A Home at the End of the World (2004) – DVD

Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Romance

*/**** Image A Sound A- Extras D
starring Colin Farrell, Dallas Roberts, Robin Wright Penn, Sissy Spacek
screenplay by Michael Cunningham, based on his novel
directed by Michael Mayer

by Walter Chaw Glib, facile, essentially misguided, and exhibiting a kind of misunderstanding about film craft that sends exactly the opposite of the intended message in every scene, Michael Mayer's directorial debut A Home at the End of the World is a trial from start to finish. It makes appalling soundtrack choices first in establishing period, then in demolishing mood, and finally in screwing up the chronology enough so that the viewer is left completely unmoored. If you're using a jovial Seventies soundtrack to place your film in the Seventies, it's a really bad idea to start using a classic Motown soundtrack when your picture actually moves forward in time. (Not even mentioning what a perverse boner it is to accompany the discovery of a dead father with "Me and Julio Down By the Schoolyard.") Add to that a screenplay by The Hours scribe Michael Cunningham that displays the same kind of top-heavy, more or less off-base pretension and disdain for such outmoded values as loyalty and generosity, and what you have is a recipe for a very particular kind of disaster.

Van Helsing (2004) [Widescreen] – DVD

Posted in2000s, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Czech Republic, DVD, Romania, Vampire, Werewolf

½*/**** Image B+ Sound A Extras C+
starring Hugh Jackman, Kate Beckinsale, Richard Roxburgh, David Wenham
written and directed by Stephen Sommers

Vanhelsingcapby Walter Chaw There are times now and again over the course of Stephen Sommers's unspeakable Van Helsing when the film is so brazenly bad that it threatens to be satirical–so bad that one is left to scramble to pull some sort of gestalt sense from the carnage. But it's just a mess, a cesspool of half-formed ideas and images ripped off whole from The Empire Strikes Back, Return of the Jedi, and Raiders of the Lost Ark, with Hugh Jackman reprising Wolverine from X-Men and Kate Beckinsale essentially reprising her role from Underworld. All of it's wrapped up in a cacophonous jumble of dour mattes, really (really) bad CGI, and an Alan Silvestri score that is itself a rip-off of everything that made John Williams famous (that is, Holst's "The Planets"). Way too long at just over two hours with no story to speak of justifying its length, the piece is stolen by David Wenham as a deadpan 19th century Q, Friar Carl, and grinds to a dead standstill whenever Jackman delivers one of his twenty lines, Beckinsale chimes in with a jarring non sequitur ("There's a bright side to death in Transylvania"), Shuler Hensley as Frankenstein's monster threatens to cry out "Puttin' on the Riiiitz," or Richard Roxburgh as Count Dracula vamps around like a diva in a John Waters film. If only Van Helsing were campy.

Candyman (1992) [Special Edition] – DVD

Posted in1990s, Authors: Bill Chambers, Authors: Walter Chaw, DVD, Horror, Thriller, UK

***½/**** Image B+ Sound B+ Extras A-
starring Virginia Madsen, Tony Todd, Xander Berkeley, Kasi Lemmons
screenplay by Bernard Rose, based on “The Forbidden” by Clive Barker
directed by Bernard Rose

by Walter Chaw Clive Barker’s fiction drips of sex, reeks of it. Squint and you can see sex rising off of it like steam from a fresh-slain carcass. His best work, stuff like the short stories “In the Hills, the Cities” and “Human Remains,” or his audacious retelling of the Christian myth Imajica, are engorged with sensuality–alight with perversity and all manner of fetishistic penetrations. When translated into film, however, Barker’s work (including that which the author has shepherded to celluloid himself) takes on a certain seediness that undermines the essential elegance of the writing. Something about Barker’s prose makes the rawest obscenity seem privileged–the pleasure/pain principle of his cenobites in print, for example, is made the grail, whereas on the silver screen, it dips dangerously towards kitsch and cult camp. Barker in writing batters defenses and leaves you prostrate before it; Barker projected feels formal, overdone, even ridiculous. The burden of fantasy for the reader is on the reader, but for the moviegoer, it’s on the filmmaker.

