Citizen Kane (1941) – DVD

October 10, 2001Posted in****/****, 1940s, Authors: Walter Chaw, Drama, DVD, FFC Must-Own, Mystery

****/**** Image A+ Sound A+ Extras A+
starring Orson Welles, Joseph Cotten, Dorothy Comingore, Ray Collins
screenplay by Herman J. Mankiewicz Orson Welles
directed by Orson Welles

by Walter Chaw There are two shots of Rosebud in Citizen Kane, the first as it’s covered by a blanket of forgetful snow outside the boarding-house of Kane’s mother, the second as it’s being consumed by flames in the basement of Kane’s Florida estate. Ice and fire. Citizen Kane is a film about contrast and duality, and it expresses this through nearly every facet of the production. Kane has two friends, two wives, makes two trips to his palatial estate, and visits Susan Alexander twice. He is torn in half by his duelling personas: public magnate and private misanthrope–both sides coming together when he writes an excoriating review of his own wife’s debut opera performance just prior to firing his best friend Jedediah (Joseph Cotten) from the newspaper they founded together.

Apocalypse Now Redux (1979/2001)

August 16, 2001Posted in****/****, 1970s, 2000s, Authors: Walter Chaw, Directors: Francis Ford Coppola, Drama, Mystery, Palme d'Or Winner, Theatrical, War

Apocalypse Now
****/****
starring Marlon Brando, Robert Duvall, Martin Sheen, Frederic Forrest
screenplay by John Milius and Francis Coppola, narration by Michael Herr
directed by Francis Coppola

by Walter Chaw Taking his cue from Orson Welles’s aborted screen translation of Joseph Conrad’s Heart of Darkness, Francis Ford Coppola’s Apocalypse Now sought to transplant Marlow’s journey down the Congo in pursuit of mad ivory trader Kurtz to Vietnam during the war. America’s involvement in Southeast Asia is, of course, a good fit with what Conrad calls “one of the dark places of the world,” and Apocalypse Now, easily one of the most literary big-budget blockbusters of the modern era, is utterly faithful to the intellectual and visceral impact of Conrad’s vision. Apocalypse Now is so overheated and pretentious, in fact, that the best way to explain its thematic core might be through an examination of the ways it uses three T.S. Eliot poems (The Wasteland, The Love Song of J. Alfred Prufrock, The Hollow Men) and nods obliquely towards a fourth (The Dry Salvages, which refers to the animalism of rivers as the “brown god”).

Close Encounters of the Third Kind (1977) [The Collector’s Edition] – DVD

May 2, 2001Posted in****/****, 1970s, Authors: Bill Chambers, Drama, DVD, FFC Must-Own, Sci-Fi, Spielberg

****/**** Image A Sound A Extras A
starring Richard Dreyfuss, Teri Garr, Melinda Dillon, Francois Truffaut
written and directed by Steven Spielberg

Mustownby Bill Chambers If his Jaws was about the Fourth of July, then Steven Spielberg followed it up with something like the holiday itself. Close Encounters of the Third Kind, a soft-touched yet uncompromising hypothesis of benevolent flying saucers, seems structurally patterned after that day: domestic chaos, then military parades, then fireworks. It’s a film now in its third incarnation; Columbia TriStar’s DVD version, like their recent-vintage LaserDisc that preceded it, contains a Spielberg-sanctioned melding of the 1977 and 1980 theatrical releases, the latter the controversial “Special Edition” that effectively ransacked the imagination of fans. The latest rendition, which appears to have adopted the label “The Collector’s Edition,” is nothing short of masterful.

Wonder Boys (2000) – DVD

March 25, 2001Posted in****/****, 2000s, Authors: Walter Chaw, Christmas, Drama, DVD, FFC Must-Own, Germany, Japan, UK

****/**** Image A Sound A Extras B
starring Michael Douglas, Tobey Maguire, Frances McDormand, Katie Holmes
screenplay by Steve Kloves, based on the novel by Michael Chabon
directed by Curtis Hanson

by Walter Chaw While safely cocooned in the lushly-padded walls of academia, I had as my advisor a Grady Tripp–a man I respected as a professor and as a friend. We exchanged books often, we talked a great deal about the obscure minutiae of Samuel Taylor Coleridge’s life, and we argued over whether William and Dorothy Wordsworth were engaged in a seedy incestual entanglement. (Yes, Brad, they were.) I even suspect that there was a tattered, coffee-stained manuscript tucked in the top drawer of his desk. If you’ve ever had a professor who shaped your opinions and a good portion of your intellectual life, and if you were additionally lucky enough to call him a friend as well as a mentor, then you’re predisposed to liking Curtis Hanson’s Wonder Boys.

