The Fox and the Hound (1981) [25th Anniversary] + The Little Mermaid (1989) [Platinum Edition] – DVDs|The Fox and the Hound/The Fox and the Hound II (2006) [2 Movie Collection] – Blu-ray Disc

THE FOX AND THE HOUND
***½/**** Image C- Sound B Extras C
uncredited screenplay, based on the novel by Daniel P. Mannix
directed by Art Stevens, Ted Berman, Richard Rich

THE LITTLE MERMAID
*½/**** Image B- Sound C Extras A
written and directed by John Musker and Ron Clements

by Bill Chambers SPOILER WARNING IN EFFECT. With The Fox and the Hound and The Little Mermaid bookending an especially turbulent decade for a studio mortally locked in a struggle to reconcile its animation pedigree with its crass commercial instincts, the former has come to be regarded in the Disney mythology as the Good Friday to the latter’s Easter Sunday. It’s therefore fitting that the two films they most emulate are 1942’s Bambi and 1950’s Cinderella, respectively, as the Forties marked the last time the Mouse House was on the brink of foreclosure. (The Fox and the Hound goes so far as to recycle cels from Bambi.) Much like The Little Mermaid represented a somewhat cynical reboot of the fairytale default, so, too, was Cinderella a glorified salvage operation following the money-/audience-hemorrhaging pro bono work Uncle Walt did on behalf of FDR’s Good Neighbor policy. Alas, the Good Friday and Easter Sunday analogy applies to not just Disney’s phoenix-like resurrection but also the tonal and moral disparity between the two pictures: one is the sad truth; the other is wishful thinking.

Gross Anatomy (1989); Betsy’s Wedding (1990); The Gun in Betty Lou’s Handbag (1992) – Blu-ray Discs

GROSS ANATOMY
**½/**** Image C Sound D+
starring Matthew Modine, Daphne Zuniga, Christine Lahti, Todd Field
screenplay by Ron Nyswaner and Mark Spragg
directed by Thom Eberhardt

BETSY'S WEDDING
***/**** Image C Sound D+
starring Alan Alda, Joey Bishop, Madeline Kahn, Molly Ringwald
written and directed by Alan Alda

THE GUN IN BETTY LOU'S HANDBAG
**/**** Image C Sound D+
starring Penelope Ann Miller, Eric Thal, William Forsythe, Alfre Woodard
screenplay by Grace Cary Bickley
directed by Allan Moyle

by Jefferson Robbins To sample three Blu-ray editions fresh out from discount distributor Mill Creek Entertainment, you'd think film comedy in the late 1980s and early '90s was at a tipping point. Or, at least, you'd think this of Touchstone, the Disney sub-studio behind Gross Anatomy, Betsy's Wedding, and The Gun in Betty Lou's Handbag. All three films seem swamped by the decade shift, caught between John Hughes's early-'80s youth revolution and the hardening of romcom formulas that would come to pass after 1990's Pretty Woman (also a Touchstone product). One of the three films, in fact, barely qualifies as a comedy, although it was surely marketed as such. The sense one gets watching them today is of opportunities missed, of storytelling approaches gently meshed together when they should've been gleefully mashed, and of an aversion to risk above all.

House Party (1990) – DVD

½*/**** Image B+ Sound A
starring Kid 'N Play, Full Force, Martin Lawrence, Robin Harris
written and directed by Reginald Hudlin

by Jon Thibault Any movie starring people with names like Kid 'N Play, Bowlegged Lou, B-Fine, and Martin Lawrence is destined to suck. Add mediocre-at-best writerdirector Reginald Hudlin, and you're staring down the barrel of a 12-gauge crap rifle. Yet House Party spawned two sequels and became an early-'90s cross-over phenomenon: a purportedly comedic take on the popular urban genre of the time, like Boyz n the Hood and Do the Right Thing, only with funny violence and racism. Now, decades later, it sports a 95% "fresh" rating on ROTTEN TOMATOES, which proves once again that white guilt (more specifically, white liberals' fear of appearing racially insensitive) almost always trumps professional integrity–an attitude that's patronizing to black filmmakers and loathsome in its self-congratulatory mendacity.

