DIFF ’03: Resist!: To Be with the Living

October 17, 2003Posted in****/****, 2000s, Authors: Walter Chaw, Belgium, DIFF/SDFF, Documentary, Film Festivals, Germany
****/****directed by Dirk Szuszies by Walter Chaw I have long been sustained by the belief that film can change the world, and that the most interesting dialogues I have ever had about the medium (the idea that it is the logical child of the oral storytelling tradition--Lord Byron's seed and wind, both) are connectable some way to the larger issues of my, or any, day. Dirk Szuszies and Karin Kaper's Resist!: To Be with the Living draws a line of crystal purity from the cycles of Greek tragedy (the eternal fight for individuality, moral objection, and freedom of "Antigone") and…

Veronica Guerin (2003)

October 17, 2003Posted in2000s, Authors: Walter Chaw, Biopic, Crime, Drama, Ireland, Theatrical, Thriller, UK

*/****
starring Cate Blanchett, Gerard McSorley, Ciarán Hinds, Brenda Fricker
screenplay by Carol Doyle and Mary Agnes Donoghue
directed by Joel Schumacher

Veronicaguerinby Walter Chaw By the end of the piece, the only thing missing is John Wayne in ill-fitting Centurion garb, drawling "I do believe she truly was the son of God" over the corpse of slain journalist Veronica Guerin (Cate Blanchett), so at pains is Joel Schumacher's tedious spectacle of a hagiography of Guerin to paint her as some sort of sainted martyr. Veronica Guerin is horrible, really, a passel of forced dramatic slow push-ins framing Blanchett's mannered performance (in a Princess Diana haircut, no less, to really ramp up that pathos) all of insouciantly arched eyebrows and saucy eyeballs and centred dead and soft-lit like a Giotto effigy. Much is made of Guerin's print peers looking down on her, then a closing title card offers a statistic on the number of journalists killed in the line of duty, the suggestion being that journalists are sniffy elitists who don't like someone who can't write, has no background or experience in journalism, and takes unnecessary risks with themselves and their families–and that journalists are heroes regularly martyred by their thirst for truth. You really can't have it both ways, and that lack of focus isn't ambiguity so much as confusion brought about by a mortal dose of self-righteousness.

L’auberge espagnole (2002)

October 17, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Comedy, Drama, France, Romance, Spain, Theatrical

***/****
starring Romain Duris, Judith Godrèche, Audrey Tautou, Cécile De France
written and directed by Cédric Klapisch

Laubergeespagnoleby Travis Mackenzie Hoover Cédric Klapisch is the director of a mid-'90s gem called When the Cat's Away; although it wasn't of great shattering importance, it understood that, and turned out to be enjoyably funky nonetheless. Alas, the intervening years have taken their toll on Klapisch's sense of self-importance, because now he's made L'auberge espagnole–a film with the potential to be another enjoyably funky little movie that instead pushes banal life lessons and shallow cultural observations. L'auberge espagnole might have squeaked by had its tale of a French student in a Barcelona rooming house just been a sex farce with low ambitions, but as it stands, it's a sex farce that thinks that it's actual drama, making for some serious head-slapping when it drags out the ersatz "importance."

Pieces of April (2003)

October 17, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Theatrical

**/****
starring Katie Holmes, Patricia Clarkson, Oliver Platt, Derek Luke
written and directed by Peter Hedges

Piecesofaprilby Walter Chaw Modest in its intentions and achievements, Peter Hedges's Pieces of April has an undercurrent of paternalistic racism that verges on the disturbing. April (Katie Holmes, great but wasted) and her boyfriend Bobby (Derek Luke) invite April's difficult family to Thanksgiving dinner. Because it's potentially, ominously, the "last" Thanksgiving, the estranged nuclear unit composed of mom Joy (Patricia Clarkson), dad Jim (Oliver Platt), grandma Dottie (professional grandma Alice Drummond), and their other two children Beth (Alison Pill) and Timmy (John Gallagher Jr.) pack themselves into the station wagon and head up the interstate. The picture cuts between April struggling to find someone in her tenement who'll lend her the use of an oven and the family doing their best to suffer the acerbic, often nasty Joy.

