Action Archives - Page 30 of 50 - FILM FREAK CENTRAL

Speed Racer (2008)

May 8, 20082000s, 2008, Action, Adventure, Australia, Authors: Walter Chaw, Comedy, Drama, Esoterica, Family, Germany, Japan, Sci-Fi, Sports, Theatrical

*/****
starring Emile Hirsch, Christina Ricci, John Goodman, Matthew Fox
written and directed by The Wachowski Brothers

by Walter Chaw This generation’s Tron lands with unsurprisingly little fanfare early in the 2008 blockbuster sweepstakes, the victim of niche nostalgia and bottomless kitsch as well as the theory that total indulgence from all involved will prevent The Wachowski Brothers’ Speed Racer from turning out to be their Spruce Goose. I’ve seen just enough “Speed Racer” cartoons to recognize when people like John Goodman are impersonating badly-drawn ’60s television anime (as opposed to Goodman impersonating badly-drawn ’60s Hanna-Barbera)–and just enough, too, to futilely hope against hope that there wouldn’t be a chimp and a chubby tyke who stow away in a racecar’s trunk now and again. But I haven’t seen nearly enough of the TV series to want to see more of it, and after enduring the Cool World live-action version of “Speed Racer”, I confess I’ve sort of lost the will to live. In other words, I was never a fan of the cartoon and was mainly interested in this trainwreck on the strength of Bound and The Matrix. Still, I’d be a hypocrite if I didn’t take a moment to laud the brothers on their audacity–the very quality I appreciated in the two Matrix sequels, which were, by most analysis, disasters. It seems like sour grapes to knock the picture besides–or at least it seems futile, because the Wachowskis don’t appear to care what people think of them along their road to wearing Kleenex boxes on their feet and saving their pee in mason jars. Speed Racer is exhibit one in the case that the Wachowskis aren’t in it for praise (they’re not going to get any credible praise here) or money (they’re already loaded), but rather to luxuriate in the contents of their den’s shelves: first Alan Moore comics with V for Vendetta, now this excruciatingly faithful reproduction of an inexplicable camp artifact. Perhaps we should count our blessings that they weren’t huge fans of “Voltron.”

Iron Man (2008)

May 7, 20082000s, 2008, Action, Adventure, Authors: Walter Chaw, Canada, Sci-Fi, Superhero, Theatrical

**/****
starring Robert Downey Jr., Terrence Howard, Jeff Bridges, Gwyneth Paltrow
screenplay by Mark Fergus & Hawk Ostby and Art Marcum & Matt Holloway
directed by Jon Favreau

by Walter Chaw Iron Man is garden-variety pop heroism/wish-fulfillment that, marinated in Robert Downey Jr.'s effortless insouciant sauce, speaks volumes about the psychology of our nation at this disgusted, exhausted moment in our history. The plot's only casualties save its grand fiend are nameless Afghanis: terrorists on the one side, collateral damage on the other–few of them receiving the nobility of an individual death. Even the chief Al-Qaeda baddie is blown-up discreetly in the wings after a white guy first dazzles him with technology, then paralyzes him with the same. (Call it awe and shock.) The film's politics are easy and its racism similarly cavalier: Better dead than red (er, brown); when historians look back at this era in popular culture, it won't be terribly difficult to pick out that which forms the backbone of contemporary "Why We Fight" propaganda. What recommends the picture are sterling performances by Downey Jr., Gwyneth Paltrow as Iron Man's Girl Friday, Jeff Bridges as the mentor-cum-baddie, and wonderful, reserved, dignified Shaun Toub in a too-brief cameo as the sole voice of moral "otherness." What's unfortunate about the flick is that it takes an awful long time to get to the good stuff, and that good stuff–almost entirely CGI-rendered–falls curiously flat. Not quite boring, Iron Man just seems sprung. There's no forward momentum, no impetus, no real gravity. With all that firepower at its fingertips, it has no idea where to point itself.