The John Frankenheimer Collection – DVD|French Connection II (1975) + The Manchurian Candidate (1962) – Blu-ray Discs

THE YOUNG SAVAGES (1961)
**/**** Image B Sound C
starring Burt Lancaster, Dina Merrill, Edward Andrews, Vivian Nathan
screenplay by Edward Anhalt and J.P. Miller, based on the novel A Matter of Conviction by Evan Hunter
directed by John Frankenheimer

THE MANCHURIAN CANDIDATE (1962)
****/****
DVD – Image A Sound A Extras B+
BD – Image A Sound C+ Extras B+
starring Frank Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury
screenplay by George Axelrod, based on the novel by Richard Condon
directed by John Frankenheimer

THE TRAIN (1964)
****/**** Image C- Sound C
starring Burt Lancaster, Paul Scofield, Michel Simon, Jeanne Moreau
screenplay by Franklin Coen and Frank Davis, based on the novel Le front de l'art by Rose Valland
directed by John Frankenheimer

FRENCH CONNECTION II (1975)
**½/**** Image A- Sound B Extras B+
starring Gene Hackman, Fernando Rey, Bernard Fresson, Philippe Léotard
screenplay by Alexander Jacobs and Robert Dillon & Laurie Dillon
directed by John Frankenheimer

RONIN (1998)
**½/**** Image B Sound B Extras B
starring Robert De Niro, Jean Reno, Natascha McElhone, Stellan Skarsgård
screenplay by J.D. Zeik and Richard Weisz

directed by John Frankenheimer

by Walter Chaw There weren't many American directors who enjoyed a hotter streak in the Medium Cool '60s than John Frankenheimer. He had the pulse of the mid-decade sea change from the relative conservatism of the '50s, having clearly been cognizant of the long burn of the Civil Rights conversation and the constant, fraying wear-and-tear of HUAC and the Cold War. He rubbed elbows with the Kennedys, hosting Bobby at his house in Malibu the day before/of Bobby's assassination at the Ambassador, whereupon it's fairly inarguable that Frankenheimer began to lose his way. He'd continue to helm interesting films and damned impressive ones, too, like The Iceman Cometh and 52 Pick-Up, but none would have the urgent subtlety of his mid-'60s output. Instead, they'd become increasingly…remote? Detached, at least, if not occasionally outright embarrassing for everyone involved. (Prophecy, for instance–a film that tries to ride the contemporary-issue train but shows its fatigue and desperation in every ridiculous, strained minute.) In a way, Frankenheimer's Seconds, with its alienation and bodily remove, presages his own artistic transformation. I wonder whether he lost the nerve to surf the edge of the zeitgeist, leaving the low arc of our collective tendency towards self-destruction to its own shrinking concentric hells. It's possible that after The Manchurian Candidate's dead-eyed paranoia and Seconds' alarming prescience about the impotence of the American icon-as-hero, Frankenheimer was tired of being right. If it sounds like I'm ascribing something supernatural to his artistic acuity, maybe I am. Frankenheimer in this period is that rare filmmaker who works half in technical perfection and half in the unconscious, in the thrall of what Coleridge used to refer to as The Artist as Aeolian Harp. He was an instrument at the caprice of the winds of the age. He was, that is, until about 1968, when being the vessel of portent became, should we conjecture, painful enough that he tried drowning himself in booze and regret.

Rob Roy (1995) – Blu-ray Disc

***/**** Image B Sound B
starring Liam Neeson, Jessica Lange, John Hurt, Tim Roth
screenplay by Alan Sharp
directed by Michael Caton-Jones

by Jefferson Robbins Did they name a cocktail after William Wallace? I didn't think so. In this, the later Scots hero Robert Roy MacGregor has the advantage, as he does in the film drawn from his story. Rob Roy beat Mel Gibson's Braveheart into theatres by more than a month, and it's the superior product. But what challenge could Michael Caton-Jones's courtly, well-crafted tale of swash and buckle–his only film set in his home country–mount against the bludgeoning, ass-baring, gay-defenestrating fever dream of a megastar who yearned to be stretched on the rack in imitation of his Lord?

