Authors: Walter Chaw Archives - Page 134 of 145

Burnt Money (2000)

April 18, 2002Argentina, Authors: Walter Chaw, Crime, Drama, Romance, Spain, Theatrical, Thriller, Uruguay

Plata quemada
**½/****
starring Eduardo Noriega, Leonardo Sbaraglia, Pablo Echarri, Leticia Brédice
screenplay by Marcelo Figueras, Marcelo Piñeyro, based on the novel Plata Quemada by Ricardo Piglia
directed by Marcelo Piñeyro

by Walter Chaw Pushing the submerged homoeroticism of Strangers on a Train to the surface, Burnt Money‘s homage begins with Jean-Pierre Melville’s genre cool and Hitchcock’s cigarettes and lighters at a carnival and ends with a certain Wellesian noir seediness (complete with The Lady From Shanghai‘s ill-fated passion, Touch of Evil‘s corrupt officials, and even Citizen Kane‘s totemic paperweight). Burnt Money is deliriously beautiful to look at–all pale greens and mute browns–but its overt politicism in the closing moments begins to dispel the film’s magic in favour of overheated parable. It’s an expert genre piece that tries to bear the brunt of all of Argentina’s national cynicism and economic corruption (a leaden socio-political platform reflected by its title), and despite his cineaste smarts, director Marcelo Piñeyro just isn’t up to the task.

Angels at the Multiplex: FFC Interviews Peter O’Fallon and John-Paul Macleod & Louise Clark Goddard

April 18, 20022000s, Authors: Walter Chaw, Interviews

April 19, 2002|The Catholic Church's auto-immolation at the soiled hands of pederast priests unable to live in the imitation points to a crisis of perception for those hoping to proselytize the Christian walk. For a faith of which most of its sects are evangelical, the popular secular opinion that Christians are patronizing, hypocritical, close-minded, corrupt, and smug–mostly dormant since the heyday of the Bakkers and Swaggerts, though the occasional book-banning and Darwin-bashing keeps it breathing–is resurrected again in our current climate with an Old Testament fury. A spate of terrible Christian films the last couple of years (The Omega Code, Left Behind) has led to a spate of wildly-uneven offerings in just the last several months, pictures that were greenlighted and produced prior to this most recent need for a little low profile.

Nine Queens (2000)

April 18, 20022000s, Argentina, Authors: Walter Chaw, Crime, Drama, Theatrical, Thriller

Nueve reinas
***/****
starring Ricardo Darín, Gastón Pauls, Graciela Tenembaum, María Mercedes Villagra
written and directed by Fabián Bielinsky

by Walter Chaw What may be the best David Mamet film since House of Games, Argentine director Fabián Bielinsky’s debut Nine Queens is a mannered, serpentine caper thriller that places its trust in the able hands of a troika of talented performers. Baby-faced Juan (Gastón Pauls), ferocious Valeria (Leticia Brédice), and twitchy Marcos (the gifted Ricardo Darín) find themselves involved in a plot to sell a sheet of counterfeit stamps (the titular “Nine Queens”) to Spanish collector Gandalfo (Ignasi Abadal), himself on the lam for some sort of fraud. Delightfully ludicrous and self-contained in the way of The Sting, the picture is a Rube Goldberg/Spanish Prisoner device translated into small-time cons and sin-stained grifters as they grind and smash into each other like sharks in the green noir bucket of Buenos Aires.

Not Another Teen Movie (2001) [Special Edition] – DVD

April 15, 20022000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD, Teen, ZERO STARS

ZERO STARS/**** Image B+ Sound B Extras B+
starring Chyler Leigh, Chris Evans, Jaime Pressly, Deon Richmond
screenplay by Mike G. Bender & Adam Jay Epstein & Andrew Jacobson and Phil Beauman & Buddy Johnson
directed by Joel Gallen

by Walter Chaw The first thing one notices about Joel Gallen’s Not Another Teen Movie is that it appears to have been shot on 16mm stock off the back of someone’s truck–grainy and shaky, it’s easily the cheapest-looking major studio release of the year. After a brief prologue in which our heroine Janey Briggs (Chyler Leigh, whose character’s name appears to spoof “Jason Biggs,” the star of American Pie–that’s as clever as the film gets) is caught by her entire extended family and clergy en flagrante with a giant mechanized dildo, the second thing one notices about Not Another Teen Movie is that it has no sense of timing, no sense of shame, and no reason for being.