The Devil’s Own (1997) – Blu-ray Disc

May 5, 20081990s, Action, Authors: Bill Chambers, Blu-ray Disc, Crime, Drama, Thriller

**/**** Image A- Sound A
starring Harrison Ford, Brad Pitt, Margaret Colin, Ruben Blades
screenplay by David Aaron Cohen & Vincent Patrick and Kevin Jarre
directed by Alan J. Pakula

by Bill Chambers One of the intriguing consequences of a new home-video medium is that, whether due to a paucity of selection or, in my case, professional obligation, you wind up revisiting some marginal titles you never thought you'd have cause to see again. Case in point: the final film from the mercurial Alan J. Pakula, 1997's The Devil's Own, which docks on Blu-ray as part of Sony's suddenly-aggressive catalogue rollout. The kind of topical widescreen melodrama Hollywood trotted out pretty regularly in the CinemaScope era, as well as the kind of glib commentary on another nation's failures you'd expect from Edward Zwick or Sydney Pollack before Pakula, the picture began life as a typically-contentious Kevin Jarre script about a vicious, coke-snorting IRA terrorist who crosses paths with a "hair-bag"–i.e., a cop still walking the beat long past his prime–while on the lam in New York.

Bionic Woman: Volume One (2007) – DVD

April 15, 20082000s, 2008, Action, Authors: Ian Pugh, DVD, Sci-Fi, Television, Thriller

Image A- Sound A Extras C
"Pilot," "Paradise Lost," "Sisterhood," "Faceoff," "The Education of Jaime Sommers," "The List," "Trust Issues," "Do Not Disturb"

by Ian Pugh David Eick's remake of the old Lindsay Wagner series "The Bionic Woman" is a near-literal relic straight out of 1976 so thoroughly convinced of its premise's timelessness that it merely tosses the same old shit together with popular concerns of the 21^st century–terrorism, the Iraq War, North Korea, the omnipresence of computer technology–in the vague hope that it will all alchemize into something that can stand on its own two feet. Call it the oblivious antithesis to an astonishing meta property like Live Free or Die Hard: it carries the expectation for tension within a battle of seemingly-incalculable odds when the outcome was long ago decided in the little guy's favour–I mean, like, decades ago. Interestingly enough, amid its largely indifferent applications of wire-fu, the new "Bionic Woman" offers the best auto-critical metaphor with its mustiest holdover from its precursor: the super-futuristic "action" sound effect that originated in "The Six Million Dollar Man" has been replaced by something that sounds like a computerized approximation of a stalled car.

Street Kings (2008)

April 10, 20082000s, 2008, Action, Authors: Walter Chaw, Crime, Drama, Theatrical, Thriller

*/****
starring Keanu Reeves, Forest Whitaker, Hugh Laurie, Chris Evans
screenplay by James Ellroy and Kurt Wimmer and Jamie Moss
directed by David Ayer

by Walter Chaw Keanu Reeves’s turn on the ring-around-the-mopey of skeezy LA crime dramas based on (or written by, or inspired by, or ripped-off from) James Ellroy’s hard-boiled noir prose is David Ayer’s second time around this track, Street Kings. No wonder it feels weary and worked-over, then, from the opening blare of an alarm clock to a gritty™ conclusion that suggests that the status quo is FUBAR–always has been, always will be, now with mas macho! Close your eyes and without any mental flexing replace Reeves with Ethan Hawke or Christian Bale or Scott Speedman or Joaquin Phoenix, or sub Reeves’s character’s commanding officer Wander (Forrest Whittaker) with similar wool-clad bogeys done not better but identically by Kurt Russell and James Cromwell. It’s never a question of who’s rotten in the force (everybody, stupid), never in question what the role of the anti-hero will be. Rather, it’s mainly a matter of what place vigilante justice will have in this moral quagmire of due process vs. capping the hoods and letting the legal vultures pick over the sticky wickets. It’s the Dirty Harry school of hanging judgment–the iconography of Eastwood and Bronson and Stallone in the ’80s (culminating for the latter in the ultimate state-sanctioned vigilante, Judge Dredd)–and it’s only really interesting for its popularity again amid the reign of a President who’s modelled his administration after Reagan’s. Why this concern about the breakdown of due process and the futility of real justice during terms that give lip-service loudest to a return to values? We only make films this ugly and futile when to a large extent we’ve abandoned any hope that our institutions of security will protect us from the night.

