The Rules of the Game (1939) [The Criterion Collection] – Blu-ray Disc

Rulesofthegame

La règle du jeu
****/**** Image A Sound A Extras A+
starring Nora Grégor, Marcel Dalio, Mila Parély, Roland Toutain
screenplay by Jean Renoir and Carl Koch
directed by Jean Renoir

Mustownby Jefferson Robbins One political cue most firmly plants Jean Renoir’s masterwork in pre-World War II France, and it doesn’t come amidst the posturing of the elegant rich at La Colinière country manor. Rather, it’s in the kitchen, where the domestic staff breaks bread and gossips about the master of the house, the Marquis Robert De La Chesnaye (Marcel Dalio), outed by the help as a “yid” whose family made good with money and a title. The gossipers turn for confirmation to the huntsman who’s just materialized on the stairs, and the combination of words is chilling: “Isn’t that right, Schumacher?” The italics are mine, and despite the fierce Teutonic consonants of his name, the Marquis’s game warden (Gaston Modot) is Alsatian. He remains metaphorically sticky, though, since his home state was variously French or German for 200 years, and his dress and cap bespeak armed authority. He’s rough and field-hardened, arguably ignorant, and looked down upon by his fellow servants, who see him as a thing apart from their world. Cuckolded and exiled from his wife, the housemaid Lisette (Paulette Dubost), he’s also the most prone to physical violence as he seeks to control her and eliminate all rivalry. On the matter of La Chesnaye’s Jewishness, Schumacher demurs: “I don’t know what you’re talking about.” But the point is made, the knife already twisted.

Batman: Year One (2011) – Blu-ray + DVD + Digital Copy

***/**** Image A- Sound A Extras B
screenplay by Tab Murphy, from the comics story by Frank Miller
directed by Sam Liu and Lauren Montgomery

by Jefferson Robbins Before he was a grouchy and politically-nearsighted old man with enough clout to cast Scarlett Johansson in a $60M fetish video, Frank Miller truly did change the face of mainstream superhero comics. Doing so brought him fame as a visionary, a label that implies prophetic or pioneering concepts but–at least in comics art–is most commonly applied to artists fusing pre-existing styles into a successful hybrid, or distilling an old story to its barest elements. Miller did both. In fact, between 1986's "The Dark Knight Returns" and the 1987 "Batman: Year One" arc, his reengineering of the Batman mythos wasn't so much a thrusting of the character forward into the 1980s as a slingshotting back to the 1970s. The core fact of Batman, viewed in the light of Taxi Driver, is that he's Travis Bickle with a cape and lots of money. What is Travis's mohawk if not a costume to strike fear into the hearts of criminals? What is his trick pistol sling, fashioned from a typewriter carriage, but a blue-collar utility belt? And what is the hardboiled dialogue Miller puts in Bruce Wayne's mouth–better read than spoken–but Bicklean self-justification? No coincidence that Batman's first, badly-botched outing as a crimefighter in "Year One" involves the violent rescue of an underaged prostitute.

Bridesmaids (2011) – [Unrated] DVD + Something Borrowed (2011) – Blu-ray Disc

BRIDESMAIDS
***½/**** Image A Sound B- Extras A
starring Kristen Wiig, Maya Rudolph, Rose Byrne, Wendi McLendon-Covey
screenplay by Annie Mumolo & Kristen Wiig
directed by Paul Feig

SOMETHING BORROWED
*½/**** Image B- Sound B Extras C+
starring Kate Hudson, Ginnifer Goodwin, John Krasinski, Colin Egglesfield
screenplay by Jennie Snyder Urman, based on the novel by Emily Giffin
directed by Luke Greenfield

