A Cure for Wellness (2017) – Blu-ray + DVD + Digital HD

June 12, 2017Posted in2017, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, DVD, Esoterica, Germany, Horror, Mystery, Thriller

Cureforwellness1

***/**** Image A Sound A Extras D+
starring Dane DeHaan, Jason Isaacs, Mia Goth
screenplay by Justin Haythe
directed by Gore Verbinski

by Walter Chaw Gore Verbinski’s A Cure for Wellness is lurid unto beautiful, exquisite pulp, just barmy enough to attract a cult and just smart enough to deserve it. The central conceit is that humans are only really good as biological filters for pollutants; in place of the batteries of The Matrix, the film sees people as distilleries for some sort of immortality potion. The process kills them. I learned when I was young that rabies is a kind of fear of water: its sufferers die of thirst even surrounded by water. The old, rich, white/white-collar victims of A Cure for Wellness entomb themselves in an alpine sanatorium invested in hydrotherapy in hopes of feeling, you know, better. Their sickness is of the soul, alas. The irony of the water cure offered by their ostensible saviours is that the patients become desiccated, mortally. There seems to be a message in there about how the illness of soulless acquisition is self-inflicted, and the amount expended in solution only exacerbates it. Money is bad. The making of it is incestuous, perverse, and insatiable. It’s a strange thing to say in a movie that cost a lot of money, but the point is well taken. Especially now.

Bambi (1942) [The Signature Collection – Anniversary Edition] – Blu-ray + DVD + Digital HD|[Diamond Edition] – Blu-ray Disc

June 5, 2017Posted in1940s, 2017, Animation, Authors: Bill Chambers, Authors: Bryant Frazer, Blu-ray Disc, Disney, DVD, Family

Bambi3

***/****
2011 Diamond Edition Blu-ray – Image A- Sound B+ Extras A-
2017 Anniversary Edition Blu-ray – Image A- Sound B+ Extras A-
story direction Perce Pearce and story adaptation Larry Morey, from the story by Felix Salten
supervising director David D. Hand

by Bryant Frazer Bambi is just 70 minutes long, but it’s one of the more versatile features in the Disney canon. It’s a cute circle-of-life story, sure, populated by talking rabbits, nominally sweet-smelling skunks, and wise old owls (not to mention the adorable chipmunks that the owl, for some reason, hasn’t preyed upon). But look what else is going on in this slice-of-wildlife film: an attempt at an animated nature documentary; a tract in opposition to sport hunting; and the impetus for generations of children to weep in terror at the prospect of losing their mothers.

Fist Fight (2017) – Blu-ray + DVD + Digital HD

May 30, 2017Posted in2017, Authors: Bill Chambers, Blu-ray Disc, Comedy, DVD

Fistfight1

½*/**** Image A+ Sound A Extras D
starring Ice Cube, Charlie Day, Tracy Morgan, Jillian Bell
screenplay by Van Robichaux & Evan Susser
directed by Richie Keen

by Bill Chambers Dick joke, dick joke, vamp, vamp, dick joke, vamp, soapbox, gag reel. That’s the stalwart formula of modern comedies, because why wouldn’t it be? People love dicks–pics, jokes, presidents–and the rude jazz of improv and a message that turns junk food into a healthy smoothie. People love smoothies. And bloopers? Are you shitting me? Second only to sliced bread. I have this theory I’m workshopping about social media making everyone believe they’re a comedian and therefore threatened by anything that might be funnier than they are, turning studios into peddlers of junk comedy. This feels somewhat complementary to another pet theory of mine, which I’ve mentioned before in these parts, that digital filmmaking precipitated comedy’s decline the way that video ruined pornography: by making the genre more purely exploitative of the talent, at the obvious expense of artistic discipline. Why craft a punchline when the camera can run indefinitely while you look for one? Anyway, Fist Fight is shit.

