Anger Management (2003)

April 11, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Jack Nicholson, Theatrical

**/****
starring Adam Sandler, Jack Nicholson, Marisa Tomei, Krista Allen
screenplay by David Dorfman
directed by Peter Segal

Angermanagementby Walter Chaw Packed with SNL alum in secondary roles and directed by Peter Segal, the steady hand behind Nutty Professor II: The Klumps, Adam Sandler’s follow-up to the remarkably good Punch-Drunk Love is the remarkably familiar Anger Management. It finds Sandler returning to his old, tedious ways: the athlete cameos, Asian hate, scatological humour, mockery of disability, vintage sing-alongs, sentimental finales, and “you can do its.” Good news for the ever-diminishing cult of Sandler, the rest of Western civilization should cringe at Jack Nicholson returning to his Corman days by reciting a series of dick and fart jokes while banking to a dangerous degree on his lupine grin. The most frustrating thing about Anger Management isn’t that Sandler is back to his old tricks, it’s that there are observations embedded here about the state of our culture in decline that exhibit a genuine insight and cynicism that could have made for a fascinating satire rather than this unintentional one.

Femme Fatale (2002) – DVD

April 10, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Crime, Directors: Brian De Palma, DVD, Romance, Satire, Thriller

*½/**** Image A Sound A- Extras C
starring Rebecca Romijn-Stamos, Antonio Banderas, Peter Coyote, Eriq Ebouaney
written and directed by Brian De Palma

FEMME_FATALE07by Walter Chaw The first script written solely by Brian De Palma since his 1992 film Raising Cain, Femme Fatale, like that film, rips off the famous murderer-reveal of Dario Argento’s Tenebre. Come to think of it, the picture is essentially a rehash in one way or another of every film De Palma’s ever written (the voyeurism and body switch of Body Double, the phallic film equipment of Blow Out, the steamy stall-sex of Dressed to Kill, the evil twin thing and split-screen of Sisters, the voyeurism again of Hi, Mom!, and so on)–and because De Palma’s best films and screenplays were iterations of Hitchcock (and sometimes Argento, the Italian Hitchcock), Femme Fatale is as stale and detached as the third-generation copy that it is.

Darkness Falls (2003) [Special Edition] – DVD

April 9, 2003Posted in2000s, Australia, Authors: Bill Chambers, Authors: Walter Chaw, DVD, Horror, Mystery, Thriller

**/**** Image B- Sound A Extras B-
starring Chaney Kley, Emma Caulfield, Joshua Anderson, Andrew Bayly
screenplay by John Fasano and James Vanderbilt and Joe Harris
directed by Jonathan Liebesman

by Walter Chaw Two years removed from Victor Salva’s Jeepers Creepers (and on the eve of a sequel to that film), Darkness Falls whets cult appetites by being nearly a scene-for-scene recreation of that film’s inferior second half. Essentially a series of “I don’t believe your story–hey, why did the lights go out?” scenarios and unearned jump scares, the picture opens with a nice fairytale prologue and a nifty “12 years ago” introduction that hints at the promise of a murderous Tooth Fairy. As soon as the action jumps to the present day with a warbling youngster, her hot sister, and our troubled hero, however, any pretense of a creepy, coherent mythology flies out the window as the flick devolves into an inexorable killer flick amped-up to “11.”

Red Dragon (2002) [2-Disc Director’s Edition] – DVD

April 6, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Crime, Drama, DVD, Germany, Thriller

*/**** Image A Sound A- Extras B-
starring Anthony Hopkins, Edward Norton, Ralph Fiennes, Harvey Keitel
screenplay by Ted Tally, based on the novel by Thomas Harris
directed by Brett Ratner

by Walter Chaw Because Thomas Harris’s haunting novel of the same name is flawed in someone’s eye, Red Dragon hacks and slices the piece with a rude imprecision that would inspire pop icon Hannibal Lecter to sharpen his carving tools. The picture opens with a ridiculous and awkwardly-staged Lecter backstory (meaning it plays like the rest of the Lecter additions) that gives a self-parodying Anthony Hopkins a ponytail in place of the self-respect to which he can no longer lay claim, bringing to mind the unwieldy cameos of Cannonball Run.

