The Brave Little Toaster (1987); The Brave Little Toaster Goes to Mars (1998); The Brave Little Toaster to the Rescue (1999) – DVDs

THE BRAVE LITTLE TOASTER
****/**** Image B- Sound B Extras C-

screenplay by Jerry Rees & Joe Ranft, based on the book by Thomas M. Disch
directed by Jerry Rees

THE BRAVE LITTLE TOASTER GOES TO MARS
**½/**** Image B Sound B Extras D

screenplay by Willard Carroll, based on the book by Thomas M. Disch
directed by Robert C. Ramirez

THE BRAVE LITTLE TOASTER TO THE RESCUE
*/**** Image B Sound B Extras D

screenplay by Willard Carroll
directed by Robert C. Ramirez

by Walter Chaw I'm most familiar with Thomas M. Disch for his sterling non-fiction work (The Dreams Our Stuff is Made Of and The Castle of Indolence) and a few samplings of his less impressive genre short fiction, and though I was aware that he'd written a couple of children's books about a band of appliances, I'd never felt compelled to investigate. The first taste of Disch's novella The Brave Little Toaster, then, came to me by way of a feature-length animated adaptation from Disney that, a little like Babe: Pig in the City, probably caused enough consternation in the hearts and minds of studio PR to result in its relegation to a minor theatrical push with a botched advertising campaign. Here's a film, after all, that's as innovatively disturbed–as usefully frightening–as any of Uncle Walt's own vintage Merry Melodies and Silly Symphonies. In the whitewash of modern American children's entertainment via the Big Mouse, anything that isn't facile and patronizing is to be avoided and disdained.

Metal and Melancholy (1994) + Crazy (1999)

Metaal en melancholie
***½/****
directed by Heddy Honigmann

CRAZY
***½/****
directed by Heddy Honigmann

by Travis Mackenzie Hoover Where has Heddy Honigmann been all my life? Hidden amongst the well-intentioned sheep and voyeuristic wolves that usually crowd my stays at the Hot Docs documentary festival is her ferocious intelligence and shattering compassion–which, when combined, results in wrenching, haunting films that stand alone and put most other documentarians to shame. Like no other filmmaker, she shows people caught in the crossfire of forces beyond their control, and like no other filmmaker, she captures the creative ways in which people adapt to the environment created by those forces. Furthermore, there isn't a shred of liberal self-congratulation anywhere to be found–there is no distance from the pain of her subjects, and there is no escaping the surge of confusion at the situations in which they find themselves. Her films are direct, unpretentious, and highly articulate in their evocation of the people and places they describe.

Milk Money (1994) + I.Q. (1994) – DVDs

MILK MONEY
*½/**** Image B Sound B
starring Melanie Griffith, Ed Harris, Michael Patrick Carter
screenplay by John Mattson
directed by Richard Benjamin

I.Q.
**/**** Image B+ Sound B
starring Meg Ryan, Tim Robbins, Walter Matthau, Charles Durning
screenplay by Andy Breckman and Michael Leeson
directed by Fred Schepisi

by Walter Chaw The first preteen sex comedy I’ve ever seen, Richard Benjamin’s inexplicable Milk Money is a fascinating example of a movie that was never a good idea brought to life in a presentation that is every bit as misguided as its appalling premise would suggest. Melanie Griffith is a hooker who flashes her goodies for a bag of change collected by a trio of pre-pubescent youngsters who seem to live in 1994 but act like they’re from 1950. They’ve idealized The City in an impossibly provincial “aw shucks” country-mouse sort of way, proclaiming it the place where anything can happen and, more importantly, anything can be bought. It’s stupid, but at least its naivety is echoed in the way they earn their cash, the cool “Fonzie” kid selling a brief turn with his leather jacket for a handful of change. I’m not certain what freakish netherworld Benjamin and writer John Mattson (responsible for this and two Free Willy sequels) dragged themselves out of, but Milk Money is a product of the same kind of autumnal bullshit-spring from which wells magnificent falderal like The Majestic.