Hot Docs ’17: Resurrecting Hassan

May 6, 2017Posted in****/****, 2017, Authors: Bill Chambers, Canada, Chile, Disability, Documentary, Film Festivals, Hot Docs, Hot Docs 2017
****/****directed by Carlo Guillermo Proto Hot Docs, the Canadian International Documentary Festival, runs April 27-May 7, 2017 at Toronto's Bloor Cinema. Visit the fest's official site for more details. by Bill Chambers Denis Harting, his childhood sweetheart Peggy, and their daughter Lauviah busk together as a capella singers on the Montreal metro. Peggy prefers performing outside to inside: "It's more fun and it's more money. And people are a bit goofier." She says this to her secret boyfriend, Philou, during one of their transatlantic phone calls, which she's becoming increasingly brazen about. If you're going to pity Denis, pity him…

Hot Docs ’17: Recruiting for Jihad

May 3, 2017Posted in2017, Authors: Bill Chambers, Documentary, Film Festivals, Hot Docs, Hot Docs 2017, Norway
Making Jihadists***½/****directed by Adel Khan Farooq & Ulrik Imtiaz Rolfsen Hot Docs, the Canadian International Documentary Festival, runs April 27-May 7, 2017 at Toronto's Bloor Cinema. Visit the fest's official site for more details. by Bill Chambers There's a popular film and TV trope that's become a Twitter meme where a freeze-frame of someone in a compromising position is accompanied by a record-scratch on the soundtrack and a narrator intoning, "Hey, that's me. You're probably wondering how I ended up in this situation." So it's cringeworthy when a new movie opens like this (even sans record-scratch), yet Recruiting for Jihad…

Hot Docs ’17: 69 Minutes of 86 Days

May 1, 2017Posted in2017, Authors: Bill Chambers, Documentary, Film Festivals, Hot Docs, Hot Docs 2017, Norway
**/****directed by Egil Håskjold Larsen Hot Docs, the Canadian International Documentary Festival, runs April 27-May 7, 2017 at Toronto's Bloor Cinema. Visit the fest's official site for more details. by Bill Chambers Following a flow of Syrian refugees from Greece to Sweden, 69 Minutes of 86 Days is formally unusual but sentimental in a way that feels very familiar. Director Egil Håskjold Larsen's (for all intents and purposes) invisible Steadicam cruises a tent-lined port in Greece, an eye-level drone looking for a muse. Roughly eleven minutes into the picture, there she is: Lean, an adorable tyke who comes to exert…

Hot Docs ’17: Ask the Sexpert

April 29, 2017Posted in2017, Authors: Bill Chambers, Documentary, Film Festivals, Hot Docs, Hot Docs 2017, India
***/****directed by Vaishali Sinha Hot Docs, the Canadian International Documentary Festival, runs April 27-May 7, 2017 at Toronto's Bloor Cinema. Visit the fest's official site for more details. by Bill Chambers This is a breezy, lighthearted documentary that nevertheless had me on pins and needles from the moment it introduced an antagonist. Former gynaecologist Dr. Mahinder Watsa, the eponymous "sexpert," is India's answer to Dr. Ruth. At 91, he writes a popular advice column for the MUMBAI MIRROR and continues to see patients as a sex therapist, sometimes off the street without an appointment--to the consternation of his children, who…

Hot Docs ’17: Hobbyhorse Revolution

April 27, 2017Posted in2017, Authors: Bill Chambers, Documentary, Film Festivals, Finland, Hot Docs, Hot Docs 2017
***/****directed by Selma Vilhunen Hot Docs, the Canadian International Documentary Festival, runs April 27-May 7, 2017 at Toronto's Bloor Cinema. Visit the fest's official site for more details. by Bill Chambers Hobbyhorsists. They are predominantly young women, tweens and teens alike, who pretend to ride broomstick horses. The horses have names, idiosyncrasies, even lifespans (in a poetic externalization of personal growth, one girl's closet seems to double as a mausoleum for hobbyhorses), and they're billed alongside their riders in dressage tournaments that are surreal spectacles of girls bunny-hopping over fences while the crowd watches on tenterhooks, the way you dread…

Hot Docs ’17: Living the Game

April 26, 2017Posted in2017, Authors: Bill Chambers, Documentary, Film Festivals, Hot Docs, Hot Docs 2017, Japan
**½/****directed by Takao Gotsu Hot Docs, the Canadian International Documentary Festival, runs April 27-May 7, 2017 at Toronto's Bloor Cinema. Visit the fest's official site for more details. by Bill Chambers In surveying a complementary milieu with the same elegant reserve, Living the Game could be a blood relative of the streaming favourite Indie Game: The Movie. Although its chill vibe doesn't feel entirely forthcoming in the age of Gamergate, the pro gamers it profiles may exhibit fewer chips on their shoulders because they all hail from the East (Japan, mostly) rather than the West. These folks are damn near…