A Man Apart (2003) + The Man Without a Past (2003)

April 4, 2003Posted in2000s, Action, Authors: Walter Chaw, Comedy, Crime, Drama, Finland, France, Germany, Romance, Theatrical, Thriller

A MAN APART
**/****
starring Vin Diesel, Larenz Tate, Steve Eastin, Timothy Olyphant
screenplay by Christian Gudegast & Paul Scheuring
directed by F. Gary Gray

Mies vailla menneisyyttä
***½/****
starring Markku Peltola, Kati Outinen, Annikki Tähti, Juhani Niemelä
written and directed by Aki Kaurismäki

Manapartwithoutapastby Walter Chaw The one an absurdist sketch, the other just absurd, both Aki Kaurismäki’s The Man Without a Past and F. Gary Gray’s A Man Apart use violence as a catalyst for existential introspection, but while Gray’s emetic excess deadens with its Death Wish-cum-The New Centurions wish-fulfillment fantasy, Kaurismäki’s gentle fable finds grace amongst society’s victims. Gifting their respective stars each with a hospital scene and subsequent resurrection and new lease on life, the two protagonists are paired with a lady love once back on the street–Kaurismäki’s hero with a Salvation Army matron (Kati Outinen), Gray’s with a ridiculously loyal partner (Larenz Tate) who discards his role as conscience to become an extension of a revenge plot that’s made more ludicrous with a heaping dose of morality and a Lethal Weapon graveside penance.

What a Girl Wants (2003)

April 4, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Family, Romance, Theatrical, UK

*/****
starring Amanda Bynes, Colin Firth, Kelly Preston, Anna Chancellor
screenplay by Jenny Bicks and Elizabeth Chandler, based on the play “The Reluctant Debutante” by William Douglas Home
directed by Dennie Gordon

by Walter Chaw A cynical play for the babysitting money of a very particular demographic, What a Girl Wants is a by-the-numbers Cinderella story that’s not only a carbon copy of The Princess Diaries but also the umpteenth iteration of a distaff preteen fantasy that equates irreverent immaturity with being true to one’s own self. It takes potshots at the stuffiness of the British in the same way that urban comedies take aim at the stuffiness of white folks, seeking to loosen up the awkward unfortunates with a pathetic dance sequence. And it offers Nickelodeon phenom Amanda Bynes yet another opportunity to try on a bunch of outfits in not one, but two dress-up montages. The film believes that it knows what will please twelve-year-old girls (and their 35-year-old fathers), and it may well indeed, but the problem with What a Girl Wants is that there’s precious little honour in satisfying the basest needs of its audience with the equivalent of leftover porridge.

Sordid Lives (2001) – DVD

April 2, 2003Posted in2000s, Authors: Walter Chaw, Comedy, DVD, Romance, ZERO STARS

ZERO STARS/**** Image D Sound D Extras C
starring Olivia Newton-John, Beau Bridges, Delta Burke, Bonnie Bedelia
written and directed by Del Shores

by Walter Chaw Essentially an extended drag shtick captured on surveillance-quality DV, Del Shores’s Sordid Lives finds the playwright’s stage production translated literally to the big screen (well, to the television screen) without, one presumes, the pace and the busyness that would have made it bearable. Poorly-aimed pot-shots at dysfunction (sexual, familial) share the stage with the classic “gathered for a funeral” plot that forms the basis of so many community theatre productions, mainly because no matter how ribald the comedy becomes, there will always be the opportunity for a sickening dose of sentiment at the final curtain. There’s nothing suburban middlebrow consumers like better than a shot of the ol’ pulpit to forgive all sins: round-in-the-round as buffet-dinner confessional.

Evelyn (2002) [Special Edition] – DVD

April 2, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Family, Germany, Ireland, Netherlands, UK

*/**** Image C+ Sound B- Extras B+
starring Pierce Brosnan, Julianna Margulies, Aidan Quinn, Stephen Rea
screenplay by Paul Pender
directed by Bruce Beresford

by Walter Chaw It seems as though “inspired” in the phrase “inspired by a true story” is the operative word as the 2002 Christmas season presents to us a rotten couplet of films “inspired” by true stories that, in all likelihood, were pretty interesting prior to the whitewashed variety of “inspiration” dished out in most high profile biopics. Headliner Antwone Fisher (a rancid piece of garbage I like to refer to as “Good Antwone Fishing” or “Finding Fisher-er”) gains esteem just by the association of twinkly-eyed Denzel Washington behind the camera (and stentorian Denzel in front), while small foreign film Evelyn will probably gain esteem by dint of its small and foreign status. (Just like its cute-as-a-button titular waif.) Like so many horrible movies of this mongrel breed, however, both Antwone Fisher and Evelyn are so uncompromising in their saccharine manipulations that nurses should stand at theatre entrances, passing out hypodermics of insulin.

