The Life of David Gale (2003)

February 21, 2003Posted in2000s, Authors: Walter Chaw, Crime, Drama, Germany, Mystery, Spain, Theatrical, Thriller, UK, ZERO STARS

ZERO STARS/****
starring Kevin Spacey, Kate Winslet, Laura Linney, Gabriel Mann
screenplay by Charles Randolph
directed by Alan Parker

Lifeofdavidgaleby Walter Chaw SPOILER WARNING IN EFFECT. One wonders if there isn’t, after all, a subtle right-wing conspiracy at work in the entertainment industry, where ultra-liberal stumps are turned into the sort of ostensibly pro-leftist propaganda reel that does serious harm to the pro-leftist agenda. If it’s not the reprehensible The Contender, with its Ayn Rand-ian hypothetical, it’s I Am Sam and its bizarre vilification of the child welfare system–or worse, John Q, with its curiously misdirected lament against our obviously broken health-care state. Trumping them all in terms of muddle and melodrama, however, is The Life of David Gale, an anti-death penalty tirade that, by the end, feels like a life sentence the audience wishes hadn’t been commuted. The only way to make any sense of the film is to suspect it of darker motives: Its ultimate message–and it’s not a bad one–seems to be that the criminal justice system the film so actively vilifies is, in fact, the only honest (though imperfect) force in the entire mess.

Gods and Generals (2003)

February 21, 2003Posted in2000s, Authors: Walter Chaw, Biopic, Drama, Theatrical, War

*/****
starring Chris Conner, Jeff Daniels, Stephen Lang, Robert Duvall
screenplay by Ronald F. Maxwell, based on the book by Jeffrey M. Shaara
directed by Ronald F. Maxwell

Godsandgeneralsby Walter Chaw Somewhere in the translation from Jeff Shaara’s only so-so novel Gods and Generals to Ronald F. Maxwell’s magnificently bad film Gods and Generals lies the mystery of why the younger Shaaras and the Maxwells of the world see fit to take a Pulitzer Prize-winning novel like Jeff Shaara’s The Killer Angels and make a country-fried trilogy out of it. Perhaps most of the blame should be laid at the ten-gallon feet of Ted Turner, Fortune 500’s Yosemite Sam/Ross Perot amalgam who seeks, it appears, to finally get the South to rise again, single-handedly, after about 150 years of threats. It seems odd, however, that The Ted would seek to get the bayonets a-rattlin’ again with almost four hours of awkward period speechifying punctuated occasionally by random recreations of random early Civil War battles (Manassas, Fredericksburg, and Chancellorsville), each of which leads to the events of Maxwell’s 1993 adaptation of The Killer Angels, Gettysburg.

Swimfan (2002) – DVD

February 19, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, DVD, Teen, Thriller

½*/**** Image A Sound B Extras B-
starring Jesse Bradford, Erika Christensen, Shiri Appleby, Kate Burton
screenplay by Charles Bohl & Phillip Schneider
directed by John Polson

by Walter Chaw It’s one thing to say that Swimfan is a boldly unoriginal rip-off of such gems as The Crush, Deadly Friend, Wicked, and Poison Ivy, but it’s another, far more disturbing thing altogether to note that Swimfan travels the same inexplicable path of the moon-faced pork-pie Lolita so purposefully trundled by the likes of Alicia Silverstone, Kristy Swanson, Julia Stiles, and Drew Barrymore. Erika Christensen–memorably spacey as the troubled daughter in Soderbergh’s Traffic–reveals herself in Swimfan as just the next completely interchangeable cherubic baby-fat starlet to try (or continue) to sully her ephemeral image in a role day-trippers might mistake for “edgy.” Make no mistake, Swimfan may be many things, but it’s about as edgy as Christensen’s Romanesque elbow.

More Mulatto Than Chocolate: FFC Interviews David Gordon Green & Paul Schneider

February 16, 2003Posted in2000s, Authors: Walter Chaw, Interviews

AlltherealgirlsinterviewtitleWalter Chaw 'exfoliates' the stuff that matters with the gifted minds behind ALL THE REAL GIRLS

February 16, 2003|I met David Gordon Green and Paul Schneider in the lounge mezzanine of Denver's historic Mayan Landmark Theater; they met each other while attending the North Carolina School of the Arts. Green: "I wrote the script for All the Real Girls before George Washington, while Paul and I were still in college. I wanted to make a movie that captured the genuine feeling of being young and in love." Schneider: "We both got dumped by girls that we were madly in love with. We were completely depressed and we just sat in my room listening to the most melancholy music we could find."

