Breaking Bad: The Complete Second Season (2009) + Breaking Bad: The Complete Third Season (2010) – Blu-ray Discs

Season 2 – Image A Sound B+ Extras B+
"Seven Thirty-Seven," "Grilled," "Bit by a Dead Bee," "Down," "Breakage," "Peekaboo," "Negro y Azul," "Better Call Saul," "4 Days Out," "Over," "Mandala," "Phoenix," "ABQ"

Season 3 – Image A- Sound B+ Extras B+
"No Mas," "Caballo sin Nombre," "I.F.T.," "Green Light," "Mas," "Sunset," "One Minute," "I See You," "Kafkaesque," "Fly," "Abiquiu," "Half Measures," "Full Measure"

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by Bryant Frazer "Breaking Bad"'s first season delivered a pulpy, compulsively watchable crime drama. I was a fan, but I found a lot to complain about, too. The show seemed ready to burst with hackneyed family drama, inane narrative tangents, and placeholder characters who pointed the way to tense moments without earning their screentime. I didn't even like AMC's key art for that first year, a dopey shot of protagonist Walter White (Bryan Cranston) standing in the middle of the desert, pantsless and packing heat. It turns out that "Breaking Bad"'s debut season, truncated to seven episodes by a writer's strike, was just an overture. The second season is a big, meaty pot roast of a show, cooking slow and low for eleven long hours. And that tour-de-force is damn near eclipsed by Season Three, which sees the series growing leaner and meaner than before, more forceful and more focused in its almost playfully outsized sense of menace.

The Great Dictator (1940) – The Criterion Collection Blu-ray Disc

***½/**** | Image B+ Sound A- Extras A-
starring Charlie Chaplin, Paulette Goddard, Jack Oakie
written and directed by Charles Chaplin

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by Bryant Frazer In the late-1930s, as a little man named Adolf Hitler prepared the fearsome German army to run roughshod over the country's European neighbours, Charles Chaplin, one of the greatest of all film artists, responded to the threat of war in the only way that made sense: He prepared a new comedy, The Great Dictator, that mocked Hitler directly.

Solaris (1972) [The Criterion Collection] – Blu-ray Disc

****/**** Image A- Sound A- Extras B+
starring Natalya Bondarchuk, Donatas Banionis, Jüri Järvet, Anatoli Solonitsyn
screenplay by Fridrikh Gorenshtein & Andrei Tarkovsky, based on the novel by Stanislaw Lem
directed by Andrei Tarkovsky

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Mustownby Bryant Frazer Andrei Tarkovsky's adaptation of Solaris, a novel by the Polish science-fiction writer Stanislaw Lem, betrays the director's general disinterest in conventional SF tropes. His film does honour the mind-blowing outlines of Lem's concept, which deals with a manned mission to investigate a planet-sized extra-terrestrial consciousness. But where Lem speculated about the practical boundaries of human intellect in the shadow of the universe, Tarkovsky opts to explore human feelings of loss and insecurity in the face of mortality. For Lem, the failed Solaris mission is emblematic of the difficulties we humans would have comprehending and communicating with a radically different form of life. For Tarkovsky, the mission re-opens old psychic wounds, flooding us with regret that we weren't better to the people we loved. "Shame [is] the feeling that will save mankind," murmurs protagonist Kris Kelvin near the end of the film. In Tarkovsky's Solaris, we have made contact with the aliens, and they want you to call your mom.

Blow Out (1981) [The Criterion Collection] – Blu-ray Disc

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****/**** Image A Sound A- Extras B+
starring John Travolta, Nancy Allen, John Lithgow, Dennis Franz
written and directed by Brian De Palma

Mustownby Bryant Frazer Blow Out begins with a broadly visual joke, nearly four minutes long, about filmmaking. It ends with a second joke on the same subject, this one more complex, pointed, and black as tar. Over the course of the narrative, the material has turned rancid, so discoloured and malodorous that it’s hardly funny. That’s because, between the two grand gestures that bookend the film, writer-director Brian De Palma has traced a hero’s journey from idealism and optimism to disillusionment and despair. If cynicism were a superhero franchise, Blow Out would be its origin story.

