Don’t Say No Before You’ve Seen the Bloke: FFC Interviews Bruce Beresford

June 14, 2003Posted in2000s, Australia, Authors: Walter Chaw, Interviews

BberesfordinterviewtitleJune 15, 2003|A large man in a rumpled suit with a large clutch of papers and a VHS screener tucked underneath one arm, Bruce Beresford, the Australian director of some of the best films of the past thirty years (and some of the worst films of the last ten), is the model of expansive, self-deprecating charm. An experienced opera director and a member of the Aussie New Wave, which began filling the void in the late-’70s and into the ’80s left by the American cinema succumbing to the call of corporate-fuelled decision-making, Mr. Beresford–whose made-for-cable epic And Starring Pancho Villa as Himself is set to debut in the near future–sat down with me at the 12th Aspen Shortsfest to talk about everything from the topicality of his Breaker Morant to the inexplicability of his Double Jeopardy.  I started with the underseen Beresford gem The Fringe Dwellers.

Darkness Falls (2003) [Special Edition] – DVD

April 9, 2003Posted in2000s, Australia, Authors: Bill Chambers, Authors: Walter Chaw, DVD, Horror, Mystery, Thriller

**/**** Image B- Sound A Extras B-
starring Chaney Kley, Emma Caulfield, Joshua Anderson, Andrew Bayly
screenplay by John Fasano and James Vanderbilt and Joe Harris
directed by Jonathan Liebesman

by Walter Chaw Two years removed from Victor Salva’s Jeepers Creepers (and on the eve of a sequel to that film), Darkness Falls whets cult appetites by being nearly a scene-for-scene recreation of that film’s inferior second half. Essentially a series of “I don’t believe your story–hey, why did the lights go out?” scenarios and unearned jump scares, the picture opens with a nice fairytale prologue and a nifty “12 years ago” introduction that hints at the promise of a murderous Tooth Fairy. As soon as the action jumps to the present day with a warbling youngster, her hot sister, and our troubled hero, however, any pretense of a creepy, coherent mythology flies out the window as the flick devolves into an inexorable killer flick amped-up to “11.”

Ghost Ship (2002) – DVD

March 13, 2003Posted in2000s, Australia, Authors: Bill Chambers, DVD, Horror, Mystery, Thriller

**/**** Image A Sound A- Extras C+
starring Julianna Margulies, Desmond Harrington, Isaiah Washington, Gabriel Byrne
screenplay by Mark Hanlon and John Pogue
directed by Steve Beck

by Bill Chambers Ghost Ship is better than its director Steve Beck’s previous film for Robert Zemeckis and Joel Silver’s “Dark Castle,” the repugnant Thir13en Ghosts–but we’re talking incrementally. Somewhere in between the two pictures, Beck learned that even though the AVID editing machine makes an infinite number of cuts possible, he shouldn’t take that as a dare, and in Ghost Ship, he embraces the démodé in a way that he ironically didn’t in Thir13en Ghosts, the one of them that’s a remake. Ghost Ship opens with large, dissolving titles drawn in pink cursive script that would be at home in a Fifties movie with Vic Damone on the soundtrack. It’s a striking touch (if not entirely appropriate for The Treasure of the Sierra Madre aboard a sinking, possessed ocean liner), and it precedes a dazzling, disgusting prologue wherein the passengers on the deck of the Antonia Graza are slaughtered like so much cattle.

Kangaroo Jack (2003)

January 17, 2003Posted in2000s, Action, Adventure, Australia, Authors: Walter Chaw, Comedy, Crime, Family, Theatrical, ZERO STARS

ZERO STARS/****
starring Jerry O’Connell, Anthony Anderson, Estella Warren, Christopher Walken
screenplay by Steve Bing & Scott Rosenberg
directed by David McNally

by Walter Chaw Irresponsible to the extreme, Jerry Bruckheimer’s latest production is sleazy, violent, and packed with the sort of feckless, hateful messages that indicate an almost total disregard for an audience’s intelligence. Kangaroo Jack is, therefore, business as usual for a Bruckheimer production, save for the fact that it’s aimed at a very young audience. The picture is a malignance: it’s bad (for a film about a CGI kangaroo wearing a red “Brooklyn” jacket stealing fifty grand of the mob’s money, that much goes without saying), but what really impresses about the picture is its magnificent inappropriateness.