Heavy Hitters of the New Argentine Cinema: FFC Interviews Juan Jose Campanello and Fabian Bielinsky

April 14, 20022000s, Argentina, Authors: Walter Chaw, Interviews

April 15, 2002|The film industry in Argentina reached its pinnacle in the 1930s and '40's when five-thousand artisans produced an average of forty-two films annually, each of them honouring popular and political themes primarily interested in social criticism. The prohibitive censorship of the first Peron presidency in 1943, however, precipitated the decline of the Argentine movie industry by forcing native films to turn their backs on the homegrown issues that spoke to the common audience. As Argentine cinema steadily lost viewership, foreign product (mostly from the United States, natch) gained a large foothold in the Argentine market. The problem eventually became so bad that Argentina tried to curb the influx with the Cinema Law of 1957, which, while not doing much to stem the influx of Yankee product, established the Instituto Nacional de Cinematografía to provide education and funding.

Mulholland Drive (2001) – DVD

April 14, 2002****/****, 2000s, Authors: Bill Chambers, Authors: Walter Chaw, Directors: David Lynch, Drama, DVD, Esoterica, FFC Must-Own, France, Mystery, Thriller

Mulholland Dr.
****/**** Image A- Sound A
starring Justin Theroux, Naomi Watts, Laura Elena Harring, Ann Miller
written and directed by David Lynch

by Walter Chaw

Was it a vision, or a waking dream?
Fled is that music — Do I wake or sleep?
– John Keats, Ode to a Nightingale

David Lynch’s Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the form of a Keatsian confusion–it’s the difference between Adam’s dream and Eve rendered flesh, blurred in the mind of the creator and his audience. A film is a dream of the director made tangible, a conceit familiar from the fourth-wall-breaking in Ingmar Bergman’s Persona (banishing any mystery there might have been regarding the visual references to that film in Lynch’s piece), and a movie’s characters therefore become projections of its maker’s sublimated longing (clarifying too the auteur’s use of wardrobe and colour schemes from Hitchcock’s meditation on objectification, Vertigo, as well as those of his first collaboration with inamorata Tippi Hedren, The Birds).

Less Than Zero (1987) – DVD

April 13, 20021980s, Authors: Walter Chaw, Crime, Drama, DVD, Romance

***/**** Image A- Sound B-
starring Andrew McCarthy, Jami Gertz, Robert Downey Jr., James Spader
screenplay by Harley Peyton, based on the novel by Bret Easton Ellis
directed by Marek Kanievska

by Walter Chaw The quality of dislocation in Marek Kanievska’s Less Than Zero is startling and sinister. It creeps up on you after a confusing opening that skips forward six months from a high school graduation before flashing back a month and then reorienting itself again in Beverly Hills at Christmastime in 1987. But by the middle of the film, the temporal decisions made during its disorienting prologue suddenly make perfect sense: while Less Than Zero will never be as narratively jumpy again, the pervasive mood of the piece remains disconnected and frightened. It feels breathless in a way that movies about drug addiction must. Though Less Than Zero seems, despite its sterile apocalyptic blight, almost naïve in the wake of Aronofsky’s Requiem for a Dream, it retains (especially in retrospect, given the lost spirit of the Eighties and Robert Downey Jr.’s offscreen problems), something approaching the laden nostalgia of Romanticism. Something by Thomas de Quincey, no doubt.

All the Right Moves (1983) – DVD

April 11, 20021980s, Authors: Walter Chaw, Drama, DVD, Romance, Sports

½*/**** Image C Sound C-
starring Tom Cruise, Craig T. Nelson, Lea Thompson, Charles Cioffi
screenplay by Michael Kane
directed by Michael Chapman

by Walter Chaw Seedy in that ineffable Eighties way, Michael Chapman’s All the Right Moves is a star vehicle for a young Tom Cruise, following up his leading role in Risky Business with what is essentially a feature-length Steve Earle song about a downtrodden Pennsylvania steel town. Think Flashdance (released in the same year, strangely enough) with teenage boys instead of merely for them. Turmoil on a high-school football team (the Ampipe Bulldogs) functions as the microcosm for factory layoffs, teen pregnancy, and the existential angst embedded in the image of a horrible Lea Thompson playing a mournful saxophone on a street corner. Though there are a few moments of “was this ever cool” cheeseball nostalgia sprinkled here and again, All the Right Moves is teeth-clenchingly awful: half “The White Shadow”, half somehow more embarrassing and dated than even that popular TV series.