I Spit on Your Grave (1978) + I Spit On Your Grave (2010) – Blu-ray Discs

I SPIT ON YOUR GRAVE (a.k.a. Day of the Woman)
**/**** Image A Sound B Extras B+

starring Camille Keaton, Eron Tabor, Richard Pace, Anthony Nichols
written and directed by Meir Zarchi

I SPIT ON YOUR GRAVE
*/**** Image A Sound A- Extras B-

starring Sarah Butler, Jeff Branson, Daniel Franzese, Andrew Howard
screenplay by Stuart Morse, based on a screenplay by Meir Zarchi
directed by Steven R. Monroe

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by Bryant Frazer Rape-revenge is the basest of movie formulas. What amounts to a social contract exists with the audience: during the first half of the film, you will experience the sadistic, brutal, misogynistic sexual abuse of an innocent, probably naïve young woman at the hands of cavalier thugs. And during the second half of the film, you will see this broken woman–this survivor–pull herself together long enough to exact a terrible revenge on those who wronged her.

Bambi (1942) [Diamond Edition] – Blu-ray + DVD

***/**** Image A- Sound B+ Extras A-
story direction Perce Pearce and story adaptation Larry Morey, from the story by Felix Salten
supervising director David D. Han
d

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by Bryant Frazer Bambi is just 70 minutes long, but it's one of the more versatile features in the Disney canon. It's a cute circle-of-life story, sure, populated by talking rabbits, nominally sweet-smelling skunks, and wise old owls (not to mention the adorable chipmunks that the owl, for some reason, hasn't preyed upon). But look what else is going on in this slice-of-wildlife film: an attempt at an animated nature documentary; a tract in opposition to sport hunting; and the impetus for generations of children to weep in terror at the prospect of losing their mothers.

What’s Up, Doc? (1972) – Blu-ray Disc

***½/**** Image A- Sound B+ Extras B
starring Barbra Streisand, Ryan O'Neal, Kenneth Mars, Madeline Kahn
screenplay by Buck Henry and David Newman & Robert Benton
directed by Peter Bogdanovich

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by Bryant Frazer Barely more than 45 minutes in, What's Up, Doc?, a romantic farce directed by Peter Bogdanovich and starring Ryan O'Neal and Barbra Streisand, reaches a madcap climax set in a San Francisco hotel room–it features an especially hapless O'Neal, an increasingly angry Madeline Kahn, an exploding television set, an insistently ringing telephone, and la Streisand, wrapped in an oversized bath towel, dangling from the window ledge outside–that makes you wonder whatever the hell else the film could have up its sleeve. It's not simply that the scene is an appropriately hilarious culmination of plot threads involving mistaken identity, musicology, and pre-marital strife, but also that it demonstrates an astonishing commitment on the part of the filmmakers to physical comedy on a grand scale. It's this sequence that transforms What's Up, Doc? from a tastefully sophisticated contemporary take on the screwball comedy into a thing of real mayhem. Arriving, as it does, just halfway into the film, it's a promise of even more flamboyantly orchestrated chaos to come.

Fantasia (1941)/Fantasia 2000 (2000) [4-Disc Special Edition] – Blu-ray + DVD

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FANTASIA
***/**** Image A Sound A- Extras B+
story direction by Joe Grant and Dick Huemer
directed by James Algar, Samuel Armstrong, Ford Beebe, Norm Ferguson, Jim Handley, Thornton Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, and Paul Satterfield

FANTASIA 2000
*½/**** Image A Sound A Extras B+
directed by Pixote Hunt, Hendel Butoy, Eric Goldberg, James Algar, Francis Glebas, Gaetan Brizzi, Paul Brizzi, and Don Hahn

by Bryant Frazer More than twenty years ago, I sat in Stan Brakhage’s office at the University of Colorado, handling original frames of 65mm IMAX film stock that the avant-garde filmmaker had hand-painted with swirling layers of colour. He explained that IMAX had commissioned him to create an abstract film specifically for presentation on the huge screens of their theatres. It was a great idea, and I wondered when the film had screened. Never, Brakhage told me. The IMAX people eventually lost interest in the idea, and “Night Music” was shown instead in 16mm prints, drastically reduced from the large-gauge film stock. Although IMAX were bold enough to approach Brakhage in the first place, the company got cold feet when it came time to actually exhibit non-narrative cinema–even for only 30 seconds!–for a paying audience.