Hidden Figures (2016) – Blu-ray + DVD + Digital HD

April 19, 2017Posted in2016, 2017, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Drama, DVD

Hiddenfigures1

*/**** Image A- Sound A Extras B+
starring Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kevin Costner
screenplay by Allison Schroeder and Theodore Melfi, based on the book by Margot Lee Shetterly
directed by Theodore Melfi

by Walter Chaw Theodore Melfi’s Hidden Figures is so inextricably bonded to the rote motions of awards-season biographical uplift melodrama that it functions as proof of a template studios give to directors who won’t kick too much about art and individuality and expression and all that high-falutin’ stuff. Better, it’s proof of an attachment that fits onto the Studio sausage press ensuring that all the mashed and salted discards are extruded in the proper proportion into the collective cow gut. Hidden Figures is the story of three African-American women in the 1960s who go to work for NASA’s Mercury program in the days after the Sputnik launch. It talks about how they’re brilliant but forced to pee in segregated bathrooms; how they’re proud family women but treated like second-class citizens or worse. It positions a white man of power who sees their value all the way through to letting one of the ladies be a co-author on a report she seems to have written herself. It has the end-credits thing where pictures of the real women whose stories the movie ostensibly tells are shown with titles detailing the horrific shit they endured to get their names on a building. Well, one of them anyway. It even has that thing in movies about numbers where there’s a lot of running to try to make math exciting to watch. What it doesn’t have is any lingering impact whatsoever: no gravitas, no surprise, no interest, nothing. The only thing to say about Hidden Figures, really, is that if you spend time praising it, you’re being patronizing–and that is the very definition of irony.

The Bye Bye Man (2017) – Blu-ray + DVD + Digital HD

April 13, 2017Posted in2017, Authors: Bill Chambers, Blu-ray Disc, Disability, DVD, Horror, Thriller

Byebyeman1

*/**** Image A- Sound A
starring Douglas Smith, Lucien Laviscount, Cressida Bonas, Faye Dunaway
screenplay by Jonathan Penner, based on “The Bridge to Body Island” by Robert Damon Schneck
directed by Stacy Title

by Bill Chambers The Bye Bye Man begins as Terminator: Nebbish, with a Poindexter in a sweater vest named Larry (Leigh Whannell, of Saw fame) pulling up to a suburban home and asking the lady of the house, Jane (Lara Knox), if she told anybody “about the name.” Affirmative. Larry then returns to his vehicle, retrieves a shotgun, and blasts a hole through Jane’s front door. We see a man jump out of his wheelchair in the living-room window in a tiny, easy-to-miss background detail I suspect would’ve been airbrushed out of a more respectable film, because the prologue ends there in the theatrical cut. In the unrated version on Blu-ray, it continues on to show Larry entering the house, finishing Jane off, executing the wheelchair dude, Rick (Andrew Gorell), as he futilely drags himself across the carpet, and grimly, dutifully marching down the street to kill some neighbours Rick just threw under the bus. Smoothly staged in one take, the sequence reminds not unfavourably of A Serious Man, getting most of its period authenticity–the year is 1969–and middle-class dread from an aesthetic ape of that film. (The chyron-ascribed Madison, WI setting is pretty close to Coen Brothers territory, too.) It’s suitably horrific. Until, that is, you start thinking about Rick: Why does his escape plan involve slumping to the floor like a sack of potatoes? The whole point of wheelchairs, see, is that they have wheels–an innovation that gave disabled people an efficient, dignified way to get a bag of chips from the kitchen or flee an axe murderer. As we will soon discover, the titular Bye Bye Man makes his marks do absurd, irrational things; the problem is, The Bye Bye Man doesn’t quite know how to portray this without being hilarible itself.