Life of Brian (1979) [The Immaculate Edition] – DVD + The Adventures of Baron Munchausen (1988) [20th Anniversary Edition] – DVD|Blu-ray Disc

April 8, 20081970s, 1980s, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, Directors: Terry Gilliam, Drama, DVD, Fantasy, UK, West Germany

LIFE OF BRIAN
***/**** Image B Sound C Extras A
starring Monty Python
screenplay by Graham Chapman & John Cleese & Terry Gilliam & Eric Idle & Terry Jones & Michael Palin
directed by Terry Jones

THE ADVENTURES OF BARON MUNCHAUSEN
**/****
DVD – Image B- Sound B+ Extras B+
BD – Image B+ Sound B+ Extras B+
starring John Neville, Eric Idle, Sarah Polley, Oliver Reed
screenplay by Charles McKeown & Terry Gilliam
directed by Terry Gilliam

by Walter Chaw Call it a rite of passage, but I'm thinking that boys of my generation memorize the Monty Python repertoire as a buttress against the terror of losing their virginity. (No colder shower than a round of "ni"s, let's face it; reciting the entirety of Monty Python and the Holy Grail is the antithesis of smooth and as such becomes the chit one trades for entry into the club of delayed experience.) Not until you get a little older do you appreciate that Monty Python earned their outsider status by being a satirical animal as opposed to a slapstick one–that the lengths to which they'd go for a joke has more to do with camouflage than with their stated goal of silliness. Owing to my knowing it almost subliminally at this point (let's just say the surprise is gone), I must confess I don't find Life of Brian that funny anymore–but I do find it to be a little amazing. This most recent viewing is the first time I've seen it with thousands of films packed dense into the rear-view, as well as the first time I've been able to appreciate that Life of Brian isn't one of dozens of films that take an irreverent run at fundamentalism, but rather one of the only ones. It's a revelation I greet with equal parts admiration for the picture and horror at the paucity of real conversation about skepticism in our Judeo-Christian culture. Always a lot of dust kicked up when another Dutch artist takes a run at Islam; the only difference in fundamentalist Christianity's response to Life of Brian is that the government didn't sanction the death threats it provoked.

The 6th Day (2000) – DVD|Blu-ray Disc

April 7, 20082000s, 2008, Action, Authors: Bill Chambers, Blu-ray Disc, DVD, Mystery, Schwarzenegger, Sci-Fi, Thriller

**/****
DVD – Image A- Sound A- Extras C
BD – Image A- Sound A Extras B-
starring Arnold Schwarzenegger, Michael Rapaport, Tony Goldwyn, Robert Duvall
screenplay by Cormac Wibberley & Marianne Wibberley
directed by Roger Spottiswoode

by Bill Chambers The 6th Day has one idea that made me sit up and take notice. In a future that’s “sooner than you think,” some henchmen from the shallow end of the gene pool have been sent to dispatch Arnold Schwarzenegger’s illegally-cloned charter pilot. Said goons aren’t nervous when confronting the Austrian Oak because they’ve always got a contingency plan: should Ah-nuld snap necks like he’s been doing since Commando, the casualties will be shipped off to a lab for regeneration. In other words, the PG-13 film antiquates Schwarzenegger once and for all.

Hidalgo (2004) [Widescreen] – DVD|Blu-ray Disc

April 1, 20082000s, 2008, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Biopic, Blu-ray Disc, DVD, Morocco, Sports, Western

*½/****
DVD – Image A- Sound A Extras C
BD – Image A- Sound A Extras C
starring Viggo Mortensen, Zuleikha Robinson, Omar Sharif, Louise Lombard
screenplay by John Fusco, based on the lies and half-truths of Frank Hopkins
directed by Joe Johnston

by Walter Chaw The lugubrious splits time with the ridiculous in Hidalgo, the sort of movie that isn't made much anymore for good reason. The good old days weren't always good, and this Gunga Din yarn–aspiring for the epic adventure and achieving near-lethal doses of misogyny, racism of the paternalistic and other kind, and bald-faced historical revisionism that smacks of something about the opiate of the people–is so dated that it seems fresh again. (At least insofar as a dead horse can ever seem fresh.) The question with currency isn't why this film was made, but why the screening audience I saw it with applauded at the end–what exactly has been celebrated by this facile tall tale of race and a race, and what sort of message does it send about the popular appetite for obvious horse operas produced by Disney in decline? Consider, too, at the end of everything that the film is named after a horse, and that the horse, though a better actor than anyone else in the picture (including poor Omar Sharif), has very little to do with anything.