Red Riding (2009) [Special Edition] – Blu-ray Disc

RED RIDING
**½/**** Image B+ Sound B Extras C

THE YEAR OF OUR LORD 1974
**½/****
starring Andrew Garfield, Sean Bean, Warren Clarke, Rebecca Hall
screenplay by Tony Grisoni, based on the novel Red Riding: Nineteen Seventy-Four David Peace
directed by Julian Jarrold

THE YEAR OF OUR LORD 1980
***/****
starring Paddy Considine, Jim Carter, Warren Clarke, Sean Harris
screenplay by Tony Grisoni, based on the novel Red Riding: Nineteen Eighty David Peace
directed by James Marsh

THE YEAR OF OUR LORD 1983
**/****
starring Mark Addy, David Morrissey, Jim Carter, Warren Clarke
screenplay by Tony Grisoni, based on the novel Red Riding: Nineteen Eighty-Three David Peace
directed by Anand Tucker

by Bryant Frazer Red Riding, adapted by screenwriter Tony Grisoni into three movies from four novels by David Peace, is an awfully downbeat thing that's difficult to classify. It's not really a mystery, because the central crimes are barely the point (at least in the first two films), and the question isn't whodunit, but who among all those involved is not yet corrupt. It's not a police procedural, because the only effective police work we see is of the thuggish, back-room variety. In its specificity of time and place–nine years in Yorkshire, a county in northern England–it recalls James Ellroy's novels about Los Angeles cops in the 1940s and '50s. But Ellroy's stories were bracing because their point of view came from inside a department dominated by bigotry and machismo and tormented by its own failings. Each of the Red Riding stories comes at the situation mostly from an outsider's perspective, elevating a principled crusader to the high ground, then having the corrupt institution take potshots at him, decimating his footing.

Breaking Bad: The Complete First Season (2008) – Blu-ray Disc

Image B Sound B Extras B
"Pilot," "Cat's in the Bag…," "…And the Bag's in the River," "Cancer Man," "Gray Matter," "Crazy Handful of Nothin'," "A No-Rough-Stuff-Type Deal"

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by Bryant Frazer Describing the ideal temperature for pan-roasting, Tom Colicchio advises budding chefs that the oil in the pan should sizzle, not sputter. That's an apt description of what Bryan Cranston does, with amazing physical control, through the entirety of the first season of "Breaking Bad". He resists going over the top, but still turns in a performance that could cook a steak.

King Kong (1933) (DigiBook) – Blu-ray Disc

Kingkong33cap****/**** Image A Sound A Extras A
starring Fay Wray, Robert Armstrong, Bruce Cabot
screenplay by James Creelman and Ruth Rose, from a story by Edgar Wallace and Merian C. Cooper
chief technician: Willis H. O’Brien

Mustownby Bryant Frazer Critics of a certain age point to Steven Spielberg’s Jaws and George Lucas’s Star Wars as the two new-style blockbusters that changed the course of moviemaking. It’s meant as a backhanded compliment to those films, whose high-concept efficiency appealed to huge audiences worldwide–and to younger viewers, it comes off as a geriatric complaint from Grandpa Sarris: “Get off my lawn, you kids with your laser guns and your killer sharks.” In truth, while Spielberg and Lucas altered the economics of the industry, they didn’t invent the modern blockbuster. That legacy stretches back to 1933, when the release of King Kong defined the studio tentpole for decades to come.

Machine Gun McCain (1969) – Blu-ray Disc

**½/**** Image A- Sound A- Extras B
starring John Cassavetes, Britt Ekland, Peter Falk, Gena Rowlands
screenplay by Mino Roli, based on the novel Captive City by Ovid Demaris
directed by Giuliano Montaldo

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by Bryant Frazer Tough, simple, and bereft of nonsense, Machine Gun McCain is the bare quintessence of the crime movie. Bound to and thus defined by its generic elements–the ex-convict on the make, the gangster's moll, the double-cross, the triple-cross, and the shadowy mob bosses pulling the strings–it takes a basic but unpretentiously stylish formal approach that makes the most of several terrific performances at the film's core.