Cobb (1994) – DVD

***½/**** Image A Sound B+ Extras B
starring Tommy Lee Jones, Robert Wuhl, Lolita Davidovich
written and directed by Ron Shelton

by Walter Chaw Completely uncompromising in a way that films, especially sports films, just aren’t, Ron Shelton’s Cobb is one of the most effective hagiographies in film history not for the way that it elevates its subject to sainthood, but for the way that it allows its subject to be one of history’s most notorious, relentless miscreants. A malcontent in every measurable way, Ty Cobb–habitual spousal abuser, virulent racist, sadist (Cobb sent twelve men to the hospital one season), alcoholic, braggart, trigger-happy pistol-brandisher, alleged murderer, and so on–also happens to be the best baseball player in the history of the game. (In a modern era where Barry Bonds is making a claim for the best the game’s produced while also being, hands down, its biggest jerk and public-relations nightmare, Cobb’s transgressions put all of Bonds’s childishness in perspective.) Accordingly, the picture is a beautifully lensed nightmare, Fear and Loathing in Las Vegas shot as a road-trip horror film instead of an acid-enhanced carnival ride, where the villain is the devil in Cobb’s back pocket.

Cleopatra (1963) [Five Star Collection]; Lawrence of Arabia (1962) [Exclusive Limited Edition|Superbit]; The Mummy (1999) [Ultimate Edition] – DVDs

CLEOPATRA
**/**** Image A Sound A Extras A+
starring Elizabeth Taylor, Richard Burton, Rex Harrison, Pamela Brown
screenplay by Joseph L. Mankiewicz, Ranald MacDougall and Sidney Buchman
directed by Joseph L. Mankiewicz

MustownLAWRENCE OF ARABIA
****/****
ELE DVD – Image A Sound A Extras B
Superbit DVD – Image A Sound A
starring Peter O'Toole, Alec Guinness, Anthony Quinn, Omar Sharif
screenplay by Robert Bolt and Michael Wilson
directed by David Lean

THE MUMMY
**/**** Image A Sound A (DD)/A+ (DTS) Extras A-
starring Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo
screenplay by Stephen Sommers
directed by Stephen Sommers

by Bill Chambers Cleopatra, meet T.E. Lawrence. Now allow me to introduce the two of you to…Rick O'Connell?

Memoirs of an Invisible Man (1992) – DVD + John Carpenter: The Prince of Darkness – Books

MEMOIRS OF AN INVISIBLE MAN
**/**** Image A- Sound B+ Extras C
starring Chevy Chase, Daryl Hannah, Sam Neill, Michael McKean
screenplay by Robert Collector & Dana Olsen and William Goldman, based on the book by H.F. Saint
directed by John Carpenter

JOHN CARPENTER: THE PRINCE OF DARKNESS
FFC rating: 6/10

written by Gilles Boulenger

by Bill Chambers In John Carpenter: The Prince of Darkness, a new interview book by Gilles Boulenger, John Carpenter says that you don’t see the possessory credit on Memoirs of an Invisible Man (i.e., “John Carpenter’s Memoirs of an Invisible Man“) because the film is not 100% his, but rather the product of studio interference he knew full well would take place prior to signing on. (“Warner Bros. is in the business of making audience-friendly, non-challenging movies,” Carpenter declares.) Boulenger doesn’t ask his subject how he stomached accepting the project–funnyman Chevy Chase’s darling, which Chase had shepherded through an abortive incarnation to be directed by Ivan Reitman and scripted by William Goldman before Carpenter climbed aboard–despite his misgivings, since he obviously did it for the A-list boost and the last time he did that (Christine) felt tormented about it for years after. (“When there is no connection between the movie and my inner soul, I get lost and I walk through it.”) You’ll find that’s the pattern of Boulenger’s Q&A: Carpenter feeds his interrogator provocative morsels, and they go untested because Boulenger has a set-list he wants to get through. (It’s the spontaneous follow-up question, the willingness to confront, that tests an interviewer’s mettle.) I fear we may have another Laurent Bouzereau on our hands, for Boulenger’s favourite query–he uses it over and over again–is also his most reductive: “Do you recall one telling anecdote about the shoot?”

City Hunter (1993) – DVD

ZERO STARS/**** Image C Sound C Extras D
starring Jackie Chan, Joey Wong, Kumiko Goto, Chingmy Yau
written and directed by Wong Jing

by Walter Chaw There’s a scene towards the middle of Jackie Chan’s unwatchable City Hunter where starving, womanizing Ryô (Chan) leers at a pretty bimbo, and director Wong Jing provides a point-of-view shot that replaces her breasts with hamburgers and her arms and legs with corresponding fried chicken parts. The film never gets any funnier. City Hunter is garbage–fetid and painful from its prologue to a conclusion 100 minutes later that feels for all the world like a week-and-a-half later. It’s misogynistic, which is not really a surprise as almost all of Jackie Chan’s modern-era films are virulently so, but it does what I wouldn’t have suspected to be possible: it makes Chan a smarmy, oafish reptile. The modern Buster Keaton is here recast as Lorenzo Llamas, with the level of violence towards women in the film so extreme and unacceptable that it feels not so much prehistoric as something of a first.