One Swayze Summer: A DVD Tribute to Patrick Swayze

Swayzedvdstitle

“Good-looking people turn me off. Myself included.”
Patrick Wayne Swayze

RED DAWN (1984) [COLLECTOR’S EDITION] – DVD
**½/**** Image B Sound C+ Extras N/A
starring Patrick Swayze, C. Thomas Howell, Lea Thompson, Powers Boothe
screenplay by Kevin Reynolds and John Milius
directed by John Milius

THE OUTSIDERS (THE COMPLETE NOVEL) (1983) [TWO-DISC SPECIAL EDITION] – DVD
****/**** Image A+ Sound A Extras A+

starring C. Thomas Howell, Matt Dillon, Diane Lane, Leif Garrett
screenplay by Kathleen Knutsen Rowell, based on the novel by S.E. Hinton
directed by Francis Ford Coppola

YOUNGBLOOD (1986) [TOTALLY AWESOME 80s DOUBLE FEATURE] – DVD
ZERO STARS/**** Image D+ Sound C-

starring Rob Lowe, Cynthia Gibb, Ed Lauter, Patrick Swayze, Jim Youngs
written and directed by Peter Markle

POINT BREAK (1991) [PURE ADRENALINE EDITION] – DVD + [WARNER REISSUE] – BLU-RAY DISC
***/****

DVD – Image B- Sound A Extras C
BD – Image B- Sound B+ Extras C
starring Patrick Swayze, Keanu Reeves, Gary Busey, Lori Petty
screenplay by W. Peter Iliff, based on the novel by Rick King
directed by Kathryn Bigelow

DIRTY DANCING (1987) [TWENTIETH ANNIVERSARY] – DVD
½*/**** Image B Sound A Extras B

starring Patrick Swayze, Jennifer Grey, Jerry Orbach, Steven Reuther
screenplay by Eleanor Bergstein
directed by Emile Ardolino

GHOST (1990) [SPECIAL COLLECTOR’S EDITION] – DVD + BLU-RAY DISC
*/****

DVD – Image A- Sound B Extras B
BD – Image A Sound B+ Extras B
starring Patrick Swayze, Demi Moore, Whoopi Goldberg, Tony Goldwyn
screenplay by Bruce Joel Rubin
directed by Jerry Zucker

KEEPING MUM (2006) – DVD
½*/**** Image A Sound B+ Extras B

starring Rowan Atkinson, Kristin Scott Thomas, Maggie Smith, Patrick Swayze
screenplay by Richard Russo and Niall Johnson
directed by Niall Johnson

by Walter Chaw Early on in the stupidest/smartest movie of 1984, a band of high-schoolers, having just witnessed a few planeloads of Cuban paratroopers land in their football field and machine gun their history teacher (“Education this!”), stock up for a stay in forest exile by cleaning out a gas-n-sip. Sleeping bags, canned goods, and the last thing off the shelf? That’s right: a football. I spent the rest of Red Dawn trying to figure out if the football played some role in the eventual fighting prowess of our carbuncular guerrillas or if it was merely a big “fuck you” to the rest of the world that thinks “football” is soccer. The jury’s still out, because while there’s an awful lot of grenade-chucking in the last hour of the picture, none of it looks particularly football-like (or athletic come to think of it) despite the deadly accuracy of each toss aimed at the hapless commie combatants. (So clueless are they about modern-day conventional warfare that they’re repeatedly ambushed by this untrained makeshift militia; they’re the Washington Generals to our Harlem Globetrotters.) It’s just one puzzle in an altogether puzzling film–one that has Patrick Swayze playing Charlie Sheen’s older brother (and Jennifer Grey the sister of Lea Thompson in an even greater genetic stretch) and C. Thomas Howell as a remorseless, psychopathic nihilist who takes his dose of glory by Rambo’ing up against a Russian attack helicopter. Maybe his transformation from ’80s-wallpaper milquetoast to tough-guy killing machine had something to do with being forced by the brothers Swayze-Sheen to drink fresh deer blood from a tin cup.

The Killer/Hard-Boiled [Blu-ray Double Feature] – Blu-ray Disc

THE KILLER (1989)
****/**** Image C- Sound C Extras B
starring Chow Yun-Fat, Danny Lee, Sally Yeh, Chu Kong
written and directed by John Woo