by Jefferson Robbins On release, everybody tried to make Paul Feig's Bridesmaids about sex (gender and the act), when its bigger issue is class. Working from a script by Annie Mumolo and star Kristen Wiig, frosted liberally with improv in the manner producer Judd Apatow has made inescapable, the creators spin Wiig's failed cake-maker Annie for an early midlife crisis rooted in bad relationships as well as economic hardship. It's easy to get stuck on the sex angle, given the opening scene: Singleton Annie is stuck in a self-hating friends-with-benefits cycle with sometime-lover Ted (Jon Hamm), doing exactly what he wants in bed–at length, in several variations, and noisily. She gets only smiling, sociopathic dismissal in return as he kicks her out of his lush Milwaukee McMansion. She's pinned some vague hope on a pretty package of a man who's not only bad for her, but vastly wealthier, too. Note how Annie is forced to vault an automatic gate to escape Ted's one-percenter compound. Bridesmaids is not just about relationships in the mush-minded romcom sense–it's about power relationships: who has the most money and thus can bring the most social clout to bear, in the snowglobe economy created by a best friend's nuptials. Goddamn, that's timely.

Ben-Hur (1959) [Fiftieth Anniversary Limited Edition] – Blu-ray Disc|[Fiftieth Anniversary] Blu-ray Disc

***½/**** Image A+ Sound A Extras A
starring Charlton Heston, Jack Hawkins, Haya Harareet, Stephen Boyd
screenplay by Karl Tunberg, based on the novel by Lew Wallace
directed by William Wyler

Benhur1click any image to enlarge

Editor's Note: Warner has just reissued Ben-Hur on Blu-ray minus the third disc and material bonuses of the box set, although this release does include the commentary and isolated music score. Technical specs remain unchanged.

by Jefferson Robbins Charlton Heston's Judah Ben-Hur is a Jew in a Roman world, but his emotional journey is all Greek. It's 26 AD, and Judah's bond of friendship, his philia, with Roman noble Messala (Stephen Boyd), is sorely tested. When this bond breaks and Judah's entire family suffers under the Roman version of justice, his romantic love, eros, for his servant's daughter, Esther (Haya Harareet), is smothered by hate and vengefulness. What is left him? Only a really bitchin' chariot race–the paramount action-chase scene in movie history, not matched for twenty years (see below) and still never bettered–and the hope of agape, the love and yearning between Man and God. This faithful but frustrated son of the Torah must learn that path through brushing contact with the new rabbi in town: a humble carpenter's son, bound for glory on the Hill of Skulls.

The Wes Craven Horror Collection – DVD

THE SERPENT AND THE RAINBOW (1988)
**½/**** Image B Sound B+
starring Bill Pullman, Cathy Tyson, Zakes Mokae, Paul Winfield
screenplay by Richard Maxwell and A.R. Simoun, based on the book by Wade Davis
directed by Wes Craven

SHOCKER (1989)
**/**** Image B- Sound B-
starring Michael Murphy, Peter Berg, Cami Cooper, Mitch Pileggi
written and directed by Wes Craven

THE PEOPLE UNDER THE STAIRS (1991)
***/**** Image B+ Sound B+
starring Brandon Adams, Everett McGill, Wendy Robie, A.J. Langer
written and directed by Wes Craven

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by Jefferson Robbins The three late-'80s/early-'90s films gathered in Universal's DVD set "The Wes Craven Horror Collection" are far from the director's best, but they show him gathering his powers for the satirical play of the Scream franchise. It's as if Craven careened into the ditch a few times trying to talk about Big Topics before finally deciding that what he was best suited to talk about was slasher movies. That's not to say these pre-emptive excursions have no value, it's just that he had to scout the territory thoroughly before drawing a definitive map. He had to shed some dependencies, too–most notably, given his legacy from A Nightmare on Elm Street, his fondness for dreams as an interface with horror.

O Lucky Man! (1973) [Two-Disc Special Edition] + Never Apologize: A Personal Visit with Lindsay Anderson (2008) – DVDs

O LUCKY MAN!
***½/**** Image B+ Sound B Extras A

starring Malcolm McDowell, Ralph Richardson, Rachel Roberts, Arthur Lowe
screenplay by David Sherwin
directed by Lindsay Anderson

NEVER APOLOGIZE: A PERSONAL VISIT WITH LINDSAY ANDERSON
**½/**** Image C Sound B-

directed by Mike Kaplan

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by Jefferson Robbins As magnetic an actor as he is, Malcolm McDowell is often the acted-upon. Alex DeLarge of A Clockwork Orange seeks to master his chosen domains by force, but once he finds himself in the larger circuitry of the world, he's really just an implement of others' power. Is Caligula the prime mover of his vulgar Roman Empire, or merely its best expression? And so on. It was only in his later career that lazy filmmakers and casting agents made McDowell a shorthand for sinister worldliness; today, he arrives onscreen and you know who he is. Time was, he was a squirrelly, intense audience surrogate, Everymannish but beautiful in a way that was at once fragile and sharp. Asked to identify McDowell's essential quality as an actor, director Lindsay Anderson told him, "You're rather dangerous." For good or ill, the movie industry has looked no farther than that in the way it's handled McDowell for the last thirty years.

