My Friend Flicka (1943) – DVD

**/**** Image A+ Sound B
starring Roddy McDowall, Preston Foster, Rita Johnson, James Bell
screenplay by Francis Edwards Faragon, based on the book by Mary O’Hara
directed by Harold Schuster

by Walter Chaw Revealing itself as a primary source for Spielberg’s E.T. (complete with scene in which a boy and his extra-species pal are found unconscious in a stream), Harold Schuster’s prototypical horse opera My Friend Flicka finds its locus in the relationship between a boy and his animal, its comic relief in a bratty little sister (Diana Hale) who can’t be trusted, and its antagonist in a stern but loving father (Preston Foster). Released to good success in 1943, the film (based on three novels by Mary O’Hara) fostered two sequels and a popular television show that banked on the syrupy good old-fashioned paterfamilias values that proliferated in TV’s late-’50s “Golden Age.” Accordingly, the film is burdened by a surplus of problem/solution climaxes and a perversely invasive score by Hollywood legend Alfred Newman that telegraphs every emotional response with a moldy insistence best described as “John Williams-y.”

Gentlemen’s Agreement (1947) [Studio Classics] – DVD

*/**** Image A Sound B+ Extras C
starring Gregory Peck, Dorothy McGuire, John Garfield, Celeste Holm
screenplay by Moss Hart, based on the novel by Laura Z. Hobson
directed by Elia Kazan

by Travis Mackenzie Hoover Gentleman’s Agreement is a painful film to sit through. Not only is its construction long-winded and lopsided, not only is its look only marginally more attractive than life insurance fine print, but it is part of that horrible genre of liberal “message” movies that haunts us to this day. I’d like to say that post-post-modern cynicism has rendered it obsolete, and thus quaint and unthreatening, but what angered me most about it was that its particular strain of self-satisfaction continues to ravage the Hollywood corpus. Rather than depict the cruelty of prejudice, the film is determined to give the audience untouched by prejudice something over which to feel superior, and it acts as a model for all the cynical do-gooding fools who have followed in its wake.

Mickey’s House of Villains (2001) – DVD

**½/**** Image A Sound A Extras C-
directed by VARIOUS

by Walter Chaw Just in time for Halloween, Mickey’s House of Villains collects eight animated shorts spanning sixty-some years while illustrating the creative flatline that Disney has experienced from its heyday to well into its current decline. The Mouse demonstrates, too, a tiresome reliance of late on loosely framed anthologies for their direct-to-video releases and this one is no exception, as a gallery of Disney rogues collect in a nightclub to plot the demise of proprietors Mickey, Minnie, Donald, Goofy, et al.

Guadalcanal Diary (1943) + Wing and a Prayer (1944) – DVDs

GUADALCANAL DIARY
*/**** Image B Sound C+
starring Preston Foster, Lloyd Nolan, William Bendix, Richard Conte
screenplay by Jerry Cady, based on the book by Richard Tregaskis
directed by Lewis Seiler

Wing and a Prayer (The Story of Carrier X)
*½/**** Image B- Sound C+

starring Don Ameche, Dana Andrews, William Eythe, Charles Bickford
screenplay by Jerome Cady
directed by Henry Hathaway

by Walter Chaw Filmed just months after the actual invasion of Guadalcanal late in 1942 and based on Richard Tregaskis’s wildly popular (but excessively jingoistic and poorly-written) memoir of the same, Guadalcanal Diary is interesting for a glimpse at the Hollywood propaganda machine of WWII, if not for any other reason. With predictable inflammatory dialogue and plotting and broad burlesque performances by a gaggle of recognizable character actors in familiar stereotypes, Guadalcanal Diary is a rush job notable today for an early appearance by Anthony Quinn, in a role as the token ethnic fellow meant to inspire volunteerism in the barrio.

Citizen Kane (1941) – DVD

****/**** Image A+ Sound A+ Extras A+
starring Orson Welles, Joseph Cotten, Dorothy Comingore, Ray Collins
screenplay by Herman J. Mankiewicz Orson Welles
directed by Orson Welles

by Walter Chaw There are two shots of Rosebud in Citizen Kane, the first as it’s covered by a blanket of forgetful snow outside the boarding-house of Kane’s mother, the second as it’s being consumed by flames in the basement of Kane’s Florida estate. Ice and fire. Citizen Kane is a film about contrast and duality, and it expresses this through nearly every facet of the production. Kane has two friends, two wives, makes two trips to his palatial estate, and visits Susan Alexander twice. He is torn in half by his duelling personas: public magnate and private misanthrope–both sides coming together when he writes an excoriating review of his own wife’s debut opera performance just prior to firing his best friend Jedediah (Joseph Cotten) from the newspaper they founded together.

Tom and Jerry’s Greatest Chases – DVD

Image B- Sound B-
“The Yankee Doodle Mouse,” “Solid Serenade,” “Tee for Two,” “Mouse in Manhattan,” “The Zoot Cat,” “Dr. Jekyll and Mr. Mouse,” “The Cat Concerto,” “The Little Orphan,” “Salt Water Tabby,” “Kitty Foiled,” “Johann Mouse,” “Jerry’s Diary,” “Jerry and the Lion,” “Mice Follies”

by Bill Chambers As I waded through Tom and Jerry’s Greatest Chases, a perfectly enjoyable DVD compilation of postwar “Tom and Jerry” cartoons, I began to wonder why the eternally backbiting cat and mouse have not endeared and endured over decades to the extent that almost any combination of bickering Looney Toons has.