1970s Archives - Page 7 of 12 - FILM FREAK CENTRAL

Shogun Assassin 2: Lightning Swords of Death (1972) – DVD

April 23, 20071970s, Action, Drama, DVD, Japan

***½/**** Image A- Sound A- Extras B
starring Tomisaburo Wakayama, Go Kato, Yuko Hama, Isao Yamagata
screenplay by Kazuo Koike
directed by Kenji Misumi

by Travis Mackenzie Hoover "What is a samurai?" asks a disillusioned ronin in the blood-soaked nightmare of Shogun Assassin 2^*. It's a good question in context. The feudal Japan of the film–actually the third entry in the Lone Wolf and Cub series, renamed to capitalize on the famed English-language consolidation of the first two–is a lost world of corruption and brutality that makes the idea of a noble samurai seem outdated, if not ridiculous. This lends its swords-and-shooting saga an unexpected gravitas. The film is exploitation all the way, with some pleasingly ludicrous fight scenes and a leering tone that's hard to shake off, but it's also involved in its story on the script level and shot with immaculate care. It's proof that even a glorified serial can leap from the screen when the people involved invest in what's going on.

Blume in Love (1973) – DVD

April 10, 20071970s, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD, Romance

**½/**** Image A Sound A
starring George Segal, Susan Anspach, Kris Kristofferson, Shelley Winters
written and directed by Paul Mazursky

by Travis Mackenzie Hoover Paul Mazursky is at once clear-eyed and fogged-up in his hot-button relationship movies. His best film, Bob and Carol and Ted and Alice, dips its toe into the waters of swingerism then rushes back to the beach–Mazursky immerses himself in the California psychobabble about with-it relationships only to return to standard heterosexual coupling. Similarly, Blume in Love wants very badly to be about cheating, divorce, and the attendant emotional fallout of both, but unfortunately, Mazursky the observer of mores keeps getting tangled up with Mazursky the traditional romantic, meaning he broaches subjects with which he ultimately refuses to deal. Blume in Love is watchable and often compelling when it's doing nothing at all, but it mistakenly turns a blind eye to the astounding solipsism of its protagonist for the sake of love conquering all.

The Films of Kenneth Anger: Volume One – DVD

March 15, 20071940s, 1950s, 1970s, Authors: Travis Mackenzie Hoover, Drama, DVD, Esoterica, Fantasy, Horror, Short Films

by Travis Mackenzie Hoover J. Hoberman once stated that the critic who forgoes the avant-garde "has as much claim to serious attention as a historian who never heard of the Civil War." If that's the case, Kenneth Anger is the avant-garde's Ulysses S. Grant. Lurking in the boho wilderness long before awareness of the New American Cinema spread, he's an influential figure not only in the underground but also in the mainstream. A young Martin Scorsese watched Anger's leather-boy opus Scorpio Rising, gasped at its radical use of popular music, and promptly swiped it for his Mean Streets, thus setting off a chain of events that would end up–somewhat unpleasantly–at the films of Tarantino. That director's incorporation of pop-cult detritus likewise has its roots in the camp underground of which Anger is a part–though our avant-gardist chose to pilfer from Crowley and Kabbalah in addition to the leftovers of pop.

Westerns with a Twist: Three Feature Films – DVD

March 6, 20071960s, 1970s, Adventure, Authors: Travis Mackenzie Hoover, Drama, DVD, East Germany, Romania, Soviet Union, Western, Yugoslavia

THE SONS OF GREAT BEAR (1965)
Die Söhne der großen Bärin
*½/**** Image B- Sound B+ Extras B
starring Gojko Mitic, Jirí Vrstála, Rolf Römer, Hans Hardt-Hardtloff
screenplay by Liselotte Welskopf-Henrich, based on her novel
directed by Josef Mach

CHINGACHGOOK: THE GREAT SNAKE (1967)
Chingachgook, die grosse Schlange
**/**** Image C+ Sound B Extras B
starring Gojko Mitic, Rolf Römer, Lilo Grahn, Helmut Schreiber
screenplay by Wolfgang Ebeling and Richard Groschopp, based on the novel by James Fenimore Cooper
directed by Richard Groschopp