HARD-BOILED (1992)
***/**** Image C Sound B Extras A+
starring Chow Yun-Fat, Tony Leung, Teresa Mo, Philip Chan
screenplay by Barry Wong
directed by John Woo

by Walter Chaw It's possible to try to detail the history of John Woo at the beginning of the Heroic Bloodshed movement in Hong Kong–how, with the first two A Better Tomorrows (the second of which features a genuinely astonishing amount of violence and the infamous subtitled malapropism "don't fuck on my family!"), he created in buddy Chow Yun-Fat a fashion/role model in the James Dean mold, and how he eventually left for Hollywood's golden shore at the service of Jean-Claude Van Damme and John Travolta (twice) and Nicolas Cage (twice). It's possible–but Planet Hong Kong, City on Fire, Hong Kong Babylon, and on and on have done a pretty fair job of it already. Better to say that Woo's group of films from this period–the A Better Tomorrow pictures, his acknowledged masterpiece The Killer, his flawed but undeniably bombastic Hard-Boiled, and his ambitious, deeply felt Bullet in the Head–meant the world to me as a Chinese kid growing up in a predominantly white area in predominantly white Colorado. I saw a devastated 35mm print of The Killer at a midnight show in CU Boulder's Chem 140 auditorium in the early-'90s. It was dubbed (a mess), the screening was packed, and I, for maybe the first time in my life (and still one of the only times in my life), felt a genuine kinship with my countrymen and a certain pride in being Chinese. Here, after all, was the best action film I'd ever seen, and it wasn't John McTiernan's or Robert Zemeckis's or Steven Spielberg's name above the title, but someone called John Woo. And he was directing not Bruce Willis nor Arnie nor Sly nor any of the tools he would eventually work with in the United States, but a handsomer version of me with the same last name. As existential epiphanies go, it wasn't bad.

The Color Purple (1985) [Two-Disc Special Edition] – DVD | Blu-ray Disc (DigiBook) + Eve’s Bayou (1997) [Lions Gate Signature Series] – DVD

THE COLOR PURPLE
***/****
DVD – Image A- Sound A- Extras A-
BLU-RAY – Image A Sound A Extras A-
starring Whoopi Goldberg, Danny Glover, Adolph Caesar, Margaret Avery
screenplay by Menno Meyjes, based on the novel by Alice Walker
directed by Steven Spielberg

EVE'S BAYOU
**½/**** Image B Sound B Extras B+

starring Samuel L. Jackson, Lynn Whitfield, Debbi Morgan, Vondie Curtis-Hall
written and directed by Kasi Lemmons

by Bill Chambers In the prologue to Steven Spielberg's The Color Purple, black sisters Celie (Desreta Jackson) and Nettie (Akosua Busia) play patty-cake in a field of blue-pink flowers. Celie, the ugly duckling, is pregnant with her second illegitimate child, and when she has the baby, her father (Leonard Jackson) cruelly whisks it away to a new home, as he did her firstborn. Later, her father disposes of Celie, too, betrothing her to Albert, a.k.a. "Mister" (Danny Glover), a vicious stranger on horseback seeking Nettie's hand in marriage. Concerned with more than just lonely Celie (Whoopi Goldberg as an adult) summoning the confidence to defy Albert (less through her own sexual awakening, as in The Color Purple's source material, than through a cultivated sisterhood with the women in her orbit), the picture examines a generation of emancipated African-American men who, poisoned by the slave mentality, treat their women like Cinderella in a misguided salvo to independence. Shit rolls downhill, in other words.

Mars Attacks! (1996) – Blu-ray Disc

***/**** Image A- Sound C
starring Jack Nicholson, Glenn Close, Annette Bening, Pierce Brosnan
screenplay by Jonathan Gems
directed by Tim Burton

by Jefferson Robbins When Tim Burton calls in his Hollywood chips, it's usually, to our benefit, to facilitate his darker impulses. 1989's Batman gave him free reign to make Edward Scissorhands, for instance, and Warner Bros. incubated the bitter confection of Sweeney Todd after raking in more traditional bucks on Charlie and the Chocolate Factory. I daresay one of those Burton Unbound documents is his A-list romp Mars Attacks!, which today gives off strange vibrations that echo forward as well as back. It's a '50s UFO-invasion flick farce, of course, based on a 1962 trading card set illustrated by, among others, comics great Wally Wood. It's anarchic, unexpected ("Wha? Trading cards?" we all said at the time), and darkly funny. It plays in the massive footprint of the same year's Independence Day, and in its more biting moments, it somehow speaks to the great collapses of the subsequent decade.