Brown Sugar (2002) – DVD

February 15, 2003Posted in2000s, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD, Music, Romance

**/**** Image A- Sound A- Extras C
starring Taye Diggs, Sanaa Lathan, Mos Def, Nicole Ari Parker
screenplay by Michael Elliot and Rick Famuyiwa
directed by Rick Famuyiwa

by Travis Mackenzie Hoover There's a lot of talk of integrity in Brown Sugar, and a lot more of the defiant nature of good hip-hop; if the film embodied either of those traits in its words or pictures it would be a perfect ten. Alas, for all of Brown Sugar's hue and cry over the mainstreaming of the music, the film is tediously commonplace in its attitudes; director/co-writer Rick Famuyiwa treats hip-hop mania like the sedate cream-coloured furniture his protagonists seem to enjoy–just another tony item to be collected. He simply isn't smart or passionate enough to evoke an obsessive love for anything, be it musical or human, and both his romance plot and his professing of musical devotion are borrowings from other movies and conversations overheard. While it's too low-key and oblivious to be offensive (and the furniture does have its qualities), it makes no impression at all beyond the miracle one fluky, inspired performance that belongs in a better movie.

Mala Noche (1988) + Gus Van Sant shorts

February 14, 2003Posted in1980s, 1990s, 2000s, Authors: Travis Mackenzie Hoover, Directors: Gus Van Sant, Drama, Short Films, Theatrical

***/****
starring Tim Streeter, Doug Cooeyate, Nyla McCarthy, Ray Monge
written and directed by Gus Van Sant

by Travis Mackenzie Hoover The most amazing thing about Gus Van Sant’s debut feature Mala Noche is that it was made in the midst of the ’80s. While mainstream cinema was building cruelly childish whirligigs and the arthouses were smugly preoccupied with the pastel nightmare of suburban life, Van Sant was in the skids, training his camera on the outcasts of society and judging no one. His hero, despite engaging in a one-sided amour fou with a Latino migrant worker that would normally raise some cultural hackles, is an understandable creature of misunderstood desire–the film refuses to denounce him even as it avoids backing up his obsession in toto. Like Van Sant’s Drugstore Cowboy and My Own Private Idaho, Mala Noche sets up shop in the space between the director’s camera and his subjects–a halfway-meeting that would never otherwise have made it in the distanced and vindictive climate of the ’80s.

Daredevil (2003)

February 14, 2003Posted in2000s, Action, Authors: Walter Chaw, Crime, Sci-Fi, Superhero, Theatrical, Thriller

**/****
starring Ben Affleck, Jennifer Garner, Michael Clarke Duncan, Colin Farrell
written and directed by Mark Steven Johnson

Daredevilby Walter Chaw There’s a real grittiness to Mark Steven Johnson’s Daredevil–most of it attributable to Frank Miller’s “Daredevil: Born Again” comic-book series (penned just prior to the author’s seminal “The Dark Knight Returns”), from which the film borrows tone, religious iconography, and a certain washed-out colour scheme as reflected in Ericson Core’s moody cinematography (which is closer to his work on Payback than on The Fast and the Furious). The problem is that the film’s tenor and Catholic fetishism are moored to the light redemption of the titular hero, the bizarre stigmata and martyrdom of one villain (and forced genuflection of another), and perhaps the suggested rebirth of a femme fatale. Daredevil, then, is interesting for its borrowed elements, but it doesn’t have any real weight to justify the treatment.

O (2001) [Signature Series] – DVD

February 12, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Romance, Shakespeare, Teen, Thriller

**½/**** Image A- Sound B+ Extras B
starring Mekhi Phifer, Josh Hartnett, Julia Stiles, Elden Henson
screenplay by Brad Kaaya, based on the play “Othello” by William Shakespeare
directed by Tim Blake Nelson

by Walter Chaw Tim Blake Nelson’s updating of Shakespeare’s “Othello” is hamstrung by a deficient script that hastily neglects motivation and character depth in favour of a dependence on our familiarity with the source material to lend O its tragic gravity. It overuses animalism and the specious equation of high school basketball with military conquests and prowess, and it unforgivably consigns the Desdemona character to a haughty afterthought and a series of shrill, shallow pronouncements. Another fatal misjudgment of the hackneyed and over-complicated plot (which actually seems to contradict itself right at its conclusion) reduces Iago’s wickedness to his need to earn daddy’s approval. Admittedly, though, O‘s transplanting of “Othello”‘s insular Venetian political setting to an exclusive upper-class prep school is a wry and excellent decision, offering any number of opportunities for satirizing the glowering atmosphere and claustrophobic in-fighting of high school at its most advantaged.