Black Knight (2001) – DVD

April 9, 20022000s, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD, Fantasy, Romance, Time Travel

**/**** Image B Sound A- Extras B
starring Martin Lawrence, Tom Wilkinson, Marsha Thomason, Vincent Regan
screenplay by Darryl J. Quarles and Peter Gaulke & Gerry Swallow
directed by Gil Junger

by Walter Chaw Jamal Walker (Martin Lawrence) is a groundskeeper at an all-black amusement park who, just prior to falling in a stagnant moat, is given a dressing down for being “selfish” and not community-minded enough. (“Community” referring to the African-American populace of South Central Los Angeles.) Sharp-eyed viewers should instantly recognize that Black Knight will at some point metastasize from a farce to a public service announcement. (Luckily, we’re given a solid first act and a few moments in the second before it does.) When Jamal goes into the moat in pursuit of a golden medallion, he surfaces from a fetid stew in a never-never land where the plain protagonist becomes the keystone in a kingdom-wide intrigue.

Highlander (1986) [The Immortal Edition] – DVD

April 7, 20021980s, Action, Adventure, Authors: Walter Chaw, DVD, Fantasy, UK

*½/**** Image A Sound B Extras B
starring Christopher Lambert, Roxanne Hart, Clancy Brown, Sean Connery
screenplay by Gregory Widen and Peter Bellwood & Larry Ferguson
directed by Russell Mulcahy

by Walter Chaw It is perhaps the very definition of a cult classic: a film so bad it breaks through that fetid envelope into the heady climes of “camp.” So much is forgiven when a picture’s earnest ineptness translates into that subterranean rhythm heard by those “in the know,” and the twelve-year-old in me remembers the derision I ladled upon those who just didn’t “get” the coolness of Russell Mulcahy’s Highlander. The passage of seventeen years brings the realization that not only have I gotten very old very fast, but that I may have arrived at the age where it is no longer wise to revisit films that I liked as a child.

The Starz Independent FilmCenter Project, Vol. 1

April 5, 2002****/****, 1950s, 1990s, 2000s, Animation, Authors: Walter Chaw, Comedy, Crime, Czech Republic, Drama, Fantasy, France, Horror, Japan, Mexico, Mystery, Netherlands, Satire, Theatrical, Thriller, UK

by Walter Chaw

BOB LE FLAMBEUR (1956)
***½/****
starring Isabelle Corey, Daniel Cauchy, Roger Duchesne, Guy Decomble
screenplay by Jean-Pierre Melville, dialogue by Auguste Le Breton
directed by Jean-Pierre Melville

With every minute of Henri Decaё’s cinematography looking like a Eugène Atget photograph, Jean-Pierre Melville’s Bob Le Flambeur is a visually stunning film from a director who influenced filmmakers as diverse as Jean-Luc Godard (who quotes Bob Le Flambeur at least twice in Breathless) and John Woo (whose The Killer takes its basic plot from Melville’s Le Samourai). It is film noir of the highest order, reminding in its ensemble intricacy of Kubrick’s The Killing (released a year later in 1956) and evoking the kind of chiaroscuro, gin-joint, smoke-drenched milieu where every ashtray has a name. It’s a love letter to the grim American gangster drama of the Forties that subverts the genre even as it reinvents it as a lyrical ballad to gamblers, losers, hoods, and wayward dames–a snapshot of the Montmarte district of Paris 47 years before Jean-Pierre Jeunet’s reinvention of the same.

Big Trouble (2002)

April 5, 20022000s, Authors: Walter Chaw, Comedy, Crime, Theatrical, Thriller

**½/****
starring Tim Allen, Omar Epps, Dennis Farina, Ben Foster
screenplay by Robert Ramsey & Matthew Stone, based on the novel by Dave Barry
directed by Barry Sonnenfeld

by Walter Chaw My opinion of Dave Barry is that as an essayist, he’s no P.J. O’Rourke, and as a novelist, he’s no Carl Hiaasen–anyone who agrees to have Harry Anderson play him on a weekly sitcom is begging to have his work re-evaluated through that prism. And yet Barry Sonnenfeld’s Big Trouble, the long-delayed (because of 9/11) adaptation of Barry’s novel of the same name, is, despite a slow opening featuring just too much of Tim Allen, frenetic and often hilarious–facts likely obscured by an understandable squeamishness in this climate towards mocking airline security and the easy acquisition of weapons of mass destruction.