Raising Helen (2004) [Widescreen] – DVD

Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, Romance

½*/**** Image A Sound A- Extras C
starring Kate Hudson, John Corbett, Joan Cusack, Hayden Panettiere
screenplay by Jack Amiel & Michael Begler
directed by Garry Marshall

by Walter Chaw I made a promise to myself after The Other Sister to never watch another Garry Marshall film, but I guess I don't have enough self-respect. Raising Helen is repellent in the way of roadside carrion: it just sort of lies there stinking, making it hard to find the energy to attack it. (Something about beating dead horses and all that.) To endure Raising Helen is to surrender to the quintessence of that which is wrong with our culture, to the definition of a term like "disposable culture," and to the self-knowledge that what you really want from your entertainment is the comfortable affirmation of schmaltzy emotions provoked countless times before by countless identical romantic comedies. Going to this movie is the equivalent of giving up on an intellectual and emotional life. Raising Helen will only appeal to and attract people with pathologically little patience for films that challenge them in any way, that elicit genuine reactions and are thus threatening for their potential to penetrate the carefully constructed layers of numb denial that make unexamined lives liveable–films that provide anything like insight into any level of existential verity. It is the lowest rung on the escapist ladder, representative of some wholly self-contained fantasy world where the racial make-up of Queens is 99% WASP and 1% quirky East Indian, and where Kate Hudson's incandescent choppers are Leading Lady material.

Aladdin (1992) [Platinum Edition] – DVD

Posted in1990s, Adventure, Animation, Authors: Bill Chambers, Comedy, Disney, DVD, Family, Fantasy, Musical, Romance

***½/**** Image A+ Sound A+ Extras A+
screenplay by John Musker & Ron Clements and Ted Elliott & Terry Rossio
directed by John Musker & Ron Clements

Aladdincapby Bill Chambers Jeffrey Katzenberg may have revived the American animated feature while he was at Disney, but only one of the hits his reign yielded is worth a second viewing. Where 1989's The Little Mermaid and especially 1991's nauseating Beauty and the Beast tried to pass themselves off as Golden Age Disney (1937 (Snow White and the Seven Dwarfs)-1950 (Cinderella), for argument's sake), before a certain stateliness loosened its grip on the house style, 1992's Aladdin took its cue from Uncle Walt's twilight years, the Sixties, when he was interested in telling–as he geared up to pass the torch, perhaps–mentor stories (The Sword in the Stone and The Jungle Book) and pop culture had finally caught up with his incongruous predilections for psychedelia and bohemianism. It's a risk to emulate the period considered the birth of the studio's Dark Ages, and Aladdin is the least spurious movie of Disney's renaissance because of it.

The Untouchables (1987) – DVD|[Special Collector’s Edition] – DVD

Posted in1980s, Authors: Bill Chambers, Authors: Vincent Suarez, Crime, Directors: Brian De Palma, Drama, DVD, Gangster, Thriller

***½/****
DVD – Image A- Sound A-
SCE DVD – Image B+ Sound A- Extras B+
starring Kevin Costner, Charles Martin Smith, Andy Garcia, Sean Connery
screenplay by David Mamet
directed by Brian De Palma

by Vincent Suarez Will the real Brian De Palma please stand up?

Home on the Range (2004) – DVD

Posted in2000s, Adventure, Animation, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Disney, DVD, Family, Western

*/**** Image A Sound A Extras B-
written and directed by Will Finn & John Sanford

by Walter Chaw It opens with a musical number and a rabbit with a peg leg–and what feels like days later, Home on the Range ends with an ear-splitting action sequence featuring Cuba Gooding Jr. typecast as an over-animated pack animal. Meanwhile, a crass two-dimensional cow is typecast as Roseanne, her prize heifer Maggie introduced onscreen udder-first: "Yeah, they're real, quit staring." Real nice. And the intrigue, such as it is, revolves around yodeling cattle rustler Alameda Slim (Randy Quaid) narrowing his sights on the bucolic Patch of Heaven ranch, no-kill home of stock chickens ("It's a chick thing," hardy har har), a duck, a goat, and some swine.