Django (1966) – Blu-ray Disc

***/**** Image A Sound B+ Extras B-
starring Franco Nero, Loredana Nusciak, José Bódalo, Eduardo Fajardo
screenplay by Sergio Corbucci & Bruno Corbucci and Franco Rossetti
directed by Sergio Corbucci

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by Bryant Frazer When Django, the title character and hero of director Sergio Corbucci's seminal spaghetti western, first appears on screen, he's slogging on foot through mud, dragging a coffin behind him. The image is evocative and challenging. In classic American films, western heroes had generally been dignified cowboy types saddled up on strong horses. They were lawmen or simple ranchers with a code of honour. They rode into town in a cloud of dust and plainspoken righteousness backed up by a sharp eye and a six-shooter, and they stood for the endurance of traditional values on a wild frontier.

Django thinks those guys were pussies.

The White Ribbon (2009) – Blu-ray Disc

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Das weisse Band – Eine deutsche Kindergeschichte
***/**** Image A Sound A- Extras B+
starring Christian Friedel, Leonie Benesch, Ulrich Tukur, Ursina Lardi
written and directed by Michael Haneke

by Bryant Frazer The origins of evil–an alluring subject for writers and filmmakers, perhaps even more so than for psychologists and historians, who are limited by the facts of any given case. They become psychological archeologists, looking for the broken artifacts of a damaged mind that indicate why this person or that chose to inflict great pain and suffering by picking up a knife, a gun, or the blunt force of an entire nation’s army. Artists who imagine or investigate evil deeds, on the other hand, have the refuge of the poet. They may root in the filth of amorality and sociopathy, seeking dark messages there, but what they eventually create is the product of humanism–an effort to understand and shed light on tragedies in motion, on the present-day injustices that can lead to future wickedness and despair.

Vampyres (1974) – Blu-ray Disc

a.k.a. Vampyre Orgy, Daughters of Dracula
***/**** Image B+ Sound B+ Extras B+
starring Marianne Morris, Anulka, Murray Brown, Brian Deacon
screenplay by Diane Daubeney
directed by José Ramón Larraz

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by Bryant Frazer SPOILER WARNING IN EFFECT. One of the hallmarks of Eurohorror is brightly-lit sex scenes. Rather than reveal nudity in chiaroscuro, or in the kind of colour-gelled Hollywood glow meant to suggest candlelight or moonlight, cinematographers working in this mode step right up and wash light over their actresses to ensure that no detail is lost in shadow. This tableau looks a little strange from a contemporary vantage–off the top of my head, I don't think anybody but Paul Verhoeven and maybe the mumblecore crew shoots sex scenes so plainly these days–but it's a stylistic disconnect and a marker of a sense of time and place that makes these films a conduit for nostalgia among cinephiles of a certain age. José Ramón Larraz, a Barcelona-born director working in England, doesn't let Vampyres out of the gate before staging a bedroom scene involving two young, completely naked women. The sleepy brunette Fran (Marianne Morris) and the pale blonde Miriam (Anulka, a former PLAYBOY centrefold) are rolling around in bed before a killer in a top hat arrives in silhouette and fills their nubile bodies with bullets. (Were the title not Vampyres, you'd be forgiven for assuming the film had just announced itself as a giallo.) With that violent flourish, the opening credits begin.

Clash of the Titans (1981) (DigiBook) – Blu-ray Disc

***/**** Image B+ Sound B Extras C+
starring Harry Hamlin, Judi Bowker, Burgess Meredith, Laurence Olivier
screenplay by Beverley Cross
directed by Desmond Davis

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by Bryant Frazer Clash of the Titans, a fast-and-loose assemblage of Greek mythology with the general look and feel of an Italian Hercules film, was a throwback even in 1981. Produced by Charles H. Schneer and Ray Harryhausen, whose previous collaborations included special-effects extravaganzas like Jason and the Argonauts, The 7th Voyage of Sinbad, and The Valley of Gwangi (a western with dinosaurs!), the picture was conceived as a star vehicle for Harryhausen's ever-more-refined work animating miniature creatures frame by painstaking frame. As it turned out, Clash of the Titans was the ultimate–by which I mean final–showcase for the artist's technique.