Bandits (2001) [Special Edition] – DVD

March 31, 20022000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, Drama, DVD, Romance

**/**** Image A- Sound A- Extras B+
starring Bruce Willis, Cate Blanchett, Billy Bob Thornton, Troy Garity
screenplay by Harley Peyton
directed by Barry Levinson

by Walter Chaw Joe (Bruce Willis) and Terry (Billy Bob Thornton) break out of an Oregon prison and begin robbing banks while making their way down the west coast to an idealized Acapulco. Along the way, they pick up Joe’s dimwit wannabe stuntman cousin Phil (Anthony Burch) to act as getaway driver, and Kate (Cate Blanchett), an unbalanced passerby who becomes intoxicated by life on the lam. Shunning the more usual tactic of ski masks and gun-waving, Joe and Terry take the banks’ presidents and their families hostage the night before heists, earning them the nickname “The Sleepover Bandits.” In the schizophrenically sprawling and tight script, these hold-ups share time with a developing love triangle between Joe, Terry, and Kate, and, less successfully, a framing story involving an “America’s Most Wanted”-like host.

Wedding Night (2001) – DVD

March 31, 20022000s, Authors: Walter Chaw, Canada, Comedy, DVD, Romance

Nuit de noces
½*/**** Image B- Sound B Extras D+
starring François Morency, Geneviève Brouillette, Pierrette Robitaille, Jacques Girard
screenplay by Marc Brunet, Émile Gaudreault
directed by Émile Gaudreault

by Walter Chaw A film so precious and insipid that it hurts, Émile Gaudreault’s screwball roundelay is an exercise in self-indulgence and cliché. Hailed as one of the best Canadian comedies in recent memory, Wedding Night (Nuit de noces) is a haphazard collection of slapstick, magic realism, sped-up Benny Hill interludes, dream sequences, absurdist wall-breaking, and terrifyingly trite musical cues (poor Bernard Herrmann is spinning in his grave). The film is a disaster, neither funny nor poignant nor observant of the poetics of love and marriage, a horror of malformed ideas and unearned moments. Who are these people? Why should we care about what happens to them?

Clockstoppers (2002)

March 29, 20022000s, Action, Adventure, Authors: Walter Chaw, Comedy, Sci-Fi, Theatrical, Thriller

*/****
starring Jesse Bradford, French Stewart, Paula Garcés, Michael Biehn
screenplay by Rob Hedden and J. David Stem & David N. Weiss
directed by Jonathan Frakes

by Walter Chaw Taking for granted that it won’t make any kind of scientific sense, Clockstoppers doesn’t even have internal coherence. It is a mess by committee listing no fewer than four writing credits and possessing at least that many logy regurgitated premises in its mercifully brief (but still bloated) running time. Clockstoppers is the offspring of a fifth season “Twilight Zone” episode called “A Kind of Stopwatch”, in addition to the mid-Eighties teen whiz kid romantic comedy adventures WarGames, The Philadelphia Experiment, Back to the Future, and Zapped!: it robs from each entire scenes while trying unsuccessfully to blend in a long sequence showcasing DJ’s and raves, the inexplicable teen movements du jour. The only thing that Clockstoppers doesn’t seem to have borrowed from its predecessors is a sense of humour and a kernel of intelligence.

Death to Smoochy (2002)

March 29, 20022000s, Authors: Walter Chaw, Comedy, Crime, Drama, Germany, Theatrical, Thriller, UK

**/****
starring Robin Williams, Edward Norton, Danny DeVito, Jon Stewart
screenplay by Adam Resnick
directed by Danny DeVito

by Walter Chaw Demonstrating a wonderfully wry conversance with Hitchcock’s images, Danny DeVito as director made an interesting debut with the Strangers on a Train redux Throw Momma from the Train before crafting what is possibly the definitive Eighties comedy in the Stygian The War of the Roses. After a 13-year hiatus featuring strange detours into other genres (the uneven Hoffa and the shrill Matilda), DeVito returns to the dark comedy with Death to Smoochy, a disjointed, dull, and irritating film that provides a meagre helping of “comedy” while ladling on a heaping serving of disconnected “dark.” To say the least, the picture is a resounding disappointment and what can only be seen as a betrayal of Robin Williams’s newfound desire to be viewed as something other than America’s favourite velvet clown with the upcoming films Insomnia and One Hour Photo.