Fight Club (1999) [10th Anniversary Edition] – Blu-ray Disc

***/**** Image A Sound A+ Extras A
starring Brad Pitt, Edward Norton, Helena Bonham Carter, Meat Loaf Aday
screenplay by Jim Uhls, based on the novel by Chuck Palahniuk
directed by David Fincher

by Walter Chaw SPOILER WARNING IN EFFECT. My on-again/off-again love affair with David Fincher began with a PREMIERE article I read about how much of an asshole he was on the set of Alien3, dumping a few-hundred baby crickets on a pretty surprised, pretty pissed, pretty skivvies-clad Sigourney Weaver. But I didn't really prick up my ears until his urban/ecclesiastical serial killer masterpiece Se7en revealed to me a key to unlocking the Coens' Barton Fink–being, as they were, thematic doppelgängers. Soaked in wet and Hemingway, Fincher declares the world a scam and appoints himself the snake-oil barker shilling from the proscenium on the wagon; Barton Fink, also stained sepia brown, also ostensibly engaged in the pursuit of a serial killer and the excoriation of deadly sins, is the spirit to Se7en's flesh. Even as he flounders at the heartbeat, Fincher finds the headlong of his carnal lather again in his adaptation of Chuck Palahniuk's Fight Club, establishing his mission statement as subterranean explorations of masculine aggression and explaining to me my tendency to confuse Fincher's films with those of Michael Mann. Focusing on the testosterone in Fincher's pictures offers partial explanation of the movies in his oeuvre that don't work (and, within those failures, the parts that do). Too, it's explanation of why it is that Fight Club's ending is so jarringly unsatisfying–"You met me at kind of a strange time in my life" the nancy punchline to two-plus hours of quintessential asshole cinema.

The Peacemaker (1997) – Blu-ray Disc

*/**** Image C Sound B- Extras F
starring George Clooney, Nicole Kidman, Armin Mueller-Stahl, Marcel Iures
screenplay by Michael Schiffer
directed by Mimi Leder

VIEW IN iTUNES – USA|CANADA

by Walter Chaw With boring being the one thing from which an action movie can't recover, studio supergroup DreamWorks SKG marking their debut by giving professional director of boring action movies Mimi Leder the bank suggests they were asking to make a terrible first impression. I guess, in their defense, Leder showed promise after a storied career helming boring television episodes–"ER" the place where executive producer John Wells spied her "potential" to one day direct motherfucking Pay It Forward. Wells's own participation in The Peacemaker likewise explains the presence of George Clooney (still trying to pop the balloon of A-list opener) and, later, of Clooney's "ER" replacement Goran Visnjic in an eye-blink cameo. But of all the things the curiously-prescient The Peacemaker predicts*, the lasting one is Leder's incandescent career as a truly awful filmmaker and DreamWorks as a particularly well-funded curiosity that has only confirmed everyone's suspicions about the eponymous Spielberg, Katzenberg, and Geffen. It takes the acceptance of Kathryn Bigelow's The Hurt Locker over a decade later to restore the idea that an American woman is able to direct a smart, terse action film (which Bigelow had been doing since the mid-'80s)–to undo the damage of high-profile Leder-helmed disasterpieces like this and Deep Impact. No surprise that Leder soon retreated to the boob tube, where she, if not belongs, at least can do the same damage less spectacularly.

The Player (1992) – Blu-ray Disc

***/**** Image B+ Sound B+ Extras B
starring Tim Robbins, Greta Scacchi, Fred Ward, Whoopi Goldberg
screenplay by Michael Tolkin, based on his novel
directed by Robert Altman

by Alex Jackson SPOILER WARNING IN EFFECT. In the opening scene of Robert Altman's The Player–an uninterrupted tracking shot lasting 7 minutes and 45 seconds–chief of studio security Walter Stuckel (Fred Ward) discusses long tracking shots with mailboy Jimmy (Paul Hewitt). Stuckel talks at length about Rope and Touch of Evil and says directors back then knew how to shoot a film. Jimmy mentions Bernardo Bertolucci's then-recent The Sheltering Sky and Julien Temple's Absolute Beginners as having terrific long shots, but Stuckel shrugs and mumbles that he hasn't seen them. It appears that Altman and screenwriter Michael Tolkin (adapting his novel of the same name) are illustrating a point about the insularity of the studio system and how the studios have no reference point outside their own past. Today, a complaint like that seems positively churlish. I honestly would not expect any of the newer executives to know or appreciate Rope or Touch of Evil, much less any current chiefs of security! In my view, anybody familiar with American cinema to that extent is already distinguished from your typical capitalist.

