The Tall T (1957)

June 19, 2002Posted in1950s, Authors: Travis Mackenzie Hoover, Romance, Theatrical, Thriller, Western

***/****
starring Randolph Scott, Richard Boone, Maureen O’Sullivan, Arthur Hunnicutt
screenplay by Burt Kennedy
directed by Budd Boetticher

by Travis Mackenzie Hoover The Tall T is, on the surface, a fairly unassuming western from the ’50s: individualistic loner fights bad guys while standing up for the pioneer spirit. Why, then, did it leave me with such an awful sadness? The reason is that the filmmakers have thought about what loner individuals and bad guys and the pioneer spirit represent, and the conclusions they reach are quietly devastating. Instead of displaying knee-jerk expressions of stock responses, director Budd Boetticher and writer Burt Kennedy truly meditate on why someone would want to embody the cowboy ideal–and realize it’s an alienation so great that social life becomes all but unbearable. It’s not even a critique of the American dream, but a lament for an alternative that might lead someone out of isolation; The Tall T ultimately finds that a life of productive solitude is better than becoming gnarled in the risks of the outside world.

It Came from Outer Space (1953) – DVD

May 20, 2002Posted in1950s, Authors: Walter Chaw, DVD, Horror, Romance, Sci-Fi, Thriller

***/**** Image B+ Sound B Extras A+
starring Richard Carlson, Barbara Rush, Charles Drake, Russell Johnson
screenplay by Harry Essex, based on the story by Ray Bradbury
directed by Jack Arnold

by Walter Chaw The first Universal International science-fiction release, the first motion picture to be shot in 3-D “Nature Vision,” and the first genre film to primarily use the theremin in its score (by an unbilled Henry Mancini, Irving Gertz, and Herman Stein), Jack Arnold’s It Came From Outer Space is influential in so many ways that it would take twice and again the space allotted for this review to list them all. (A short list includes Spielberg’s Close Encounters of the Third Kind and his statement to (again unbilled) screenwriter Ray Bradbury that it would not exist without this picture (Dreyfuss’s profession in that film pays homage to Russell Johnson’s profession in this one); The Abyss and its watery fish-eye point-of-view; and countless “desert” sci-fis, including such recent incarnations as Evolution and the opening sequence of Men In Black.) It Came from Outer Space is a prime example of how nuclear terror and the Red Scare informed the B-horror films of the Fifties, and that genre movies today would do well to take a few lessons from their predecessors.

The Starz Independent FilmCenter Project, Vol. 1

April 5, 2002Posted in****/****, 1950s, 1990s, 2000s, Animation, Authors: Walter Chaw, Comedy, Crime, Czech Republic, Drama, Fantasy, France, Horror, Japan, Mexico, Mystery, Netherlands, Satire, Theatrical, Thriller, UK

by Walter Chaw

BOB LE FLAMBEUR (1956)
***½/****
starring Isabelle Corey, Daniel Cauchy, Roger Duchesne, Guy Decomble
screenplay by Jean-Pierre Melville, dialogue by Auguste Le Breton
directed by Jean-Pierre Melville

With every minute of Henri Decaё’s cinematography looking like a Eugène Atget photograph, Jean-Pierre Melville’s Bob Le Flambeur is a visually stunning film from a director who influenced filmmakers as diverse as Jean-Luc Godard (who quotes Bob Le Flambeur at least twice in Breathless) and John Woo (whose The Killer takes its basic plot from Melville’s Le Samourai). It is film noir of the highest order, reminding in its ensemble intricacy of Kubrick’s The Killing (released a year later in 1956) and evoking the kind of chiaroscuro, gin-joint, smoke-drenched milieu where every ashtray has a name. It’s a love letter to the grim American gangster drama of the Forties that subverts the genre even as it reinvents it as a lyrical ballad to gamblers, losers, hoods, and wayward dames–a snapshot of the Montmarte district of Paris 47 years before Jean-Pierre Jeunet’s reinvention of the same.

Halls of Montezuma (1950) – DVD

November 13, 2001Posted in1950s, Action, Adventure, Authors: Walter Chaw, Drama, DVD, War

***½/**** Image A Sound B
starring Richard Widmark, Jack Palance, Reginald Gardiner, Neville Brand
screenplay by Michael Blankfort
directed by Lewis Milestone

by Walter Chaw Released in 1950, Lewis Milestone's Halls of Montezuma is gritty and fascinating, free of a good deal of the jingoism that flavoured earlier WWII studio productions and as influential as they come within the genre. A haunting sequence set during a nighttime rocket attack and lit only by occasional strobes while an unseen enemy screams out at frayed Marines recalls a similar one from Coppola's Apocalypse Now, while Richard Widmark's reluctant Lt. Anderson (a quiet former schoolteacher beset by doubt and anger) and Neville Brand's Sgt. Zelenko are clearly the prototypes for Tom Hanks's Capt. John Miller and Tom Sizemore's Sgt. Horvath, respectively, in Saving Private Ryan. The film's most impressive to the war-movie vocabulary is its ambiguous philosophy: Halls of Montezuma is alive with the creeping suspicion that war may not be all it's cracked up to be–that it might in fact be hell. While there's certainly nothing shocking about that sentiment in our post-Vietnam, post-Korea psyches, that kind of philosophical dissention was rare in the pre-Korea 1950s, and in regards to the unflagging "popularity" of WWII, uncommon even today.

On the Waterfront (1954) [Special Edition] – DVD

October 29, 2001Posted in****/****, 1950s, Authors: Bill Chambers, Authors: Walter Chaw, Best Picture (Academy Awards), Crime, Directors: Elia Kazan, Drama, DVD, Thriller

****/**** Image A- Sound B Extras B
starring Marlon Brando, Karl Malden, Lee J. Cobb, Rod Steiger
screenplay by Budd Schulberg
directed by Elia Kazan

by Walter Chaw There is a moment in the middle of Elia Kazan’s On the Waterfront that stands out for me as one of the defining in my love of movies. Terry Malloy (Marlon Brando) confesses to his girlfriend Edie Doyle (Eva Marie Saint) that he was involved in the Union execution of her brother, but rather than listen to Terry rehash events with which we’re already familiar, a steam whistle drowns him out. The precise way that Terry moves his hands and the expression on Edie’s face, growing from a gentle concern to horror, is among the most cinematic moments in the history of the medium. It’s breathtaking in its simplicity and subtlety, revolutionary in its presentation and its eye, and exactly the right choice for the film at the right moment.

Tom and Jerry’s Greatest Chases – DVD

April 24, 2000Posted in1940s, 1950s, Action, Adventure, Animation, Authors: Bill Chambers, Comedy, DVD, Family, Short Films

Image B- Sound B-
“The Yankee Doodle Mouse,” “Solid Serenade,” “Tee for Two,” “Mouse in Manhattan,” “The Zoot Cat,” “Dr. Jekyll and Mr. Mouse,” “The Cat Concerto,” “The Little Orphan,” “Salt Water Tabby,” “Kitty Foiled,” “Johann Mouse,” “Jerry’s Diary,” “Jerry and the Lion,” “Mice Follies”

by Bill Chambers As I waded through Tom and Jerry’s Greatest Chases, a perfectly enjoyable DVD compilation of postwar “Tom and Jerry” cartoons, I began to wonder why the eternally backbiting cat and mouse have not endeared and endured over decades to the extent that almost any combination of bickering Looney Toons has.