Armored (2009) – Blu-ray Disc

**½/**** Image A- Sound B+ Extras B-
starring Matt Dillon, Jean Reno, Laurence Fishburne, Columbus Short
screenplay by James V. Simpson
directed by Nimród Antal

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by Bryant Frazer Watch enough movies, you get some insights into criminal activity and human behaviour. For example, the more conspirators you involve in your can't-miss heist scheme, the more likely it is that things will go south. Some people are capable of great ruthlessness. Others have a surprising and troubling capacity for cruelty. That lone cop snooping around is about to get in trouble. And that guy who made you promise that nobody would get hurt? He's going to be very, very disappointed.

It Might Get Loud (2009) – Blu-ray Disc

**½/**** Image A Sound A- Extras B
directed by Davis Guggenheim

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by Bryant Frazer In the U2 concert film Rattle and Hum, Bono finishes speechifying about Apartheid in the middle of the song "Silver and Gold" by growling an acid faux-apology: "Am I buggin' ya? Don't mean to bug ya." Then he says, "OK, Edge–play the blues," and The Edge holds up his guitar and goes WEEDLE-DEEDLE-DEEDLE-DEEDLE-DEEDLE-DEEDLE-DEEDLE! Watching the movie with friends in college, I always savoured the absurdity of that moment. We imagined Bono scrunching up his face in a grimace and scolding The Edge for reverting to his ordinary clamour. "Aw, Edge," he might say, "that ain't the blues. That's the same shit you always play." And I'd collapse in helpless laughter.

Moon (2009) – Blu-ray Disc

***/**** Image A Sound A- Extras B+
starring Sam Rockwell, Dominique McElligott, Rosie Shaw, Kevin Spacey
screenplay by Nathan Parker
directed by Duncan Jones

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by Bryant Frazer Paying homage to the science-fiction films of his youth, where space-base bulkheads and otherworldly landscapes were more likely to be styrofoam than CG, story writer and director Duncan Jones’s debut feature, Moon, is a surprisingly effective–even moving–story of isolation and alienation on the lunar surface. It’s one of those science-fiction movies made on a spartan budget that gives it a special kind of low-key tension. The closest forebear I can think of offhand is Shane Carruth’s time-travel drama Primer, which had a bargain-basement aesthetic that only amplified the general air of desperation and dehumanization. Moon, with its carefully-designed sets and frugally-executed visual-effects work, is a much more expensive proposition than Primer, but still dirt-cheap by multiplex standards. Moon may not be the best science-fiction film of 2009, yet it feels the most personal, its loving, handmade quality smoothing rough patches in the storytelling and landing the film’s essential emotional blow.

The Sopranos: The Complete First Season (1999) – Blu-ray Disc

Image B- Sound A- Extras B-
"Pilot," "46 Long," "Denial, Anger, Acceptance," "Meadowlands," "College," "Pax Soprana," "Down Neck," "The Legend of Tennessee Moltisanti," "Boca," "A Hit Is a Hit," "Nobody Knows Anything," "Isabella," "I Dream of Jeannie Cusamano"

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by Bryant Frazer By the end of its run in 2007, HBO's mob drama "The Sopranos" had become a cultural institution. Critics essayed strenuously on the series' thematic concerns, genuflecting and kissing the ring of Don David Chase, the creator and showrunner whose fingerprints are all over every scene of every episode. The show's run started in the days before DVRs splintered the television audience temporally, so viewers cleared their Sunday night schedules to take in "The Sopranos" even as they broke off into factions.

Julie & Julia (2009) – Blu-ray Disc

**/**** Image A Sound A Extras B+
starring Meryl Streep, Amy Adams, Stanley Tucci, Chris Messina
screenplay by Nora Ephron, based on the books Julie and Julia by Julie Powell and My Life in France by Julia Child with Alex Prud'homme
directed by Nora Ephron

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by Bryant Frazer It can hardly be disputed that Meryl Streep is among the finest, or at least the most finely proficient, of actors currently working. It's a drag, then, to see her resort to caricature and impersonation, even when she's sending some voltage through a limp premise. Riffing on demon-editor Anna Wintour, she ended up adding pathos to a cartoonish character, swallowing whole not just the working-girl melodrama that was The Devil Wears Prada, but also her poor co-star, Anne Hathaway, who appeared to be hanging on for dear life to a carnival ride. That speaks well to Streep's enduring star power, but I've always felt the effect was a little ostentatious–like one of the Rockefellers showing up to work at a soup kitchen over the holidays. It raises the question: Can a mediocre film really be redeemed by the presence of a terrific performance?