Panic Room (2002)

March 29, 20022000s, Authors: Walter Chaw, Crime, Directors: David Fincher, Drama, Theatrical, Thriller

**½/****
starring Jodie Foster, Kristen Stewart, Forest Whitaker, Jared Leto
screenplay by David Koepp
directed by David Fincher

by Walter Chaw Panic Room has a fancy premise stretched to and past the breaking point. It was a production beset by problems including the loss of star Nicole Kidman to an injury sustained during Moulin Rouge!, the departure of director of photography (DP) Darius Khondji, and a storyboard plan so devilishly complex that the film will probably be best remembered as a breakthrough in how burgeoning technologies can inform the DP's craft. The behind-the-scenes strain manifests itself in the nervous distractedness of the narrative and glaring and irritating plausibility gaps; the undeniably cool images (and Howard Shore's amazing score) only serve to illuminate the emptiness at Panic Room's core.

Spy Game (2001) [Collector’s Edition (Widescreen)] – DVD

March 28, 20022000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Crime, Directors: Tony Scott, DVD, Espionage, France, Germany, Japan, Thriller, UK

**/**** Image A+ Sound A+ Extras B+
starring Robert Redford, Brad Pitt, Catherine McCormack, Stephen Dillane
screenplay by Michael Frost Beckner and David Arata
directed by Tony Scott

by Walter Chaw The defining moment of Spy Game, Tony Scott’s latest exercise in stylistic excess, occurs at about the midway point. Playing CIA spymaster Nathan Muir, Robert Redford debriefs his best agent Tom Bishop (Brad Pitt) atop a building in Cold War Berlin. After a tense exchange, an enraged Bishop throws his chair off the barren, windswept rooftop. The problem with the scene is neither the preposterous screenplay by Michael Frost Beckner and David Arata to which it belongs, nor Scott’s infatuation with the panoramic aerial shot, nor the way that Harry Gregson-Williams’s ubiquitous score threatens here and at every other moment to rupture your eardrums. It’s not even in the ridiculously out-of-place imagistic Xerox of Wings of Desire, Wim Wenders’s melancholy ode to love and Berlin.

Ali (2001) – DVD

March 28, 20022000s, Authors: Bill Chambers, Authors: Walter Chaw, Biopic, Directors: Michael Mann, Drama, DVD, Sports, Will Smith

**½/**** Image A+ Sound A+
starring Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles
screenplay by Stephen J. Rivele & Christopher Wilkinson and Eric Roth & Michael Mann
directed by Michael Mann

by Walter Chaw The craft of Ali is every bit as dazzling as we’ve come to expect from its director, Michael Mann; the film is a loving coronation of fighter Muhammad Ali’s myth. But at the same time, Ali is too dependent on our familiarity with its subject’s life, and spends altogether too much time in slow-motion reveries of choice bouts public and personal. Reminding at times of Martin Scorsese’s rapturous Kundun, the film falls far short of that razor-fine, impressionistic masterwork by aspiring to be all things to all people (docudrama, tribute, demystification)–an impulse never indulged by “The Greatest” himself.

Ultimate Fights from the Movies (2002) – DVD

March 27, 20022000s, Action, Authors: Walter Chaw, Documentary, DVD, Martial Arts

*/**** Image A – D Sound A – D Extras A

by Walter Chaw For the purist, an idea like Ultimate Fights from the Movies (from the creators of the horror compilation Boogeymen) is simply abominable: a collection of short fight clips (none running longer than five minutes, regardless of the length of the scene quoted) culled from action films and introduced by cheesy bout cards that do nothing to establish the motives behind the conflict. This is particularly confusing for those who haven't seen the films in question, as–often–these climactic fight sequences involve key plot points that play into their resolutions. Essentially, the DVD is a thinly disguised promotional ploy that targets the demographic that doesn't care to wade through such niceties as plot and character. It targets, in other words, the lowest common denominator–a condemnation supported by its decision to present all of the fights in a cropped, full-screen aspect ratio, handily robbing some of the more beautiful and intricate sequences (cribbed from Crouching Tiger, Hidden Dragon, Fist of Legend, The Legend of Drunken Master) of a good deal of their visual information.