Mean Girls (2004) [Special Collector’s Edition – Widescreen Collection] – DVD

Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Canada, Comedy, DVD

***/**** Image A- Sound B+ Extras B+
starring Lindsay Lohan, Rachel McAdams, Tim Meadows, Ana Gasteyer
screenplay by Tina Fey, based on the book Queen Bees and Wannabes by Rosalind Wiseman
directed by Mark S. Waters

Meangirlscapby Walter Chaw Plastics instead of Heathers; Lindsay Lohan instead of Winona Ryder; director Mark Waters instead of screenwriter brother Daniel; lunchtime poll: same. The biggest difference between Mean Girls and Heathers is the lack of that unmistakable spark of dark, playful genius. Both the Waters brothers made a splash with their initial public offerings (Mark with the fantastic The House of Yes, Daniel with Heathers), but while Daniel's portfolio is sprinkled with lead balloons like The Adventures of Ford Fairlane and the fitfully interesting Demolition Man, he did score with Batman Returns; Mark, alas, has a Freddie Prinze Jr./Monica Potter, a Jason Priestly/Mariel Hemingway, and a pair of Lohans in his deck, making The House of Yes an anomaly, it seems–as outcast from its comrades as Waters's imperfect characters are from his vision of a perversely stolid normality. Not to say that Waters's work post-The House of Yes is without unifying vision, just that his tendencies betray themselves as desperately wanting to be popular. It's a yen that makes Mean Girls actually a little autobiographical, and, probably as a direct result of that transparency, better than it should be.

Saved! (2004) – DVD

Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, Satire

½*/**** Image B+ Sound B+ Extras B-
starring Jena Malone, Mandy Moore, Macaulay Culkin, Patrick Fugit
screenplay by Brian Dannelly & Michael Urban
directed by Brian Dannelly

Savedcap

Hot on the heels of Confessions of a Teenage Drama Queen and Mean Girls, Saved! presents the same evil-girl-clique-victimizes-good-girl formula that is still defined by the wicked Machiavellian brilliance of Heathers, the last word on eloquence and intelligence in the bully sub-genre of teensploitation. In the wake of Columbine and the end-of-the-millennium spate of school mayhem, the greatest disappointment isn't the unabated gratification of the jock set, but the fact that school-based satires have yet to find the courage to address the absurdity of reaction post-atrocity while continuing to produce school-based satires at an unabated clip. If anything speaks to the ultimate triumph of the guilty bourgeoisie and the ineffectual leadership in charge of our nation's public schools, it's the glaring inadequacy of our cinema, that most agile and sensitive of our cultural barometers, in reproducing the voice of the oppressed. It's up to television's "Freaks and Geeks" (was, anyway) and NPR's stable of gifted monologists (Sarah Vowell, Dave Eggars, David Sedaris, and so on) to pick up the considerable slack.

TIFF ’04: Saw

Posted in2000s, Authors: Bill Chambers, Film Festivals, Horror, Mystery, TIFF
**/****starring Leigh Whannell, Cary Elwes, Danny Glover, Monica Potterscreenplay by Leigh Whannelldirected by James Wan by Bill Chambers Saw is ready and rarin' to be analyzed, opening as it does with the scholar-baiting tableau of a man (Leigh Whannell, also the film's screenwriter) waking in a bathtub, baptized or reborn. (It just so happens that his name is Adam.) And I swear to God the bad guy lives on "Stygian Street." Everything about Saw points to Whannell putting the cart before the horse: symbolism before context; set-pieces before bridges; revelations before mysteries... The movie's logic is at once unassailable and…

TIFF ’04: Palindromes

Posted in2000s, Authors: Bill Chambers, Comedy, Drama, Esoterica, Film Festivals, TIFF
*½/****starring Ellen Barkin, Stephen Adly Guirgis, Jennifer Jason Leigh, Richard Masurwritten and directed by Todd Solondz by Bill Chambers Preceded by the snarkiest, if also funniest, on-screen dedication since The War Zone's "For my father" ("In loving memory of Dawn Wiener"--Dawn being the pre-teen heroine of Todd Solondz's breakthrough feature Welcome to the Dollhouse), Solondz's fifth film, Palindromes, is a virtual sprinkler head oscillating back and forth to spritz everything in the director's purview with venom. (It's his idea of moral ambivalence.) A "palindrome" is something that reads the same forwards and backwards, and by casting several different actresses to…

