Sundance ’10: Double Take

***/****starring Ron Burrage, Mark Perrywritten and directed by Johan Grimonprez by Alex Jackson Johan Gimonprez's Double Take imagines an instance where Alfred Hitchcock is interrupted from filming 1963's The Birds to talk to his "double." This doppelgänger is from 1980--the year, you may remember (or reasonably guess), that Hitchcock died--and not his "double" at all, but rather his wraith, a vision of himself on the eve of his death. Hitchcock asks him who wins the Cold War and the wraith dismisses the question as unimportant. He wants to talk about how television is destroying cinema. The bulk of Double Take…

Miracle on 34th Street (1947) – DVD

***/**** Image F (colorized)/B+ (b&w) Sound B Extras C
starring Maureen O'Hara, John Payne, Edmund Gwenn, Gene Lockhart
screenplay by George Seaton, based on the story by Valentine Davies
directed by George Seaton

by Alex Jackson George Seaton's Miracle on 34th Street isn't my Christmas movie of choice. My most potent movie memory of Christmas is actually watching the Star Wars trilogy when it was broadcast on the USA network however many years ago. Accordingly, I make it a point of marking the holiday by watching some kind of Star Wars-like "deep reality" science-fiction or fantasy film, such as The Lord of the Rings, or Blade Runner. A couple years back, I watched The Passion of the Christ. But I digress. Of all the major Christmas movie cults–including those surrounding A Christmas Story, It's a Wonderful Life, Elf, and 1951's A Christmas Carol–the Miracle on 34th Street cult is the one with which I'd most want to spend the holidays. The film manages to be irreverent without becoming sacrilegious and sentimental without becoming saccharine. It's a pretty silly film, but I guess you could say that it's serious about being silly. It values silliness for its restorative, therapeutic quality.

The Odd Couple (1968) [Centennial Collection] – DVD

**/**** Image B+ Sound B+ Extras C
starring Jack Lemmon, Walter Matthau, John Fiedler, Herb Edelman
screenplay by Neil Simon, based on his play
directed by Gene Saks

by Alex Jackson My high-school psychology teacher used The Odd Couple‘s Oscar and Felix as an example of two men who had never resolved the anal stage of Sigmund Freud’s model for psychosexual development. Oscar (Walter Matthau) is anal-expulsive, rebelling against toilet-training well into adulthood, wallowing in his own filth and living completely in the moment. Felix (Jack Lemmon) is anal-retentive, finding pleasure in withholding his feces as a child, and as an adult obsessively cleaning and re-cleaning his surroundings and living by a strictly controlled schedule. Indeed, playwright Neil Simon’s The Odd Couple seems custom-built to illustrate the anal-stage concept in Freudian psychosexual development. In a broader sense, The Odd Couple is also an overt embodiment of the Apollonian/Dionysian dichotomy: Felix represents the need to create order, whereas Oscar represents the need to maintain a natural chaotic state.

Nanking (2007) – DVD

**½/**** Image A Sound A
directed by Bill Guttentag & Dan Sturman

by Alex Jackson Bill Guttentag and Dan Sturman's 90-minute documentary on the 1937 Nanking Massacre isn't so much reductive or simplistic as it is overachieving. The film suggests several promising avenues of discussion but stops there, at the level of overview, leaving you frustrated and hungry. As I felt similarly unsatisfied by the Ken Burns mini-series The Civil War, it occurs to me that the problem is one not of brevity but of excess ambition. With several hours at his disposal, Burns tried and failed to meet the likely-futile goal of creating the definitive document of the American Civil War. Even allowing for the decrease in scale, Guttentag and Sturman shouldn't have expected to sum up the entirety of the Nanking Massacre in a scant hour-and-a-half. By trying to tell us everything about the Nanking Massacre, Nanking ultimately tells us very little.

Gigi (1958) – Blu-ray Disc

GIGI (1958)
**½/**** Image A Sound A- Extras A-
starring Leslie Caron, Maurice Chevalier, Louis Jourdan, Hermione Gingold
screenplay by Alan Jay Lerner, based on the novel by Colette
directed by Vincente Minnelli