Drop Dead Fred (1991) + The Last American Virgin (1982) – DVDs

DROP DEAD FRED
½*/**** Image C+ Sound B+
starring Phoebe Cates, Rik Mayall, Marsha Mason, Tim Matheson
screenplay by Carlos David & Anthony Fingleton
directed by Ate De Jong

THE LAST AMERICAN VIRGIN
**½/**** Image A- Sound A-
starring Lawrence Mondson, Diane Franklin, Steve Antin, Joe Rubbo
written and directed by Boaz Davidson

by Travis Mackenzie Hoover Not all bad films are created equal. Like everything else, there are “good” examples and bad ones, the distinction resting on how much they’re willing to give. For example, a film like The Last American Virgin, while stopping well shy of being a real movie, nonetheless holds interest with its constant barrage of boorish behaviour and its curious attempts to shoehorn “touching” drama into its gross-out formula. It’s bad, but it tries things, and you admire its valiant attempts to give the people some low satisfaction. A movie like Drop Dead Fred, meanwhile, has been so ruthlessly scrutinized for anything that might resemble creativity that it has nothing to offer, and exhausts its 100-odd minute running time chasing its short stubby tail as we rush to the exits.

Felicity: Season Two Six-Disc Set [Sophomore Year DVD Collection] (1999-2000) – DVD

Image A- Sound B Extras A-
“Sophomoric”, “The List”, “Ancient History”, “The Depths”, “Crash”, “The Love Bug”, “Getting Lucky”, “Family Affairs”, “Portraits”, “Great Expectations”, “Help for the Lovelorn”, “The Slump”, “Truth or Consequences,” “True Colors”, “Things Change”, “Revolutions”, “Docuventary II”, “Party Lines”, “Running Mates”, “Ben Was Here”, “The Aretha Theory”, “Final Answer”, “The Biggest Deal There Is”

by Bill Chambers

FelicityseasontwohaircapWhat is a haircut?

According to Merriam-Webster, it is “the act, process, or result of cutting and shaping the hair.” Maybe the definition should be expanded to account for the transmogrifying impact a haircut can have on public perception of the vehicle for a fictional character. I encountered my own follicular prejudices when I went to see Lethal Weapon 4 and found myself even more put off by the absence of Martin Riggs’s signature mullet than by the film’s idiotic script, abject racism, and incongruous delivery-room hijinks–none of which were quite so indicative of Richard Donner’s undisciplined direction as his electing to leave Mel Gibson’s ‘do as short as it always is outside the Lethal Weapon franchise. Perhaps we can trace this back to the Sunday funnies: imagine how disconcerting it would be if Ziggy or Charlie Brown suddenly had hair. With the ingratiation of comic books, motion pictures, and television in the latter half of the twentieth century, our escapist figures got deported from the realm of imagination; transmuted into visual icons, they consequently became far less malleable.

Reel Conversations: Candid Interviews with Film’s Foremost Directors and Critics – Books

written by George Hickenlooper
FFC rating: 9/10

BUY @ AMAZON

by Walter Chaw Finding himself at the cusp of the supplementary-material revolution, filmmaker George Hickenlooper was afforded the rare opportunity to speak with a wide panoply of cinematic luminaries in the early-Nineties as LaserDisc changed the way that film historians could appreciate–and filmmakers could preserve–film. It’s possible to find in the dialogues collected in Reel Conversations: Candid Interviews With Film’s Foremost Directors and Critics (a book that seems at least partly inspired by a FILM COMMENT debate between Richard Schickel, Roger Ebert, and Andrew Sarris concerning the decay of popular film criticism in the United States) an ironclad justification for the very process of serious film criticism and authoritative discussion. I mentioned to Mr. Hickenlooper a few months ago that I thought it was something of a shame he was a filmmaker instead of a critic: People who understand movies are in short supply on both halves of the thin celluloid line between critics and directors. Speaking selfishly, I wanted one more good thinker on our side.