Vera Cruz (1954) + The Outlaw Josey Wales (1976) (DigiBook) – Blu-ray Discs

****/**** Image B- Sound B
starring Burt Lancaster, Denise Darcel, Sarita Monteil, Cesar Romero
screenplay by Roland Kibbee and James R. Webb
directed by Robert Aldrich

Mustown****/**** Image A+ Sound A Extras A-
starring Clint Eastwood, Chief Dan George, Sondra Locke, John Vernon
screenplay by Phil Kaufman and Sonia Chernus
directed by Clint Eastwood

by Jefferson Robbins One mistake in looking at the U.S. Civil War is to assume it began at Sumter and ended at Appomattox. If the wars of living memory have had such tremendous social and personal repercussions, how much could that war among countrymen have? Western movies, for better and often worse, have plumbed this question in the same way noirs and horror movies inquire about their own present moment. Think about the sheer number of greedy killers and dead-eyed psychopaths required to populate "the West" as we came know it through our cinema; what else but a national trauma could create so many murderers and flush them out to the frontiers.

Executive Decision (1996) – Blu-ray Disc

***/**** Image A Sound B+
starring Kurt Russell, Halle Berry, John Leguizamo, Steven Seagal
screenplay by Jim Thomas & John Thomas
directed by Stuart Baird

by Jefferson Robbins SPOILER WARNING IN EFFECT. Stuart Baird's Executive Decision begins and ends as a bad, bad movie. It starts off wobbling distractedly from one fraught international locale to another, complete with bleeping, wordy chyrons telling us where we are and with whom. It ends in a pile of airliner-in-peril clichés and some flirty banter so terrible it puckers the ears, acting as though Airplane! never happened. In between, the picture gets better, tighter, and tenser than a sub-Tom Clancy military political thriller starring Steven Seagal has any right to be. It accomplishes this, in part, by throwing Seagal off the plane.

Green Lantern: Emerald Knights (2011) – Blu-ray Disc

**½/**** Image A Sound B+ Extras B-
Emerald Knights
screenplay by Alan Burnett and Todd Casey
directed by Lauren Montgomery
The First Lantern
screenplay by Michael Green and Marc Guggenheim
directed by Christopher Berkeley
Kilowog
screenplay by Peter J. Tomasi, based on "New Blood" by Peter J. Tomasi and Chris Samnee
directed by Lauren Montgomery
Mogo Doesn't Socialize
screenplay by Dave Gibbons, based on the story by Alan Moore and Dave Gibbons
directed by Jay Oliva
Laira
screenplay by Eddie Berganza, based on "What Price Honor?" by Ruben Diaz and Travis Charest
directed by Jay Oliva
Abin Sur
screenplay by Geoff Johns, based on "Tyger" by Alan Moore and Kevin O'Neill
directed by Christopher Berkeley

by Jefferson Robbins The DC Universe direct-to-video animation series continues to earn its reputation, for good or ill, as a by-fans/for-fans endeavour. Producer Bruce Timm and company pump out Green Lantern: Emerald Knights as a kind of B-side to Martin Campbell's disappointing Green Lantern feature film–a supporting document, the sort of thing valued mostly by collectors and fetishists. DC Comics fanboys will thrill to a flashback glimpse of planetary invasions carried out by back-issue bad-guy species the Dominators; casual viewers will likely just think it's cool how the guys with the rings blow shit up with giant green energy swords in outer space.