GIGI (1949)
**/**** Image C+ Sound C
starring Gaby Morlay, Danièle Delorme, Jean Tissier, Yvonne de Bray
scteenplay by Pierre Laroche, based on the novel by Colette
directed by Jacqueline Audry

by Alex Jackson How weird is it that Vincente Minnelli's Gigi won the Academy Award for Best Picture in 1958, when four years later Stanley Kubrick's adaptation of Lolita barely got the seal of approval? I suppose we shouldn't underestimate the power of sex to scandalize when it isn't disguised as love. In Gigi, wealthy Parisian playboy Gaston Lachaille (Louis Jourdan) is fixated on 15-year-old Gigi (27-year-old Leslie Caron), the granddaughter of family friend Madame Alvarez (Hermione Gingold). He likes her precisely because she is still a child. Most of the women Gaston goes with are accustomed and entitled to a certain standard of living. By contrast, Gigi can appreciate being spoiled. Gaston also admires her irreverence–how she can cheat at cards and tease him about it, or how she can effortlessly tell him off after he insults her dress. She hasn't learned how to be a lady yet; her rough edges haven't been smoothed out and she's capable of challenging him. There's a life to her that's drained out of most of the other women he meets long before he gets there.

Pretty Woman (1990) – Blu-ray Disc

Prettywoman3

***½/**** Image B- Sound A- Extras C+
starring Richard Gere, Julia Roberts, Ralph Bellamy, Hector Elizondo
screenplay by J.F. Lawton
directed by Garry Marshall

by Alex Jackson SPOILER WARNING IN EFFECT. Well, I'm willing to admit this much: Pretty Woman has a ridiculous premise. Corporate raider Edward Lewis (Richard Gere) buys up struggling companies and liquidates their assets. While in Los Angeles planning the purchase of ship manufacturer Morse Industries, he gets lost on the way back to his Beverly Hills hotel and stops on Hollywood Blvd. to ask for directions. This is where he meets Vivian Ward (Julia Roberts), a hooker desperate to pay off a few debts. She subsequently drives him to his hotel; as Edward recently broke up with his girlfriend in New York and feels bad about making Vivian take the bus home, he invites her to spend the night. They bargain over her price, arrive at the figure of three-hundred dollars, and sleep together. In the morning, Edward has a phone conversation with his lawyer, Philip Stuckey (Jason Alexander), who suggests he have dinner with James Morse, the owner and founder of Morse Industries, and that he bring a date to keep things social. Still on the phone, Edward walks in on Vivian singing along to Prince in the bathtub and offers to pay her for the entire week to be at his "beck-and-call."

Sundance ’09: Earth Days

***/****directed by Robert Stone by Alex Jackson I'm not quite sure how I feel about the environmental movement--the subject of Robert Stone's documentary Earth Days. There are two inarguable, somewhat contradictory truths at work here: mankind has been destroying and continues to destroy the planet he is inhabiting; and various doomsday scenarios predicted by the environmental and population-control movements have not come to pass. Stone shows us environmental leaders from three decades ago predicting that the sky will fall in 30 years. I sort of wish he had found room for a clip from Richard Fleischer's great 1973 film Soylent…

Sundance ’09: Moon

****/****starring Sam Rockwellscreenplay by Nathan Parkerdirected by Duncan Jones by Alex Jackson Lunar miner Sam Bell (Sam Rockwell) is nearing the end of a three-year contract with Lunar Industries when an accident lands him in his spaceship's sickbay. Upon regaining consciousness, he meets a facsimile of himself and begins to suspect that his employer and his robot companion Gerty (voiced by Kevin Spacey) have been keeping something from him. While Moon has some kind of basic dramatic conflict and is centred around an actual story instead of impressive visuals (though Sam Rockwell playing table tennis with himself is a hella…

Sundance ’09: Push: Based on the novel by Sapphire

Precious: Based on the Novel 'Push' by Sapphire***½/****starring Gabourey Sidibe, Paula Patton, Mo'Nique, Mariah Careyscreenplay by Damien Pauldirected by Lee Daniels by Alex Jackson The enormous hype surrounding Lee Daniels's Push: Based on the novel by Sapphire (hereafter Push) is both validating and a little confounding. Leaving Sundance with Grand Jury and Audience awards in the dramatic category, the film is an incredible mess. It takes a lot of risks, probably more than it needed to, and sometimes it falls flat on its face. The backlash has already begun to set in, natch--one commentator on the IMDb writes, "It's all…

Sundance ’09: Kimjongilia

The Flower of Kim Jong II**½/****directed by NC Heikin by Alex Jackson Kimjongilia takes its title from a hybrid red begonia created in honour of North Korean dictator Kim Jong Il's 46th birthday. It is said to symbolize wisdom, love, justice, and peace. Director NC Heikin juxtaposes propaganda footage romanticizing Kim Jong Il and his father Kim Il Sung's North Korea against interviews with former oppressed North Koreans who now reside in South Korea. As political filmmaking, it's pretty crude. There really aren't two sides to this issue: Kim Jong Il is a bad guy and there doesn't seem to…