APACHES (1973)
Apachen
*½/**** Image C+ Sound B+ Extras C+
starring Gojko Mitic, Milan Beli, Colea Rautu, Leon Niemczyk
screenplay by Gojko Mitic, Gottfried Kolditz
directed by Gottfried Kolditz

by Travis Mackenzie Hoover On paper, it seems like a good idea: a series of westerns that not only adopt the Indian point-of-view but also paint the advancing white hordes as monstrous despoilers of the landscape and its peoples. From 1965 to 1982, that's exactly what East Germany's DEFA studios proposed: fifteen Native-centric westerns featuring chiselled Gojko Mitic as an Indian hero ready and willing to kick settler ass. But though these films took the most American of genres and used it against its homeland (a propaganda coup if ever there was one), that's where the fascination ends. Once you've dispensed with the hilarious Cold War contortions, you're left with education-film-quality productions that preach loud and long while boring the audience early and often.

The Devil’s Rain (1975) – DVD

February 13, 20071970s, Authors: Alex Jackson, DVD, Horror, Zombie

***/**** Image A Sound A- Extras B-
starring Ernest Borgnine, Eddie Albert, Tom Skerritt, William Shatner
screenplay by James Ashton, Gabe Essoe, Gerald Hopman
directed by Robert Fuest

by Alex Jackson SPOILER WARNING IN EFFECT. The Devil's Rain is like a bad song you can't get out of your head. It isn't a successful film, or even a particularly good one, but it's made with sincerity, verve, and an understanding of the horror genre's potential for kinetic filmmaking and potent allegory. Moreover, it isn't a cheat–this isn't just another cheap cash-in on the "Satan" craze of the 1970s. The last thing director Robert Fuest and screenwriters James Ashton, Gabe Essoe, and Gerald Hopman are looking to do is take your money and run. And though this is largely a trend of the mid-to-late-'80s onward, they aren't looking to vindicate their reputations by condescending to the material, either. I actually feel a little protective of The Devil's Rain; its failure is one more of incompetence than of cynicism, and that's really rather reinvigorating in an age where self-consciousness reigns supreme in horror films both good (The Texas Chainsaw Massacre: The Beginning) and bad (See No Evil).

The Up Series [Five Disk Collector’s Edition] – DVD

February 11, 2007****/****, 1960s, 1970s, 1980s, 1990s, 2000s, Authors: Ian Pugh, Documentary, DVD, FFC Must-Own, UK

by Ian Pugh "Give me the child until he is seven, and I will give you the man."

So goes the Jesuit maxim, and, as it happens, so begins almost every review you'll find of Michael Apted's "Up" documentary series. Of course, you can't really fault someone for falling back on that warhorse (or this would be a very ironic paragraph indeed), because it's the concept that brought the original television production Seven Up! to life, intended as it was as "a glimpse into Britain's future." That is to say, into the lives of fourteen seven-year-olds, chosen from all walks of life (though mostly from polar opposites of the class divide) and asked about the world, their ambitions, and just generally how they're doing; they've been revisited for the same purpose every seven years hence.

Fiddler on the Roof (1971) [2-Disc Collector’s Edition] – DVD

January 29, 20071970s, Authors: Travis Mackenzie Hoover, Drama, DVD, Family, Musical, Romance

***/**** Image A Sound A Extras B
starring Topol, Norma Crane, Leonard Frey, Molly Picon
screenplay by Joseph Stein, based on his play
directed by Norman Jewison

by Travis Mackenzie Hoover Fiddler on the Roof is sort of the transition point between the late-'60s Twilight of Old Hollywood and the American Renaissance of the '70s. In one sense, it's the very last of the king-sized Broadway adaptations the industry kept churning out to no avail before the advent of Easy Rider, and there's no denying that the film is over-scaled and over-orchestrated in that manner. Yet there's a genuine sensibility going on here beyond masonry and screeching violins: incredibly, director Norman Jewison has managed to infuse the expensive proceedings with a certain emotional honesty–enough to keep you rapt in fascination without sending your blood-sugar level through the roof, if not enough to make Fiddler on the Roof the masterpiece its status as a home-video perennial would suggest.