Ultimate X: The Movie (2002) – DVD

February 10, 2003Posted in2000s, Authors: Bill Chambers, DVD, Sports

ESPN’s Ultimate X
**/**** Image B- Sound B Extras B
written and directed by Bruce Hendricks

by Bill Chambers Notoriously anti-sports (or at the very least sports-agnostic), I thought maybe the X-Games would win me over–so much colour, so much thunder, like Hal Needham’s rushes out of context. Alas, they’re yet another not-for-me athletics event. I was made painfully aware of this fact while watching ESPN’s Ultimate X, an IMAX production: In a sight fertile with joy, a man mounts a plastic shovel not much bigger than the one that comes with children’s sandpails and slides down a snowy hilltop; but then you find out that “Super Modified-Shovel Racing” besmirched the X-Games in the eyes of its organizers and has since been gonged. With it went a new sport’s sense of humour, and I am definitely the genre of film buff more entertained by the dancing mascots at half-time than by the repetitive “thrill” of competition.

Little Secrets (2002) – DVD

February 9, 2003Posted in2000s, Authors: Bill Chambers, Comedy, Drama, DVD, Family, Music

**/**** Image A- Sound B+ Extras B
starring Evan Rachel Wood, Michael Angarano, David Gallagher, Vivica A. Fox
screenplay by Jessica Barondes
directed by Blair Treu

by Bill Chambers Little Secrets, a movie about the fear of honesty we have when we’re children, begins in the vein of a Joe Dante suburban satire but ends, oh so detrimentally, like a nightmare of Chris Columbus pap. Directed with genuine zest by Blair Treu, a man whose resume includes a film with the title “Just Like Dad” and episodes of the quickly-jettisoned television adaptation of Chicken Soup for the Soul, Little Secrets grows so self-involved that the dial of its own moral compass comes off its hinge: Treu (ironic spelling, don’t you think, for the director of a film dealing with the subject of lying?) and screenwriter Jessica Barondes steer their picture irreversibly south in the final minutes in what amounts to an act of belligerence–the filmmakers are too proud to admit they’ve made a gross miscalculation of plot, leading not only to the most aggravating closing smooch in a kids’ flick since Columbus’s own Adventures in Babysitting, but also Little Secrets‘ misogynistic aftertaste.

Stargate (1994) [Ultimate Edition – Director’s Cut] – DVD

February 8, 2003Posted in2000s, Action, Adventure, Authors: Bill Chambers, DVD, France, Sci-Fi, Time Travel

**/**** Image B Sound A Extras B-
starring Kurt Russell, James Spader, Jaye Davidson, Viveca Lindfors
screenplay by Dean Devlin & Roland Emmerich
directed by Roland Emmerich

by Bill Chambers Spawning a television show and solidifying the Hollywood career of German director Roland Emmerich, 1994’s Stargate was the last movie to get the memo that Abyss-ian water walls and morphing technology no longer evoked World’s Fair awe. These special effects are merely the epitome of Stargate‘s second-hand wonder; part of the film’s value as a curiosity piece is its New York street-merchant vibe: like peddlers of the Rolux watch or Parda handbag, Emmerich and co-producer/co-writer Dean Devlin are selling us an approximation of a blockbuster by a licensed hitmaker, and we excuse them the same way we allow for the smudgy print of carbon copies or the colour bleed on VHS dubs. It must be a human impulse to absolve a facsimile of its absence of novelty.

Punch (2003)

February 7, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Drama, Sports, Theatrical

***/****
starring Michael Riley, Sonja Bennett, Marcia Laskowski, Meredith McGeachie
written and directed by Guy Bennett

by Travis Mackenzie Hoover It may be a mess of an uncommon magnitude, but I walked out of Guy Bennett’s Punch swelling with national pride. Here is a Canadian film that tosses both Hollywood dramaturgy and home-grown obsequiousness out the window and ricochets madly off the walls; its astoundingly painful psychodrama flings caution to the wind and makes bizarre crossed-wire connections that only someone outside of the Californian system could possibly be allowed to make. Though far from perfect, it’s never boring, and if nothing else will change the way you view topless female boxing for all time.