Nowhere in Africa (2001)

March 28, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Biopic, Drama, Germany, Theatrical

Nirgendwo in Afrika
**½/****
starring Juliane Köhler, Regine Zimmermann, Merab Ninidze, Matthias Habich
screenplay by Caroline Link, based on the novel by Stefanie Zweig
directed by Caroline Link

by Travis Mackenzie Hoover One wants very badly to condescend to a film like Nowhere in Africa (Nirgendwo in Afrika). Like a multitude of other middlebrow efforts, it has large ambitions it can’t fulfill, and it strains to say big things about a subject it hasn’t really thought through. But somehow, one can’t write the whole thing off. The subject matter is so suggestive on its own that it allows you to go on your own mental journey, riding over director Caroline Link’s visual and analytical deficiencies to find the material’s implications. True, that’s not as good as having a real director give you ideas that send you further, but it is enough to keep you watching with no real pain.

The Core (2003)

March 28, 2003Posted in2000s, Action, Adventure, Authors: Walter Chaw, Canada, Disaster Movie, France, Germany, Italy, Sci-Fi, Theatrical, Thriller, UK

**½/****
starring Aaron Eckhart, Hilary Swank, Delroy Lindo, Stanley Tucci
screenplay by Cooper Layne and John Rogers
directed by Jon Amiel

by Walter Chaw Jon Amiel’s poorly-timed disaster throwback The Core is a by-the-numbers affair that features the sort of special effects mayhem that folks will reference when terrorists blow-up the Acropolis–perhaps explaining in part why this bombastic summer film is being rushed into release in the late-winter doldrums: better to get it in movieplexes before it has to be delayed for a few months. But with unfortunate mentions of the Al Jazeera news agency and a botched shuttle landing that is exceedingly uncomfortable given its proximity to NASA’s recent tragedy, it could just be that The Core is a bad idea for any time, and releasing it when no one is likely to see it is just a cut-your-losses sort of thing. The Core is probably betting that people are more fatigued by the Riefenstahl-ian “embedded” live coverage of our troops in action than by their over-familiarity with this kind of Armageddon/Deep Impact/Poseidon Adventure falderal, when the truth is that it’s possible to be tired of both.

Head of State (2003)

March 28, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Satire, Theatrical

½*/****
starring Chris Rock, Bernie Mac, Tamala Jones, Lynn Whitfield
screenplay by Chris Rock & Ali LeRoi
directed by Chris Rock

by Walter Chaw Chris Rock’s directorial debut Head of State is a little like Weird Al Yankovic’s UHF or Dana Carvey’s Opportunity Knocks: a vehicle meant to showcase a sketch comedian’s strengths but functioning more as an exposé on said comedian’s weaknesses. It vacillates between a potentially interesting central plot and a couple of misogynistic and boring subplots, managing by the end to come off as shrill, cynical, and disjointed as well as overly cutesy and infatuated with its own cult of bling. Its one saving grace is that it seems to occasionally know what satire is, conceiving of a “white folks can’t dance” sequence that actually scores a couple of points in letting the poor Man dance well instead of mockingly (see Bringing Down the House), and in the identification of “God Bless America” as the hypocritical exclusionary bullshit that it is.

Malevolent (2002) – DVD

March 28, 2003Posted in2000s, Authors: Walter Chaw, Crime, Drama, DVD, Thriller

½*/**** Image B- Sound C+
starring Lou Diamond Phillips, Kari Wuhrer, Edoardo Ballerini, Gwen McGee
screenplay by Dennis Shryack & Peter Bellwood
directed by John Terlesky

by Walter Chaw A castration/redemption picture with the most ineffectual central character in any film south of Polanski, direct-to-video thriller Malevolent casts Lou Diamond Phillips as an eternally-framed homicide detective and Kari Wuhrer as an ex-softcore goddess now reduced to acting badly in a variety of scoop-necked blouses.

Abandon (2003) + Dawson’s Creek: The Complete First Season (1998) – DVDs

March 27, 2003Posted in1990s, 2000s, Authors: Bill Chambers, Coming of Age, Drama, DVD, Teen, Television, Thriller

ABANDON
***½/**** Image A Sound A Extras B
starring Katie Holmes, Benjamin Bratt, Charlie Hunnam, Zooey Deschanel
written and directed by Stephen Gaghan