A Star is Born (1976) – DVD

January 3, 20071970s, Authors: Travis Mackenzie Hoover, Drama, DVD, Music, Romance

**/**** Image B+ Sound A- Extras B+
starring Barbra Streisand, Kris Kristofferson, Gary Busey, Oliver Clark
screenplay by John Gregory Dunne & Joan Didion and Frank Pierson
directed by Frank Pierson

by Travis Mackenzie Hoover It was no doubt celestially preordained that Barbra Streisand would unleash herself on some cherished Old Hollywood warhorse. But while the Janet Gaynor/Judy Garland hand-me-downs that ultimately felt her musical wrath were nobody's idea of untouchable masterpieces, they at least played their cards right in terms of credulity towards celebrity and damaged spouses. The Streisand/Kristofferson A Star is Born lacks genuine investment in its central relationship between alcoholic rock star John Norman Howard (Kris Kristofferson) and his protégé/lover Esther Hoffmann (Streisand). We're supposed to take their epic love on faith, to say nothing of the burned-out cynicism of the descendant rocker; there's a lot of talk about disaffection and anguish, but Frank Pierson's camera never catches it and the actors never quite express it.

1900 (1976) [Two-Disc Collector’s Edition] + La Commune (Paris, 1871) (2000) – DVDs

December 18, 2006****/****, 1970s, 2000s, Authors: Travis Mackenzie Hoover, Drama, DVD, Esoterica, France, Italy, Pseudo-Documentary, Robert De Niro, War, West Germany

1900
**½/**** Image A- Sound B+ Extras B+
starring Robert De Niro, Gerard Depardieu, Dominique Sanda, Francesca Bertini
screenplay by Franco Arcalli, Giuseppe Bertolucci, Bernardo Bertolucci
directed by Bernardo Bertolucci

LA COMMUNE (PARIS, 1871)
****/**** Image B- Sound C+ Extras C+
directed by Peter Watkins

by Travis Mackenzie Hoover In this corner, Bernardo Bertolucci, weighing in with a massive budget courtesy of Alberto Grimaldi and a cast that includes De Niro, Depardieu, Sutherland, Lancaster, Hayden, and Sanda. Over here we have Peter Watkins, working for peanuts on a single soundstage with a cast of nobodies recruited from Paris and its environs. The fight, as it turns out, is more than one over who can make the longest movie (5hrs15mins for Bertolucci, 5hrs45mins for Watkins) or grab the most attention. The issue is: what are the conditions necessary for a revolutionary epic–moreover, what conditions get in the way? This is the real purpose of comparing 1900 and La Commune (Paris, 1871) (hereafter La Commune), for each film throws down for the Communist cause but only one is conscious of the nuances. Where Watkins and his troupe constantly reframe the idea of what it means to foment revolution, Bertolucci thinks he's got the idea–and proves, through mindless repetition, that he really doesn't.

The Texas Chain Saw Massacre (1974) [2-Disc Ultimate Edition] – DVD

October 30, 2006****/****, 1970s, Authors: Walter Chaw, Directors: Tobe Hooper, DVD, FFC Must-Own, Horror

****/**** Image A Sound A Extras A+
starring Marilyn Burns, Paul A. Partain, Edwin Neal, Jim Siedow
screenplay by Kim Henkel and Tobe Hooper
directed by Tobe Hooper

by Walter Chaw If we start from the position that Sally (Marilyn Burns) is burdened from the get-go by two misfit monsters, then we can look at Tobe Hooper's The Texas Chain Saw Massacre as not only a keen autopsy of a particular moment in our country's history (circa 1974), but also a profoundly sensitive look at social prejudices and the toll said prejudices take on the human social organism. More than the typical rise-of-the-bumpkins horror conceit, it is, along with John Boorman's Deliverance from two years earlier, the classic example of a film that isn't about what it's ostensibly about. Look at the assiduous reduction of wheelchair-bound outcast Franklin (Paul A. Partain), a character who remains for the efforts of Hooper and Partain (apparently so irritating in real life that his cohorts were relieved by his on-screen demise) one of the most unapologetically irritating and pathetic figures in film and find noteworthy not that a handicapped person is allowed to be a self-pitying asshole, but that we're not let off the hook (as it were) for our own prejudices. Franklin is an anchor–and we're glad that he's dead, too.

