Authors: Walter Chaw Archives - Page 107 of 145

Greendale (2004)

March 12, 20042000s, Authors: Walter Chaw, Drama, Esoterica, Musical, Theatrical

**½/****
starring Eric Johnson, Ben Keith, Elizabeth Keith, Erik Markegard
written and directed by Neil Young

by Walter Chaw The Wall shot on Super8 and given a decidedly 'green' spin, Neil Young's raw nerve of a semi-experimental/semi-feature length music video Greendale is literal, unabashedly liberal, and saved by its energy, earnestness, and Young's electric song score. Inspired and rejuvenated, like a few of our better artists have been, by 9/11 and George W.'s reign of evil aw-shucksism, Young contributes to the soundtrack for Greendale some of his best music with Crazy Horse since their eclectic album "Sleeps with Angels". In fact, Ralph Molina's work on the skins here is something like a revelation, even when Young's lyrics lag a little in the picture's middle section, an unsuccessful chunk revolving uneasily around a personification of Old Scratch: in that tattoo, banging fulsome in the song cycle's underbelly, is the freshness and vitality that has kept Young current over four decades.

Cold Creek Manor (2003) – DVD

March 11, 20042000s, Authors: Walter Chaw, DVD, Mystery, Thriller

*/**** Image A+ Sound A- Extras B-
starring Dennis Quaid, Sharon Stone, Stephen Dorff, Juliette Lewis
screenplay by Richard Jefferies
directed by Mike Figgis

by Walter Chaw Conservatively speaking, I'm going to see something like four-hundred films this year and write reviews for about three-hundred of them. That's somewhere in the neighbourhood of "too many" and "much too many," and it's fair to wonder at some point along the way if my point-of-view is becoming coloured by fatigue, too many disappointments, too many deadlines, and the sort of imperious condescension to lacklustre product that begins to feel a little bit like hate. You get into this business because you love movies, you love talking about movies, and you love criticism wielded with responsibility–and then sets in the sobering realization that maybe the experience of going to movies might be permanently degraded by the experience of going to every movie and, worse, being forced to think about and contextualize all of them in a larger perspective.

The Girl from Rio (1969) + Sadomania (1981) – DVDs

March 8, 20041960s, 1980s, Action, Adventure, Authors: Walter Chaw, Blue Underground, Crime, Drama, DVD, Spain, Thriller, UK, West Germany, ZERO STARS

Die sieben Männer der Sumuru
*½/**** Image A- Sound A- Extras A-
starring Shirley Eaton, Richard Wyler, George Sanders, Maria Rohm
screenplay by Peter Welbeck
directed by Jess Franco

Sadomania – Hölle der Lust
Hellhole Women
ZERO STARS/**** Image B+ Sound A- Extras A-
starring Ajita Wilson, Ursula Fellner, Robert Foster, Gina Jansen
screenplay by Jess Franco and Günter Ebert
directed by Jess Franco

by Walter Chaw Theoretically, I'm not opposed to the idea of the exploitation film. In the right hands, its disreputable ingredients of sex, violence, and "shocking" behaviour (the girl and the gun of Godardian legend) could be a thrilling camera subject and a springboard for lush stylistic excess. But for every Russ Meyer, Dario Argento, or Suzuki Seijun who knows his way around a camera, there are scores of Lucio Fulcis, Ruggero Deodatos, and Jess Francos who have no clue as to how to make a movie that hangs together. The latter of that unholy trio is a case in point: the current DVD release of two of his films is an occasion for seeing how far the exploitation formula can go wrong. Running the gamut from ridiculous (The Girl from Rio) to repellent (Sadomania), they lack any real stylistic brio to enliven their rote excesses and cheap perversions, succeeding only as possible subjects for Mystery Science Theatre 3000-style mockery.

Starsky & Hutch (2004)

March 5, 20042000s, Action, Authors: Walter Chaw, Comedy, Crime, Theatrical

*/****
starring Ben Stiller, Owen Wilson, Snoop Dogg, Fred Williamson
screenplay by John O'Brien and Todd Phillips & Scot Armstrong
directed by Todd Phillips

by Walter Chaw The problems with Todd Phillips's lifeless and auto-consumptive Starsky & Hutch begin with a lack of imagination and end with a lack of pace. The one thing a comedy can't be is boring, and Starsky & Hutch is that in spades, banking far too much on the inherent hilarity of the '70s (its title declares "Bay City. The Seventies" like a plot outline and mission statement) while depending upon Owen Wilson and Ben Stiller to keep doing the same thing they've been doing for what's beginning to seem like decades. If I never see Stiller do a silly dance again, not to mention engage in a dance-off, it'll be too soon. Hope/Crosby for an age of lowered expectations, both are talented artists when they're not just cashing a paycheck. The danger is that a few more like Starsky & Hutch and The Royal Tenenbaums will begin to seem like a fluke.