Better Off Dead (1985) – Blu-ray Disc

Better Off Dead…
***/**** Image B- Sound C-

starring John Cusack, David Ogden Stiers, Diane Franklin, Kim Darby
written and directed by Savage Steve Holland

by Jefferson Robbins Better Off Dead… probably wouldn't have outlasted its peers among cheaply-made '80s teen comedies minus three crucial factors. There's John Cusack's extraordinary Everyguy deadpan: He reacts to absurdity without visibly reacting, a still pivot for the scene around him and the best possible audience surrogate for a vehicle like this. There's writer-director Savage Steve Holland's visual wit, rooted in classic cartoons and well-abetted by editor Alan Balsam (Revenge of the Nerds). And finally, there's Holland's clearly-demonstrated understanding of what it's like to be a teenage male–collapsing in the face of spurned love, so immersed in one's own fantasies and neuroses that everyone, even relatives and close friends, seems a grotesque. This internal state gets externalized in Better Off Dead…, as no matter where Cusack's Lane Meyer goes, he's confronted with such bizarre contortions of humanity that he might as well be an astronaut among aliens.

American Graffiti (1973) – [Special Edition] Blu-ray Disc

****/**** Image A- Sound A Extras B+
starring Richard Dreyfuss, Ronny Howard, Paul Le Mat, Charlie Martin Smith
screenplay by George Lucas and Gloria Katz & Willard Hyuck
directed by George Lucas

Mustownby Jefferson Robbins The skeleton key to George Lucas's American Graffiti isn't in its setting–the cruising culture of exurban southern California, 1962, as witnessed by young participants with the '50s at their back and Vietnam ahead. Instead, it's disassembled and scattered throughout the text, oblique until it becomes obvious. There's the front-seat monologue recited by Laurie (Cindy Williams) for the benefit of her drifting boyfriend Steve ("Ronny" Howard): "It doesn't make sense to leave home to look for home, to give up a life to find a new life." It sounds like her own reverie, but in fact she's quoting an offscreen speech by her college-bound brother Curt (Richard Dreyfuss), who earlier in the film has a hushed alleyway talk with the "cool" teacher (Terence McGovern) who washed out of an artsy New England school and came back to shape young minds in his diesel-scented hometown. This teacher's name, as it happens, is Mr. Wolfe. It's not so much that you can't go home again as that home changes under your very feet. The instinct to cling to its first incarnation–Curt's fondling of his old school locker, John Milner's (Paul Le Mat) continued mingling with high-school kids at roughly age twenty–is really a hope that you'll find something just as valuable in the wider world you know you must face.

Gross Anatomy (1989); Betsy’s Wedding (1990); The Gun in Betty Lou’s Handbag (1992) – Blu-ray Discs

GROSS ANATOMY
**½/**** Image C Sound D+
starring Matthew Modine, Daphne Zuniga, Christine Lahti, Todd Field
screenplay by Ron Nyswaner and Mark Spragg
directed by Thom Eberhardt

BETSY'S WEDDING
***/**** Image C Sound D+
starring Alan Alda, Joey Bishop, Madeline Kahn, Molly Ringwald
written and directed by Alan Alda

THE GUN IN BETTY LOU'S HANDBAG
**/**** Image C Sound D+
starring Penelope Ann Miller, Eric Thal, William Forsythe, Alfre Woodard
screenplay by Grace Cary Bickley
directed by Allan Moyle

by Jefferson Robbins To sample three Blu-ray editions fresh out from discount distributor Mill Creek Entertainment, you'd think film comedy in the late 1980s and early '90s was at a tipping point. Or, at least, you'd think this of Touchstone, the Disney sub-studio behind Gross Anatomy, Betsy's Wedding, and The Gun in Betty Lou's Handbag. All three films seem swamped by the decade shift, caught between John Hughes's early-'80s youth revolution and the hardening of romcom formulas that would come to pass after 1990's Pretty Woman (also a Touchstone product). One of the three films, in fact, barely qualifies as a comedy, although it was surely marketed as such. The sense one gets watching them today is of opportunities missed, of storytelling approaches gently meshed together when they should've been gleefully mashed, and of an aversion to risk above all.