The Rocky Horror Picture Show (1975) + Shock Treatment (1981) [Bodice-Ripping Fabulous 3-Disc Set] – DVD

October 11, 20061970s, 1980s, Authors: Alex Jackson, Comedy, DVD, Esoterica, Musical

THE ROCKY HORROR PICTURE SHOW
***½/**** Image A Sound A Extras A-
starring Tim Curry, Susan Sarandon, Barry Bostwick, Richard O’Brien
screenplay by Jim Sharman and Richard O’Brien
directed by Jim Sharman

SHOCK TREATMENT
**½/**** Image A- Sound B+ Extras B+
starring Jessica Harper, Cliff De Young, Patricia Quinn, Richard O’Brien
screenplay by Richard O’Brien and Jim Sharman
directed by Jim Sharman

by Alex Jackson SPOILER WARNING IN EFFECT. I have never attended an actual theatrical showing of The Rocky Horror Picture Show, and for the longest time, I doubted that I was completely receptive to every significant nuance and intricacy of the film, what with its name-dropping of Michael Rennie and the presence of a performer called “Little Nell” who wears Mickey Mouse ears during the “Touch-A, Touch-A, Touch Me” number. The picture’s esoteric quotient has always eluded my radar, preventing me from fully identifying with it, much less condescending to it. This idea of familiarity with extra-textual elements or training in a specific method of watching as essential in the evaluation process is a perennial issue in film criticism for me. My default position is that the two things don’t have that much to do with each other: Learning more about a film can deepen an appreciation that was already there, but the initial call of yea or nay is one that every king, scholar, and prole is equally qualified to make. Beautiful idea, I think–it helps me sleep at night and keeps me from being too scared to see and write about films outside my realm of experience. So why is it that I am so intimidated by this movie?

Smokey and the Bandit (1977) [Special Edition] – DVD

September 28, 20061970s, Action, Adventure, Authors: Travis Mackenzie Hoover, Comedy, DVD, Road Movie

*/**** Image B Sound B+ (DD)/A (DTS) Extras B
starring Burt Reynolds, Sally Field, Jerry Reed, Jackie Gleason
screenplay by James Lee Barrett and Charles Shyer & Alan Mandel
directed by Hal Needham

by Travis Mackenzie Hoover One thing is inescapably true: Smokey and the Bandit was not aimed at people like me. Only the most casual, least demanding filmgoer need apply to this good-ol'-boy version of Vanishing Point–people with as much beer in them as possible, ready to laugh at cheap jokes and root for a speed demon. They are welcome to the movie, but the fact remains that anyone with even a scintilla of interest in film as art is pretty much left out in the cold. As I can hear a mountain of e-mail forming denouncing me for my perceived elitism, let me be perfectly clear: anyone in the market for Burt Reynolds driving fast and making Jackie Gleason apoplectic will find this the sort of thing that they like.

Eaten Alive (1977) [Special Edition] – DVD

September 18, 20061970s, Authors: Alex Jackson, Directors: Tobe Hooper, DVD, Horror

a.k.a. Death Trap, Legend of the Bayou, Murder on the Bayou, Starlight Slaughter, Horror Hotel, Horror Hotel Massacre
**½/**** Image C+* Sound B Extras B+
starring Neville Brand, Mel Ferrer, Carolyn Jones, Marilyn Burns
screenplay by Alvin L. Fast, Kim Henkel and Mardi Rustam
directed by Tobe Hooper

by Alex Jackson The disparity between the reputation of Tobe Hooper’s The Texas Chain Saw Massacre and that of everything he made thereafter had been eating away at me ever since I polished off his 1977 follow-up, Eaten Alive. You see, Eaten Alive seemed to me to be very much the same movie as The Texas Chain Saw Massacre, only instead of a maniac with a chainsaw and a sledgehammer, it had a maniac with a sickle and a man-eating crocodile. Why exactly is it that critics and audiences alike consider The Texas Chain Saw Massacre canonical, a masterpiece of the genre, while Eaten Alive floundered in relative obscurity until being referenced in a Quentin Tarantino film?