Back to the Future: The Complete Trilogy – DVD|Back to the Future: 25th Anniversary Trilogy – Blu-ray + Digital Copy

Backtothefuturecap1BACK TO THE FUTURE (1985)
****/****
DVD – Image A- Sound A- Extras B+
BD – Image B+ Sound A Extras A
starring Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover
screenplay by Robert Zemeckis & Bob Gale
directed by Robert Zemeckis

BACK TO THE FUTURE PART II (1989)
**/****
DVD – Image A- Sound B+ Extras B
BD – Image A- Sound A Extras A-
starring Michael J. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson
screenplay by Bob Gale
directed by Robert Zemeckis

BACK TO THE FUTURE PART III (1990)
**½/****
DVD – Image A Sound A- Extras B
BD – Image A- Sound A Extras A
starring Michael J. Fox, Christopher Lloyd, Mary Steenburgen, Thomas F. Wilson
screenplay by Bob Gale
directed by Robert Zemeckis

Mustownby Bill Chambers GREAT SCOT! SPOILERS AHEAD! It's finally here. As not only a mighty-big fan of Robert Zemeckis's Back to the Future but also a completist (and therefore keen to collect Back to the Future's substandard sequels), I've anticipated the DVD release of Back to the Future: The Complete Trilogy (henceforth BTTF) since the format itself became a reality. Alas, the 3-disc set–from its unsexy blue-and-white cover layout to the cheap menus to a slipshod three-part documentary–is problematic. Don't get me wrong: I'm happy as a clam that the films (remastered in effervescent 1.85:1 anamorphic widescreen transfers–pan-and-scan sold separately–supervised by co-creator Bob Gale with Dolby Digital 5.1 remixes that beef up the re-entry effects especially) look and sound as good as they do and that, for the first time in home video's history, each picture is now being seen as it appeared in theatres (more on that below). But as a BTTF enthusiast, almost every single piece of supplementary material had me arrogantly believing I could've done a better job.

Tombstone (1993) – Blu-ray Disc

**/**** Image D+ Sound B- Extras B
starring Kurt Russell, Val Kilmer, Michael Biehn, Charlton Heston
screenplay by Kevin Jarre
directed by George P. Cosmatos

by Jefferson Robbins Achingly traditionalist, with an overstuffed cast, George P. Cosmatos's Tombstone is badly-served by its Old Hollywood instincts. Riding forth during one of those cyclical revivals the western seems to endure every decade, it had the bad fortune to eat the dust of Unforgiven. Clint Eastwood's dolorous drama, concerned to its core with the cost of bloodshed, was a case of an icon reminding us of what Anthony Mann did so well. In Tombstone, Cosmatos (he of Rambo: First Blood Part II fame, remember*) was handed essentially the same opportunity, but he decided he'd rather be Henry Hathaway.

Practical Magic/The Witches of Eastwick [Comedy Double Feature] – Blu-ray Disc

PRACTICAL MAGIC (1998)
*½/**** Image B+ Sound B
starring Sandra Bullock, Nicole Kidman, Dianne Wiest, Aidan Quinn
screenplay by Robin Swicord and Akiva Goldsman and Adam Brooks, based on the novel by Alice Hoffman
directed by Griffin Dunne

THE WITCHES OF EASTWICK (1987)
***/**** Image B+ Sound B-
starring Jack Nicholson, Cher, Susan Sarandon, Michelle Pfeiffer
screenplay by Michael Cristofer, based on the novel by John Updike
directed by George Miller

by Walter Chaw Some would say, and be correct in saying, that Griffin Dunne’s “women’s picture” Practical Magic is the perfect distillation of both George Cukor’s tradition of gynecological melodramas and Alice Hoffman’s assembly-line ladies’ relationship novels. Edgeless, in love with its own whimsy, shot through with the sort of autumnal glow more at home in instant-coffee commercials, it could, as sophomore directorial efforts go, be worse–credit for that going mostly to an amiably under-achieving cast of superstars and ace character actors. It’s the very model of the classic Studio picture in that sense: a quiet, contract-satisfying flick based on a safe property, set in a picaresque locale with vaguely populist supernatural undertones in which no one’s particularly invested. Call it The Bishop’s Wife for 1998–one of the oddest years in movies of the last twenty, among which crop this film maintains a comfortable medium-buoyancy. It’s possible to try to pull something like a feminist read out of its obsessive focus on women and their sexuality–what else is witchcraft about, after all, than a fear of the Other made manifest as girl parts? But not only is the picture too stupid to bear up under such scrutiny, such a read is also hopelessly complicated by an adaptation courtesy a triumvirate composed of snag Adam Brooks and genuine blights Akiva Goldsman and (not quite worse but somehow close) Robin Swicord. A bad sign when the only female in the creative process is Swicord, who, by working as a Mata Hari, as it were, as the woman behind The Jane Austen Book Club and Memoirs of a Geisha, has arguably done more harm to her gender than Michael Bay.