Rogue One: A Star Wars Story (2016) – Blu-ray + DVD + Digital HD

April 7, 2017Posted in2016, 2017, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, DVD, Sci-Fi, Star Wars

Rogueone1

Rogue One
***½/**** Image A Sound A Extras B-
starring Felicity Jones, Diego Luna, Ben Mendelsohn, Alan Tudyk
screenplay by Chris Weitz and Tony Gilroy
directed by Gareth Edwards

by Walter Chaw A deep cut for Star Wars fanatics, Gareth Edwards’s Rogue One: A Star Wars Story also happens to be the single most topical fiction of 2016, talking as it does–in bold, melodramatic strokes befitting a space opera–about the importance of rebellion in the face of fascism. “Order,” says Empirical stooge Krennic (Ben Mendelsohn). “Terror,” corrects brilliant weapons engineer Galen (Mads Mikkelsen). And the representative of the fascist regime smiles, as though it were all just a matter of semantics, this idea that terror and order are opposite sides of the same devalued coin. He’s engaged in a kind of political double-speak, in gaslighting–things that until this year were the scourge of banana republics and other backwards backwaters. The Empire that Krennic represents needs Galen to help them complete their Death Star superweapon, with the ’80s-era Reagan/Thatcher rationale that overwhelming destructive deterrents are the only way to truly keep the peace. Galen is compelled to cooperate to keep his daughter, Jyn (Felicity Jones), safe and anonymous in the protection of violent revolutionary Saw (Forest Whitaker). The rest is Jyn’s quest to clear her father’s name by stealing plans for the Death Star and delivering them to a fractured resistance that isn’t entirely sure if it wouldn’t be a good idea to give the Empire a chance. You know, maybe they won’t do all the things they said they were going to do?

20th Century Women (2016) – Blu-ray + Digital HD

March 27, 2017Posted in****/****, 2016, 2017, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, Drama, FFC Must-Own

20thcenturywomen2

****/**** Image A Sound A Extras B-
starring Annette Bening, Elle Fanning, Greta Gerwig, Billy Crudup
written and directed by Mike Mills

by Walter Chaw Mike Mills’s 20th Century Women is beautiful for the way that it listens. It hears how people talk, and it lets them. It watches the way people interact and allows that to speak volumes for them. It’s a film, like so many lately, about communication. There’s a moment, late, where a young man–a boy, really–says to his mother that he’s an individual: “I’m not all men, I’m just me.” And she says, “Well… yes and no.” It’s a beautiful exchange, performed exquisitely, timed perfectly. It’s sublime, not the least for being smart and dead-on. Kind and pointed and impossibly eloquent about certain uncomfortable truths, 20th Century Women is an invitation to have ultimate conversations about how we ruin our children with our best intentions and how that has always been so and will always be so. In multiple interludes, Mills speeds up the film, blurring the action with lighting effects and throwing in archival images while including narration like “the world is very big.” It is. The picture holds to the idea that the world is incomprehensible and that we’re acted on by forces we cannot control–and at the end of it, after we’re gone, it goes on without having known we were there. There’s a certain piquancy to that that needs to be earned, and is earned.

Allied (2016) – Blu-ray + Digital HD

March 22, 2017Posted in2016, 2017, Adventure, Authors: Bill Chambers, Blu-ray Disc, Directors: Robert Zemeckis, Drama, Mystery, Romance, Thriller, War

Allied3

**/**** Image A+ Sound A Extras B
starring Brad Pitt, Marion Cotillard, Jared Harris, Simon McBurney
screenplay by Steven Knight
directed by Robert Zemeckis

by Bill Chambers

“Back in those days I was much more of a taskmaster. I would make my actors hit those marks and always be in their light, and now I’ve kind of–I don’t care as much anymore. I wouldn’t allow there to be a camera bobble in any of those films. If the camera jiggled one frame, I’d have to do the take again. But nowadays, audiences are so different. I don’t think they appreciate the attention to detail. Maybe subconsciously they feel it, maybe they don’t. Having a perfectly composed shot doesn’t matter if you are watching it on an iPhone, does it? You wouldn’t see it.”