Cops: 20th Anniversary Edition (1988-2007) + Smurfs: Season One, Volume One (1981-1982) – DVDs

March 30, 20081980s, 1990s, 2000s, 2008, Action, Adventure, Animation, Authors: Ian Pugh, Belgium, Comedy, Crime, DVD, Family, Fantasy, Television

COPS: 20TH ANNIVERSARY EDITION
Image B Sound B+ Extras B-
"Cops: 20th Season," "Pilot," "Las Vegas Heat," "First Ten Seasons," "Second Ten Seasons"

THE SMURFS: SEASON ONE, VOLUME ONE
Image B+ Sound B- Extras D
"The Smurf's Apprentice/The Smurfette/Vanity Fare," "King Smurf/The Astrosmurf/Jokey's Medicine," "St. Smurf and the Dragon/Sorcerer Smurf," "The Smurfs and the Howlibird," "The Magical Meanie/Bewitched, Bothered and Besmurfed," "Smurf-Colored Glasses/Dreamy's Nightmare," "Fuzzle Trouble/Soup a la Smurf," "The Hundredth Smurf/Smurphony in 'C'"

by Ian Pugh Kevin Rubio's "COPS"-Star Wars mashup Troops is painfully predictable, but there's a little nugget of profundity in its twist on "COPS"' familiar narration: "Suspects are guilty, period–otherwise, they wouldn't be suspects, would they?" It's the most concise description and criticism of "COPS" one could muster, almost impossible to build on because it so handily defines the tacit agreement the show's producers have with its audience. I mentioned in my review of the parodic "Reno 911!" that Fox's long-running reality show is useless in any political debate about police conduct, and it is–but upon watching several hours' worth of the series in a new "20th Anniversary Edition" DVD set, I became more perturbed by how it attempts to forge an uncrossable distance between you and the suspect. "COPS" always poses itself as something completely external to the viewer: in the interests of entertainment, the vast, vast majority of scenarios involve idiots caught in the act or resisting arrest. You're therefore not only a rubbernecker looking for a visceral thrill–you also come to consider yourself exempt from police scrutiny because you don't break the law and certainly wouldn't do so as blatantly and stupidly as these criminals. It's the equivalent of the moron who has no problem with the government wiretapping his phone because he doesn't believe he does anything to warrant their attention.

I Am Legend (2007) – Blu-ray Disc

March 17, 20082000s, 2008, Action, Adventure, Authors: Walter Chaw, Blu-ray Disc, Drama, Sci-Fi, Thriller, Will Smith

*/**** Image A+ Sound A+ Extras B
starring Will Smith, Alice Braga, Dash Mihok, Willow Smith
screenplay by Mark Protosevich and Akiva Goldsman, based on the novel by Richard Matheson
directed by Francis Lawrence

by Walter Chaw I, Robot with CGI versions of the rage zombies from the 28 movies, Will Smith's latest action joint (he alternates them with his family™ films) pummels another revered genre masterpiece, Richard Matheson's novella I Am Legend, into your typical, mainstream action chum. At least the fourth post-apocalyptic action picture this year (following Resident Evil: Extinction, 28 Weeks Later, and The Mist), this I Am Legend opens nonsensically, if awesomely, in an empty, overgrown Manhattan, as lone survivor Robert Neville (Smith) hunts gazelle with a tricked-out GT, a trained German Shepherd, and a high-powered rifle. Devotees of the source material will note immediate, stark differences from Matheson's amazingly affecting yarn–not the least of which the dog's change in role from tragic mendicant to action hero. (Rest assured that the canine's populist transformation mirrors Neville's own.) This Neville is a brilliant research scientist and stud alpha male at "Ground Zero" of a deadly plague brought on by a virus introduced by well-meaning scientists trying to cure cancer. Why said virus would result in legions of hairless, angry, incoherent acrobats is anyone's guess, but Neville dedicates himself post-Fall to endless conversations with his dog, working out, and discovering The Cure. Political allegory flies thick and furious, from calling NYC "Ground Zero" to the central suggestion that biological weapons could cause a lot of damage in a population centre; but I Am Legend is really just a dimwit's idea of science-fiction (see again I, Robot, another Akiva Goldsman-adapted piece of shit) that takes its high concept and uses it as an excuse for a lot of cool, expensive special effects.

