½*/****
starring Jackie Chan, Tony Leung Ka-fai, Kim Hee-seon, Mallika Sherawat
screenplay by Stanley Tong, Wang Hui-ling, Li Hai-shu
directed by Stanley Tong
by Bill Chambers The Myth, or: Crouching Tiger, Hidden Turdbath. Sabotaging a potential comeback by trying to catch a wave (not unlike the myriad has-beens in the music industry who jumped on the disco bandwagon), Jackie Chan dips a toe in the unfriendly, nay, hostile waters of the wu xia genre recently revitalized by the likes of Ang Lee and Zhang Yimou. Although The Myth is cruddy-looking (HD's fine for George Lucas excretions and Robert Rodriguez fantasias, but it has a long way to go before it'll be ready for this kind of quasi-epic) and beset by shoddy effects work, blame for its near-unwatchability falls squarely at the feet of Chan and his frequent collaborator Stanley Tong, who directed the film and co-wrote its infantile screenplay. The pitch-meeting must've sounded like kindergarten–after all, it's got meteorites! And sword-fighting! And princesses! And archaeologists! And rooms without gravity! And swamis! And ghosts! It doesn't help that Chan's face has petrified with age and distress into a single, constipated expression, making his reaction shots so opaque as to be dramatically ineffectual. There's a decent set-piece involving a conveyer belt slathered in super-glue, but just the fact that the heir apparent to Fred Astaire would rather contrive reasons to move as little as possible during an action sequence than retire is proof of the production's mid-life crisis. PROGRAMME: Viacom Galas