A Sound A Extras C
starring Snoop Dogg, Dr. Dre, George Wallace
written and directed by D.J. Pooh

by Walter Chaw A bit of free advice: if you undertake a drinking game in which the trigger word is “n***a” while watching D.J. Pooh’s The Wash, you’re probably going to die. Another word to the wise: if you don’t imbibe lethal doses of some variety of libation while watching The Wash, you’re probably going to die regardless. The only sensible way to approach The Wash is, apparently, with rubber gloves and one of those plastic bags dispensed at public walking trails.

Marlo’s America: FFC Interviews Marlo Poras

Posted in2000s, Authors: Walter Chaw, Documentary, Interviews

MporasinterviewtitleJune 2, 2002|After working as an apprentice under Martin Scorsese's brilliant editor Thelma Schoonmaker, Marlo Poras decided that she needed a change of pace from the stress of mainstream film production and followed a friend to North Vietnam to make educational AIDS videos for national distribution there. Immersed in a foreign country, one that still holds their victory in "The American War" as a source of great pride, Ms. Poras became interested in a quartet of high-school exchange students preparing to spend their senior year in the United States, a place idealized and demonized in equal measure by the North Vietnamese. Armed with a Sony VX 1000 Mini-DV camera and nothing else in the way of crew or experience, Ms. Poras narrowed her focus to one subject, Mai, and to Mai's often-peculiar experiences in rural Meridian, Mississippi.

Undercover Brother (2002)

Posted in2000s, Action, Authors: Walter Chaw, Comedy, Satire, Theatrical

**½/****
starring Eddie Griffin, James Brown, Chris Kattan, Denise Richards
screenplay by John Ridley and Michael McCullers
directed by Malcolm D. Lee

Undercoverbrotherby Walter Chaw A comedy with ideas, courage, and intelligence, Malcolm D. Lee’s follow-up to his surprisingly good The Best Man is the blaxploitation riff Undercover Brother–and man, when it’s right, it’s really right. Unfortunately, it’s only right about half of the time. Its digs at racial stereotypes and dedication to honouring the images and conceits of black cinema from the Seventies are dead on-target for the most part, while its attempts to marry it all into some sort of spy plot are subject to the same extended dull spots suffered by any dinosaur Bond flick. All is forgiven, though, when Eddie Griffin, as the titular afro-super-agent, splashes through a window like Dolemite, does a “white man’s” dance while singing a karaoke version of “Ebony and Ivory” (with über-bimbo Denise Richards, not in on the joke), and navigates his caddy through a tailspin without spilling a drop of his orange soda.

Film Freak Central does the Fifth Aurora Asian Film Festival

Posted in2000s, Authors: Walter Chaw, Documentary, Film Festivals, Germany, Japan, Music, UK, Vietnam

AurorafestpagelogoMay 31, 2002|by Walter Chaw Now in its fifth incarnation, Denver’s Aurora Asian Film Festival has grown year by year to become one of the region’s most interesting cinematic events. Under the guidance of Denver Film Society program director Brit Withey, the decidedly small festival (twelve films are being screened over the course of four days) will feature eleven Denver-area debuts–including the much-lauded The Turandot Project and Tony Bui’s Green Dragon–as well as a restored 35mm print of Conrad Rooks’s 1972 film Siddhartha. It is a rare opportunity to see a largely-unknown film projected (an adaptation of Hermann Hesse’s novel of the same name, the picture features the cinematography of the great Sven Nykvist), and an example of the kind of value a festival this intimate can provide.