The Mission (1986) – Blu-ray Disc

***½/**** Image A- Sound A- Extras B
starring Robert De Niro, Jeremy Irons, Ray McAnally, Aidan Quinn
screenplay by Robert Bolt
directed by Roland Joffé

by Jefferson Robbins Career arcs fascinate and depress me. The Mission finds Roland Joffé at his early peak on just his second movie, making what amounts to a $25 million art film starring one of America’s best-known actors. Did Joffé change beyond this point, or did he refuse to change while the ecosystem altered around him? A bit of both, I suspect, after Fat Man and Little Boy and The Scarlet Letter. These epics went unembraced, and Oscars or no, the financiers weren’t always going to settle for contemplative examinations of people caught in the turning of historical tides. Yet that’s where Joffé was at his best–and maybe he couldn’t get beyond it. Spalding Gray had him pegged early on: “Leave it to a Brit to tell you your own history,” he advised in Swimming to Cambodia. Sure enough, as in The Killing Fields, Joffé’s The Mission examines pangs of conscience at a critical moment of political, religious, and cultural upheaval.

King of Kings (1961) – Blu-ray Disc

***/**** Image A Sound A Extras B-
starring Jeffrey Hunter, Siobhan McKenna, Hurd Hatfield, Robert Ryan
screenplay by Philip Yordan
directed by Nicholas Ray

by Jefferson Robbins Painterly and static, for the most part, Nicholas Ray's King of Kings boasts one truly remarkable, energetic camera feat: a view from the top of the crucifix, gazing down the length of Jesus's body as he's hoisted into position for martyrdom. It stuck in Martin Scorsese's mind, too, and a variation of the shot appeared in his The Last Temptation of Christ. It's not an unfair comparison, as the two films both seek new paths into the Christ story by collapsing the degrees of separation between characters, plumbing the politics of Roman-controlled Judea, and introducing moments of doubt and pain for Jesus (Jeffrey Hunter) that are not merely spiritual, but personal as well. When the Messiah visits the house of his mother Mary (Siobhan McKenna), he offers to apply his carpentry skills to a broken chair upon returning from his next fateful act of ministry, in Jerusalem. "The chair will never be mended," Mary says, and they mutually, silently acknowledge the destiny laid out for him. It's not Willem Dafoe boinking Barbara Hershey, but it is a human moment–the Son of Man craving a simple man's life.

The Verdict (1982) [Collector’s Edition] – DVD

***½/**** Image A- Sound B Extras B+
starring Paul Newman, Charlotte Rampling, Jack Warden, James Mason
screenplay by David Mamet, based on the novel by Barry Reed
directed by Sidney Lumet

by Jefferson Robbins It's never clear if disgraced lawyer Frank Galvin (Paul Newman) is a practicing Catholic, as are so many of the souls around him in a grey, hopeless Boston–but there's a crucifix on his office wall, and he sure has the posture down. Note how many times in Sidney Lumet's legal drama Newman is caught posed in the final stage of genuflection, Roman brow in profile, knuckle touched to lips. He's skipped making the sign of the cross and gone straight to kissing a nonexistent rosary. His is a corroded soul, though in David Mamet's screenplay construction, at least he knows it's corroded. Chasing any lawsuit that will end in a payday, Galvin lies right to the faces of dozens of people. In this, he's no better than his opponents in court, save that they lie through the proxy instruments of forgery and coached testimony, keeping their hands clean. They sail through the system frictionlessly, while Galvin feels himself dying a little each time–unless it's in the service of something greater. In his wanderings, windowpanes and desk fans cast the impression of a cross over him.

Rob Roy (1995) – Blu-ray Disc

***/**** Image B Sound B
starring Liam Neeson, Jessica Lange, John Hurt, Tim Roth
screenplay by Alan Sharp
directed by Michael Caton-Jones

by Jefferson Robbins Did they name a cocktail after William Wallace? I didn't think so. In this, the later Scots hero Robert Roy MacGregor has the advantage, as he does in the film drawn from his story. Rob Roy beat Mel Gibson's Braveheart into theatres by more than a month, and it's the superior product. But what challenge could Michael Caton-Jones's courtly, well-crafted tale of swash and buckle–his only film set in his home country–mount against the bludgeoning, ass-baring, gay-defenestrating fever dream of a megastar who yearned to be stretched on the rack in imitation of his Lord?

