Godzilla (1998)

Reposted in the interest of posterity and synergy, despite not being very well-written.-Ed.

ZERO STARS/****
starring Matthew Broderick, Jean Reno, Hank Azaria, Maria Pitillo, Godzilla
screenplay by Dean Devlin and Roland Emmerich
directed by Roland Emmerich

by Bill Chambers The partnership of Roland Emmerich and Dean Devlin yielded a giant box office hit last time out with their alien invasion picture Independence Day, a film critically dissed in large part because it was populated with stereotypes: we knew who the smart guy was because he wore glasses and a pocket-protector; who the gay guy was because Harvey Fierstein's dialogue was set to flaming; who the hero was because he promised to "whoop E.T.'s ass." This time out, Devlin and Emmerich have solved that problem by making no attempts whatsoever to define their stable of characters. Not only is New York City a shambles when Godzilla is through, so is Godzilla, a disaster picture in every sense of the word. This may be the most uncompelling summer movie contender in the history of the sport.

Film Freak Central’s Top 10 of 1997

Editor's Note, December 24, 2012: Again, this material is pretty stale. Mostly reposting it for posterity, something I can't always bring myself to do when it comes to the early reviews.

Top1097The following Ten Best list reflects only the opinions of Bill Chambers–FILM FREAK CENTRAL's webmaster–and not necessarily those of this site's other contributors.

1. The Ice Storm– Suburbia in most films is portrayed as a white picket fence surrounding a dozen Addams families. The Ice Storm is less eager to impress us with quirky kinfolk–it places two neighbouring, dysfunctional families under a microscope. Witty without being jokey, sad without being blatantly tearjerking, this is that sort of film so unforgiving that audiences stayed away in droves.