House of the Dead (2003) – DVD

March 3, 20042000s, Action, Adventure, Authors: Walter Chaw, Canada, DVD, Germany, Horror, ZERO STARS, Zombie

ZERO STARS/**** Image B Sound A- Extras B+
starring Jonathan Cherry, Tyron Leitso, Clint Howard, Ona Grauer
screenplay by Dave Parker & Mark Altman
directed by Uwe Boll

by Walter Chaw With Jürgen Prochnow (the production too cheap and/or ignorant to provide him even his umlaut in the closing credits) dressed like his Das Boot U-boat commander and Clint Howard dressed like the Morton’s fisherman, Uwe Boll’s wearying House of the Dead positions itself as one of those snarky post-modern slasher flicks that isn’t nearly so smart as it thinks it is. An early gag about Prochnow’s sea captain being named “Kirk” is one of those lifeless jokes that speaks to the desperation and incompetence driving the piece in equal measure; sad to say that after its unpromising opening minutes, the film defies the odds by getting progressively worse. I don’t really know how House of the Dead found distribution–pictures piggybacking on the success of both a video game franchise and another film that piggybacked on a video game franchise (Resident Evil) usually go straight to video. But as one of the death rattles of Artisan Entertainment, ’nuff said, I guess.

Dirty Dancing: Havana Nights (2004)

February 27, 20042000s, Authors: Walter Chaw, Drama, Music, Romance, Theatrical, ZERO STARS

ZERO STARS/****
starring Romola Garai, Diego Luna, Mika Boorem, Jonathan Jackson
screenplay by Boaz Yakin and Victoria Arch
directed by Guy Ferland

by Walter Chaw A treacly clone in nearly every miserable, measurable aspect of the surprise hit of 1987, Dirty Dancing: Havana Nights' one point of deviation is that where the first film delicately pranced around the issue of race in its gentile/Jew Catskills confusion, its sequel stampedes over its own blue-eyed/brown-eyed intrigue roughshod with a plodder's grace. The decision to transport the insipid love story/underdog dance competition formula to the days leading up to the January 1, 1959 flight of Batista before Castro's rebels is already, by itself, an unspeakable contrivance in the Pearl Harbor tradition, although the decision to make another insipid love story/dance competition flick is certainly bad enough. This is garbage so misguided and poorly executed that in an act of self-defense, the mind spends long minutes contemplating other bad ideas that will probably one day find their way to the screen: Footloose 2: Khmer Rouge, for instance, or the inevitable remake of Hero set in Jersey and starring tireless Miramax pack-mule Ben Affleck.

Out of Time (2003) [Special Edition] – DVD

February 24, 20042000s, Authors: Walter Chaw, Crime, Drama, DVD, Mystery, Thriller

**½/**** Image B Sound B Extras B
starring Denzel Washington, Eva Mendes, Sanaa Lathan, Dean Cain
screenplay by Dave Collard
directed by Carl Franklin

by Walter Chaw If Carl Franklin were going to reunite with Denzel Washington, I wish he would've just made a follow-up to their exceptional adaptation of Walter Mosley's Devil in a Blue Dress–and while we're taking a stroll through fantasyland, I really wish that Franklin would make another film the equal of his astonishing One False Move. Not to say that Out of Time is a bad film (given the fatigue of the premise, it's a remarkably good film), just to say that it's only good enough to remind (unlike Franklin's excrescent High Crimes) of the kind of filmmaker that Franklin has been and, hope springing eternal, could be again. What translates well is a sense of breezy professionalism in a preposterous film put together so well that it gives the illusion of being entirely effortless and occasionally great. Out of Time reminds of the superior Confidence in the same way that Franklin reminds of James Foley: they're genuinely gifted neo-noir directors at the top of the game when they're at the top of their games, but too often given to undertaking projects of convenience. For Franklin, Out of Time is something like a return to form but more like a skilled director trying hard to find his way back to the true path.