That’s Robert Zemeckis, speaking to We Don’t Need Roads: The Making of the Back to the Future Trilogy author Caseen Gaines. When I first read those words, I have to admit I had a little moment of “Dylan goes electric” heartbreak, because the precision craftsmanship of Zemeckis’s films had always been a comfort. Then I reread them, taking into account the resounding shrug that greeted both his lengthy detour into motion-capture animation and his subsequent return to live-action (Flight), and his sour grapes became considerably more pungent. Many filmmakers relax their standards as they get older; few make a point of announcing it. Fewer still do so with spite. If the prolific Zemeckis is fatigued, he shouldn’t pass the buck: it’s hard-won–I can’t begin to imagine the intensity of effort it took to pull off, say, Who Framed Roger Rabbit, or Death Becomes Her. When he belittles the iPhone he gives away his age (62 at the time), but he also sells himself out, as someone who’s been at the forefront of the digital revolution for decades. Of course, between his waffling commitment to 3-D and MoCap and his punking of a nation’s kids in a 1989 TV special in which he claimed that Back to the Future Part II‘s hoverboards were a real technology suppressed by parents’ groups, it’s hard to take Zemeckis at his word.

Moana (2016) – Blu-ray + DVD + Digital HD

March 13, 2017Posted in2016, 2017, Adventure, Animation, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Disney, DVD, Family, Musical

Moana1

**½/**** Image A+ Sound A Extras B
screenplay by Jared Bush
directed by Ron Clements & John Musker (co-directed by Don Hall & Chris Williams)

by Walter Chaw Arguably, the only place it really matters in terms of the diversity tango in Disney’s new animated musical Moana is in the songwriting and voice-acting, and so although there are only white people directing (four credited directors) and writing (eight credited scenarists), find Opetaia Foa’i and Lin-Manuel Miranda behind the music and Dwayne Johnson and Auli’i Cravalho behind the Pacific Islander characters. This is progress. Also progress is what seems, to this non-Polynesian, like a real effort to not appropriate a culture so much as represent its mythology, tied as it must be to a narrative about a young woman, Moana (Cravalho), a stout Disney heroine of that certain mold for whom adventure calls, declaring her independence from the patriarchy. We’ve seen her before, is what I’m saying, but she’s neither sexualized nor given an aspirational mate/therapeutic marriage. Progress. I’ll take it. There’s even a moment where demigod Maui (Johnson) makes a crack about Moana being in the Disney canon. Progress? Self-awareness, at least. I’ll take that, too. What’s unfortunate is that for everything that’s very good about the film, there’s something very familiar. The argument should probably be made that familiarity is the sugar that helps the medicine of its progressive elements go down. It worked for The Force Awakens.

Rules Don’t Apply (2016) – Blu-ray + DVD + Digital HD

March 2, 2017Posted in2016, 2017, Authors: Bill Chambers, Authors: Walter Chaw, Biopic, Blu-ray Disc, Comedy, Drama, DVD, Romance

Rulesdontapply3

*/**** Image A+ Sound A+ Extras C+
starring Warren Beatty, Annette Bening, Matthew Broderick, Lily Collins
screenplay by Warren Beatty
directed by Warren Beatty

by Walter Chaw The title refers to Howard Hughes, I think, and becomes a song its ingénue sings a couple of times over the course of the film. Moreover, it refers to Warren Beatty at this point in an extraordinary career that began in the New American Cinema and that wave of Method actors filling in the spaces left behind by the Golden Age. He was impossibly beautiful, and played against it whenever he could. He was whip-smart. Unabashedly political. Unapologetically a legendary philanderer who made perhaps his greatest single impression on my generation with a surprise cameo in then-girlfriend Madonna’s documentary monument to herself, Truth or Dare. Any investigation, though, finds that Beatty is a definitive voice of a definitive moment in the cinematic history of the United States. It’s been fifteen years since his last film as an actor, twenty as a director. In the meantime: rumours and speculation about this long-gestating production–his dream project, the culmination of a storied career behind and in front of the camera. And now here it is, Rules Don’t Apply, and it’s exceedingly uncomfortable, a film that leaves Beatty, acting here as co-star, director, producer, and credited screenwriter, exceptionally vulnerable. As capstones go, it’s an interesting one.