Let’s Scare Jessica to Death (1971) – DVD

August 29, 20061970s, Authors: Travis Mackenzie Hoover, Drama, DVD, Horror, Mystery

**½/**** Image B+ Sound B+
starring Zohra Lampert, Barton Heyman, Kevin O'Connor, Gretchen Corbett
screenplay by Norman Jonas and Ralph Rose
directed by John Hancock

by Travis Mackenzie Hoover Let's Scare Jessica to Death is a sort of journeyman-hack remake of Repulsion: the fantasy-into-reality element is there without Polanski's jolting surrealism, while genre trappings are introduced to keep everybody from wondering what the hell they're watching. Strangely, the concoction successfully keeps you doing just that. Anchored by Zohra Lampert's convincing performance in the title role, the film manages to make its modest borrowings seem quaint and pleasant in a campfire-story way. Director John Hancock's craftsmanship prevents the whole thing from collapsing, and the gimmicky script, by Hancock and Lee Kalcheim (both writing under pseudonyms), has enough juicy plums to string you along for the next one. It isn't exactly good, but it's surprisingly watchable–if not always credible.

Harry and Tonto (1974) – DVD

August 14, 20061970s, Adventure, Authors: Alex Jackson, Comedy, Drama, DVD, Road Movie, Romance

**/**** Image B+ Sound B Commentary B+
starring Art Carney, Ellen Burstyn, Geraldine Fitzgerald, Larry Hagman
screenplay by Paul Mazursky and Josh Greenfeld
directed by Paul Mazursky

by Alex Jackson I complain a lot about film criticism being reduced to archaeology, but I don't think I've ever seen anything quite as impenetrable along these lines as Paul Mazursky's 1974 sleeper Harry and Tonto. It never coheres, it never makes its point, and it never justifies its existence. You know Mr. Bernstein's anecdote about the girl in the white dress in Citizen Kane, or Marge Gunderson's drink with her old high school chum in Fargo–those nice little throwaway moments that haven't much to do with the actual movie? In Harry and Tonto, Mazursky gets rid of the "actual movie" and gives us nothing but throwaway moments. Yeah, it's that kind of film.

Equinox [The Criterion Collection] – DVD

August 13, 20061960s, 1970s, Action, Adventure, DVD, Fantasy, Horror, Mystery, The Criterion Collection

THE EQUINOX …A JOURNEY INTO THE SUPERNATURAL (1967)
***½/**** Image B Sound B Extras A+
starring Skip Shimer, Barbara Hewitt, Frank Boers, Jr., Robin Snider
screenplay by Mark Thomas McGee
directed by Mark Thomas McGee & Dennis Muren

EQUINOX (1970)
*½/**** Image B Sound B Extras A+
starring Edward Connell, Barbara Hewitt, Frank Boers jr., Robin Christopher
written and directed by Jack Woods

by Walter Chaw Four teens on a double-date venture into the hills around California in search of an old, dotty professor only to learn that the crazy old bat's unleashed the spawn of Hell with a book written by the devil. When producer Jack Harris bought The Equinox …A Journey Into the Supernatural (hereafter The Equinox) and hired B-hack Jack Woods to partially rewrite and reshoot it three years after its completion, he would insert a new character in evil, unibrowed park ranger Asmodeus (Woods), thus imposing a weird element of pervy grope cinema while handily washing away in a wave of lowbrow mediocrity most of what makes The Equinox so exceptional. Comparing the two versions (the revamp's title streamlined to Equinox) is an example of the difference between gifted amateurs pursuing a passion and slick exploitation artists applying their own interpretations (this time the burgeoning drive-in market) of where they might grab the quickest buck. For The Equinox to endure as an underground classic despite its co-optation is something like The Magnificent Ambersons maintaining its masterpiece status despite the non-existence of Welles's original cut. It's quite a relief, in other words, that Dennis Muren's The Equinox has survived for comparison's sake.

Street Law (1974) + The Big Racket (1976) + The Heroin Busters (1977) – DVDs

July 26, 20061970s, Action, Authors: Travis Mackenzie Hoover, Blue Underground, Crime, Drama, DVD, Italy, Thriller

STREET LAW
Il cittadino si ribella
**/**** Image A Sound A Extras B-
starring Franco Nero, Giancarlo Prete, Barbara Bach, Renzo Palmer
screenplay by Massimo de Rita and Dino Maiuri
directed by Enzo G. Castellari

THE BIG RACKET
Il grande racket
**/**** Image A Sound A Extras B+
starring Fabio Testi, Vincent Gardenia, Renzo Palmer
screenplay by Arduino Maiuri, Massimo de Rita, Enzo G. Castellari
directed by Enzo G. Castellari

