Sundance ’11: The Black Power Mixtape 1967-1975

****/****directed by Göran Hugo Olsson by Alex Jackson Goran Hugo Olsson's The Black Power Mixtape 1967-1975 begins with a disclaimer explaining that this film is not intended to categorically define the Black Power movement, but merely to represent a few Swedish filmmakers' impressions of it. This seemingly innocuous statement raises more questions than it answers. Why would Swedes want to tell this story in the first place? Do they have the right to tell this story? And what's the point of looking at the Black Power movement of the late-Sixties and early-Seventies in 2011? It seems the moment you make…

Sundance ’11: Hobo with a Shotgun

**½/****starring Rutger Hauer, Brian Downey, Gregory Smith, Molly Dunsworthscreenplay by John Daviesdirected by Jason Eisener by Alex Jackson Director Jason Eisener and screenwriter John Davies must have been left in the care of a particularly negligent babysitter throughout the 1980s. Their Hobo with a Shotgun, an adaptation of a fake trailer the two made for Robert Rodriguez's Grindhouse contest back in 2007 (it won, and was subsequently attached to Canadian prints of the film), not only cites Mad Max Beyond Thunderdome, Robocop, and probably Cobra among its myriad references but also pays what I think is an incontrovertible homage to…

Trash Humpers (2010) – DVD

****/**** Image A- Sound A- Extras A
starring Paul Booker, Dave Cloud, Chris Cofton, Rachel Korine
written and directed by Harmony Korine

"To me, there is only one form of human depravity–the man without a purpose."-Ayn Rand

Mustownby Alex Jackson My last job was as direct-support staff in a group home for adults with autism and severe mental retardation. The grave and morning staff, I was basically responsible for getting them bathed, dressed, and fed for the day. In one of our training sessions, the instructor told us that all behaviour has some kind of payoff or reward. Of course, I had to challenge this. "What about pica?" I asked. More precisely, I wanted to know why one of our clients ate his own shit. The instructor politely scratched his chin and replied, "The behaviour must be rewarding unto itself."

The Player (1992) – Blu-ray Disc

***/**** Image B+ Sound B+ Extras B
starring Tim Robbins, Greta Scacchi, Fred Ward, Whoopi Goldberg
screenplay by Michael Tolkin, based on his novel
directed by Robert Altman

by Alex Jackson SPOILER WARNING IN EFFECT. In the opening scene of Robert Altman's The Player–an uninterrupted tracking shot lasting 7 minutes and 45 seconds–chief of studio security Walter Stuckel (Fred Ward) discusses long tracking shots with mailboy Jimmy (Paul Hewitt). Stuckel talks at length about Rope and Touch of Evil and says directors back then knew how to shoot a film. Jimmy mentions Bernardo Bertolucci's then-recent The Sheltering Sky and Julien Temple's Absolute Beginners as having terrific long shots, but Stuckel shrugs and mumbles that he hasn't seen them. It appears that Altman and screenwriter Michael Tolkin (adapting his novel of the same name) are illustrating a point about the insularity of the studio system and how the studios have no reference point outside their own past. Today, a complaint like that seems positively churlish. I honestly would not expect any of the newer executives to know or appreciate Rope or Touch of Evil, much less any current chiefs of security! In my view, anybody familiar with American cinema to that extent is already distinguished from your typical capitalist.

Warner Bros. Presents Saturday Morning Cartoons: 1980s – DVD

Image B- Sound B- Extras B-
Goldie Gold and Action Jack: “Night of the Crystal Skull”
Chuck Norris: Karate Kommandos: “Deadly Dolphin”
The Completely Mental Misadventures of Ed Grimley: “Tall, Dark & Hansom”
The Flintstone Kids: “The Bad News Brontos/Invasion of the Mommy Snatchers/Dreamchip’s Cur Wash/Princess Wilma”
Mister T: “Mystery of the Golden Medallions”
Dragon’s Lair: “The Tale of the Enchanted Gift”
Thundarr the Barbarian: “Secret of the Black Pearl”
Kwicky Koala Show: “Show #1 – Dry Run/Robinson Caruso/High Roller/The Claws Conspiracy/Hat Dance/Dirty’s Debut”
The Biskitts: “As the Worm Turns/Trouble in the Tunnel”
Monchhichis: “Tickle Pickle”
Galtar and the Golden Lance: “Galtar and the Princess”

by Alex Jackson

“Portions of original film elements from certain programs contained within no longer survive in pristine condition. As a result, archival elements of varying quality have been carefully assembled to provide you with as close an approximation of the original program as possible.” –Actual disclaimer on the “Warner Bros. Presents Saturday Morning Cartoons: 1980s” DVD collection