The Butcher Boy (1998) + The Brave One (2007) – DVDs

March 6, 2008****/****, 1990s, 2000s, 2008, Action, Australia, Authors: Walter Chaw, Comedy, Coming of Age, Crime, Drama, DVD, FFC Must-Own, Ireland, Revenge, Thriller

THE BUTCHER BOY
****/**** Image A Sound A- Extras B-
starring Stephen Rea, Fiona Shaw, Eammon Owens, Alan Boyle
screenplay by Neil Jordan and Patrick McCabe, based on the novel by McCabe
directed by Neil Jordan

THE BRAVE ONE
***½/**** Image B- Sound B Extras C+
starring Jodie Foster, Terrence Howard, Naveen Andrews, Nicky Katt
screenplay by Roderick Taylor & Bruce A. Taylor and Cynthia Mort
directed by Neil Jordan

THE BUTCHER BOY

by Walter Chaw Opening with a series of panels from Golden Age comics produced circa the era in which the film is set (i.e., 1962), The Butcher Boy identifies Neil Jordan as a director with a secret yen for superhero fantasies. It certainly jibes with the filmmaker's affection for protagonists who, for whatever reason, live in private worlds, in fairytale dreamscapes populated by emblems of good and emissaries of evil–worlds where the most colourful places are the interiors of churches, where the characters' fears and failings alike are assets. Jordan's films are unfailingly about transformation (though sometimes they're about the failure to transform adequately, or quickly enough) and heavy with the illness of existential introspection–the Judas strain with which the modern superhero pantheon is sick. His heroes are rendered simple by their duality, confronted by the idea that for as hollow as it is to change to fit the demands of a particular time and place, it's equally useless to try to stay the same as the world falls down. Jordan makes the movies Terry Gilliam never quite made until Tideland; far from the compassionate fare many label it, his oeuvre is comprised of harsh little ditties about the voraciousness of the social organism and the bites it takes out of individuals living perpendicular to the absolute mean. For me, all of his films, from The Crying Game to Mona Lisa, from The End of the Affair to Interview with the Vampire, are pointedly concerned with the futility of compensatory measures in the lives of deviants.

Justice League: The New Frontier (2008) [Two Disc Special Edition] + The Adventures of Aquaman: The Complete Collection (1967-1970) – DVDs|Justice League: The New Frontier – Blu-ray Disc

February 28, 20081960s, 1970s, 2000s, 2008, Action, Adventure, Animation, Blu-ray Disc, DVD, Family, Fantasy, Sci-Fi, Superhero, Television

JUSTICE LEAGUE: THE NEW FRONTIER
*½/****
DVD – Image A Sound B+ Extras B-
BD – Image A+ Sound A- Extras B-
written by Stan Berkowitz with additional material by Darwyn Cooke, based on the graphic novel DC: The New Frontier by Darwyn Cooke
directed by David Bullock

THE ADVENTURES OF AQUAMAN: THE COMPLETE COLLECTION
Image C- Sound C Extras D+
"Menace of the Black Manta/The Rampaging Reptile Men," "The Return of Nepto/The Fiery Invaders," "Sea Raiders/War of the Water Worlds," "The Volcanic Monster/The Crimson Monster from the Pink Pool," "The Ice Dragon/The Deadly Drillers," "Vassa, Queen of the Mermen/The Microscopic Monsters," "The Onslaugh of the Octomen/Treacherous is the Torpedoman," "The Satanic Saturnians/The Brain, the Brave and the Bold," "Where Lurks the Fisherman!/Mephisto's Marine Marauders," "Trio of Terror/The Torp, the Magneto and the Claw," "Goliaths of the Deep-Sea Gorge/The Sinister Sea Scamp," "The Devil Fish/The Sea Scavengers," "In Captain Cuda's Clutches/The Mirror-Man from Planet Imago," "The Sea Sorcerer/The Sea-Snares of Captain Sly," "The Undersea Trojan Horse/The Vicious Villainy of Vassa," "Programmed for Destruction/The War of the Quatix and the Bimphars," "The Stickmen of Stygia/Three Wishes to Trouble," "The Silver Sphere/To Catch a Fisherman"