All-Star Superman (2011) – Blu-ray + DVD + Digital Copy

**½/**** Image A- Sound B Extras A-
screenplay by Dwayne McDuffie, based on the comic book series by Grant Morrison and Frank Quitely
directed by Sam Liu

by Jefferson Robbins It's an adaptation so infatuated with its admirable source material that it fails to leap the gap between the two media. Anyone who glanced at the first page of Grant Morrison and Frank Quitely's "All-Star Superman" when it was published in 2005 knew it was special–a book that intended to crystallize the Superman legend and then refract the character to his logical/mythological extremes. That's been one of Morrison's most alluring talents as a comics scriptor. This is the guy, after all, who had "New X-Men"'s Beast evolving into a giant blue cat-man and shitting in a litterbox. So his Superman is a guy who can read your genetic code with a glance and temper a chunk of dwarf star into a housekey; someone whose goodness is so acute he can shame superhuman tyrants into working for the commonweal, all while he's knocking on death's door. In fact, in this twelve-issue interpretation, Superman is not only the saviour of his world, but also the creator of our own. It demands repeat visits–unlike its Blu-ray spin-off. The DC Universe direct-to-video films, from the shop of producer Bruce Timm, almost all share one common element: seen once, they never need to be seen again.

Vampire Circus (1972) – Blu-ray + DVD Combo Pack

***½/**** Image A Sound A Extras A-
starring Adrienne Corri, Laurence Payne, Thorley Walters, Anthony Corlan
screenplay by Judson Kinberg
directed by Robert Young

by Jefferson Robbins I’m risking all kinds of things here, not least the prospect of becoming That Guy At FFC Who Finds Too Much Depth In Hammer Horror Movies, but this is my take: Vampire Circus is about the plight of the Jews in Christian Europe. I rubbed my eyes and swabbed my ears at first, but attentive viewing didn’t dispel this impression. And looking at Hammer’s entire output in the fright genre, it seems like a logical consequence. The British studio always made shockers that grappled with subtext, but by 1972, Hammer was fighting for life. Its bread-and-butter franchises had been comedically pricked five years earlier by Roman Polanski’s The Fearless Vampire Killers, which threatened to bleed gothic horror of its frights just as Blazing Saddles would soon gutshoot the Western. As Hammer’s market power waned and it threw open the doors to more explicit sex and more visceral gore, some larger story ideas were bound to creep in.

Justified: The Complete First Season (2010) – Blu-ray Disc

Image A- Sound B Extras B
"Fire in the Hole," "Riverbrook," "Fixer," "Long in the Tooth," "The Lord of War and Thunder," "The Collection," "Blind Spot," "Blowback," "Hatless," "The Hammer," "Veterans," "Fathers and Sons," "Bulletville"

by Jefferson Robbins Fish gotta swim, birds gotta fly, Timothy Olyphant gotta sidle. It's the actor's natural means of locomotion–he may approach an object or adversary or inamorata head-on at first, but by the time he's within arm's length, his gaze has tilted to squint at his target with one coyote eye dominant. It's the walk not only of an actor who's thoroughly considered the best way to present himself to a camera, but also of a man who might have to reach for his pistol at any time. It may be an actorly crutch, but Olyphant can alternately wield it as a wedge, a hook, or a truncheon to coerce a viewer into watching him more closely. We want to know what he sees that makes his glare go askance.

Easy A (2010) – Blu-ray Disc

**½/**** Image A Sound A- Extras B
starring Emma Stone, Penn Badgley, Amanda Bynes, Thomas Hayden Church
screenplay by Bert V. Royal
directed by Will Gluck

by Jefferson Robbins What do I have to do these days to see a teen sex comedy where teen characters get to have sex? Filmmakers have gotten so good at larding chastity tracts with suggestiveness that you come out of the theatre believing, for fifteen minutes or so, that you actually witnessed youth in debauch. So far, the 21st century in teenage fare is like the Hays Code era all over again, only not well-written. Terrified at being accused of portraying high-schoolers doing what millions of high-schoolers do, studios have turned sexual misdirection into the best special effect since the lightsaber.