Two Weeks Notice (2002)

December 20, 2002Posted in2000s, Australia, Authors: Walter Chaw, Comedy, Romance, Theatrical

*½/****
starring Sandra Bullock, Hugh Grant, Mark Feuerstein, Dorian Missick
written and directed by Marc Lawrence

Twoweeksnoticeby Walter Chaw Nearly the same movie as last week’s Maid in Manhattan (only with more likeable stars and more believable chemistry between them), Sandra Bullock and Hugh Grant’s Two Weeks Notice (sic) is essentially just another opportunity for Bullock to play her wound-up, frumpy pratfall princess (recently hijacked by Nia Vardalos and her hard-to-stomach My Big Fat Greek Wedding), and for Grant to do his insufferable prat routine, both against the backdrop of the impossibly romantic golden Manhattan that is not to be confused with Spike Lee’s impossibly dour boilerplate Manhattan. Bullock is Lucy Kelson, Harvard-educated lawyer who has taken on the Birkenstock cause in her crusade against big business. Grant is George Wade, uneducated baron of big business who is so zealous to knock down historic landmarks that even his wrecking balls are emblazoned with Wade-Co’s giant “W.”

Rabbit-Proof Fence (2002)

November 27, 2002Posted in2000s, Adventure, Australia, Authors: Walter Chaw, Biopic, Drama, Road Movie, Theatrical

***/****
starring Everlyn Sampi, Tianna Sansbury, Laura Monaghan, David Gulpilil
screenplay by Christine Olsen, based on the book Follow the Rabbit-Proof Fence by Doris Pilkington
directed by Phillip Noyce

by Walter Chaw A very small story set on a very large stage, Phillip Noyce’s affecting Rabbit-Proof Fence is perhaps the most visually beautiful film of the director’s career, proving between this and his other movie from this year, the Graham Greene adaptation The Quiet American, that not only is it possible to go home again (as in Noyce to Australia) but also that it’s often wise. Shot on a minimal budget (in the six-million dollar range) with a cast of largely non-professional actors (Kenneth Branagh the main exception), the picture is a tremendous hit among the self-congratulatory film festival/arthouse crowd, who, after all, like to feel as though they’re applauding the right things.

The Quiet American (2002)

November 22, 2002Posted in2000s, Australia, Authors: Walter Chaw, Canada, Drama, France, Germany, Romance, Theatrical, Thriller, UK, Vietnam, War

***/****
starring Michael Caine, Brendan Fraser, Do Thi Hai Yen, Rade Sherbedgia
screenplay by Christopher Hampton and Robert Schenkkan, based on the novel by Graham Greene
directed by Phillip Noyce

Quietamericanby Walter Chaw Walking a fine line between nostalgia and regret, irony and earnestness, Philip Noyce’s The Quiet American, adapted from the novel by Graham Greene, is a lovely film that captures, like Hemingway’s A Farewell to Arms, the delicate balance between romance in the immediate foreground and the backdrop of war and politics. Evoking the colonial decay of Greene’s work while evincing one of the best performances of Michael Caine’s career, The Quiet American stars Caine as a British journalist in Vietnam who falls in a hopeless kind of love with a beautiful girl a third his age. His subsequent desperation and jealousy feel real; take note of an anguished scene in a bathroom stall–Caine suddenly seems to be getting better with every role.

Noyce Guys Finish First: FFC Interviews Phillip Noyce

October 23, 2002Posted in2000s, Australia, Authors: Walter Chaw, DIFF/SDFF, Film Festivals, Interviews

PnoyceinterviewtitleOctober 24, 2002|2002 is a banner year for director Phillip Noyce, who, after years toiling in the Hollywood dream factory, has returned home to his native Australia to helm a pair of spectacular and disparate films: The Quiet American and Rabbit-Proof Fence. Both played at the 25th Annual Denver International Film Festival, with Noyce also honoured as a tribute guest at a special screening of his marvellous "locked room" thriller Dead Calm (1989). I met Noyce at the historic Tivoli Brewery's hospitality suite on the coldest morning in Colorado since probably last March, resulting in the imposing Noyce (6'4", easy) bulking up even more in a down jacket.