House of 1000 Corpses (2003) + Waxwork/Waxwork II: Lost in Time [Double Feature] – DVD

October 16, 2003Posted in1980s, 2000s, Authors: Walter Chaw, Comedy, DVD, Fantasy, Horror, Sci-Fi, UK, West Germany, ZERO STARS

HOUSE OF 1000 CORPSES
**/**** Image A Sound A Extras A
starring Sid Haig, Bill Moseley, Sheri Moon, Karen Black
written and directed by Rob Zombie

WAXWORK (1988)
*/**** Image D Sound D
starring Zach Galligan, Deborah Foreman, Michelle Johnson, Dana Ashbrook
written and directed by Anthony Hickox

WAXWORK II: LOST IN TIME (1991)
ZERO STARS/**** Image C Sound C
starring Zach Galligan, Alexander Godunov, Monika Schnarre
written and directed by Anthony Hickox

by Walter Chaw Curiously, compulsively watchable in a grindhouse exploitation sort of way, neo-glam shock-rocker Rob Zombie follows in Twisted Sister Dee Snider’s capering footsteps with a derivative flick that mainly goes a long way towards demonstrating how hard it is to make a coherent movie. More Richard Donner’s The Goonies than Tobe Hooper’s The Texas Chain Saw Massacre, House of 1000 Corpses is a shoestring series of hyperactive camera movements and disjointed images culled from what seems too many films to count, from Bloodsucking Freaks to Near Dark to Maniac to The Serpent and the Rainbow to Halloween to Hellbound: Hellraiser 2 and so on, with no reason except to demonstrate how many horror movies Zombie has seen. The only thing missing from the picture–besides actual dread–is a helpful annotation so that youngsters intrigued can check out the real deal.

DIFF ’03: Off the Map

October 16, 2003Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Drama, Film Festivals
***/****screenplay by Joan Ackerman, based on her playdirected by Campbell Scott by Walter Chaw Campbell Scott's Off the Map reminds me of some dimly-remembered authors I used to read when I was younger: Harper Lee, maybe Tony Hillerman in a contemplative mood--alien cultures and modes of thought set to soothing rhythms against a saguaro sunset. More to the point, the film resembles the book its characters read to each other by lamplight: Richard Henry Dana, Jr.'s wonderful Two Years Before the Mast, which I first read when a beloved professor recommended it as a corollary to Melville's Moby Dick and…

DIFF ’03: A Slipping-Down Life

October 15, 2003Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Drama, Film Festivals, Music, Romance
**½/****screenplay by Toni Kalem, based on the novel by Anne Tylerdirected by Toni Kalem by Walter Chaw With an excellent first hour and a less impressive, almost sprawling second, Toni Kalem's hyphenate debut A Slipping-Down Life finds an excellent cast in the employ of a Southern Gothic about a young woman "awakened" by the "shout outs" of a small-time backwater singer/songwriter. With tunes by Peter Himmelman and nice performances from Guy Pearce and Lili Taylor (too pretty to play the overweight teen protagonist of the Anne Tyler novel on which the film is based), what starts out as unusual and…

DIFF ’03: Casa de los babys

October 15, 2003Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Drama, Film Festivals, Mexico
*/****written and directed by John Sayles by Walter Chaw It feels increasingly as if John Sayles is a little sick of making John Sayles films. This dramatically inert ensemble piece about a group of American women in a South American limbo hoping to adopt babies feels curiously underwritten and stale despite the heaviness of the dialogue. Maggie Gyllenhaal makes the best impression as a woman of privilege who hopes a child will save her marriage, but like the rest of the cast (Daryl Hannah, Marcia Gay Harden, Lili Taylor, Susan Lynch, Rita Moreno, Mary Steenburgen), her character is composed of…

DIFF ’03: I’m Not Scared

October 14, 2003Posted in2000s, Authors: Walter Chaw, Crime, DIFF/SDFF, Drama, Film Festivals, Italy, Mystery, Spain, Thriller, UK
Io non ho paura***/****written by Niccolò Ammaniti, Niccolò Ammaniti, Francesca Marcianodirected by Gabriele Salvatores by Walter Chaw An Italian version of Charles Laughton's Night of the Hunter in many respects, Gabriele Salvatores' I'm Not Scared (Io Non Ho Paura) is admirable in its ability to evoke the dreamy disconnection of childhood--the startling realization at some point along the way that your parents may not be merely flawed, but occasionally malicious. A young boy, Michele (Giuseppe Cristiano), finds a child imprisoned in a hole next to an abandoned house in the middle of an impossibly beautiful fall Tuscan landscape, all yellow…