From the sound of that, you would think they discovered these episodes of “Chuck Norris: Karate Kommandos” and “Monchhichis” in the basement of an Argentinean mental hospital. Certainly, “Warner Bros. Presents Saturday Morning Cartoons: 1980s” holds genuine appeal as a cultural artifact. I was born in 1981 but have vague memories of watching an episode of “The Completely Mental Misadventures of Ed Grimley”, which might have featured a clip from the 1933 Fay Wray horror film The Vampire Bat. I have a better but still hazy memory of putting a cartoon “Mister T” temporary tattoo on my mom’s guitar case. If nothing else, this collection is irrefutable evidence that I didn’t imagine these programs.

Mystery Science Theater 3000 XVII – DVD

Image C+ Sound C+ Extras B-
2.1 "The Crawling Eye" (1989), 5.15 "The Beatniks" (1992), 10.10 "The Final Sacrifice" (1998), 11.5 "Blood Waters of Dr. Z" (1999)

by Alex Jackson I know it's loony, but I watched "Mystery Science Theater 3000" (or "MST3K") mostly for the movies. Oh, I liked the jokes. There were some episodes I laughed so hard at I had to turn off the television because I couldn't breathe. But I saw the riffing as a bonus, a way to make a good thing better. I didn't really watch the show just because it was funny, and its ironic appreciation of "bad movies" didn't strike me as all that different from the sincere appreciation I had for the likes of Plan 9 from Outer Space as a child. In fact, I don't think it's all that different from the deeper appreciation I have for those movies today. Mocking them doesn't necessarily detract from them. Their sensually visceral aspect always shines through. You can easily tell if something is any good regardless of who is talking over it. Besides, there's something amiably homey and relaxed about the "Mystery Science Theater 3000" approach. If you like a film, you should be able to enjoy it on your sofa. You should be able to converse about it in the moment. And you should even be able to laugh at it. If you can only love something with reverence, I'm not sure that's love.

Blackboard Jungle (1955) – DVD

**½/**** Image B+ Sound B Extras C+
starring Glenn Ford, Anne Francis, Louis Calhern, Margaret Hayes
screenplay by Richard Brooks, based on the novel by Evan Hunter
directed by Richard Brooks

Blackboardjunglecapby Alex Jackson There are a few scenes in Richard Brooks’s Blackboard Jungle that hold up, legitimately, as a thoughtful and fruitfully provocative investigation of the “inspirational teacher” genre. And when the film isn’t working, it’s often valuable as a time capsule of the 1950s and can be appreciated in a detached, archaeological way. But there are also times when you just can’t help but condescend to it, and I’d hate for Blackboard Jungle to become a camp object. Blackboard Jungle may not be worthy of praise simply for dealing with issues of race and class, but the fact remains that some fifty years later, its subject matter continues to touch a raw nerve. By treating it ironically and laughing at it, we’re absolved of the responsibility to fully engage with the issues it raises.

Big Love: The Complete Second Season (2007) – DVD

Image A Sound A Extras C+
"Damage Control," "The Writing on the Wall," "Reunion," "Rock and a Hard Place," "Vision Thing," "Dating Game," "Good Guys and Bad Guys," "Kingdom Come," "Circle the Wagons," "The Happiest Girl," "Take Me As I Am," "Oh, Pioneers"

by Alex Jackson There's definitely something cheeky and slyly subversive at the core of HBO's "Big Love". The show is the brainchild of Mark V. Olsen and Will Scheffer, an openly-gay couple who've been together since the early-'90s. That single fact opens up some interesting connections when it comes to polygamy. The standard argument religious groups have against homosexuality is that it's unnatural: Two men or two women cannot naturally procreate and therefore it's deviant, godless behaviour. By contrast, polygamy is possibly more natural than monogamy–you could argue that males are hardwired to spread their seed with as many females as possible and it is not cost efficient, evolutionarily speaking, to restrict yourself to one woman. And if the ability to procreate is what makes heterosexuality more moral than homosexuality, then we have to admit that polygamists are able to procreate "better" than monogamists and so polygamy should be embraced as the morally superior lifestyle.