Sundance ’09: The Anarchist’s Wife

**/****starring María Valverde, Juan Diego Botto, Nina Hoss, Ivana Baqueroscreenplay by Marie Noëlledirected by Marie Noëlle & Peter Sehr by Alex Jackson Affirmation, if nothing else, that Paul Verhoeven's Blackbook has become the dominant model for World War II pictures, Marie Noëlle and Peter Sehr's Verhoeven-esque The Anarchist's Wife alienated me early on by folding in stock footage to depict both the Spanish Civil War and the Second World War. On some level, I suspect this is a cheapoid strategy enabling the filmmakers to reserve more of their budget for costumes and sets. Whatever its intention, it dehumanizes the characters,…

Sundance ’09: Everything Strange and New

***½/****starring Jerry McDaniel, Beth Lisick, Luis Saguar, Rigo Chacon Jr.written and directed by Frazer Bradshaw by Alex Jackson The philosophical question at the centre of Frazer Bradshaw's incredible Everything Strange and New is as rudimentary and pragmatic as they come: how do you find happiness? And if you never find happiness but stumble upon contentment, is contentment going to be enough to sustain you for the rest of your days? The film begins with thirty-something carpenter Wayne (Jerry McDaniel) reflecting on the early years of his marriage to Reneé (Beth Lisick). She was in advertising and made more money than…

Sundance ’09: Boy Interrupted

***/****directed by Dana Perry by Alex Jackson In 2005, Dana and Hart Perry's 15-year-old son Evan fulfilled a life-long obsession with suicide by jumping out his bedroom window. Documentary filmmakers by profession, the Perrys worked through their grief by making this feature-length memorial to him. Exactly the sort of thing that seems immune to criticism, the film is nonetheless admirably free of sentimentality. When Perry includes footage of herself pregnant with Evan, she does so as a professional documentarian economically conveying the depth of a mother's attachment to her offspring. Given that one of Evan's dying wishes was to be…

Sundance ’09: The Killing Room

**/****starring Chloë Sevigny, Peter Stormare, Clea DuVall, Timothy Huttonscreenplay by Gus Krieger, Ann Peacockdirected by Jonathan Liebesman by Alex Jackson Jonathan Liebesman's The Killing Room would still have been pretty hokey five years ago, but in 2009, with the election and inauguration of Barack Obama, it's looking nothing short of obsolete. Genre filmmakers are going to have to face the fact that the Bush years are over. One of our new president's very first acts while in office was to shut down Guantanamo Bay; if torture porn wants to survive into the next decade, it's going to have to reinvent…

Sundance ’09: Stay the Same Never Change

***½/****starring Tate Buck, Dirk Cowan, Matthew Faber, Mary Nicholswritten and directed by Laurel Nakadate by Alex Jackson In the first five to ten minutes of Laurel Nakadate's Stay the Same Never Change, a beautiful blonde teenage girl eats a bowl of Trix in a surreally white kitchen. Nakadate gives us a series of close-ups of lips moist with milk and cutaways to the Trix box art. We then see the girl lounging around in her pyjamas, sometimes watching TV but mostly doing pretty much nothing at all. While she doesn't do anything overtly sexual, there is something almost pornographic about…

Touch of Evil (1958) [50th Anniversary Edition] – DVD

****/**** Image A+ Sound A Extras A
starring Charlton Heston, Janet Leigh, Orson Welles, Joseph Calleia
screenplay by Orson Welles, based on the novel Badge of Evil by Whit Masterson
directed by Orson Welles

mustown-9381168 by Alex Jackson Particularly in light of its 50th Anniversary DVD reissue, which gathers together all three extant versions of the film, I find myself grouping writer-director Orson Welles's Touch of Evil with multiple-incarnated masterworks like Blade Runner, Apocalypse Now, and, to a lesser extent, Dawn of the Dead and Brazil. Moreover, I don't quite see it as a 1950s noir thriller from Universal, or even really as an Orson Welles picture–rather, I look at Touch of Evil as a canonical part of every young (male?) cinephile's indoctrination. It occurs to me that you should be able to buy one-sheets for it at your local record store. So I was mildly surprised to hear Jonathan Rosenbaum admit in his audio commentary that he disliked the picture when he saw it as a teenager. He explains that he tied it too closely into the film noir genre and found it an unpleasant specimen. David Edelstein, in his theatrical review of the 1998 restoration, writes that he initially regarded it as one of the worst movies ever made. The picture neatly conformed to his preconceptions of what bad movies are like.