by Ian Pugh Utterly incomprehensible thanks to a deadly combination of rigid adherence to its source material and a discernible lack of vision, the DC Animated Universe's latest stab at the direct-to-video market can only be described as a complete embarrassment for everyone involved. Adapting a graphic novel by Darwyn Cooke that isn't that great to begin with (it's basically a portable art gallery of Fifties-era superheroes, too long by half and tied together by a belaboured treatise on why the decade wasn't all it's cracked up to be), Justice League: The New Frontier doesn't attempt to build on the kernel of an idea therein. Instead, apparently weighing time constraints against the most exploitable elements, it pays lip service to the plot and reduces everything else to a series of biff!pow! pin-ups. I've been a steadfast defender of comic books for years now, but sometimes I wonder if artists and fans really know what has to be done to make them viable as an adult medium. Their long-suffering quest for legitimacy has seen a pronounced downturn since the introspective melancholy of Superman Returns suffered wholesale rejection for not featuring enough people punching each other in the face–and it appears that Bruce Timm and his crew won't be the ones to try to change minds. There's an awful moment in their last animated opus, Superman: Doomsday, in which the Man of Steel laments that he has saved the world a hundred times over but still hasn't cured cancer–shortly before the film pounds its audience with nearly a full hour of mind-numbing violence. The New Frontier contains a similar moment, except that it replaces social issues with political analogies so simplistic and heavy-handed they would make Emilio Estevez cringe. When Lois Lane (Kyra Sedgwick) says, circa 1954, that "whatever party, whatever administration, there'll always be bogeymen like [Joe McCarthy]" in summarizing that "we need a leader"–and then stares directly at the viewer–it's difficult not to see this entire enterprise as just a bunch of kids playing dress-up.

We Own the Night (2007) – Blu-ray Disc

February 15, 20082000s, 2008, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Crime, Drama, Thriller

**/**** Image A Sound A Extras B
starring Joaquin Phoenix, Mark Wahlberg, Eva Mendes, Robert Duvall
written and directed by James Gray

by Walter Chaw A cop is gunned down on the street in front of his own house, prompting his brother to don a uniform and hunt down the dirty foreign dog who did it in a field of smoke and grass. To accomplish this, he has to betray one father for the legacy of another and take sides in a war with no possible resolution. If American Gangster is the finest American New Wave cop procedural since The French Connection/Prince of the City/Serpico, James Gray's We Own the Night is a revenge flick mired in Reagan-era morality (even the baddies are Russian) that assumes Dirty Harry's squinty-eyed psychopathic zeal, setting itself explicitly in 1988 New York while consoling itself with a cozy middlebrow outcome. What's doleful about the picture to me is that, philosophically, it suggests a certain reductive fatalism about masculinity-as-destiny in all this Sturm und Drang concerning vengeance, honour, and the thickness of blood. Yet it's not about ripping up social contracts to better heed the insect-like call to violent response, or restructuring society along bestial lines–rather, it's about sucking succour from the vein of traditional ideas of justice and law. At another time, perhaps, this State of Grace brand of serio-mythic gravitas would ring with a clearer tone (like, say, during the Eighties in which it's set)–but as a 2007 release, We Own the Night is dangerously, pretentiously, wilfully naïve. The pitfall of using weathered genre conventions as a springboard is that although it will occasionally lead to things like Jules Dassin's Night and the City and the French New Wave, it more often leads to things that don't understand they're only good when they're reinventing the wheel and not just peddling around it pathetically (à la Romeo Is Bleeding or We Own the Night) like some leashed circus bear.

Crimson Tide (1995) [Unrated Extended Edition] + Enemy of the State (1998) [Special Edition] – DVDs|Crimson Tide – Blu-ray Disc

February 7, 20081990s, Action, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Blu-ray Disc, Directors: Tony Scott, Drama, DVD, Espionage, Thriller, War

CRIMSON TIDE
***/****
DVD – Image A Sound A- Extras B+
BD – Image A Sound A Extras B-
starring Denzel Washington, Gene Hackman, George Dzundza, Viggo Mortensen
screenplay by Michael Schiffer
directed by Tony Scott

ENEMY OF THE STATE
**½/**** Image A Sound A- Extras B+
starring Will Smith, Gene Hackman, Jon Voight, Regina King
screenplay by David Marconi
directed by Tony Scott

by Travis Mackenzie Hoover SPOILER WARNING IN EFFECT. I had expected, on receipt of this pair of Tony Scott sagas, to be discussing a formally advanced director with nothing much going on upstairs. But the films' unfolding induced a melancholy sort of nostalgia I hoped I'd never live to feel, for Crimson Tide and Enemy of the State are Clinton-era end-of-history numbers that speak to a time of stasis, when it was believed that you had to trump up a crisis in order to have a movie. Their subtexts of total disbelief–that we'd ever be in war mode (Crimson Tide), that we'd ever have to worry about government surveillance (Enemy of the State)–seem whimsically complacent now that both premises have proved to be vaguely prescient and not much fun at all. And though the '90s were economically stagnant and loathed by most who lived through them, I can now sadly envision some American Graffiti clone in which this was the last thing glimpsed before everything fell apart.