The Order (2003) – DVD

February 23, 20042000s, Authors: Walter Chaw, DVD, Germany, Horror, Mystery, Thriller

*½/**** Image B- Sound B Extras B
starring Heath Ledger, Shannyn Sossamon, Mark Addy, Benno Fürmann
written and directed by Brian Helgeland

by Walter Chaw Somewhere between the good-bad of Lost Souls and the bad-bad of Bless the Child is the medium-bad of The Order (just north of the medium-bad of Stigmata), a Brian Helgeland film that, using much of the same cast from his A Knight's Tale, squanders a pretty interesting concept and a handful of powerful scenes on so much confused exposition that it's nigh impossible to get too invested in the thing. More of a shame is that the foundation for the piece is such a strong one, revolving as it does around the idea that the Catholic Church would be hateful towards a personage who could absolve sin outside the Church proper, allowing sinners a "backdoor" into salvation. Since it's a simple conceit and a thorny one, it's easy to see why Helgeland thought he had something here. It's only with the ponderous details the hyphenate loads onto this cart that The Order gets irretrievably bogged down.

In Fighting Shape: FFC Interviews Omar Epps

February 22, 20042000s, Authors: Walter Chaw, Interviews

Omar Epps takes the gloves off to talk about AGAINST THE ROPES and more

February 22, 2004|Just three days after a surprise blizzard shut down Denver for an evening, I met Omar Epps at the Hotel Teatro, where we chatted about how when it's above freezing in the surprisingly sunny Mile High City, there's a line around the Dairy Queen. We discussed the strange social caste system that's developed in Aspen, what with trailer parks inhabited by all the service industry workers ringing the jewel of the Rockies like a Dickensian indictment of excess, and eventually, we worked our way around to the subject of minority directors and his new film, Charles S. Dutton's Against the Ropes. In truth, I was more interested in his work with personal hero "Beat" Takeshi Kitano in Kitano's English-language debut Brother, and how an actor still somewhat on the margins of stardom (despite one of the truly memorable "ER" turns as Dr. Dennis Gant, the poor sot who throws himself under the L after half a season) has managed to assemble a filmography diverse enough to incorporate titles like Breakfast of Champions, Love and Basketball, and Dracula 2000. This is to say nothing of his extracurricular projects, such as a music production company called "BKNYC Records," which already has a few artists in its stable. Maybe the question's the answer.

Welcome to Mooseport (2004) + EuroTrip (2004)

February 20, 20042000s, Authors: Walter Chaw, Comedy, Czech Republic, Germany, Romance, Theatrical

WELCOME TO MOOSEPORT
ZERO STARS/****
starring Gene Hackman, Ray Romano, Marcia Gay Harden, Maura Tierney
screenplay by Tom Schulman
directed by Donald Petrie

EUROTRIP
**½/****
starring Scott Mechlowicz, Jacob Pitts, Kristin Kreuk, Nial Iskhakov
screenplay by Alec Berg & David Mandel & Jeff Schaffer
directed by Jeff Schaffer

by Walter Chaw Has there ever been a prospective leading man this self-immolating? Ray Romano on the big screen comes off as some kind of etherized cross between Jerry Lewis and Woody Allen: a nightmare auto-consumptive, allegedly comic offspring who, left alone for long enough, will eventually swallow his own face. I haven’t felt this much aggressive antipathy towards a personality since the heyday of George Raft. Romano’s performances in Ice Age and now Welcome to Mooseport deposit him square in the David Caruso/Sean Hayes school of engaging television performers whose charms are unique to the boob tube. They’re small-screen vampires, and 35mm is their sunlight.

Dying Young (1991) – DVD

February 19, 20041990s, Authors: Walter Chaw, Drama, DVD, Romance

½*/**** Image A Sound B
starring Julia Roberts, Campbell Scott, Vincent D’Onofrio, Colleen Dewhurst
screenplay by Richard Friedenberg
directed by Joel Schumacher

by Walter Chaw If you ever wondered, like I never did, what a movie scored by Kenny G (actually James Newton Howard–Kenny G is just the “featured saxophone performer”) would be like, director Joel Schumacher and star Julia Roberts, in the middle of her big-hair era, hold the answer. “Dying Young,” nothing–this thing was dead before it got there. Seems to me that while Schumacher’s films were always terrible, puerile ennoblement fantasies, there was a time–at least in the ’90s–when his titles had a bit of honesty about them: Flatliners, Falling Down, and the ironically-dubbed Flawless and Batman Forever.