DIFF ’03: Film as Subversive Art: Amos Vogel and Cinema 16

October 14, 2003Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Documentary, Film Festivals, UK
***/****directed by Paul Cronin by Walter Chaw Documenting the rise and fall of New York International Film Festival director Amos Vogel, who got his start in the programming business as the mastermind behind the legendary "Cinema 16" film society, Film as a Subversive Art: Amos Vogel and Cinema 16 provides a traditional documentary treatment of an unconventional man. A refugee from Hitler's Germany, Vogel, a fierce antagonist of censorship, introduced the United States to folks as diverse and vital as Yasujiro Ozu and Stan Brakhage. The sort of thing dying in an America that embraces the mundane and the comfortable…

DIFF ’03: Dallas 362

October 12, 2003Posted in2000s, Authors: Walter Chaw, Crime, DIFF/SDFF, Drama, Film Festivals
***½/****written and directed by Scott Caan by Walter Chaw An extremely auspicious hyphenate debut from actor-director Scott Caan (son of James), Dallas 362 is a kinetic and visually literate film composed of Nan Goldin-inspired two-person tableaux that offer a startlingly clear-eyed balance to the force of transitional sequences. An opening montage reminds in the best way of the still-photo manipulation over the main titles of "The Rockford Files", an interesting photo-scoping technique seen in the recent documentary The Kid Stays in the Picture and revisited in the body of the film as a particularly interesting way to tell a flashback.…

Dawson’s Creek: The Series Finale (2003) – DVD

October 12, 2003Posted in2000s, Authors: Bill Chambers, Coming of Age, Drama, DVD, Teen, Television

**½/**** Image B+ Sound B+ Extras A-
starring James Van Der Beek, Katie Holmes, Michelle Williams, Joshua Jackson
screenplay by Kevin Williamson & Maggie Friedman
directed by James Whitmore, Jr. ("All Good Things…") and Greg Prange ("…Must Come to an End")

by Bill Chambers SPOILER WARNING IN EFFECT. When it first aired, I was fuming. But I've not only come to terms with the series finale of "Dawson's Creek", I've grown to appreciate it, too. What I realized on a second viewing (not as superfluous as you might think: the DVD that facilitated a reassessment restores 20 minutes of footage cut from the broadcast version) was that my own tenuous identification with the main character, a movie lover and amateur filmmaker prone to befriending unattainable hotties, was getting in the way of appreciating a perfectly laudable reversal of expectations. There's no sense beating around the bush: Joey (Katie Holmes) picked suave Pacey (Joshua Jackson). The first "Dawson's Creek" scripted by series creator Kevin Williamson since the second season's "…That Is the Question" (in tandem with which he announced he was stepping down as the show's Professor Marvel), the two-part capper–aired as a movie-of-the-week–leaves Dawson (James Van Der Beek) without a fallback girl, as Joey romantically rejects Dawson on the heels of the passing of her alternate: single-mother Jen (Michelle Williams), who dies from a rare heart condition.

DIFF ’03: What Alice Found

October 12, 2003Posted in2000s, Authors: Walter Chaw, Crime, DIFF/SDFF, Drama, Film Festivals
½*/****written and directed by A. Dean Bell by Walter Chaw Petty to fixate on such things, but what to make of a heavy Boston accent that appears and disappears so randomly (in a character from New Hampshire, for God's sake) that it causes one to wonder why they even bothered in the first place? The performances in the digital cheapie What Alice Found are uniformly awful, but Emily Grace as titular trailer-park refugee Alice is a special case, trembling between Tori Spelling and Melanie Hutsell's SNL impersonation of Tori Spelling--all zombie stares, eye-rolling, and lop-sided sneers. Out of the park and…

Bobby Darin’: FFC Interviews Bobby Cannavale

October 11, 2003Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Film Festivals, Interviews

BcannavaleinterviewtitleOctober 12, 2003|Talking with actors, especially young actors, is always an iffy proposition: the craft of acting is a difficult one to articulate, its choices obscure or instinctual, ideally, and in the case of a fresh talent, anecdotes are fewer and of less interest. So you find yourself, often, repeating the junket line: How'd you get started? What was it like working with X? Who are your influences? What's your next project? Questions, all, that only really need to be asked once in this day of fast, permanent information.