DAWSON’S CREEK: THE COMPLETE FIRST SEASON
Image C+ Sound B- Extras B-
“Pilot,” “Dance,” “Kiss,” “Discovery,” “Hurricane,” “Baby,” “Detention,” “Boyfriend,” “Road Trip,” “The Scare,” “Double Date,” “Beauty Contest,” “Decisions”

by Bill Chambers Abandon is a damn good movie detested in some quarters because, he hypothesized, it’s not very comforting, because it subverts the entrenched John Landis approach to depicting college life, and because it’s determined to be meaningful within the framework of a supernatural potboiler. The film stars Katie Holmes, whose career has caught its second wind with the near-simultaneous DVD releases of Abandon and the first season of “Dawson’s Creek”, in addition to the title role in 2003’s Sundance favourite Pieces of April and upcoming appearances in Keith Gordon’s The Singing Detective and the Joel Schumacher thriller Phone Booth. She’s also seeing the end of her aforementioned TV series “Dawson’s Creek”, which sails into the sunset this May after five years on the air. It will leave her more time for movies, and with her remarkable taste in film projects (see also: The Gift, Go, and The Ice Storm), I’m anxious to see where that freedom takes her. Especially if it’s anywhere near the territory of her poised work in Abandon.

Bang the Drum Slowly (1973) – DVD

March 26, 2003Posted in2000s, Authors: Walter Chaw, Drama, DVD, Robert De Niro, Sports

**/**** Image B- Sound C+
starring Robert De Niro, Michael Moriarty, Vincent Gardenia
screenplay by Mark Harris, based on his novel
directed by John Hancock

by Walter Chaw Almost fatally hamstrung by an appalling score by Stephen Lawrence, John D. Hancock’s Bang the Drum Slowly is a character-driven adaptation of Mick Harris’s novel (Harris also wrote the screenplay) that evokes the odd twilit detachment of professional sports in general and baseball in particular with a tale made suddenly popular in 1973 by the success of Brian’s Song. Its baseball scenes almost tertiary to the friendship between a pitcher and his catcher (and the catcher and his hooker girlfriend), the picture feels a little like Of Mice and Men (complete with Steinbeck’s low American primitivism) in the doomed relationship between a blue-collar man and his retarded friend. The film is riddled with pitfalls from the start: the potential for maudlin excess, the trap of overwriting, and the allure of some sort of overriding message for humanity. And though Bang the Drum Slowly dances along the edge of those pitfalls for a good portion of its running time, ultimately it’s just another one of those films better remembered than revisited.

The Filmmaker with Four Syllables in Her Last Name: FFC Interviews Lisa Cholodenko

March 23, 2003Posted in2000s, Authors: Walter Chaw, Interviews

LcholodenkointerviewtitleMarch 23, 2003|She looks a little like the subject of one of her own films: vaguely Bohemian, artsy, with the air of one invested in the secretive, slightly disassociating practice of creation. I met Lisa Cholodenko at Denver's Hornet restaurant, just across the street from the Landmark Mayan theatre on a clear, warm Colorado winter's afternoon. In town for an advance screening of her new film Laurel Canyon that took place the night before, this day found her badly in need of a quick nosh after a mad morning with the florid bouquet of the Denver media (badly in need of pruning so that the live ones can flourish). Ms. Cholodenko speaks succinctly and carefully–she can seem a little defensive at times, the source of her discomfort possibly having something to do with the speed with which her work has been politicized along sexual (lesbian) lines. But over two orders of the restaurant's lovely Mayan Salad (get it with the dressing on the side), I found Ms. Cholodenko to be curious and warm as we dished a little on the ultimate failure of The Hours and the essentialness of New Order's "Brotherhood" album (and Antonia Bird's Ravenous). I asked her how she got her start as an editing assistant on John Singleton's Boyz N the Hood.

The XX/XY Interview: FFC Interviews Petra Wright & Austin Chick

March 23, 2003Posted in2000s, Authors: Walter Chaw, Interviews

XxxyinterviewMarch 23, 2003|I met Austin Chick during a Critic's Reception at Denver's Pinnacle Club, a swank spot perched on the 38th floor of the Qwest building with panoramic views of the front-range. Compact and friendly, Chick has a firm handshake and a spare New Hampshire accent; I was glad of this encounter later because, when my scheduled interview proper with Chick rolled around, a blowhard of a local reporter decided to take it upon himself to redefine sycophancy for about ten minutes of my allotted time. In my cocktail party interplay, however, I learned of Chick's initial desire to shoot in DV before receiving a 35mm camera from a kind studio benefactor; that he came to be familiar with Mark Ruffalo through seeing him in a Kenneth Lonergan play; and that he is in the process of developing two projects, one as a director for a major studio.