American Beauty (1999) [The Awards Edition] + Forrest Gump [Special Collector’s Edition] – DVDs + American Beauty [Sapphire Series] – Blu-ray Disc

AMERICAN BEAUTY
**/****
DVD – Image C+ Sound B- Extras C-
BD – B Sound A- Extras C
starring Kevin Spacey, Annette Bening, Thora Birch, Chris Cooper
screenplay by Alan Ball
directed by Sam Mendes

FORREST GUMP
*/**** Image B Sound B+ Extras B-

starring Tom Hanks, Robin Wright, Gary Sinise, Sally Field
screenplay by Eric Roth, based on the novel by Winston Groom
directed by Robert Zemeckis

Americanbeautycap

by Walter Chaw People who say the Oscars suck aren't entirely wrong, but saying this tends to obscure the fact that most Best Picture honourees aren't terrible so much as dedicatedly mediocre. They're masterpieces of toeing the centreline, and in so doing they manage to offend neither side of the divide overly: The great American strive, Hollywood-style, isn't to rewire the mousetrap, as it were, any more than it is to produce a pile of crap on purpose. No, the goal is to achieve medium buoyancy. Too bloated to float, too fat to sink; if you don't reach too ambitiously, you won't get slapped down–and a career constructed around formula-prestige, 140-minute pictures is suddenly within your grasp, Ron Howard-like. The trick is to appeal as broadly as possible without appearing to do so–to recast convention in vague middlebrow hot-button terms and neither speak above the heads of your audience nor be obvious in your condescension.

Hamlet (1996) – Blu-ray Disc

***½/**** Image A Sound B- Extras B-
starring Kenneth Branagh, Julie Christie, Billy Crystal, Gérard Depardieu
screenplay by Kenneth Branagh, based on the play by William Shakespeare
directed by Kenneth Branagh

by Jefferson Robbins You could tell it was an epic: it had an intermission. Kenneth Branagh's four-hour version of William Shakespeare's Hamlet may be the last mainstream film to feature an honest-to-goodness, seriously-I-gotta-pee-now pause-point in its theatrical release.1 How daring was that, in a period when studios demanded 90-minute runtimes to crowd more asses in seats? When just a year later, people would unironically say "epic" and mean Titanic?

Mystery Science Theater 3000 XVII – DVD

Image C+ Sound C+ Extras B-
2.1 "The Crawling Eye" (1989), 5.15 "The Beatniks" (1992), 10.10 "The Final Sacrifice" (1998), 11.5 "Blood Waters of Dr. Z" (1999)

by Alex Jackson I know it's loony, but I watched "Mystery Science Theater 3000" (or "MST3K") mostly for the movies. Oh, I liked the jokes. There were some episodes I laughed so hard at I had to turn off the television because I couldn't breathe. But I saw the riffing as a bonus, a way to make a good thing better. I didn't really watch the show just because it was funny, and its ironic appreciation of "bad movies" didn't strike me as all that different from the sincere appreciation I had for the likes of Plan 9 from Outer Space as a child. In fact, I don't think it's all that different from the deeper appreciation I have for those movies today. Mocking them doesn't necessarily detract from them. Their sensually visceral aspect always shines through. You can easily tell if something is any good regardless of who is talking over it. Besides, there's something amiably homey and relaxed about the "Mystery Science Theater 3000" approach. If you like a film, you should be able to enjoy it on your sofa. You should be able to converse about it in the moment. And you should even be able to laugh at it. If you can only love something with reverence, I'm not sure that's love.