DIFF ’03: Wilbur Wants to Kill Himself

October 11, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Denmark, DIFF/SDFF, Drama, Film Festivals, France, Sweden, UK
Wilbur Begar Selvmord***½/****written by Lone Scherfig, Anders Thomas Jensendirected by Lone Scherfig by Walter Chaw Uncompromising yet surprisingly gentle for all that, Lone Scherfig's Wilbur Wants to Kill Himself is an unmannered character drama about Wilbur (Jamie Sives), despondent and suicidal after the death of his father; Wilbur's older brother, Harbour (Adrian Rawlins), who's taking the family's loss much better; and Harbour's new wife, Alice (the self-swallowing, eternally imploding Shirley Henderson), who finds love for the first time only to find it again in her husband's mordant brother. A psychiatric support group is funny in predictably quirky ways (though its…

DIFF ’03: Dark Cities

October 9, 2003Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Drama, Film Festivals, Mexico
Ciudades oscurasDark City½*/****written by Juan Madrid, Enrique Renteria, Fernando Sariñanadirected by Fernando Sariñana by Walter Chaw Fernando Sariñana's grimy Dark Cities (Ciudades oscuras) is essentially a series of hardboiled vignettes that criss-cross in perfunctory ways over the course of one miserable night. Infanticide, rape, castration, long chats with corpses, murder, graft, and a criminal amount of hysterical camera tricks combine in a stew so sour and unintentionally funny that it plays out like the love child of City of Hope and Henry: Portrait of a Serial Killer--with hookers. Not enough can be said about the invasiveness of Sariñana's camera: it's…

DIFF ’03: Breakfast with Hunter

October 9, 2003Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Documentary, Film Festivals
**/****directed by Wayne Ewing by Walter Chaw Culled from what seems like B-roll of gonzo journalist Hunter S. Thompson in the months leading up to the filming and release of Terry Gilliam's film adaptation of the author's seminal Fear and Loathing in Las Vegas, Breakfast with Hunter is interesting now and again for the extent to which Thompson is revered in certain circles, but feels curiously prosaic for the wicked incisiveness of its subject. The highlights of the film are Thompson's interactions with Johnny Depp and Alex Cox, the former the actor tabbed to play him in Gilliam's film and…

DIFF ’03: Noi the Albino

October 9, 2003Posted in****/****, 2000s, Authors: Walter Chaw, Denmark, DIFF/SDFF, Drama, Esoterica, Film Festivals, Germany, Iceland, UK
Nói albinói****/****written and directed by Dagur Kári by Walter Chaw Dagur Kári's Noi the Albino (Nói Albinói) is a film about emptiness, really--a terrific picture crouched in the centre of a blasted Icelandic winter, with its titular hero, Nói (Tómas Lemarquis), too smart for the isolation. When the beautiful Iris (Elin Hansdóttir, wow) comes to work in the town-of-maybe-100-people's convenience store, Nói finds himself for perhaps the first time motivated for long enough to aspire to something larger. A Steve Earle song directed by Jim Jarmusch, the picture is deadpan hilarious and haunted by the oppressive power of dark and…

DIFF ’03: Bought & Sold

October 8, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Crime, DIFF/SDFF, Drama, Film Festivals
**/****written and directed by Michael Tolajian by Walter Chaw Michael Tolajian's Bought & Sold is a low-aspiring inner-city fairy tale featuring an Oscar De La Hoya-looking hoodlum protagonist named Ray Ray (Rafael Sardina) who dreams of buying DJ turntables from the local pawn shop while working part-time at a shoe store. He falls in with the wrong crowd, ends up going undercover for a local godfather in the pawn under kindly Armenian storekeeper (Isiah Whitlock Jr.), and gets twitterpated for the pawnshop owner's niece, Ruby (beautiful Marjan Neshat)--all of which unfolds in a herky-jerky kind of way as Tolajian's dialogue…

DIFF ’03: Assisted Living

October 7, 2003Posted in2000s, Authors: Walter Chaw, Comedy, DIFF/SDFF, Drama, Film Festivals
**/****written and directed by Elliot Greenbaum by Walter Chaw Playing at times like a documentary (indeed, the film used the residents of its retirement-home setting as extras), Assisted Living is a troubling picture, balanced as it is midway between fiction and essay, with some actors feigning dementia and others clearly in its sway. Todd (Michael Bonsignore) is a pot-smoking twentysomething working at a nursing home--a kind-hearted soul, it seems, burned out in more ways than one and fixated on one of his charges, Mrs. Pearlman (Maggie Riley). Their relationship really not much more than a sketch, Todd's "rescue" of Mrs.…