Jonah: A VeggieTales Movie (2002) [2-Disc Collector’s Edition] – DVD

March 22, 2003Posted in2000s, Adventure, Animation, Authors: Walter Chaw, Comedy, Drama, DVD, Family, Musical, UK

***/**** Image A Sound A Extras A+
written and directed by Paul Vischer and Mike Nawrocki

by Walter Chaw Sort of Monty Python-lite with a Christian message, the VeggieTales direct-to-video series of didactic sketches is, I’m told, the top-selling home video series in history, speaking at once to the creepy rise of grotesquely hypocritical religiosity in the United States and the fact that VeggieTales, judging by its first feature-length film Jonah, is extremely clever and entertaining. Packed with visual gags and semi-subtle references (a “Moby Blaster” video game in a seafood reference recalls Melville’s fondness for the Jonah tale), Jonah: A VeggieTales Movie is a bouncy Christian animated musical with a handful of compulsively catchy tunes and some crisp computer-imaging work. It occurred to me a few times during the course of the picture that as far as Christian entertainment goes, this is the first product that didn’t disqualify the term as an oxymoron.

Drumline (2002) [Widescreen Edition] – DVD

March 21, 2003Posted in2000s, Authors: Bill Chambers, Comedy, Drama, DVD, Music, Romance

**½/**** Image B+ Sound A Extras B-
starring Nick Cannon, Zoë Saldaña, Orlando Jones, GQ
screenplay by Tina Gordon Chism and Shawn Schepps
directed by Charles Stone III

by Bill Chambers Appealing newcomer Nick Cannon stars in Drumline as Devon, a Harlem high-school graduate making the transition from a big fish in a small pond to a guppy in the ocean that is Atlanta A&T. Devon begins his gruelling training for A&T’s mostly-black drumline on the wrong foot, wearing dark colours when white was demanded, failing to get his roommate to the first tryout on time, and claiming an instrument reserved for upper-tier members of the drumline–and refusing to give it back until he’s shown some respect by veritable drill sergeant Sean (Leonard Roberts). The one bold move that works in Devon’s favour at the start is hitting on Laila (Zoë Saldaña), captain of the cheerleading squad; she and Devon’s superiors, including the drumline’s manager, Dr. Lee (Orlando Jones), aim to turn the boy into a man through demonstrations of tough love peppered with encouragement.

8 Mile (2002) [Widescreen w/Uncensored Bonus Features] – DVD

March 19, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Germany, Music

*/**** Image A Sound A+ Extras B-
starring Eminem, Kim Basinger, Brittany Murphy, Mekhi Phifer
screenplay by Scott Silver
directed by Curtis Hanson

by Walter Chaw I was of a mind once that Kim Basinger is pretty good at playing a milquetoast and a sexual victim (I liked her in 9½ Weeks, and she won the Oscar, after all, for L.A. Confidential), but I stand corrected. As a milquetoast sexual victim (not to Eminem, surprisingly) and mother to a steel worker-cum-rapper, Ms. Basinger’s every moment in Curtis Hanson’s 8 Mile is a moment that the film, an otherwise serviceable underdog Flashdance intrigue, grinds to a halt. In reprising her abominable cornpone accent from the aptly named No Mercy, she fails to understand that “country-fried bayou redneck” makes a lot less sense in the liminal “8 Mile” section of Michigan than it does in New Orleans.

Roger Dodger (2002) – DVD

March 17, 2003Posted in2000s, Authors: Bill Chambers, Comedy, Drama, DVD

***½/**** Image A Sound A- Extras A
starring Campbell Scott, Jesse Eisenberg, Mina Badie, Jennifer Beals
written and directed by Dylan Kidd

by Bill Chambers There’s a clever moment in Roger Dodger destined to slip past viewers that underscores the precision with which the film was conceptualized. Roger (Campbell Scott), the lady-killer whose nickname (which he shares with the stooge in Sidney Lumet’s Q&A) lends the picture its title, walks up to one of the glass walls of a meeting room inside his workplace to communicate with two colleagues on the other side–one of whom sticks the word “incubator” to his own forehead just as the scene cuts. Coming on the heels of a prologue in which Roger has demonstrated his persuasive albeit highly misogynistic grasp of sexual politics to his dazzled peers, this tableau is the movie in a nutshell: With a man of such confidence around, all others are hatchlings hanging on his tutelage. The film is subsequently about Roger passing a certain torch to his visiting 16-year-old nephew, Nick (Jesse Eisenberg), and Nick fighting his moral instinct to extinguish it, as when he practices Roger’s art of seduction on a couple of bar-hopping older women played by the pitch-perfect duo of Elizabeth Berkley and Jennifer Beals.