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"The Saga of Cousin Oscar," "Gloria Poses in the Nude," "Archie in the Lock-Up," "Edith Writes a Song," "Flashback: Mike Meets Archie," "The Election Story," "Edith's Accident," "The Blockbuster," "Mike's Problem," "The Insurance is Canceled," "The Man in the Street," "Cousin Maude's Visit," "Christmas Day at the Bunkers'," "The Elevator Story," "Edith's Problem," "Archie and the F.B.I," "Mike's Mysterious Son," "Archie Sees a Mugging," "Archie and Edith Alone," "Edith Gets a Mink," "Sammy's Visit," "Edith the Judge," "Archie is Jealous," "Maude"

by Christopher Heard It has to be stated at the outset that I am one of the world's most ardent "All in the Family" fans–I believe this television series to be the greatest ever. Producer Norman Lear bought the rights to Johnny Speight's British kitchen-sink comedy "Till Death Do Us Part" and relocated it to Queens, New York, and in so doing he unwittingly rewrote the books on the power of the medium. A show that weekly served up major sociological storylines, dressing them in darkly comedic depictions of the ugliness of racism and intolerance, in "All in the Family", you were laughing at Archie Bunker, not with him. And in the end, the moral right always won out over Archie's ignorance.