30 Days of Night (2007) – Blu-ray Disc

February 4, 20082000s, 2008, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Horror, New Zealand, Thriller, Vampire

**/**** Image A Sound A+ Extras B
starring Josh Hartnett, Melissa George, Danny Huston, Ben Foster
screenplay by Steve Niles and Stuart Beattie and Brian Nelson, based on the graphic novel by Steve Niles and Ben Templesmith
directed by David Slade

by Walter Chaw The dialogue is woeful and the scenario is stretched at feature-length, but there's a lot to like about David Slade's graphic-novel adaptation 30 Days of Night. As high concepts go, it's a pretty good one: What if a band of vampires was enterprising enough to head north to Alaska–where some towns experience the titular month-long blackout–to live it up in luxurious dark? It makes so much sense that it's a wonder it hasn't been done before, really, and a few glacial, arctic moments in the film gave me a thrill of anticipation as to what might be possible should Dan Simmons's The Terror ever receive a proper, big-budget treatment. The gore is good and plentiful–not explicit to the point of exploitative, but packed thick with unequivocal suggestions of child murder, cruelty, and the wholesome goodness of a satisfying, old-fashioned decapitation-by-hatchet. And in a fall that sees the flicker of resurrection of the early-Seventies/late-Sixties western, it's easy to place 30 Days of Night in the context of another revision of that hoary American genre, complete with exit music suggesting that the way to salvation lies in the assumption of the enemy's tactics and identity. Explanation at last of what our government is thinking when it tears up our Constitution to fight people wanting to tear up our Constitution.

Man on Fire (2004) – Blu-ray Disc

January 11, 20082000s, 2008, Action, Authors: Bill Chambers, Authors: Walter Chaw, Crime, Directors: Tony Scott, Drama, Mexico, Switzerland, Thriller, UK

*½/**** Image A+ Sound A+
starring Denzel Washington, Dakota Fanning, Marc Anthony, Radha Mitchell
screenplay by Brian Helgeland, based on the novel by A.J. Quinnell
directed by Tony Scott

by Walter Chaw SPOILER WARNING IN EFFECT. What used to be the province of the Times Square grindhouse and drive-in movie theatres is now star-vehicle blockbuster fodder, making the revenge sub-genre's subversive qualities and carefully-cultivated atmosphere of frustrated rage suddenly a reflection of the demons plaguing mainstream culture. Though certainly more substantive than the hit-and-run remake of Walking Tall, Tony Scott's Man on Fire falls far below the redemptive qualities of Kill Bill, Vol. 2, offering the world the logical end result of a nation operating under the twin godheads of fear and Old Testament vengeance: a slickefied, iconographic, racist, sexist, huckster version of the grimy, low rent, pleasantly exploitative The Punisher.

The Adventures of Young Indiana Jones: Volume One (1992-1993/1996-1999) – DVD

January 8, 20081990s, Action, Adventure, Authors: Ian Pugh, DVD, Family, Mystery, Television

Image B Sound B Extras B
"My First Adventure," "Passion for Life," "The Perils of Cupid," "Travels with Father," "Journeys of Radiance," "Spring Break Adventure," "Love's Sweet Song"

by Ian Pugh It's important to understand that Indiana Jones didn't make history cool, but even more important to understand that history didn't make Indy cool, either. "The Adventures of Young Indiana Jones" (formerly known as "The Young Indiana Jones Chronicles" and henceforth "Young Indy") purports to portray the daring archaeologist's early years as he travels around the world with his father (Lloyd Owen), meeting famous figures and going to great pains to teach the young'ns in the audience a thing or two about the artists and revolutionaries of the early twentieth century. Because the attempt to educate binds itself to a down-to-earth approach, the series completely ignores the fact that Indy's franchise appeal lies in a careful collision of the mundane and the fantastic, of reality and fantasy. It's one thing to demythologize the romantic violence often attributed to the Old West but quite another to try to demythologize something so immersed in theology and the supernatural that to abandon them is to lose something inextricably vital to the concept. Imagine if Raiders of the Lost Ark had ended with the Ark of the Covenant revealed to be an ornate box full of dust, sans the wrath of God, and you'll understand the basic problems that plague "Young Indy".