Commando (1985) [Director’s Cut] – DVD

***½/**** Image A- Sound A- Extras B+
starring Arnold Schwarzenegger, Rae Dawn Chong, Dan Hedaya, Vernon Wells
screenplay by Steven E. de Souza
directed by Mark L. Lester

by Alex Jackson SPOILER WARNING IN EFFECT. I first saw Mark L. Lester’s Commando as a young boy and even then I was rather surprised that Arnold Schwarzenegger’s eponymous hero, John Matrix, didn’t get together with his reluctant sidekick, Cindy (Rae Dawn Chong). She’s set up to be the love interest, but the filmmakers never pull the trigger. I was similarly baffled by the saccharine relationship between Matrix and his daughter, Jenny (Alyssa Milano). In my youthful naivety, I frankly thought this was too hokey for an R-rated movie, i.e., a movie intended for grown-ups. What audience of adults would buy into this? And I couldn’t believe that the film would be about her kidnapping and Matrix tracking down and rescuing her. It’s just the hero invading the castle and saving the damsel-in-distress? Hell, Star Wars wasn’t that basic. There had to be some socio-political nuance to the situation I simply wasn’t old enough to grasp.

Sundance ’10: Skateland

***/****starring Shiloh Fernandez, Ashley Greene, Heath Freeman, Taylor Handleywritten and directed by Anthony Burns by Alex Jackson Anthony Burns's Skateland honours the hoary conventions of the "summer-after-high-school" genre (notice I'm not even bothering to explain what the movie's about), plays everything by the book, and never takes you too far out of your comfort zone. I think the film's power lies in Burns's willingness to allow for a cliché or a saccharine moment so long as it is truthful. Skateland closes with the hero kissing the girl to the accompaniment of Modern English's ubiquitous "I Melt With You," and I…

Sundance ’10: Boy

**/****starring Taika Waititi, James Rolleston, Te Aho Eketone-Whituwritten and directed by Taika Waititi by Alex Jackson Taika Waititi's Boy has one thing to say and spends 87 minutes saying it. Its message is basically that best friends are poor substitutes for fathers. Eleven-year-old New Zealander Boy (James Rolleston) idealizes his absentee dad Alamein (writer-director Waititi), who has spent the past seven years in prison for robbery. Returning home to dig up the loot he buried before getting caught, Alamein casually re-establishes a relationship with Boy by feeding him beer and initiating him into the world of "men." In exchange, Boy…

Sundance ’10: Me Too

Yo, también***/****starring Lola Dueñas, Pablo Pineda, Antonio Naharro, Isabel García Lorcawritten and directed by Álvaro Pastor & Antonio Naharro by Alex Jackson Daniel (Pablo Pineda) is a 34-year-old man with Down Syndrome who has recently graduated from college and gotten a job as a social worker connecting persons with disabilities with home- and community-based services. (I served my internship at a state-run agency like this.) There he meets and grows infatuated with the blonde, slightly older, sexually provocative Laura (Lola Dueñas), who does not have Down Syndrome. They find themselves developing a strong friendship, with Daniel trying to push it…

Sundance ’10: I Am Love

***½/****starring Tilda Swinton, Edoardo Gabbriellini, Pippo Delbono, Alba Rohrwacherwritten and directed by Luca Guadagnino by Alex Jackson What to make of the ending to Luca Guadagnino's I Am Love? It's not that it's inexplicable, exactly. I believe I understood what "happened" perfectly well. The issue, really, is with John Adams's score. It builds and builds and grows louder and louder until we half believe that wealthy Milan housewife Emma Recchi (Tilda Swinton) will be dragged down to Hell by a gypsy curse. The audience I saw it with struggled to stifle giggles. They were emotionally manipulated to have a strong…