Scooby-Doo (2002) [Widescreen Edition] – DVD

October 5, 2002Posted in2000s, Adventure, Australia, Authors: Walter Chaw, Comedy, DVD, Family, Mystery

**/**** Image B+ Sound B+ Extras B
starring Freddie Prinze Jr., Sarah Michelle Gellar, Matthew Lillard, Linda Cardellini
screenplay by James Gunn
directed by Raja Gosnell

Scoobydoovelmacapby Walter Chaw At one point in Raja Gosnell’s Scooby-Doo, Shaggy (Matthew Lillard) tells the titular pooch, “We’re like two trippin’ peas in a freaky pod, man”–and the counter-cultural freak flag just keeps on flyin’ in a live-action film more for the late-twentysomethings who grew up with the subversive Hanna-Barbera-Iwao Takamato cartoon than the kids of today being weaned on the much tamer, direct-to-video “Scooby” fare. I love that the reviled Scrappy-Doo is given a much-deserved vilification (“Puppy power! He’s not even a puppy–he’s got some kind of glandular thing”), that there’s a scene in which Shag and Scoob are unseen in the Mystery Machine–while smoke billows out of its sunroof to a reggae refrain Shaggy can be heard rapturously intoning, “So toasted, soooo toasted,” and that when Shaggy gets a girlfriend (the smokin’ Isla Fisher), her name is Mary Jane (“That’s, like, my favourite name!”). I love that Velma gets slyly “outed” (“I’m going on a journey of self-discovery”), and I love that one of the main villains is a Telemundo wrestler.

TIFF ’02: Rabbit-Proof Fence

September 9, 2002Posted in2000s, Adventure, Australia, Authors: Bill Chambers, Biopic, Drama, Film Festivals, TIFF
***/****starring Everlyn Sampi, Tianna Sansbury, Laura Monaghan, David Gulpililscreenplay by Christine Olsen, based on the book by Doris Pilkingtondirected by Phillip Noyce by Bill Chambers As much as I don't mind Phillip Noyce's Jack Ryan films, they failed to live up to the artistic promise held by Dead Calm, the claustrophobic Aussie thriller that brought both Noyce and star Nicole Kidman to the attention of U.S. audiences. After a decade or so of marginal filmmaking in Hollywood (and in the Hollywood style), Noyce has returned to his homeland--and reminds us that he can be a pretty effective filmmaker--with Rabbit-Proof Fence,…

Return to Never Land (2002) – DVD

August 23, 2002Posted in2000s, Adventure, Animation, Australia, Authors: Bill Chambers, Canada, Disney, DVD, Family

*/**** Image A Sound A Extras C+
screenplay by Temple Mathews and Carter Crocker
directed by Robin Budd, Donovan Cook

by Bill Chambers I can only assume that Disney buried Peter Pan in Stephen King’s pet sematary, for resurrected in the misbegotten Return to Never Land is one sour Fairy King. In the original Peter Pan, the title character lost his shadow; in the sequel, Peter is all shadow, a fascist dictator separated from the malicious Captain Hook by a single distinguishing feature: the hook. Return to Never Land pits the two in conflict once more, this time over the stolen treasure of Captain Hook, which Peter has stowed away for a rainy day. The movie gives no indication as to how Hook acquired the chest full of gold in the first place, thus our introduction to Peter is as a thief. And by the end of the picture, that’s the kindest thing I could think to call him.

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – April 28

April 28, 2002Posted in2000s, Australia, Authors: Travis Mackenzie Hoover, Documentary, Film Festivals, Hot Docs

by Travis Mackenzie Hoover

QUESTIONING FAITH
Questioning Faith: Confessions of a Seminarian
**½/****
directed by Macky Alston

On learning of his friend Alan Smith's death of AIDS-related complications, gay seminary student Macky Alston doubts the goodness and existence of God. In order to sort out his beliefs, he talks to a variety of friends and associates about their religious beliefs. I'd like to say that his search comes up with something to ponder, but this atheist was left largely unmoved by his unfocussed explorations, which have resulted in a documentary that should be longer and infinitely more articulate than it is. In all fairness, the gravity of the discussion keeps Questioning Faith moving as it goes from passionate affirmation to passionate denial: here the faith of Alan's mother and uncle, there the atheism of his partner's mother; here the belief of a hospital's Muslim chaplain in the face of a miscarriage, there the fervent Buddhism of a neighbour whose father has died.