TIFF ’04: Keane

Posted in2000s, Authors: Bill Chambers, Drama, Film Festivals, Mystery, Thriller, TIFF
***½/****starring Damian Lewis, Abigail Breslin, Amy Ryanwritten and directed by Lodge Kerrigan by Bill Chambers It may seem as though Lodge Kerrigan is spinning his wheels by revisiting the territory of his directorial debut two pictures later, but this actually provides a means by which to judge Kerrigan's maturation as an auteur. Only slightly more prolific than Terrence Malick, Kerrigan quietly penetrated the indie scene with 1994's Clean, Shaven, which cast Peter Greene--in a role that brilliantly exploited the actor's own mercurial nature--as Peter Winter, a paranoid schizophrenic scoping out his only child and her new parents; the film furnishes…

TIFF ’04: p.s.

Posted in2000s, Authors: Bill Chambers, Comedy, Drama, Film Festivals, Romance, TIFF
P.S.**½/****starring Laura Linney, Topher Grace, Gabriel Byrne, Marcia Gay Hardenscreenplay by Helen Schulman and Dylan Kidd, based on the novel by Helen Schulmandirected by Dylan Kidd by Bill Chambers Curious that Dylan Kidd, the mind behind the revelatory Roger Dodger, felt compelled to include a "director's statement" in the pressbook for his sophomore feature, p.s., but it's nonetheless an essential read in that it gives the lie to artist intentionality. "From Aristotle to Joseph Campbell to Robert McKee," Kidd writes, "everyone's in agreement: you can't have drama without obstacles...The idea behind p.s. was to tell a story where nothing stands…

TIFF ’04: Sideways

Posted in2000s, Authors: Bill Chambers, Comedy, Drama, Film Festivals, TIFF
***/****starring Paul Giamatti, Thomas Haden Church, Virginia Madsen, Sandra Ohscreenplay by Alexander Payne & Jim Taylor, based on the novel by Rex Pickettdirected by Alexander Payne by Bill Chambers Alexander Payne has a gift for wry humour, of course, and in Sideways, there's a nice, sardonic hold on a bathroom door's sign--"MEN"--after Jack (Thomas Haden Church), having learned nothing from a sour indiscretion that netted him a broken nose, starts hitting on a waitress. By the same token, the curlicue noted above is typical of the level of organization, for lack of a better word, in Payne's work, which always…

TIFF ’04: I ♥ Huckabees

Posted in2000s, Authors: Bill Chambers, Comedy, Esoterica, Film Festivals, Germany, TIFF, UK
i ♥ huckabeesI Heart Huckabees**/****starring Dustin Hoffman, Isabelle Huppert, Jude Law, Jason Schwartzmanscreenplay by David O. Russell & Jeff Baenadirected by David O. Russell by Bill Chambers David O. Russell's debut feature Spanking the Monkey now bears the mark of Kane. (Citizen, that is.) A funny, caustic mood-piece that heralded the Second Coming of Hal Ashby, it was also an impossible thing to live up to--or down, for that matter, Spanking the Monkey's mother-son incest plot in some ways a modern correlative to Citizen Kane's taboo-shattering demystification of William Randolph Hearst. Russell's work since (Flirting with Disaster, Three Kings) has…

TIFF ’04: White Skin

Posted in2000s, Authors: Bill Chambers, Canada, Drama, Film Festivals, Horror, Mystery, Thriller, TIFF
La Peau blanche**/****starring Marc Paquet, Marianne Farley, Frédéric Pierre, Jessica Malkascreenplay by Joël Champetier, Daniel Roby, based on the novel by Joël Champetierdirected by Daniel Roby by Bill Chambers I had a pretty good idea of where White Skin (La Peau blanche) was headed, and although I was more tickled that it had the French-word-for-chutzpah to go to those ludicrous extremes than disappointed that the outcome was vaguely predictable (if movies never failed to surprise me, it would only mean that I watch as many as I do in vain (besides which, no film uses a clip from Rabid indiscriminately)),…

The Ladykillers (2004) [Widescreen] – DVD

Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Coen Brothers, Comedy, Crime, DVD, Thriller