Dr. Jekyll and Mr. Hyde [Classic Double Feature] – DVD

February 16, 2004****/****, 1930s, 1940s, Authors: Walter Chaw, DVD, Horror, Sci-Fi, Thriller

DR. JEKYLL AND MR. HYDE (1931)
****/**** Image B Sound B Extras A+
starring Fredric March, Miriam Hopkins, Rose Hobart, Holmes Herbert
screenplay by Samuel Hoffenstein and Percy Heath, based on the novel by Robert Louis Stevenson
directed by Rouben Mamoulian

DR. JEKYLL AND MR. HYDE (1941)
**½/**** Image A Sound B Extras A+
starring Spencer Tracy, Ingrid Bergman, Lana Turner, Donald Crisp
screenplay by John Lee Mahin, based on the novel by Robert Louis Stevenson
directed by Victor Fleming

by Walter Chaw Owing a tremendous debt to German Expressionism and the silent era that the cinema had only recently left behind, Rouben Mamoulian’s Dr. Jekyll and Mr. Hyde is a surprisingly disturbing and enduring take on Robert Louis Stevenson’s dark tale of the id. Opening with a point-of-view shot, something that the director referred to as a first in the American cinema, the prologue’s build to a medical amphitheatre reveals the connection between this film and Mel Brooks’s classic satire Young Frankenstein, illustrating that it’s as important a headwater of the horror genre as the Universal monster features. Mamoulian and veteran cinematographer Karl Struss (the DP on F.W. Murnau’s Sunrise) themselves owe a great debt to Robert Weine’s The Cabinet of Dr. Caligari, indulging in claustrophobic, expressionistic sets, long wipes, slow dissolves (in one case, extremely slow), extended floating takes, and matching shots that use statuary and illness to offset love and ecstasy. This Dr. Jekyll and Mr. Hyde is fever delirium; it’s stagy, no question, exhibiting a distinct discomfort with dialogue as well, but its images, including Jekyll’s transformation into Hyde (the first stage of which resembles Conrad Veidt from Caligari), remain powerful seven decades later.

Matchstick Men (2003) [Widescreen Edition] – DVD

February 15, 20042000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, Directors: Ridley Scott, Drama, DVD, Nicolas Cage

**/**** Image B+ Sound B+ Extras B+
starring Nicolas Cage, Sam Rockwell, Alison Lohman, Bruce McGill
screenplay by Nicholas Griffin & Ted Griffin, based on the novel by Eric Garcia
directed by Ridley Scott

by Walter Chaw The defining Nicolas Cage performance is still the one he delivered in Vampire’s Kiss, an indescribably strange film that saw the actor affecting some sort of Algonquin accent and, in the picture’s most memorable scene, screaming at his therapist while wearing an ill-fitting set of plastic fangs. For Ridley Scott’s highly anticipated take on the dead-on-its-feet big con formula Matchstick Men (one last score for the grizzled shyster, a young apprentice who’s not what he seems, an unexpected and unwise late partner in crime, a big twist telegraphed from the first frame, and so on), Cage seems to have resurrected his perversely hammy turn in that underseen camp classic: screaming at another therapist (Bruce Altman, always good), donning another disguise with an astonishing number of distracting tics and affectations, and ultimately accepting his fate with a sort of fatigued, fatalistic resignation.

Spider-Man: The Animated Series (2003) – DVD

February 12, 20042000s, Action, Animation, Authors: Walter Chaw, DVD, Spider-Man, Superhero, Television

Image A Sound A+ Extras A Cheese A
"Heroes and Villains," "Royal Scam," "Law of the Jungle," "Sword of Shikata," "Keeping Secrets," "Tight Squeeze," "Head Over Heals," "The Party," "Flash Memory," "Spider-Man Dis-Abled," "When Sparks Fly," "Mind Games: Part One," "Mind Games: Part Two"

by Walter Chaw Taking place right where the Sam Raimi feature film leaves off, with Peter Parker, Mary Jane, and Harry Osborn off to college (Peter perplexed, MJ clueless, Harry seething), MTV's "Spider-Man: The Animated Series" is a completely CGI creation that has a pretty tough time finding a pulse in among all the whiz-bang. In truth, it took me a long time to thaw to the look of the series, so much like a nifty video game that I caught my thumbs twitching in unconscious sympathy with the gyrations of the coloured .gifs. And even when it stopped actively bugging me, I never completely bought into the piece as any kind of drama–the suspension of disbelief impossible when thoughts of the size of the mainframe, the insane processor rates, and how neat a video game all this was going to make one day keep running through the brain like a stock ticker. Worse, even if the look of the thing were not super-distracting, the voice acting by lead Neil Patrick Harris is more smug than the intended wry, sounding an awful lot like not only Doogie Howser (natch), but also Screech from "Saved by the Bell". Popstress Lisa Loeb is pretty much non-descript as Mary Jane, her absence from all the collection's voluminous special features conspicuous but probably due either to her being busy with a cooking show on the Food Network with boyfriend Dweezil Zappa or not feeling very confident about the series.