Showtime (2002)

March 15, 2002Posted in2000s, Action, Australia, Authors: Walter Chaw, Comedy, Crime, Eddie Murphy, Robert De Niro, Theatrical, Will Smith

*/****
starring Robert De Niro, Eddie Murphy, Rene Russo, Ken Hudson Campbell
screenplay by Keith Sharon and Alfred Gough & Miles Millar
directed by Tom Dey

by Walter Chaw Shaping up as a spoof but neither smart enough to earn that label nor exciting enough to sustain interest otherwise, Tom Dey’s slick Showtime is an incoherent mess of a film that relies on explosions and volume to distract from its tin ear and flat pacing. It wants desperately to be a self-aware genre exercise in the Scream vein, but after its characters mention that there are “rules” to the buddy-cop flick, it chooses to demonstrate them rather than subvert them. Screenwriters-by-committee Keith Sharon, Alfred Gough, and Miles Millar, patching together an abominable iteration of the same old Lethal Weapon tropes, have conspired to get De Niro to immediately make 15 Minutes again (but as an alleged intentional comedy) and to continue Eddie Murphy’s typecasting as an animated jackass. Piling on the offenses, Showtime suffers from a few distracting plotholes, an obviously tacked-on prologue meant to elicit a Kindergarten Cop-esque brand of “isn’t it funny to scare children with a terrifying actor,” and a score by Alan Silvestri that actually approximates the feel of hammers to the brainpan.

Ice Age (2002)

March 15, 2002Posted in2000s, Adventure, Animation, Australia, Authors: Walter Chaw, Comedy, Family, Theatrical, UK

*½/****
screenplay by Michael Berg and Peter Ackerman
directed by Chris Wedge

Iceageby Walter Chaw Borrowing heavily from Disney’s aimless and laggard Dinosaur, Fox and Blue Sky Animation’s Ice Age is burdened from the outset by the vaguely disturbing reality that the titular epoch spells doom for most of the heroes of this animated mistake. When our quartet of cuddly endangered animals saunters off into the sunset, it feels disturbingly melancholy–something director Chris Wedge tries to assuage with a tedious epilogue that beats a long-dead running gag into the loam of an increasingly belaboured film.

Tackle Happy (2000) – DVD

January 10, 2002Posted in2000s, Australia, Authors: Bill Chambers, Documentary, DVD, Esoterica

Tackle Happy (The Origins of “Puppetry of the Penis”)
**½/**** Image B Sound B- Extras C-
directed by Mick Molloy

by Bill Chambers A name actor once dropped trou’ in front of me, under non-sexual circumstances I dare not elaborate. I buried my face in my hands and this only inspired him to taunt me further with his manhood. “What’s the matter? It’s just a dick,” he said. The more I think about it (not that I’ve been dwelling on it), the more sage his plea of innocence becomes. Penises are obnoxious, and sometimes none too innocuous, but all in all, they’re not the least bit sacred. Compare the Western cultural reputations of the vagina and the penis: on stage, the former gets a pretentious monologue performed by everyone from Glenn Close to Alanis Morissette; the latter gets a puppet show.

Moulin Rouge (2001) – DVD

December 4, 2001Posted in2000s, Australia, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Drama, DVD, Esoterica, Musical, Romance

Moulin Rouge!
***/**** Image A Sound A- (DD)/A+ (DTS) Extras A
starring Nicole Kidman, Ewan McGregor, John Leguizamo, Jim Broadbent
screenplay by Baz Luhrmann & Craig Pearce
directed by Baz Luhrmann

by Travis Mackenzie Hoover It’s been a long time since I’ve seen a mainstream film that tried to place its heart in the audience’s hands. Nothing in recent memory is as direct and open in its pleasures as the classic Hollywood musicals were, having been replaced by the sideways glance of the ironist and all of the false snobbery that pretends nothing is as it appears. While this is supposed to be a bellwether of our superior sophistication, it really just means that we strike a different pose: we must be superior to the events on screen and stop up our emotions with an arched eyebrow and a swift kick to the object of our gaze. The fact is that any evidence of true feeling–or, more to the point, true yearning for release–is treated as ridiculous and something to be lamented, but one must admit the current climate makes an affirmation of what we want seem very vulnerable and the efforts of those who decide to work without the net of condescension seem daring, if not suicidal.