The Go-Getter (2008) – DVD

**½/**** Image B Sound C Extras C+
starring Lou Taylor Pucci, Zooey Deschanel, Jena Malone, Maura Tierney
written and directed by Martin Hynes

Gogettercap

by Alex Jackson Martin Hynes's The Go-Getter is a sweet but thin wafer of a movie. It isn't great art, it doesn't evoke an especially strong or complex emotional reaction, and it doesn't ask any difficult questions. It doesn't aspire to do anything more than pleasantly and efficiently eat up an hour-and-a-half of your time. That's the very definition of faint praise, but praise I'm offering it all the same. When I first saw the film at Sundance in 2007, I felt rejuvenated. This had come after a string of bad movies that nonetheless demanded a lot from me. The sheer frivolousness and good cheer of The Go-Getter was a kind of tonic that helped me remember why I love the movies in the first place. Still, I knew enough to only give it two-and-a-half stars, and my second viewing pretty much confirms that two-and-a-half stars is about right.

Beetlejuice (1988) [20th Anniversary Deluxe Edition] – DVD + Blu-ray Disc

Beetle Juice
***½/****

DVD – Image A- Sound B+ Extras C-
BD – Image A- Sound A- Extras C-
starring Alec Baldwin, Geena Davis, Jeffrey Jones, Michael Keaton
screenplay by Michael McDowell and Warren Skaaren
directed by Tim Burton

Beetlejuicecap

by Alex Jackson SPOILER WARNING IN EFFECT. Give Tim Burton's 1988 horror-comedy Beetle Juice credit for this: it's genuinely horrifying and genuinely hilarious. Sometimes both at once. The centrepiece of the film is a dinner party where new homeowners Delia (Catherine O'Hara) and Charles Deetz (Jeffrey Jones) and their guests uncontrollably lip-synch to Harry Belafonte's "Day-O." Seeing Jones struggle to protect himself through two outstretched hands as he growls the line "Hide thee deadly black tarantula" never fails to squeeze a chuckle out of me. At the end of the sequence, the partygoers' shrimp cocktails become large pink demonic hands that grab their faces and pull them down into their bowls. This final image is startling and very creepy in the way that it transforms a familiar object into something distinctly and unmistakably otherworldly.

The Shining (1980) [2-Disc Special Edition] – DVD

****/**** Image A Sound A- Extras A-
starring Jack Nicholson, Shelley Duvall, Scatman Crothers, Danny Lloyd
screenplay by Stanley Kubrick & Diane Johnson, based on the novel by Stephen King
directed by Stanley Kubrick

by Alex Jackson SPOILER WARNING IN EFFECT. The Shining has perhaps dated the most of Stanley Kubrick’s films. It’s not as stylized as Dr. Strangelove or Eyes Wide Shut, Kubrick pictures set in the “present” that nonetheless feel as foreign as those set in the future and distant past. Particularly with the earthy orange-pinks and piss-yellows dominating the Overlook Hotel’s lobby in the opening sequence, not to mention the child star’s shaggy head of hair, the film has deep roots in the late-Seventies to early-Eighties. However, I’m beginning to think that the aging process itself has provided the necessarily alienating “timeless” quality.

Fox Horror Classics, Vol. 2 – DVD

CHANDU THE MAGICIAN (1932)
***½/**** Image B- Sound C Extras A-
starring Edmund Lowe, Bela Lugosi, Irene Ware, Henry B. Walthall
directed by Marcel Varnel and William Cameron Menzies

DRAGONWYCK (1946)
**/**** Image A Sound A Extras B+
starring Gene Tierney, Walter Huston, Vincent Price, Glenn Langan
screenplay by Joseph L. Mankiewicz, based on the novel by Anya Seton
directed by Joseph L. Mankiewicz

DR. RENAULT’S SECRET (1942)
*/**** Image A Sound A- Extras B
starring J. Carrol Naish, John Shepperd, Lynne Roberts, George Zucco
story by William Bruckner and Robert F. Metzler
directed by Harry Lachman

by Alex Jackson SPOILER WARNING IN EFFECT. I confess to feeling a little insecure while reading the entry for Chandu the Magician in Leonard Maltin’s Movie & Video Guide, wherein the learned film historian derides Chandu as “disappointing” and “not as good as most serials in this genre, and even sillier.” The suggestion is that he’s wholly sympathetic to the material and was actually hoping to see a good movie before being “disappointed.” Mr. Maltin may very well be in a better position than me to determine the relative merits of Chandu the Magician. Speaking as a layman, I found it to be sublime pulp fiction. Prototypical of George Lucas’s Indiana Jones and Star Wars franchises, the film is remarkably shameless in its goofiness, never veering into self-deprecation or camp. It’s one of those rare pop entertainments that genuinely make you feel like a kid again.