Wonderland (2003) [Limited 2-Disc Edition] – DVD

February 9, 20042000s, Authors: Bill Chambers, Authors: Walter Chaw, Canada, Crime, Documentary, Drama, DVD, Mystery, Thriller

WONDERLAND
*/**** Image A- Sound A Extras B
starring Val Kilmer, Lisa Kudrow, Kate Bosworth, Dylan McDermott
screenplay by James Cox & Captain Mauzner and Todd Samovitz & D. Loriston Scott
directed by James Cox

by Walter Chaw A collision of vérité with the sort of Requiem for a Dream grind-cut quick-edits that have produced some of the worst films of the last couple of years (case in point: Spun), Wonderland sets out to tell the true story of 1981's Wonderland Murders, which left four scumbags dead and porn king John Holmes–King Scumbag, as it were–implicated in the lead pipe nastiness. It's a regurgitation in so many ways of so many things: neo-Boogie Nights, neo-noir, neo-Val Kilmer's own strung-out performance in the superior The Salton Sea–and therein lies the problem, as Kilmer is altogether too likeable an anti-hero, typecast as the strung-out simpleton too good-looking to be at the bottom, too drunk on himself to be anywhere else. A section where the passage of time is represented by a montage of TV GUIDE listings provides the only spark in the midst of this spastic spectacle, demonstrating a knowledge of its cathode tube parentage as cannily as the use of Duran Duran's "Girls on Film" tune that defined the MTV-made hit, dancing on the edge of art and porn. It happens early, it raises hopes, and then Wonderland runs itself well past the point of caring.

The Documentarian Becomes the Documented: FFC Interviews Errol Morris

February 8, 20042000s, Authors: Walter Chaw, Documentary, Interviews

The legendary documentarian comes out from behind THE FOG OF WAR

February 8, 2004|My first was The Thin Blue Line in the winter of 1988. Working backwards, finding Errol Morris's first two films was extremely difficult in the years before DVD and the blossoming of the Internet as the world's finest rummage sale, but the picture made enough of an impression on me that I spent the next six months tracking them down. Gates of Heaven was a revelation, Vernon, Florida changed my life, and it didn't occur to me until much later that the obsessive process of finding them and the unexpected rewards of that search were similar to this filmmaker's process was, in fact, the profession (private detective) through which Morris made his living in the seven years between Vernon, Florida and The Thin Blue Line. (Vernon, Florida is just brilliant enough to be career suicide, apparently.) So while Vernon, Florida has become something of a Medium Cool for a new generation of film brats (All the Real Girls director David Gordon Green cites the work as one of his all-timers), The Thin Blue Line has become the moment that many point to as the definitive modern reintroduction to the debate about the matter of degrees that separates fiction from non-fiction cinema. The title referring to the line of law enforcement that separates civilization from chaos, The Thin Blue Line is almost better read as the line between fabulism trusted as fact, and fabulism accepted as fantasy.

Against the Ropes (2004) + Catch That Kid (2004)

February 6, 20042000s, Action, Adventure, Authors: Walter Chaw, Biopic, Comedy, Crime, Drama, Family, Germany, Romance, Sports, Theatrical

AGAINST THE ROPES
*/****
starring Meg Ryan, Omar Epps, Skye McCole Bartusiak, Tony Shalhoub
screenplay by Cheryl Edwards
directed by Charles Dutton

CATCH THAT KID
**/****
starring Kristen Stewart, Corbin Bleu, Max Thieriot, Jennifer Beals
screenplay by Michael Brandt & Derek Haas
directed by Bart Freundlich

by Walter Chaw Erin Brockovich with more boxing, Charles S. Dutton's Against the Ropes (released in the same time of year as Steven Soderbergh's surprise obliterating feminist uplift drama and likewise inspired by the true story of a crass woman from a blue-collar background making good) is interested in mythmaking in the way that boxing manager Jackie Kallen, the subject of this would-be biopic, was. Oddly enough, the film is also interested in marginalizing its minority "product" in the way that Kallen is portrayed to have been by the film. Ostensibly the story of Kallen (Meg Ryan) discovering middleweight James Toney on the streets and fashioning from such rough loam the stuff of a boxing hall of fame shoo-in, the film takes so many liberties with history that the "truth" resembles a Hallmark Hall of Fame production complete with a jaunty score by the late Michael Kamen that made me want to punch something. It's lowest-common-denominator filmmaking, a shake-and-bake Oprah Winfrey urban melodrama that hits all the Wildcats-meets-Rocky moments of saccharine populist uplift on its road to instant Palookaville.