The New York Ripper (1982) – Blu-ray Disc

**/**** Image A Sound A- Extras B-
starring Jack Hedley, Almanta Keller, Howard Ross, Paolo Malco
screenplay by Gianfranco Clerici, Vincenzo Mannino, Lucio Fulci, Dardano Sacchetti
directed by Lucio Fulci

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by Bryant Frazer The box art for this Lucio Fulci sleazefest describes it as "The Most Controversial Horror Film Ever Made," which is a stretch. "Notorious" would be a better word. The New York Ripper's main claim to fame is its reputation as a sadistic, gory, and generally misogynist giallo–the Italian term referring to a combination of the crime and horror genres (basically a whodunit with slasher elements) that became popular in the 1960s and endured through the 1970s. Released in 1982 and styled after the psychologically ambitious thrillers of Hitchcock, it bears roughly the same relationship to the gialli film cycle that, say, Touch of Evil does to film noir. If the Fulci film isn't exactly as self-aware as the Welles one, it still functions as a capper, a fitting culmination of a particular form.

The Proposal (2009) – Blu-ray Disc

*½/**** Image B+ Sound B+ Extras B-
starring Sandra Bullock, Ryan Reynolds, Malin Akerman, Betty White
screenplay by Peter Chiarelli
directed by Anne Fletcher

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by Bryant Frazer Reviewing a romantic comedy can feel a bit like criticizing a kitten. So what if the feline puked in your slippers? What cat lovers generally want is something that will curl up in their lap, purr like nobody's business, and maybe give off a little heat on a cold winter's night. Complaining that the hungry little fuzzball won't fetch your slippers, can't guard your house, and bears no singular distinguishing marks or characteristics comes across as a tad churlish.

Stop Making Sense (1984) – Blu-ray Disc

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****/**** Image B Sound A Extras A-
directed by Jonathan Demme

Mustownby Bryant Frazer Stop Making Sense opens sparely, with a close-up of a man striding onto an empty stage. By “empty stage,” I don’t mean a bare stage, exactly. I mean a big empty theatre space–it’s basically a rectangular room behind a proscenium, illuminated by bare light bulbs dangling overhead–with furniture, ladders, scaffolding, and the like cluttered near the walls. It feels less like a performance is about to begin than like a rehearsal or, maybe more to the point, an audition. And by “close-up,” I don’t mean a tight shot on the man’s face. Rather, we are looking at his lower extremities–white shoes, white pants–in a Steadicam shot that follows him to a waiting microphone stand. He plops a boombox down beside him and announces, in a faux-naïf voice, “I have a tape I want to play.” If you know the Talking Heads, you’ll recognize this immediately as David Byrne’s shtick. But if this film is your introduction to the band–as it was for teenaged me–there may be something off-putting about the whole precious set-up. “What’s up with this fucking twerp,” I remember thinking, “and his art-damaged affectations?” I quickly learned the joke was on me.

Obsessed (2009) – Blu-ray Disc

*/**** Image A- Sound B+ Extras C
starring Idris Elba, Beyoncé Knowles, Ali Larter, Christine Lahti
screenplay by David Loughery
directed by Steve Shill

by Bryant Frazer When Hollywood types assimilate exploitation tropes and tactics, they start concocting films like Obsessed, in which Skinny White Bitch Ali Larter runs seriously afoul of Virtuous Black Woman Beyoncé Knowles by throwing herself at Good Husband Idris Elba. In fact, Obsessed is less a movie than it is a marketing plan, calculated to snare audiences entranced by its whiff of sex, celebrity, and dysfunctional race relations. Sure, those are movie-ready elements, but when they're mixed up by filmmakers as staidly unimaginative as the audience they're targeting, the recipe has a distinctly unsavoury flavour combination–gutless as well as tasteless.