It’s My Party (1996) [Special Edition] – DVD

*/**** Image B- Sound B Extras C
starring Eric Roberts, Margaret Cho, Lee Grant, Gregory Harrison
written and directed by Randal Kleiser

by Walter Chaw The only way to explain how disjointed and patchwork is Randal Kleiser’s It’s My Party, is by presuming out loud that the director is trying to simulate the vertiginous feel of a weekend of revelry culminating in the auto-euthanasia of a mortally ill man. As it is, the picture can only be taken in terms of theory and possibility–the piece, as it sits extant, is puerile in a self-obsessed sort of way, from performance to scripting to organization. The presence of Bruce Davison in a minor role serves mainly to remind that there are better films out there about the AIDS epidemic in its early days, recalling Longtime Companion (starring Davison) and the genuine emotions found therein that stand as sharp indictment of the dreadful, manufactured pathos of It’s My Party. Any movie trying this hard to get me misty is a lot more likely to make me angry.

Empire Records (1995) [Remix! Special Fan Edition] – DVD

Empire Records: Remix!
*½/**** Image B Sound A- Extras C-
starring Liv Tyler, Anthony LaPaglia, Renee Zellweger, Maxwell Caulfield
screenplay by Carol Heikkinen
directed by Allan Moyle

by Bill Chambers Allan Moyle’s Empire Records has defenders too staunch to disregard–and because I listened to them, I’m left with the sensation that I chewed a piece of bubblegum until well after its flavour ran dry. The Canadian Moyle, whose inauspicious directorial debut was the 1977 tax-shelter crime flick The Rubber Gun, discovered teenagers three years later with his oddity of a second film Times Square and has rarely looked back since. Yet although his cinematic beginnings predate those of John Hughes, Moyle’s Pump Up the Volume and Empire Records are eclipsed by even the lesser entries in Hughes’s teen canon, such as Sixteen Candles and the Hughes-produced Pretty in Pink.

The Incredible Hulk Returns (1988)/The Trial of the Incredible Hulk (1989) [2 Disc Set]; The Death of the Incredible Hulk (1990); The Incredible Hulk (1996) – DVDs

THE INCREDIBLE HULK RETURNS
**/**** Image B- Sound B Extras A+
starring Bill Bixby, Lou Ferrigno, Lee Purcell, Jack Colvin
written by Nicholas Corea
directed by Bill Bixby & Nicholas Corea

THE TRIAL OF THE INCREDIBLE HULK
*/**** Image B- Sound B Extras A+
starring Bill Bixby, Lou Ferrigno, Rex Smith, John Rhys-Davies
written by Gerald Di Pego
directed by Bill Bixby

by Walter Chaw It all comes back in a rush, the crosshairs fixing David Banner’s (Bill Bixby) face, the breathless narration summarizing the whole of the creation story in ninety seconds, the shots of long-haired Lou Ferrigno, in full body paint, embodying the rage and frustration of the flower-power generation in all its ripped-jean glory. Punked with a horse’s dose of gamma radiation, mild-mannered Dr. Banner turns into a ball of flexing id that gets most wroth until running across a kitten or something and calming down. Jekyll and Hyde for the “me” generation; that a research scientist disinterested in the particulars of cashing in turns into a giant green ball of type-A is one avenue for discussion, though a better one is the fact that Banner represents in a real way the idea of hope and compassion in a time more interested in “Hulk smash”–making the moldy Marvel hero a potentially good match for the reflective sensibilities of Ang Lee. That Banner’s pacifist nature is always defeated by his “anger” speaks volumes about the inevitability of the metamorphosis of hippie to yuppie, as well as the death of a dream that transformation encompasses.

Mad About You: The Complete Second Season (1993-1994) – DVD

Image C- Sound B
"Murray's Tale", "Bing Bang Boom", "Bedfellows", "Married to the Job", "So I Married a Hair Murderer", "An Unplanned Child", "Natural History", "Surprise", "A Pair of Hearts", "It's a Wrap", "Edna Returns," "Paul Is Dead", "Same Time Next Week", "The Late Show", "Virtual Reality", "Cold Feet", "Instant Karma", "The Tape", "Love Letters", "The Last Scampi", "Disorientation", "Storms We Cannot Weather", "Up All Night", "With this Ring Parts I & II"

by Travis Mackenzie Hoover Right up there with crop circles and the Bermuda Triangle, one of the great unexplained phenomena of our time is the long and storied success of the '90s sitcom "Mad About You". Somehow its cloying, sub-Woody Allen New York-isms touched a nerve with the public to make it a ratings winner, but it's a collection of fuzzy relationship humour too nice to grab the sensibilities of this viewer. Next to something like "Seinfeld" (whose namesake was constantly being compared–favourably–to "Mad About You"'s star and co-creator Paul Reiser), the show lacked the goods necessary to limp to the end of one season, let alone the seven it would eventually clock.