The Manchurian Candidate (1962) [Special Edition] + Deathdream (1972) + Uncle Sam (1997) – DVDs|Uncle Sam – Blu-ray Disc

THE MANCHURIAN CANDIDATE
****/**** Image A+ Sound A Extras B+
starring Frank Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury
screenplay by George Axelrod, based on the novel by Richard Condon
directed by John Frankenheimer

Dead of Night
***½/**** Image A- Sound B Extras A-
starring John Marley, Lynn Carlin, Richard Backus, Henderson Forsythe
screenplay by Alan Ormsby
directed by Bob Clark

UNCLE SAM
**½/****
DVD – Image B+ Sound B Extras A-
BD – Image B Sound A Extras A-
starring Isaac Hayes, Bo Hopkins, Timothy Bottoms, Robert Forster
screenplay by Larry Cohen
directed by William Lustig

by Bill Chambers SPOILER WARNING IN EFFECT. As the zeitgeist is one of those things we tend to discuss in the past tense, you have to wonder whether it’s a vacuum or a barometer. In other words, the point at which culture-mongers finally lunge at a craze is usually once it’s begun shrieking its death rattle, and yet a post-mortem of said craze invariably divulges a complex tapestry of art and politics, the ascription of happenstance to which seems preposterous. Our own Walter Chaw brilliantly observes in recent omnibus reviews pairing Love Me If You Dare with Valentin and Dodgeball with Napoleon Dynamite that leitmotifs are emerging at the box office free of predetermination, and I myself got a faint chill when I became cognizant of having consecutively watched the upcoming DVDs of John Frankenheimer’s 1962 The Manchurian Candidate, Bob Clark’s 1972 Dead of Night (a.k.a. Deathdream), and William Lustig’s 1997 Uncle Sam. The Manchurian Candidate is getting reissued because MGM wants to piggyback the P&A for this summer’s star-studded remake, Dead of Night because it’s a perennial cult fave, and Uncle Sam because Lustig owns the company; three separate objectives, then, for putting out three different pictures all concerning shell-shocked war veterans bringing the violence home with them. Considering the length of time it must have taken to prepare these beautifully mastered, supplement-rich discs, that they coincide with not only each other but also the cooling of patriotic fervour (coupled with the spontaneous theatrical release of Michael Moore’s anti-Dubya Fahrenheit 9/11) is like getting the rare privilege to see the forest for the trees.

The Karate Kid Collection – DVD|The Karate Kid I & II [Collector’s Edition] – Blu-ray Disc

THE KARATE KID (1984)
***½/****
DVD – Image C+ Sound C+ Extras A
BD – Image A- Sound B+ Extras A
starring Ralph Macchio, Noriyuki "Pat" Morita, Elisabeth Shue, Martin Kove
screenplay by Robert Mark Kamen
directed by John G. Avildsen

THE KARATE KID PART II (1986)
**/****
DVD – Image B- Sound C+ Extras D
BD – Image B+ Sound A- Extras D
starring Ralph Macchio, Noriyuki "Pat" Morita, Yuji Okumoto, Tamlyn Tomita
screenplay by Robert Mark Kamen
directed by John G. Avildsen

THE KARATE KID PART III (1989)
*/**** Image C Sound C+
starring Ralph Macchio, Noriyuki "Pat" Morita, Robyn Lively, Thomas Ian Griffith
screenplay by Robert Mark Kamen
directed by John G. Avildsen

THE NEXT KARATE KID (1994)
½*/**** Image B+ Sound C+
starring Noriyuki "Pat" Morita, Hilary Swank, Michael Ironside, Constance Towers
screenplay by Mark Lee
directed by Christopher Cain

by Walter Chaw Movies from the magic hour of my moviegoing experience cover that brief period of time between my being able to go to the cinema unattended (dropped at the theatre with a quarter to call the folks afterwards) and my being able to decide that there are actually films I'd rather not see for any price. You never love movies as much or in the same way as you do during this tiny porthole, and when my family first got a VCR (we were the last ones on the block), I pirated Raiders of the Lost Ark, Back to the Future, and The Karate Kid onto one tape that I watched until you could see through the ribbon. Each seminal films of the fabulist '80s in their own way, all three spawned multiple sequels–though, at least until Indiana Jones struggles back to the screen with a walker and oxygen tank, The Karate Kid holds the record with four instalments in total. (And one that launched the career of a two-time Oscar winner, to boot.) Credit a lot of things for that: Bill Conti's classic score; John G. Avildsen's intuitive direction; and Pat Morita's and Ralph Macchio's superlative performances. But credit most of all the enduring power of a familiar tale told with conviction and skill. Take the intimidating volume of formulaic exercises that fall by the wayside (including The Karate Kid's own sequels) as testament to the difficulty of capturing a tiger by its tail.