The Badge (2002) – DVD

February 5, 20042000s, Authors: Walter Chaw, Crime, Drama, DVD, Mystery, Thriller

**/**** Image C+ Sound B+
starring Billy Bob Thornton, Patricia Arquette, William Devane, Tom Bower
written and directed by Robby Henson

by Walter Chaw Cornering the market on redneck hicks on the mend, Billy Bob Thornton stars in Robby Henson's direct-to-cable The Badge, a Louisiana cop erotica opera equal parts James Lee Burke and The Big Easy. Long on unmotivated slow-motion stretches and editing choices that are bizarre at best, the picture has ambition and atmosphere to burn but stumbles over its own pretension. A cop procedural, lovers-on-the-run intrigue, and ultra-liberal posturing share time in a lurid gumbo before a third-act reveal; the picture's rife with flashbacks and gravid pontificating that undermine the entire shooting match. Better than it should be for Thornton's remarkable ability to convey confusion and discomfort, The Badge is more an Issue movie than a whodunit–and like most movies erring on the liberal side, its strengths don't have a chance against the sloppiness of that bleeding heart on its sleeve.

The Outer Limits: The Original Series – The Entire Second Season (1964-1965) – DVD

February 3, 2004****/****, 1960s, Authors: Walter Chaw, Drama, Horror, Mystery, Sci-Fi, Television, Thriller, ZERO STARS

by Walter Chaw After a tumultuous first season plagued by short-sighted censors, tight budgets, and ever-diminishing production schedules, embattled producer Leslie Stevens was replaced by “nuts and bolts” man Ben Brady while Joseph Stefano, in something of a show of solidarity (and that he had other projects to attend to), likewise stepped down to be replaced by Seeleg Lester. (DP Conrad Hall had already parted ways with the show towards the end of season one.) The benefits and pitfalls of such a traumatic upheaval are difficult to compartmentalize, but to me, the series went along for its last seventeen episodes with a pioneering spirit (something that most veterans of the production owe to Lester) similar to that of the first thirty-two. The too-brief second season run includes not only a couple of the best episodes of “The Outer Limits”, the origin of a future blockbuster lawsuit, and the canny recruitment of Harlan Ellison as sometime scribe, but also one episode that stands as arguably the best hour of television ever broadcast.

Once Upon a Time in Mexico (2003) + Once Upon a Time in the Midlands (2002)|Once Upon a Time in Mexico – DVD

February 3, 20042000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, Germany, Revenge, Romance, Theatrical, Thriller, UK

ONCE UPON A TIME IN MEXICO
*½/**** Image A Sound A- Extras A
starring Antonio Banderas, Salma Hayek, Johnny Depp, Rubén Blades
written and directed by Robert Rodriguez

ONCE UPON A TIME IN THE MIDLANDS
*/****
starring Robert Carlyle, Vanessa Feltz, Ricky Tomlinson, Kathy Burke
screenplay by Paul Fraser & Shane Meadows
directed by Shane Meadows

by Walter Chaw Ferociously patriotic but lacking in the epic scope suggested by its obvious debt to Sergio Leone's late masterpieces, pastiche-meister Robert Rodriguez's Once Upon a Time in Mexico is a magnification of John Woo in a lot of the same ways that Woo was a magnification of Leone–a post-post modern exercise bound together with a compelling sense of style but an alarming dearth of even the basics of sense. At the same time, if Leone understood the raucous humanism at the heart of Kurosawa, and Woo the insolent demystification of genre archetype of Leone, Rodriguez seems mainly to have ported the puerile macho fantasy of Woo while glancing off the deeper well of questions of honour and the mysterious bond between killers of men. I'm beginning to think that Rodriguez is a cheap filmmaker, interested in the mechanics of a piece more than the motivations of them. He can shoot a mean picture, he just can't set it up, pay it off, or explain it–and in replicating the best shoot-outs of Woo and Leone, he demonstrates that he's no Woo and most definitely no Leone.