Franchise Boogie: The Jungle Book 2; The Brady Bunch Movie; A Very Brady Sequel; Terminator 2: Judgment Day; Die Another Day; The Animatrix

THE JUNGLE BOOK 2 (2003)
*/**** Image A Sound A Extras C
screenplay by Karl Geurs
directed by Steve Trenbirth

THE BRADY BUNCH MOVIE (1995)
***/**** Image B+ Sound A-
starring Shelley Long, Gary Cole, Christine Taylor, Christopher Daniel Barnes
screenplay by Bonnie Turner & Terry Turner
directed by Betty Thomas

A VERY BRADY SEQUEL (1996)
***½/**** Image B Sound A-
starring Shelley Long, Gary Cole, Christopher Daniel Barnes, Christine Taylor
screenplay by Harry Elfont & Deborah Kaplan and James Berg & Stan Zimmerman
directed by Arlene Sanford

TERMINATOR 2: JUDGMENT DAY (1991)
***½/**** Image A+ Sound A Extras A
starring Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick
screenplay by James Cameron & William Wisher Jr.
directed by James Cameron

DIE ANOTHER DAY (2002)
**/**** Image A Sound A+ Extras A-
starring Pierce Brosnan, Halle Berry, Toby Stephens, Rosamund Pike
screenplay by Neal Purvis & Robert Wade
directed by Lee Tamahori

THE ANIMATRIX (2003)
***/**** Image A+ Sound A Extras A
written by The Wachowski Brothers
*, Yoshiaki Kawajiri, Kôji Morimoto, Shinichirô Watanabe, Peter Chung
directed by Peter Chung, Andrew R. Jones, Yoshiaki Kawajiri, Takeshi Koike, Mahiro Maeda, Kôji Morimoto, Shinichirô Watanabe

(*We defer to screen billing but recognize this is inaccurate.-Ed., 2016)

by Bill Chambers The studios apply their stratagem for summertime theatrical releases to DVD in 2003, having overcrowded video store shelves this month and last with sequels and offshoots to the degree that, a few weeks from today, you will notice that a Matrix film and a Terminator film are vying for attention both at home and at the multiplex. As Charlie’s Angels: Full Throttle, Bad Boys II, and Legally Blonde 2 touch down in theatres, Die Another Day, The Jungle Book 2, and the Brady Bunch movies land on DVD, and then there are the cross-promotions: It seems like everyone wants a piece of the fallout from Universal’s big-screen Hulk, with Fox, Buena Vista, Anchor Bay, and Universal itself issuing “Hulk”-branded discs prior to the feature film’s June 20th opening. Synergy this aggressive may well erase the line separating legitimate media from its ancillaries yet; Fox takes a bold step in this direction with the upcoming From Justin to Kelly, slated to debut on disc a mere six weeks past its theatrical premiere date, thus rendering the latter a glorified trailer for the former.

Xena: Warrior Princess – Season One (1995-1996) – DVD

Image C- Sound B- Extras A-
“Sins of the Past,” “Chariots of War,” “Dreamworker,” “Cradle of Hope,” “The Path Not Taken,” “The Reckoning,” “The Titans,” “Prometheus,” “Death in Chains,” “Hooves and Harlots,” “The Black Wolf,” “Beware of Greeks Bearing Gifts,” “Athens City Academy of the Performing Bards,” “A Fistful of Dinars,” “Warrior… Princess,” “Mortal Beloved,” “The Royal Couple of Thieves,” “The Prodigal,” “Altared States,” “Ties That Bind,” “The Greater Good,” “Callisto,” “Death Mask,” “Is There a Doctor in the House?”

by Walter Chaw With a show title that appears to mean “Alien: Warrior Princess,” what’s not to like about Sam Raimi’s and Rob Tapert’s foray into the realm of cheesecake camp cinema? The distaff queer version of “Highlander: The Series”, it occurs fairly early on that while there will be many aborted love affairs, the only consistent sexual tension will be between Xena (Lucy Lawless) and her talkative, Willow-esque geek sidekick Gabrielle (Reneé O’Connor). Tackling the series from the pink triangle is tempting, but fairly self-defeating: A scene in the second episode where a wounded Xena commands that a farmer stick his poker into the fire pretty much defeats a snarky approach to the material. That bridge has already been crossed–not to say that I’m above crossing it again.