THE HEROIN BUSTERS
La via della droga
*½/**** Image A- Sound A Extras B-
starring Fabio Testi, David Hemmings, Sherry Buchanan
screenplay by Massimo de Rita and Enzo G. Castellari
directed by Enzo G. Castellari

by Travis Mackenzie Hoover There comes a point in every man's life when he finds himself pushed too far. By "too far," I naturally mean the moment where a) criminal thugs are roaming the streets, and b) innocent bystanders are completely expendable in their apprehension and/or bloody death. And if Blue Underground is to be believed, Enzo G. Castellari long ago reached that point. The champagne of exploitation labels has lavished infinite care on three of the master's most lurid exploits: the Death Wish precursor Street Law; the police-vigilante epic The Big Racket; and the relatively routine drug drama The Heroin Busters. Each of these films does away with such nuisances as due process and respect for public safety. Castellari's oeuvre reveals the dark underbelly of '70s permissiveness, which on one hand extended the hippie mandate to less shaggy extremes but on the other encouraged right-wingers to embrace police-brutality extravaganzas.

MASH (1970) – DVD

July 25, 20061970s, Authors: Walter Chaw, Comedy, Directors: Robert Altman, Drama, DVD, Palme d'Or Winner, War

***½/**** Image A Sound A Extras A
starring Donald Sutherland, Elliott Gould, Tom Skerritt, Sally Kellerman
screenplay by Ring Lardner, Jr., based on the novel by Richard Hooker
directed by Robert Altman

by Walter Chaw On the shortlist of Robert Altman masterpieces, MASH compares best with his The Long Goodbye in that both are unapologetically informed by the cult of masculinity: fucking and fucking people up. Tenderness in the film is someone breaking their hand on someone else's head when that someone else says something stupid to a kid. Better, it's giving a different kid a stroke magazine to counteract his de facto religious training at the hands of an obvious nutjob (who's nutty mainly because he's trying to impose enlightenment where enlightenment cannot by definition exist). Accordingly, matters of spirituality and men of the cloth are to be scoffed at while other rituals–like the rites observed in an operating theatre, or golf (a game played with clubs), or football, or the pursuit of women–are regarded with the obsessive gravity of a lower primate. It's about male bonding, all that cruelty towards women and disrespect of authority and open racism–the game of me-against-you in a film that, contrary to popular consensus, isn't a Hellerian satire about the absurdity of war, but what may be the saddest war film ever made in that it identifies conflict as something that, however contrary to civilization, is inextricably hardwired into our bestial nature. We're vile, stupid, ignoble apes and we aspire to ideals we're eternally incapable of honouring.

Beyond the Valley of the Dolls (1970) [Cinema Classics Collection] – DVD

July 24, 20061970s, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD, Esoterica, Music

***½/**** Image A Sound A Extras A
starring Dolly Read, Cynthia Myers, Marcia Mc Broom, John La Zar
screenplay by Roger Ebert
directed by Russ Meyer

by Travis Mackenzie Hoover There's no point in whitewashing the career of Russ Meyer. Latter-day critics have tried to float the filmmaker/satirist/horndog as some kind of feminist despite much evidence to the contrary, and though against-the-grain readings are possible, really, who are we kidding? Similarly, his Beyond the Valley of the Dolls is loaded with all sorts of attitudes most thinking adults would rather like to forget, including a streak of homophobia that resonates as slightly nasty. But with Meyer, it's impossible to separate an actual position from a sitting duck–and that confusion is what makes his films so uniquely mind-blowing. His fake morality tales blow up the very notion of morality, to the point where his less noble conceits are torpedoed with everything else.

Magic (1978) – DVD

July 10, 20061970s, Authors: Walter Chaw, Drama, DVD, Horror, Romance

***½/**** Image A Sound B Extras B
starring Anthony Hopkins, Ann-Margret, Burgess Meredith, Ed Lauter
screenplay by William Goldman, based on his novel
directed by Richard Attenborough

by Walter Chaw I've never been able to contextualize Richard Attenborough's Magic in any meaningful way. I think the best William Goldman pulp novels (Control, The Princess Bride, Marathon Man, Tinsel) defy categorization and emerge as artifacts out of time and genre. The homosexual twists, the sexualized fairytales, the exploding breast implants, the first-person narration taken from "Fats's Diary" of Magic, his thriller about a mad artist engaged in that hard-to-contextualize discipline of ventriloquism…