Con Air (1997) [Unrated Extended Edition] – DVD|Blu-ray Disc

January 7, 20081990s, Action, Authors: Alex Jackson, Authors: Bill Chambers, Blu-ray Disc, Crime, DVD, Nicolas Cage, Thriller

***½/****
DVD – Image A- Sound A-
BD – Image C+ Sound A- Extras D+
starring Nicolas Cage, John Cusack, John Malkovich, Steve Buscemi
screenplay by Scott Rosenberg
directed by Simon West

by Alex Jackson The plot is simplicity itself: Cameron Poe (Nicolas Cage) has just completed his training as an Army Ranger; he goes to a local bar to celebrate with his pregnant wife (Monica Potter), gets assaulted by some thugs, kills one in the ensuing fight, and is convicted of manslaughter. Eight years later, his sentence is up and he hitches a prison flight that happens to be transferring a number of the country’s most dangerous and renowned criminals, including Cyrus “the Virus” Grissom (John Malkovich), a brilliant psychopath who murders people just because he can; Nathan “Diamond Dog” Jones (Ving Rhames), a black militant who wrote a book in prison that is now being made into a feature film with Denzel in talks for the lead; William “Billy Bedlam” Bedford (Nick Chinlund), who slayed his wife’s parents, brothers, and dog when he discovered the missus in bed with another man; and Johnny 23 (Danny Trejo), a serial rapist with 23 heart tattoos on his arm. (“One for each of my bitches,” he explains.) Cyrus leads a revolt on the plane, killing or capturing all of the guards and hijacking the flight. But like Alan Rickman in Die Hard, Tommy Lee Jones in Under Siege, or Powers Boothe in Sudden Death, he has no idea that one of the hostages he’s holding is a classically-trained ass-kicker!

Underdog (2007) – Blu-ray Disc

January 3, 20082000s, 2008, Action, Authors: Bill Chambers, Blu-ray Disc, Comedy, Disney, Family, Sci-Fi, Superhero, ZERO STARS

ZERO STARS/**** Image A Sound A Extras B-
starring Jim Belushi, Peter Dinklage, John Slattery, Patrick Warburton
screenplay by Adam Rifkin and Joe Piscatella & Craig A. Williams
directed by Frederik Du Chau

by Bill Chambers Whereas the gigantic Underdog balloon that hovers over New York City during the Macy's Thanksgiving Day parade is at least conceptually interesting (American commerce's idea of a Stalin statue), Underdog, Disney's charmless live-action resurrection of the beloved super-mutt, has no subtext, just a bunch of mercenary actors and technicians who can barely disguise their contempt for the film's screenplay, which lazily embellishes the extraordinary-pet genre with scatology while weaving a maddeningly derelict patchwork of recycled tropes like the grieving widower/orphan, the unattainable hottie, and the disgraced cop. It's fair to say I hate Underdog, but I hate it because it doesn't even have the will to finish what it starts. Only two things about it are kind of fascinating, and only then from a largely extratextual standpoint. The first is that in taking the title character out of the cartoon realm, the digitally-manipulated slapstick pratfalls and clumsy landings look grotesquely painful for the beagle(s) playing Underdog. They should've gone the Scooby-Doo route and fashioned a 3-D likeness of the 2-D prototype, since the sight of man's best friend hurtling through panes of glass really has no intrinsic comic value.

Harry Potter and the Order of the Phoenix (2007) – Blu-ray Disc

December 10, 2007****/****, 2000s, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Family, Fantasy, FFC Must-Own, Mystery, UK

****/**** Image A Sound A+ Extras B+
starring Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter
screenplay by Michael Goldenberg, based on the novel by J.K. Rowling
directed by David Yates

by Walter Chaw It's a blasted earth, this green that holds Hogwarts now, and during a scene where our hero wizard is being tortured into forgetfulness for his own good, director David Yates cues a blanket of forgetful snow to fall. Harry Potter and the Order of the Phoenix (hereafter Harry Potter 5) is, likes its title suggests, a startling return to form for the series after Alfonso Cuarón's exceptional Harry Potter and the Prisoner of Azkaban was followed by the insipid contribution of rom-com specialist Mike Newell. Gratifyingly complex and deliciously Freudian, a moment where Harry loses the last of his family–mirroring a moment in the third film where, on the banks of a lake, he almost loses himself–is preceded by an identical progression from the third film in which he's mistaken for his own father. Alas this time, Harry's not able to affect positive change in the guise of his dad; it's the boy becoming the man, frustrated and folded into a world of dread and doom. As drawn in the film, Potter's universe is like Potter's Field, a place where strangers and orphans are buried on the eve of war and a child's unavoidable matriculation into corruption. Harry Potter 5 is dark as pitch: unsettling, unsettled, unresolved, and utterly remarkable.