Hot Docs ’03: Kim’s Story (1997)

**½/****directed by Shelley Saywell by Travis Mackenzie Hoover This is the story of Kim Phuc, who was napalmed during the Vietnam War and became the subject of an infamous photo that shocked the world. Her life is full enough of incident: Having become a symbol of America's brutality during the war, she was turned into a propaganda instrument by the Vietnamese government and subsequently defected to the west. She remains, however, a committed pacifist and continues to build bridges between herself and veterans--including, in the film's biggest surprise, the pilot who dropped the napalm on her. Alas, the crew that…

Far from Home: The Adventures of Yellow Dog (1995) – DVD

**/**** Image B Sound B
starring Bruce Davison, Mimi Rogers, Jesse Bradford, Tom Bower
written and directed by Phillip Borsos

by Walter Chaw Though shot with a nice eye for vistas, Phillip Borsos’s ponderously titled Far From Home: The Adventures of Yellow Dog (hereafter Yellow Dog) is decidedly modest in scope. It’s a wilderness fantasy/adventure involving a boy and his dog that follows along so closely to the set-up/pay-off structure that the build-up to the inevitable marooning is almost sadistic in its inevitability. Think of every moment dad teaches his boy to build a fire as the children’s-movie equivalent of a green foot soldier in a war flick showing a picture of his sweetheart to his buddy right before a big action scene.

Abandon (2003) + Dawson’s Creek: The Complete First Season (1998) – DVDs

ABANDON
***½/**** Image A Sound A Extras B

starring Katie Holmes, Benjamin Bratt, Charlie Hunnam, Zooey Deschanel
written and directed by Stephen Gaghan

DAWSON’S CREEK: THE COMPLETE FIRST SEASON
Image C+ Sound B- Extras B-

“Pilot,” “Dance,” “Kiss,” “Discovery,” “Hurricane,” “Baby,” “Detention,” “Boyfriend,” “Road Trip,” “The Scare,” “Double Date,” “Beauty Contest,” “Decisions”

by Bill Chambers Abandon is a damn good movie detested in some quarters because, he hypothesized, it’s not very comforting, because it subverts the entrenched John Landis approach to depicting college life, and because it’s determined to be meaningful within the framework of a supernatural potboiler. The film stars Katie Holmes, whose career has caught its second wind with the near-simultaneous DVD releases of Abandon and the first season of “Dawson’s Creek”, in addition to the title role in 2003’s Sundance favourite Pieces of April and upcoming appearances in Keith Gordon’s The Singing Detective and the Joel Schumacher thriller Phone Booth. She’s also seeing the end of her aforementioned TV series “Dawson’s Creek”, which sails into the sunset this May after five years on the air. It will leave her more time for movies, and with her remarkable taste in film projects (see also: The Gift, Go, and The Ice Storm), I’m anxious to see where that freedom takes her. Especially if it’s anywhere near the territory of her poised work in Abandon.

Bushwhacked (1995) – DVD

*/**** Image B- Sound B-
starring Daniel Stern, Jon Polito, Brad Sullivan, Ann Dowd
screenplay by John Jordan & Danny Byers and Tom Swerdlow & Michael Goldberg
directed by Greg Beeman

by Walter Chaw The Yang to the distaff Yin of Troop Beverly Hills, Bushwhacked, Greg Beeman’s endlessly irritating slapstick take on High Sierra, finds the bird-faced actor Daniel Stern doing his best to milk the hysterical simpleton shtick of his hapless Home Alone villain. Nicknaming Stern’s character “Spider” for no real reason but to, eight years after its release and just now finding its way to DVD, connect it in a disturbing way to David Cronenberg’s thirteenth film by way of arrested Freudian developmental phases and fixations on body function, Bushwhacked, as it happens, is also about as funny as Spider–not a particularly shining endorsement of something that’s ostensibly a comedy.