Sundance ’10: Winter’s Bone

**/****starring Jennifer Lawrence, John Hawkes, Dale Dickey, Garret Dillahuntscreenplay by Debra Granik & Anne Rosellinidirected by Debra Granik by Alex Jackson Those who loved Courtney Hunt's Frozen River are welcome to a second helping with Winter's Bone. I fear it might signal the start of a new genre: grass-and-granola cinema nobly detailing the plight of the working poor crossed with pulpy film noir. (Granola noir, perhaps?) The problem with these movies is that grass-and-granola and film noir just do not mix. The "plight of the working poor" is grossly oversimplified when narratively expressed in noir terms. The gangsters in Winter's…

Sundance ’10: Smash His Camera

**/****directed by Leon Gast by Alex Jackson Leon Gast's Smash His Camera isn't much more than bubble gum: it's kind of sweet for a while and gives you something to chew on, but it has no nutritional value. A hagiography of paparazzo Ron Galella, the film is so deliriously meta in conception that it feels like some kind of joke at our expense. We're told by one of Galella's critics that his photographs are interesting simply because he photographs interesting people--we look at them for the subject, not for the artistry. That's all quite true, and perhaps even so obvious…

Sundance ’10: One Too Many Mornings

**½/****starring Stephen Hale, Anthony Deptula, Tina Kapousis, Jonathan Shockleyscreenplay by Anthony Deptula, Michael Mohan, Stephen Haledirected by Michael Mohan by Alex Jackson One Too Many Mornings is yet another semi-autobiographical romantic dramedy about two twentysomething males refusing to enter the adult world. It sounds a lot like the below-reviewed Bass Ackwards and Obselidia, but this one was made completely out-of-pocket and shot on the weekends over the course of two years. Considering the ultra-low budget, I'll admit there's a temptation to lower my standards. The filmmaking itself is stylish and inventive while essentially staying organic to the material--there's a fine…

Sundance ’10: Memories of Overdevelopment

Memorias del desarrollo**½/****starring Ron Blair, Eileen Alana, Susana Pérez, Lester Martínezscreenplay by Miguel Coyula, based on the novel by Edmundo Desnoesdirected by Miguel Coyula by Alex Jackson Asked by a student why he left Cuba despite supporting and believing in his country's socialist principles, Latin-American studies professor Sergio responds that not being able to write what he wanted to write was simply unbearable. Now that he's in the United States, he's free to say whatever he wants--and nobody cares. It's a relatively minor moment in an aggressively polemic film, but it's an extremely important one just the same. Throughout Memories…

Sundance ’10: Bass Ackwards

**½/****starring Linas Phillips, Davie-Blue, Jim Fletcher, Paul Lazarwritten and directed by Linas Phillips by Alex Jackson It took me a while to have any reaction whatsoever to Linas Phillips' Bass Ackwards. I guess I ultimately settled on mild affection, but this is not a film that's going to divide people. Phillips plays a Seattle-area wedding videographer named, yes, Linas. He's living with a young married couple and having an affair with the wife thereof (Davie-Blue). She's not willing to develop the relationship any farther and her husband kicks Linas out of their house. With no home and no girl, Linas…

Sundance ’10: Obselidia

**/****starring Michael Piccirilli, Gaynor Howe, Frank Hoyt Taylor, Chris Byrnewritten and directed by Diane Bell by Alex Jackson Mark (Michael Blackman Beck) is working on an encyclopedia of obsolete things. He writes on a typewriter, wears a fedora, and films interviews for his book with an outdated camcorder. One of the things he considers obsolete is love. This belief is tested when he meets Sophie (Gaynor Howe), a projectionist of silent movies who nonetheless loves life too much to be stuck in the past. Diane Bell's Obselidia is gorgeous to look at and very well-acted. If the description I just…

Sundance ’10: 7 Days

Les 7 jours du talion**/****starring Rémy Girard, Claude Legault, Fanny Mallette, Martin Dubreuilscreenplay by Patrick Senecaldirected by Daniel Grou by Alex Jackson Perhaps one of the more overtly sadomasochistic entries in the torture-porn genre, French-Canadian Daniel Grou's 7 Days seems to be seething at the bit to get to the good stuff. When Jasmine (Rose-Marie Coallier), the eight-year-old daughter of surgeon Bruno Hamell (Claude Legault), is raped and murdered, he decides to kidnap, torture, and kill the man responsible and then turn himself in. Hamell catches the killer, a day labourer named Anthony Lemaire (Martin Dubreuil) who has been implicated…