How to Lose a Guy in 10 Days (2003)

February 7, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Romance, Theatrical

*½/****
starring Kate Hudson, Matthew McConaughey, Adam Goldberg, Michael Michele
screenplay by Kristen Buckley & Brian Regan and Burr Steers, based on the book by Michele Alexander and Jeannie Long
directed by Donald Petrie

Howtoloseaguyin10daysby Walter Chaw In the rush to anoint Gore Vidal blood relation Burr Steers the next Dylan Kidd (writer-director of Roger Dodger), I wonder how many people suspected that Steers’s follow-up act to Igby Goes Down would be the conceptual lollapalooza of habitual bad director Donald Petrie’s How to Lose a Guy in 10 Days. Only one of three scribes to blame for this mess, Steers seems to have contributed a certain smug misanthropy to the picture of the variety that fuelled the overpraised Salinger ape Igby, with Brian Regan and Kristen Buckley, the brain trust behind 102 Dalmatians, apparently responsible for the sentimental slapstick garbage that comprises the rest of the piece. What emerges is a shrunken chimera of a movie, hobbled by a pair of competing mainstream romantic movie contrivances (“One of them is lying. So is the other,” assures the tagline), a self-knowledge of its own crapulence coupled with an inability to do anything about it, and a middle that, surprisingly, doesn’t totally stink.

blind date: UNCENSORED (2002) – DVD

February 6, 2003Posted in2000s, Authors: Bill Chambers, Comedy, Documentary, DVD, Television

**½/**** Image B+ Sound B+

by Bill Chambers The only reality-TV (whatever that oxymoron means) series I watch, “blind date” has a crack writing staff, photogenic–and certifiable–‘contestants,’ and editing that’s breezy without feeling clipped. For the uninitiated: Cameras follow a couple apparently arbitrarily but more often, one imagines, cruelly matched on their first date and, in the vein of pop-up video, word balloons and subtitles provide patronizing though often uproarious and surreal commentary on the proceedings. My personal favourite moment of the show to date is the oblivious bodybuilder who is asked what he is thinking by his companion: a thought-bubble appears above his head containing a chicken smoking a cigarette. Mostly these asides are, as Homer Simpson would say, funny ’cause they’re true.

Monster’s Ball (2001) – DVD|Monster’s Ball [Lions Gate Signature Series] – DVD

February 2, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Romance

***½/****
DVD – Image A+ Sound A Extras A-
DVD (SIGNATURE SERIES) – Image A+ Sound A Extras A-
starring Billy Bob Thornton, Halle Berry, Peter Boyle, Heath Ledger
screenplay by Milo Addica & Will Rokos
directed by Marc Forster

by Walter Chaw Two men tell poor Leticia Musgrove (Halle Berry) that she’s beautiful during the course of Marc Forster’s pitch-black Monster’s Ball. The first is her condemned husband Lawrence (Sean Combs), and the second is Hank (Billy Bob Thornton), the head of the death-row guard team responsible for bringing Lawrence to the electric chair. The circumstances and timing of their compliments, separated by almost the entire body of the film, says a great deal about where Monster’s Ball has gone in the interim. Lawrence says it as his last words to his wife during their last time together on the last day of his life. Hank says it over a pint of ice cream, just after an important revelation has been claimed without his knowledge. In both instances, there is a simple, fated truth to the words: the first utterance represents the realization that there’s nothing left to say, the second the recognition that some things are best left unspoken.

The Burial Society (2003)

January 31, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Theatrical, Thriller

*½/****
starring Rob LaBelle, Jan Rubes, Allan Rich, Bill Meilen
written and directed by Nicholas Racz

by Travis Mackenzie Hoover The failure of The Burial Society is a subtle one. Initially, one is relieved to encounter a Canadian film made with technical proficiency: not only is it crisply and cleanly shot, but its director uses his lead actor’s iconic schlemiel-ness to good effect. You sit back and wait for it to develop into something from there, but alas, it never really does; its initial effects are the only ones it has, and its total lack of visual and performative variety ultimately drowns the film in a tidal wave of monotony. In the end, I was surprised at how much I disliked The Burial Society.

