DIFF ’02: The Safety of Objects
DIFF ’02: Streeters
DIFF ’02: The Damned
Big Fat Liar (2002) – DVD
**½/**** Image C Sound A- Extras C+
starring Frankie Muniz, Paul Giamatti, Amanda Bynes, Amanda Detmer
screenplay by Dan Schneider
directed by Shawn Levy
by Walter Chaw Although it closes with thirty minutes of pratfalls and screaming, Big Fat Liar begins its life as a fun revenge fantasy that makes the interesting choice of never being about greed, but rather truth. Marty Wolf (Paul Giamatti) is an evil Hollywood producer who steals the vaguely autobiographical writing assignment of pathological liar Jason (Frankie Muniz) and turns it into a big-budget blockbuster that shares its name with this film’s title. Saddened that his wolf-crying (like “Marty Wolf”–get it?) has resulted in a loss of trust between him and his parents, Jason takes off for California with his tart pal Kaylee (Amanda Bynes) in tow to convince Marty to cop to the theft. No mention of economic restitution is ever made.
The Lost Boys: FFC Interviews Keith Fulton & Louis Pepe
October 22, 2002|Keith Fulton and Louis Pepe–the team behind the Terry Gilliam documentaries The Hamster Factor and Other Tales of Twelve Monkeys and this year's excellent Lost in La Mancha–define a collaboration of complementary parts. Meeting the pair in a below-street level conference room at Denver's chichi Hotel Monaco, I was stricken by the realization that the two themselves resemble a Gilliam dyad (the duct repairmen of Brazil, perhaps)–they're an exercise in interesting, opposing body types. Gilliam, one can only conclude, is infectious.
You Might Even Say They Glow…: FFC Interviews Alan Rudolph & Michael Henry Wilson
October 21, 2002|I don't know exactly what I was expecting from Alan Rudolph, the director of such peculiar films as Love at Large, Trouble in Mind, and the frankly misguided Vonnegut adaptation Breakfast of Champions, but a smallish, balding, unassuming man with a flat west-coast accent wasn't it. (This despite his cameo in The Player pitching "a cross between Ghost and Manchurian Candidate.") In Denver for the city's 25th International Film Festival with his latest, Investigating Sex, in tow, Mr. Rudolph–along with the film's co-screenwriter, Michael Henry Wilson–sat down with me underneath the canopy dome of the Denver Performing Arts Complex, high above the bustle below of the crowd arriving at the Temple Buell theatre for the screening and reception to follow. (A privileged vantage reminiscent of the ivory tower interplay of his collection of intellectuals in the picture.) I began by asking Mr. Rudolph about his long association with friend and mentor Robert Altman.
DIFF ’02: Be My Star
DIFF ’02: Springtime in a Small Town
DIFF ’02: War
DIFF ’02: Dragonflies
DIFF ’02: Gossip
DIFF ’02: Sweet Ambition
DIFF ’02: Chiefs
A Get-Together with Chen Kaige: FFC Interviews Chen Kaige
October 19, 2002|Stentorian in voice and a little dreamy in mien, Chen Kaige ("Tzen KI-guh"), one of the primary members of China's Fifth Generation of filmmakers, is a tribute guest at the 25th Denver International Film Festival. A group that included Zhang Yimou (a cameraman on Kaige's Yellow Earth prior to becoming a director), the Fifth Generation introduced more intimate stories told on a larger scale than the Chinese cinema that came before. It is a movement also marked by remarkably vivid colour schemes, interest in period pieces, and epic tableaux.
Formula 51 (2001)
The 51st State
*/****
starring Samuel L. Jackson, Nigel Whitmey, Robert Jezek, Emily Mortimer
screenplay by Stel Pavlou
directed by Ronny Yu
by Walter Chaw Called The 51st State abroad, Formula 51‘s more redneck-friendly-sounding retitling can be read as an astonishing commentary on the Ronny Yu film itself. Astonishing because it implies not only that the picture is self-aware, but also that it has actually somehow identified which formula it adheres to by number–something that strikes me as terribly useful in a shorthand way.