**/**** Image A- Sound A- Extras B-
starring Tom Hanks, Irma P. Hall, Marlon Wayans, J.K. Simmons
written for the screen and directed by Joel Coen & Ethan Coen

Ladykillerscapby Walter Chaw There's a great line in the Coen Brothers' The Ladykillers: The General (Tzi Ma), asked for his Buddhist perspective on a caper gone awry, offers, "Be as leaf floating down river. Kill old lady." Still, it's a poor blueprint for a film, as the picture locates its narrative rhythm in a desultory, listless noodle that ends right when it threatens to begin. With Tom Hanks playing the Alec Guinness role of affected cad with larceny–eventually murder–on his mind, The Ladykillers feels like an inside joke. (A slapstick gag featured prominently in the previews, for instance, sees Hanks plucking bills from the air in what has become the defining image of his career, from Forrest Gump's feather inanity to Hanratty's dollar bill futility in Catch Me If You Can.) Returning in a way to more familiar ground after the screwball shrine of Intolerable Cruelty, it's nice to see the Coens, credited as co-directors for the first time in their twenty-year collaboration, tackling another caper noir, but it feels more than a little stale this time around, contrived in the way that genius starts to feel when inspiration flags.

TIFF ’04: Tarnation

Posted in2000s, Authors: Bill Chambers, Documentary, Film Festivals, TIFF
***/****written and directed by Jonathan Caouette by Bill Chambers Stylistically falling somewhere between avant-garde and dog's-breakfast, Jonathan Caouette's Tarnation invents an ethos to go along with the name of the editing software, "iMovie," used to assemble it, giving us what feels like the world's first "I" movie. The film doesn't so much defy description as resist it (Frank Zappa's "dancing about architecture" maxim applies here), but clearly a summary shouldn't be discouraged, as the more subjective the work, the greater the chance it stands of becoming the salvation of some disenfranchised individual. (Caouette himself says he was relieved to find…

TIFF ’04: Blood

Posted in2000s, Authors: Bill Chambers, Canada, Drama, Film Festivals, TIFF
*½/****starring Emily Hampshire, Jacob Tierneyscreenplay by Jerry Ciccoritti, based on the play by Tom Walmsleydirected by Jerry Ciccoritti by Bill Chambers Just the other day I watched Dial M for Murder, a single-set movie faithfully adapted from a stage play that never quite becomes theatre-on-film because, let's face it, we're talking about Alfred Hitchcock here. Jerry Ciccoritti is no Alfred Hitchcock--not that Ciccoritti's Blood wants or tries to be Dial M for Murder, but its Mike Figgis, let's-see-what-this-button-does aesthetic so reeks of overcompensation as to end up not only preserving the material's stage roots in amber, but also lulling us…

The Vanishing (1993) + Hardcore (1979) – DVDs

Posted in1970s, 1980s, Authors: Bill Chambers, Crime, Directors: Paul Schrader, Drama, DVD, Horror, Mystery, Thriller

THE VANISHING
**½/**** Image A Sound B+
starring Jeff Bridges, Kiefer Sutherland, Nancy Travis, Sandra Bullock
screenplay by Todd Graff, based on the novel The Golden Egg by Tim Krabbé
directed by George Sluizer

HARDCORE
***/**** Image A- Sound B
starring George C. Scott, Peter Boyle, Season Hubley, Ilah Davis
written and directed by Paul Schrader

by Bill Chambers 1993 was the year that American remakes of two estimable foreign thrillers became instant poster boys for Hollywood condescension. While John Badham’s Point of No Return is every bit as egregious as they said it was (although I prefer its “Cleaner” sequence with Harvey Keitel to Nikita‘s field test of Jean Reno’s Léon persona), George Sluizer’s The Vanishing, an Americanization of his own Spoorloos, often stands shoulder-to-shoulder with its forerunner–or is at the very least too provocative in its departures to dismiss out of hand. A lot of people wondered how Sluizer could desecrate what had been the crowning achievement of his career in this way, but what artist wouldn’t jump at the chance to view a piece of work through the looking glass without physically altering the original? (A kindred impulse drives novelists to sell the screen rights to their books.) All I can say is that the end result is more seductive than, say, Vanilla Sky, or Christopher Nolan’s Insomnia.