Swept Away (2002) – DVD

January 30, 2003Posted in2000s, Authors: Bill Chambers, Comedy, Drama, DVD, Italy, Romance, UK

**/**** Image A Sound A Extras B
starring Madonna, Adriano Giannini, Jeanne Tripplehorn, Bruce Greenwood
screenplay by Guy Ritchie, based on the screenplay by Lina Wertmüller
directed by Guy Ritchie

by Bill Chambers No, it's not a masterpiece, but the deck was already stacked against Guy Ritchie's Swept Away long before anyone saw the picture. That it was a remake (of Lina Wertmüller's squirm-inducing Swept Away… by an Unusual Destiny in the Blue Sea of August) was strike one; that it starred Madonna, a lousy film actress considered box-office poison, strike two; that Ritchie is married to Madonna, marking Swept Away as the kind of vanity project that power couples make to spend more time together than their private life allows, strike three. And every review you read of Swept Away–that I read, at least–parroted these three strikes, sizing them to fit a column's allotment; there's no doubt in my mind that, even though it became the whipping-boy of late-night talk-show hosts and assured its victory at the 2003 Golden Raspberrys with near-universal placement on year-end worst-of lists, you haven't any meaningful clue as to what's actually wrong with Swept Away.

Sweet Home Alabama (2002) – DVD

January 29, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD, Romance

½*/**** Image A Sound A- Extras C+
starring Reese Witherspoon, Josh Lucas, Patrick Dempsey, Fred Ward
screenplay by C. Jay Cox
directed by Andy Tennant

by Walter Chaw The first clue as to the vileness of Andy Tennant's Sweet Home Alabama is that it's named after a Lynyrd Skynrd song (paving the way, one supposes, for Freebird: The Movie and Smokestack Lightning); the second clue is that it's the first Reese Witherspoon picture in a while to find a way to squander her almost preternatural ability to salvage terrible scripts and spent concepts floating her way post-Election. Extraordinarily boring and unfunny while redolent with the sort of bad behaviour-made-cutesy that made stars of Julia Roberts and Ashley Judd, Sweet Home Alabama at least has the unlikely distinction of rendering Witherspoon shrill, dull, and during one ugly drunken tirade, irredeemable.

Blue Crush (2002) [Collector’s Edition] (Widescreen) – DVD

January 27, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Germany, Romance, Sports

***/**** Image A- Sound A+ Extras B-
starring Kate Bosworth, Michelle Rodriguez, Matthew Davis, Sanoe Lake
screenplay by Lizzy Weiss & John Stockwell, based on the article "Surf Girls of Maui" by Susan Orlean
directed by John Stockwell

by Walter Chaw Bob Marley sings "Could You Be Loved" as a quartet of surf girls in a finned vintage powder-blue ride, yellow surfboards strapped to its roof, chase the dawn to catch the perfect pipe breaking over Hawaii's sand bars and coral reefs. There is possibly no finer capsule of the adrenaline of early morning and youth in recent memory, and while Blue Crush, the movie surrounding this moment, can't sustain that feeling of hope springing eternal, what it manages is an estrogen opera so intensely feminine that it serves as the antidote (and cannier doppelgänger) to Diesel's xXx flex-a-thon.

My Big Fat Greek Wedding (2002) – DVD

January 26, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Canada, Drama, DVD, Romance

**/**** Image B+ Sound B+ Extras C
starring Nia Vardalos, John Corbett, Michael Constantine, Lainie Kazan
screenplay by Nia Vardalos
directed by Joel Zwick

by Walter Chaw Destined to be one of those much-touted Hollywood discovery stories, Nia Vardalos's one-woman play "My Big Fat Greek Wedding" was seen by Rita Wilson (Mrs. Tom Hanks) and ultimately conceived as a film for veteran bad-TV director Joel Zwick (Hanks's "bosom buddy," as it were). The results are predictably sloppy: all expansive gestures, big emotions, and ethnic sitcom generalities that were handled with more intelligence and wit by Moonstruck. The sad reality of My Big Fat Greek Wedding's stultifying predictability and stand-up sensibility–what plays well as a monologue translates clumsily as film narrative–is that there are enough broad stabs at overbearing mothers and in-law tensions that folks will come away from the film mistaking a warmth for their own experiences with an overabundance of affection for My Big Fat Greek Wedding.