DIFF ’01: Lantana

October 12, 2001Posted in2000s, Australia, Authors: Walter Chaw, DIFF/SDFF, Drama, Film Festivals, Germany, Mystery, Romance

***/****
starring Anthony LaPaglia, Geoffrey Rush, Barbara Hershey, Kerry Armstrong
screenplay by Andrew Bovell, based on his play
directed by Ray Lawrence

by Walter Chaw Leon Zat (Anthony LaPaglia) is a police officer suffering from low self-esteem and a dwindled passion in his marriage to Sonja (the incredible Kerry Armstrong). When we first meet Leon, in fact, we know him only as an adulterer, witness to the first of his two indiscretions with the newly-separated Jane (Rachael Blake). Suspecting that Leon may be straying, Sonja visits a therapist, Valerie (Barbara Hershey), confiding that, "It isn't that he's slept with another woman, it's that he's lied to me about it that's the betrayal." Lantana is obsessed with repression, of how one small secret kept for too long mutates and festers into insurmountable guilt and fear. Leon feels guilty about his adultery and is fearful of being discovered; later, Leon feels guilty for having been discovered, and is fearful that his wife no longer loves him. Sonja similarly worries that she doesn't love him anymore.

Paradise Road (1997) – DVD

May 13, 2001Posted in1990s, Australia, Authors: Walter Chaw, Drama, DVD, War

**/**** Image A+ Sound A
starring Glenn Close, Frances McDormand, Pauline Collins, Cate Blanchett
written and directed by Bruce Beresford

by Walter Chaw In 1976, Polish composer Henryk Gorecki composed his stunning orchestral and choral piece Symphony No.3 Op.36 “Symfonia pie¶ni ¿a³osnych” (“Symphony for Sorrowful Souls”), a collection of smaller movements comprising, much like Carl Orff’s Carmina Burana, varied texts both sacred and found. Among those sources used by Gorecki are a 15th-century lamentation of the Holy Cross Monastery; a folk song from the Opole region; and, most specifically, a young prisoner’s inscription on the wall of her cell in Zakopane’s Gestapo prison.

Me Myself I (1999) + Passion of Mind (2000) – DVDs

September 19, 2000Posted in1990s, 2000s, Australia, Authors: Bill Chambers, Comedy, Drama, DVD, France, Mystery, Romance, Sci-Fi, Thriller

ME MYSELF I
**/**** Image B Sound A Extras C
starring Rachel Griffiths, David Roberts, Sandy Winton, Yael Stone
written and directed by Pip Karmel

PASSION OF MIND
**/**** Image A Sound B+
starring Demi Moore, Stellan Skarsgård, William Fichtner, Peter Riegert
screenplay by Ron Bass and David Field
directed by Alain Berliner

by Bill Chambers SPOILER WARNING IN EFFECT. With a bumper crop of "what if?" movies hitting screens over the past couple of years–enough of them, perhaps, to signify a genre–the time is nigh to examine, in the hope of capping, this Cinema of Regret, a marriage propagandist's dream. Both Me Myself I and Passion of Mind arrive (coincidentally?) on DVD this week, and each in its roundabout way encourages its existentially lost central character to attach sentimentalism to family values. Dan Quayle must be happy as a clam.

The Matrix (1999)

April 3, 1999Posted in1990s, Action, Australia, Authors: Vincent Suarez, Martial Arts, Sci-Fi, Theatrical

***/****
starring Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving
written and directed by Lana and Lilly Wachowski (née The Wachowski Brothers)

by Vincent Suarez There's an early moment in The Matrix when Keanu Reeves's character retrieves contraband from a hollowed-out copy of one of the canonical texts of Postmodernism, Simulacra and Simulation, in which Jean Baudrillard suggests that modern reality is little more than a series of items and experiences replicating all that has come before; that ours is a reality comprising resemblances. It's details like these which elevate The Matrix above the vast majority of recent science-fiction films. Yet, like the strain of contemporary philosophy informing it, The Matrix is full of inconsistencies and contradictions, holes you could drive a truck through… But it's a scenic drive.