Do the Right Thing (1989) [The Criterion Collection] – DVD

February 14, 2001Posted in****/****, 1980s, Authors: Vincent Suarez, Directors: Spike Lee, Drama, DVD, FFC Must-Own, The Criterion Collection

****/**** Image A Sound A- Extras A+
starring Danny Aiello, Spike Lee, Giancarlo Esposito, Bill Nunn
written and directed by Spike Lee

Mustownby Vincent Suarez SPOILER WARNING IN EFFECT. I was one of the few Caucasians who defied the tabloid pundits and ventured into a New York City theatre to see Do the Right Thing in the summer of 1989. Seated beside me were not rioters, but a tiny African-American child very much like the sidewalk artist appearing both in the film and on its posters. Her mother and I got a kick out of her enthusiastic dancing to the strains of the Public Enemy tune that drives the credit sequence, and she spent the next two hours bobbing in her seat, softly singing “fight the power” whenever Radio Raheem’s box would blare its anthem.

Mother Night (1996) + Waking the Dead (2000) – DVDs

November 16, 2000Posted in****/****, 1990s, 2000s, Authors: Bill Chambers, Canada, Drama, DVD, Esoterica, FFC Must-Own, Mystery, Romance, Thriller, War

MOTHER NIGHT
***/**** Image A- Sound B+ Extras A
starring Nick Nolte, Sheryl Lee, Alan Arkin, John Goodman
screenplay by Robert B. Weide, based on the novel by Kurt Vonnegut
directed by Keith Gordon

WAKING THE DEAD
****/**** Image A- Sound A- Extras A
starring Billy Crudup, Jennifer Connelly, Molly Parker, Janet McTeer
screenplay by Robert Dillon, based on the novel by Scott Spencer
directed by Keith Gordon

by Bill Chambers In Timequake, the most recent and arguably most flawed of Kurt Vonnegut, Jr.’s novels (like many of his fans, I found it only intermittently readable), the author writes: “…I have never used semicolons. They don’t do anything, don’t support anything. They are transvestite hermaphrodites.” Perhaps Keith Gordon’s Mother Night is one of the few artistically successful cinematic adaptations of a Vonnegut work because Gordon avoids semicolons in his filmmaking–there is no straining to cohere, here.

Titan A.E. (2000)

June 18, 2000Posted in****/****, 2000s, Action, Adventure, Animation, Authors: Jarrod Chambers, Family, Sci-Fi, Theatrical

****/****
screenplay by Ben Edlund and John August and Joss Whedon
directed by Don Bluth & Gary Goldman

by Jarrod Chambers The true test of an animated film is whether it can make you forget that it is animated. Pixar has had great success in this regard: both Toy Story and A Bug's Life are so engrossing that I completely forgot that I was watching state-of-the-art computer animation. This was also the case with last year's The Iron Giant, and now we can add Titan A.E. to the list.

American Movie (1999) [Special Edition] – DVD

May 22, 2000Posted in****/****, 2000s, Authors: Bill Chambers, Comedy, Documentary, Drama, DVD, FFC Must-Own, Horror, Short Films

****/**** Image A- Sound B Extras A
directed by Chris Smith

Mustownby Bill Chambers You can imagine, as a virgin does sex, what it’s like to make a movie, but until you do it, you’ll never really know. In film school, I directed a couple of shorts–nothing you’ve seen, but that’s beside the point: American Movie reminded me of why I hate making movies and why I miss it all the same. For me, watching this picture was a religious experience: Our (debatable) class differences notwithstanding, I don’t know that I’ve ever identified with a screen character more than I did real-life struggling hyphenate Mark Borchardt. For non-directors, American Movie offers plenty of Fargo-style behavioral laughs, and it may kick-start the realization of your own elusive goals. This precious ode to fringe filmmaking pulls off the amazing feat of being accessible and specialized at once.