Manchester by the Sea (2016) – Blu-ray + DVD + Digital HD

February 20, 2017Posted in****/****, 2016, 2017, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Drama, DVD, FFC Must-Own

Manchesterbythesea

****/**** Image A- Sound A Extras B-
starring Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges
written and directed by Kenneth Lonergan

by Walter Chaw Kenneth Lonergan is a brilliant writer who specializes in small interpersonal moments. His plays are extraordinar­­y. The two previous films he directed, You Can Count on Me and Margaret, are masterful portraits of human failure and weakness. He is a poet of imperfection and imperfect resolution. Margaret gained attention for the lengths to which Lonergan fought for a cut that exceeded a contracted-upon two-and-a-half-hour running time. Martin Scorsese, with whom Lonergan collaborated on the script for Gangs of New York, helped facilitate a 165-minute cut that, to my knowledge, has never been screened. When Margaret finally hit home video after a swell of support from online advocates, the long version had inflated to 186 minutes. I’ve only seen the theatrical and extended cuts of the film. I love them both. I rarely wish movies were longer; Lonergan’s are the exception. That has something to do with his writing, of course, and something to do with his casts, who, to a one, have contributed extraordinary work–perhaps the best work of their careers. Crucially, Lonergan trusts them to deliver his words. He doesn’t garnish them with gaudy camera angles, or underscore them with expository soundtrack cues. Mark Ruffalo once said of Lonergan, affectionately, that the playwright was only playing at being humble. For me, however Lonergan is with other people, his humility comes through in the extent to which he allows his actors to do their job.

Pinocchio (1940) [The Signature Collection] – Blu-ray + DVD + Digital HD

January 23, 2017Posted in****/****, 1940s, 2017, Adventure, Animation, Authors: Bill Chambers, Blu-ray Disc, Coming of Age, Disney, DVD, Family, FFC Must-Own

Pinoke1

****/**** Image A Sound A- Extras A
story adaptation Ted Sears, Otto Englander, Webb Smith, William Cottrell, Joseph Sabo, Erdman Penner, Aurelius Battaglia
supervising directors Ben Sharpsteen, Hamilton Luske

by Bill Chambers Bambi was supposed to be Walt Disney’s second feature film, but the phenomenal success of Snow White and the Seven Dwarfs1 had thrown his fledgling empire into such chaos–most of it created by Walt’s manic spending and multitasking–that it got swapped out for Pinocchio, ostensibly the easier to animate as well as the more commercial of the two. It’s not that Disney was playing it safe, it’s that he thought he could bank some time and audience good will for experimentation in the years ahead. But before Pinocchio even opened, Disney was apologizing for falling into a sophomore slump, and the film wound up being a box-office disappointment, grossing less than Bambi eventually would.2 It’s interesting to try to watch Pinocchio from a contemporary perspective and determine what’s lacking (the crude sentimentality of Snow White and the Seven Dwarfs, for starters), having grown up with it as a brand classic. Is it possible this idiosyncratic motion picture–more of a dry run for Fantasia than Walt maybe realized or intended–was ahead of its time, and time caught up? It’s possible, though Pinocchio undoubtedly benefited from Disney’s practice of cyclically reissuing their animated features: people started to appreciate that it had in abundance what modern Disney movies lacked, chiefly, personality, inspiration, and ambition.

Sully (2016) – Blu-ray + DVD + Digital HD

January 4, 2017Posted in2016, 2017, Authors: Bill Chambers, Authors: Walter Chaw, Biopic, Blu-ray Disc, Clint Eastwood, Drama, DVD

Sully1

**/**** Image A Sound A Extras B-
starring Tom Hanks, Aaron Eckhart, Laura Linney
written by Todd Komarnicki, based on the book Highest Duty by Chesley “Sully” Sullenberger and Jeffrey Zaslow
directed by Clint Eastwood

by Walter Chaw An elderly film by an elderly filmmaker for an elderly audience, everybody’s favourite says-appalling-things old bastard Clint Eastwood directs the guy everyone can agree on, Tom Hanks, in a rah-rah hagiography of Captain Chesley “Sully” Sullenberger, the most uncomplicatedly heroic figure in the United States in the last…how long ago was Abraham Lincoln? 151 years? If you don’t know, Sully landed an airplane with 155 passengers on it in the Hudson River when bird strikes disabled both of the plane’s engines. Multiple dream sequences have Sully imagining what would’ve happened had he turned his plane over populated areas. 9/11 is referenced often–explicitly and obliquely. An applause-geeking closing title card informs that lots of New Yorkers helped rescue the passengers from the water after the splashdown because New Yorkers are good and America is great, raising the question, Mr. Eastwood, if it needs to be “great again.” Maybe it’s all gone to hell since 2009. The timing is interesting. Let’s call it that.